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Submission Opportunities for Women in Theatre
(previously known as Theatre Funding Newsletter)
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Project Submissions
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If you are a longtime recipient of #StageOpps and #ScreenOpps,
you know that they started as the Funding Newsletters,
brought to you by WomenArts, who still support the ongoing production of these opportunities as well as our Funding Resources pages.
WomenArts' founder and president, Martha Richards,
received the 2020 Elsa Rael VintAge Award
(for Advocacy for Women in the Arts & Media as They Age) from us
on Zoom Saturday, November 14, 2020.
Check out our VintAge page for more info.
Project Submissions
13th ANNUAL COLUMBUS BLACK THEATRE FESTIVAL (CBTF)
diversity, inclusion, and equity of Black and Brown characters for our 13th Annual Columbus Black Theatre Festival (CBTF) that will be held July 5th-6th 2025, at The Columbus Performing Arts Center Van Fleet Theatre, located in downtown Columbus, Ohio. The theme for 2025 is Still Standing Strong. Our Founder/Artistic Director, Julie Whitney Scott, was given this theme, as usual, through prayer. It’s a theme that inspires hope, resilience, and love for each another. It’s about standing strong as an individual, couple or group of people before, during, through and after adversity comes into their lives. It’s about how to stay strong during difficult times. It must be a story that is a story and not a lecture to push your views on others. It must be about everyday people and their everyday lives and how they stand strong during adversity. Submissions are accepted December 1, 2024 to February 28, 2025.
o Deadline: February 28
o Application Fee: None
o Eligibility: The entries need to meet the following criteria:
No more than 4 to 6 characters (Actors can play double-roles.)
No derogatory, hate based, sexually explicit work will be reviewed or accepted.
Have minimal set/light requirements.
If required, play can be rehearsed/performed effectively by virtual means.
15 to 20 minutes long for one-act plays. 5 to 10 minutes long for monologues.
Written blocking notes of the play can be rearranged by the Director to meet venue space.
Must submit a titled script and a blind script without any identifying information other than the title.
Only one play submission per playwright.
o Categories: One-Act Plays, Monologues
o Contact: *Due to the number of plays received each year, you will not be notified unless your play is accepted. However, you can email us after February 28, 2025, for feedback on your submission at www.mine4godproductionsllc@aol.com
MAC Theater Playwrights Incubator
The MAC Theater Playwrights Incubator is a program for first-time playwrights to see their work realized on the stage. Finding theaters to produce new or unpublished plays can be an obstacle for any new playwright. The MAC Theater Playwrights Incubator is a structured program that aims to discover and support, through workshop and production, new stage plays by first time, unpublished regional playwrights. These plays are small cast shows with one to six characters. Selected playwrights will work with two mentors who are experienced theater artists to fine-tune their plays over the course of several months and prepare the script for production. After regular writing evaluations and the script is ready, the mentors will work with the MAC to find a director and assist her or him in casting the show with appropriate actors. One or more readings with a select focus group audience will include a feedback-response process, and the end result is a completed script, ready for debut performance for a live audience on stage at the Marion Art Center.
o Deadline: March 31
o Application Fee: None
o Eligibility: Playwriting Any new writer who has not yet been published or had a play produced is invited to submit her or his script or outline for consideration. There is no cost to participate in this program. Selected applicants are required to sign an agreement with the MAC Theater, outlining expectations and a commitment to the program. Playwrights must be available to meet on site with mentors, for readings and all aspects of the production process including auditions, rehearsals, tech work and performances.
o Categories: Plays
Sewanee Writers’ Conference
We are now accepting applications to the 2024 Sewanee Writers’ Conference! The Conference dates are July 15-27. Apply now to work with our stellar faculty line-up for this summer! The application deadline is March 1. There is no application fee, and scholarships and fellowships are available.
o Deadline: March 1
o Application Fee: None
o Eligibility: Playwriting contributor and scholarship application manuscripts should be a play or an excerpt of a play (please send 20 pages minimum), standard playscript format. Scholarship applicants should submit current work that has been workshopped or produced. Fellowship applicants should submit a full-length play or the equivalent in length of a collection of shorter works, all of which have seen production.
o Categories: Plays
Fresh Fruit
SUBMISSIONS OPENING for Full-Length Plays, Mainstage 2025
All Out Arts is accepting submissions of Full Length subjects for the 23rd Festival year of New York City’s multidisciplinary festival of Lesbian, Gay, Bisexual, Transgender, and Queer arts and culture since 2002. The festival will occur over two weeks in early Spring in an Equity Approved venue. Thanks to the generosity of New York City’s Department of Cultural Affairs and the New York City Council, there are no submission fees and no required performance fees! The All Out Arts goal is to present a broad spectrum of LGBTQ lives as expressed through new Theatre, Video, Graphic Arts, Music & various other forms of artistic expression over our many program divisions. Submissions in all artistic disciplines are considered for presentation as long as they highlight or showcase the LGBTQ experience. The Mainstage division requires LOCALLY PRODUCED & finished, self-produced shows, with no staged productions within 8 months.
o Deadline: February 3
o Application Fee: None
o Eligibility: Plays must be 10 minutes or less in length; Must be LGTBQ themed or have a prominent LGBTQ character; Must be an original; You must bring in a completely rehearsed and directed work.
Groups can come in early to get a feel for the space. Each play will have a cue-to-cue tech before the performances. Up to 3 sound cues allowed; and Up to 3 lighting changes allowed. 1 milk crate sized box of props allowed. Predetermined furniture can be used [from the venue plus what we can bring in]. Simple costuming please.
The 6 top winners from the March competition will perform again in the Spring Fresh Fruit Festival MAINSTAGE, with full Sound & Light and better production values.
Top 3 Mainstage winners: First prize $100; 2nd prize $75; 3rd prize $75.A gala Champagne reception to follow immediately after the competition.
o Categories: Short Plays
YouthPlays
Welcome! YouthPLAYS publishes challenging, entertaining plays and musicals that are appropriate for teen and younger actors and/or audiences, as well as shows that have the potential to cross over to universities or community theatres. We accept emailed queries only. DO NOT SUBMIT A FULL SCRIPT unless you fit one of the four categories below: Current YouthPLAYS Authors: Please log in first. You may submit multiple scripts (one at a time). Playwrights 19 and Under (Worldwide): You may submit one script only that adheres to the guidelines for the New Voices One-Act Competition for Young Playwrights from January 1, 2025 through May 1, 2025. (Scroll to the bottom to read the guidelines!) BIPOC playwrights 20 and Older (US-based only): You may submit one script (please wait for a submission decision prior to submitting another script). Please be sure to mention in your Note to the Publisher that you are a member of this group. Requested Scripts: This means you submitted a query, and we emailed you back requesting the full script. Please mention in your Note to the Publisher that we have requested the script.
o Deadline: May 1
o Application Fee: None
o Eligibility: Please make sure the query includes all of the following in the body other email (no attachments): The play's title.
A brief synopsis.
The approximate running time.
A cast breakdown (e.g. 2 males, 4 females, 8+ any gender). Please address specifically whether the play contains any significant young (teen or younger) characters.
The producing groups for which you think the play is most appropriate (e.g. high schools, middle schools, TYA theatres, etc.).
Production/development history.
Any encumbrances (e.g. some part of it is published in a non-exclusive anthology). Also, please disclose any agency representation at this time.
Why you believe this play is a fit for our mission.
Again, do NOT include the script, in whole or in part, with your query.
o Contact: submissions@youthplays.com.
o Categories: Full-length Plays
NYLonFusion
We are accepting new works for our 2025/ 2026 This Round’s On Us festivals, each of which will focus on certain broad eras.(see below). But the plays do not necessarily have to be set in these time periods, but they should at least be informed by the social, cultural and/or political happenings of the time. Whether you find inspiration in the movies, music or theater of a particular era, the major events that formed the historical narrative or which have been ignored by history, or the everyday lives of people in the bygone days of the not-so-long-ago, you can send your 10-minute play to NyLonFusion@gmail.com
o Deadline: The Gilded Age/Cage Deadline: February 15th, 2025. (Festival June 27-28), The New Deal Deadline: June, 1, 2025, The Great Society Deadline November 12, 2025
o Application Fee: No Fee
o Eligibility: Each submission should be no longer than ten pages or approximately 10 minutes in length. Not have been previously produced. To be considered This Round's On Us please submit/email the following: A cover letter, brief synopsis, resume and full script to nylonsubmissions@gmail.com Please be specific as to which project you are submitting to. Write on the SUBJECT LINE For example: This Round’s On Us: The Gilded Age/ Cage.
o Categories: Short Plays
o Contact: NyLonFusion@gmail.com
13th Annual Columbus Black Theater Festival
Mine 4 God Productions is accepting monologues and one-act plays that have diversity, inclusion, and equity of Black and Brown characters for our 13th Annual Columbus Black Theatre Festival (CBTF) that will be held July 5th-6th 2025, at The Columbus Performing Arts Center Van Fleet Theatre, located in downtown Columbus, Ohio. The theme for 2025 is Still Standing Strong. Our Founder/Artistic Director, Julie Whitney Scott, was given this theme, as usual, through prayer. It’s a theme that inspires hope, resilience, and love for each another. It’s about standing strong as an individual, couple or group of people before, during, through and after adversity comes into their lives. It’s about how to stay strong during difficult times. It must be a story that is a story and not a lecture to push your views on others. It must be about everyday people and their everyday lives and how they stand strong during adversity. Submissions are accepted December 1, 2024 to February 28, 2025.
o When/Where: Columbus, OH
o Deadline: February 28
o Application Fee: No Fee
o Eligibility: The entries need to meet the following criteria:
No more than 4 to 6 characters (Actors can play double-roles.)
No derogatory, hate based, sexually explicit work will be reviewed or accepted.
Have minimal set/light requirements.
If required, play can be rehearsed/performed effectively by virtual means.
15 to 20 minutes long for one-act plays. 5 to 10 minutes long for monologues.
Written blocking notes of the play can be rearranged by the Director to meet venue space.
Must submit a titled script and a blind script without any identifying information other than the title.
Only one play submission per playwright.
o Categories: Monologues, One Act Plays
o Contact: Due to the number of plays received each year, you will not be notified unless your play is accepted. However, you can email us after February 28, 2025, for feedback on your submission at www.mine4godproductionsllc@aol.com
Loft Ensemble
Loft Ensemble is looking for full length plays with casts of at least four actors; with run times over 80 minutes and less than 2 hours
o Deadline: February 15
o Application Fee: None
o Eligibility: Length: We are looking for stories that need to be told by the voices that need to tell them. We are interested in full length plays that are rich in theatrical imagination and exploration of the human condition. You can see previous productions here.
We are a membership company. We produce work that stretches and grows our artists by giving them a place to explore freely with a strong, supportive community. You can see who we are HERE.
We consider full length plays with run times over 60 minutes and less than 2 hours.
We consider plays with a cast of at least four actors
We are particularly excited about large ensemble plays.
We tend toward dark and strange but we also produce silly hearts and a lot in between.
We like movement and fight plays.
o Contact: submissions@loftensemble.org
o Categories: New Works
City Theatre Seeks 10 Minute Plays for the Susan J Westfall National Short Playwriting Contest
City Theatre is looking for the best short plays from all over for our upcoming 2024-25 season that furthers our mission to identify, acknowledge, and award excellence in dramatic writing. Having produced hundreds of plays, we want scripts that are lively and timely, hilarious, provocative, poignant, and surprising. We look for plays that span style and genre. We will consider bilingual scripts and ten-minute musicals. We have no restriction on the age range of the characters. In other words, we are seeking compelling plays that rise above the ordinary. City Theatre seeks compelling plays that rise above the ordinary. Playwrights from across the country are invited to submit lively, timely, hilarious, provocative, poignant, and surprising scripts. We look for plays that span style and genre. We will consider bilingual scripts and ten-minute musicals. Contest finalist scripts are contenders for production at various productions and programs City Theatre presents year-round. To submit a play, please visit citytheatre.com on June 1st. We highly encourage the submission of plays from writers who self-identify as BIPOC (Black, Indigenous, People of Color), women, and LBGTQ+. We invite writers at all career levels to submit. Contest finalist scripts are contenders for production at various productions and programs City Theatre presents year-round. The contest opens on June 1st and will remain open until the maximum number of submissions are received. Each playwright may only submit one play for consideration. Playwrights are encouraged to submit as soon as possible when the contest opens.
o Deadline: None Given
o Application Fee: Free
o Eligibility: Each script must be no more than ten pages long. We start counting when the actual play begins. City Theatre is opening a limited submission call for NPX playwrights only. This submission call will be limited to the first 200 scripts. We will only accept one play per playwright, and if you tag your play for this submission, you MAY NOT submit to City Theatre's general submissions via our website. Playwrights may only submit ONE play to ONE submission call. Those who submit twice will have their plays deemed ineligible (please don't make us do that!) Previously submitted plays, longer one-acts or full-length plays or musicals won’t be accepted or returned. City Theatre will consider previously produced works with a production history included with submission. The volume of scripts submitted prevents us from providing feedback or criticism.
o Categories: Short Plays, Plays
o Contact: Please reach out if you have questions not covered by the information above: info@citytheatre.com
Blackboard Plays - Reading Series Submission
Founded in 2008, Blackboard Plays has been devoted to Black Playwrights throughout the African Diaspora.
o Deadline: None Given
o Application Fee: Free
o Eligibility: Black Playwrights Submit up to 10 pages in consideration for a Feature reading. A Feature and a Community Night are the two main ways to have your work supported by Blackboard. Those not selected for a feature, are encouraged to attend a community night, which is structured like an Open Mic Night for Playwrights, where up to 10 pages is cold-read by Actors in person or on Zoom (During COVID-19 Social Distancing Practices).
o Categories: Short Plays, Plays
Neurodivergent New Play Series
Neurodivergent playwrights in NYC since 2023 - is accepting recurring submissions as we prepare for our 2024-25 Season.All submissions should be for full-length plays between 45 to 180 minutes long and may have received a previous reading or production outside of NYC, as long as they are unpublished. All neurodivergent/disabled writers (autistic, ADHD, dyslexic, OCD, Tourette's, etc.) at all stages of their careers are encouraged to apply - especially BIPOC, LGBTQ+, and female-identifying writers. There is no submission fee or any other fee for being involved in this process.
o Deadline: Rolling Basis
o Application Fee: None
o Eligibility: Plays can be of any genre, although we are especially seeking works that challenge traditional methods of storytelling & have something important to say about the world that isn't being heard enough. We ask that you submit only one play every 30 days during our recurring submissions process.
Contact: neurodivergentplays@gmail.com
o Categories: Full-length Plays
Kingdom Theatre: Writers for Black History and Women's History Month celebrations February and March 2024
Seeking playwrights diverse works regardless of gender, race, culture or orientation for our history celebration events convening February and March of 2024. Seeking full lengths, shorts and 1 act. The plays for Black History month and Women's History month does not have to be about those months. Selected plays will be featured throughout our Special events throughout both months. Selected plays will be showcased with 1 full production.
o Deadline: None Given
o Application Fee: If Selected, there is a $100 fee. No fee to submit. Submit at, actressclassy@gmail.com
o Eligibility: We provide the following,
1.Creative Staff
2. Cast
3.Venue for cold readings, rehearsals and performances.
4. Press and industry professionals to see your work
o Categories: Plays, One-Acts
o Contact: actressclassy@gmail.com
Freshwater Theatre
Freshwater Theatre prides itself on constantly working with new artists, expanding our family. We’re always on the lookout for new scripts and new technical artists to work with.
o Deadline: Ongoing
o Application Fee: Free
o Eligibility: While we certainly are interested in world premieres of new plays, we also are very interested in second and third productions of new works, as we believe this to be the key to finding the works that will propel theater into the future.
We will only respond to playwright submissions for plays that come into serious consideration for future production. We cannot give any specific time frame on if/when a response will be given.
o Categories: New Plays
o Contact: info@freshwatertheatre.com
SCRIPT Submissions
Community Players Theatre
Community Players Theater seeks full-length plays. Enhanced Staged Reading: There will be sets, costumes, and props. It is a short rehearsal process which is why we are not requiring memorization. Restriction: Story must take place in no more than 2 locations. Cast no larger than 6. Must be in English.
o Deadline: August 31
o Application Fee: No Fee
o Eligibility: Playwrights are more than welcome to submit as many scripts as they would like. There is no restriction on if a show has been performed before. We just ask that you let us know so it can be properly advertised. Submit to Playreading@communityplayers.org
o Categories: Plays
Live & In Color Musical Theatre Development Program
Live & In Color is looking for playwrights, composers, and lyricists of color and/or other underrepresented communities interested in developing their new musical. The selected musical submission will have a one-week workshop in the fall at The Bingham Camp in Salem, Connecticut culminating in a staged presentation to an invited audience. Writers receive a $1,000 stipend plus housing, meals, and travel. We provide support including a several-month development period based on needs of the composer/writers leading up to the retreat. Live & In Color staff will continue the support the development of your piece beyond the retreat including a reading for industry and Broadway Alums.
o Deadline: March 15
o Application Fee: No Fee
o Eligibility: The musical must be performed with 4 actors (or less) All submissions should include:
Resumes + CVs (a one-page PDF document for each team member's resume and CV)
Artistic Statement (can be authored by individual team members, or as a joint statement)
Single page synopsis*
Single page character breakdown*
Demo of score (2-3 songs)*
Sample of dialogue (~15 pages)*
Brief production/development history (properties with prior full productions not accepted)*
Optional: a PDF of the full script (please note, if you move forward to the Semi-Finalist round, a full script and score will be required) *Submission Materials must be in a single PDF document of all
o Categories: Musicals
o Contact: For any questions email musicalsubmissions@liveandincolor.org
2025 International Playwriting Prize Carlo Annoni
The Carlo Annoni International Playwriting Prize is now open for submissions with topics concerning the LGBTQ+ community, including love, diversity, and identity in a time of gender fluidity. We accept full-length or short plays even if already represented. Award ceremony in Milan, September 2025.
o Deadline: April 30
o Application Fee: No Fee
o Eligibility: Send your submission to info@premiocarloannoni.eu 1000 € awarded to two best plays (one in English and one in Italian)
o Categories: Plays
Talking It Out: A Virtual Festival in Support of Mental Health Awareness
The Talking It Out Virtual Arts Festival in support of mental health empowerment, is thrilled to be returning this Fall after a year-long hiatus! We are now accepting play submissions to be featured in our new ongoing series of live play readings in NYC and audio drama podcast to be featured worldwide. This year, we will be accepting submissions for short plays, (less than 20 minutes) one-act plays, (20-40 minutes) & full-length plays (60-120 minutes) of all genres, including comedy, drama, sci-fi, horror, experimental, etc. Plays will be accepted on an ongoing basis, with playwrights to be notified at least 3 months in advance of their proposed performance date.
o Deadline: none listed - playwrights are welcome to submit one play every 30 days
o Application Fee: Free
o Eligibility: The one requirement - in terms of subject matter - is that all plays should deal with the topic of mental illness. (i.e. anxiety, depression, PTSD, mental health in the context of neurodivergency, bipolar disorder, schizophrenia, dementia/Alzheimer’s, etc.) There is no submission fee, and playwrights are welcome to submit one play every 30 days. Plays that have received a previous reading or production outside of NYC are eligible, as long as they are unpublished.
o Categories: One-Act Plays
o Contact: talkingitoutfest@gmail.com
The Autry: 2025 OPEN Submission for Production Consideration
We accept scripts all year long. Do you have a full-length script that has been developed and produced that you would like us to consider for a future Native Voices production in Los Angeles? Please follow the Checklist for All Submissions below and in the Native Voices Script Submission form, check the box for 2025 General Production Consideration.
o When/Where: Open all year
o Deadline: None Given
o Application Fee: None
o Eligibility:Full-length plays (60+ pages) receive will be read and evaluated.
o Categories: Full-length Plays
NY Theatre Festival Spring/Summer and Fall/Winter 2024
This is a unique opportunity to invite people from the industry to see your production! People are more likely to go see a show than to read an unsolicited script - some industry people receive on average thousands of submissions per month. They understand that the journey for a show to be successful often goes through several productions and this is your chance to show that you can start that process! Our dedicated team is here to help you get your work out. We are with you from the moment you begin tech rehearsals, all the way through to your closing performance. You will never be left alone during the process. We will help you choose from the 85 set/furniture pieces we offer to dress your stage for your run, and we will give you a complete crash course on how to use the audio/light/video system in just 3 minutes, which are intentionally designed to be very user friendly. After we show you how to use the tools we provide and how to best utilize the space, The Festival’s team will provide prime responses to every inquiry, as well as a telephone # you can call anytime during relevant hours throughout the run of your show. In 12 years and 22 seasons we have successfully hosted 1,400 plays and 300 musicals, as well as rewarding over 300 participating artists cash prizes.
o Deadline: TBD
o Application Fee: None
o Eligibility: Submissions Accepted from a 30-mile radius outside of Manhattan and only run if the entire cast and crew are from New York City. Plays are considered on a first-come, first-serve basis. The earlier you submit, the better your chances are of having your script invited to the festival. Each applicant is fully responsible for all elements of their production, including directing, casting, stage-managing. We know exactly what you need to make your show a success and we welcome you into our community of playwrights and theater innovators!
o Categories: Plays, Musicals
Nomad Theater
Nomad Theatre seeks new unproduced short plays to be a part of our upcoming season! Our mission is to provide an immersive theatre experience by exposing audience members to eclectic and moving stories, taking theatre outside of a traditional theatre space and into site-specific locations. This year, we have three opportunities for playwrights to submit their original new short plays. Open to US playwrights, selected plays in our mainstage season receive a $15 honorarium ($40 for one-acts selected for By The Fireside) full production and a ticket to attend. Selected plays must be unpublished and unproduced at time of submission. We encourage anyone to submit, even if you’ve never written a play, especially underrepresented playwrights, including women, LGBTQIA+, BIPOC, disabled, etc. Nomad will not produce theatre that is derogatory Entries will be judged on the following criteria:
How well it meets the theme.
Overall writing quality (Plot - we like different or quirky, weird, out-of-the-box theatre; Character Development; Dialogue)
Suitability for our actors and space - low tech, 1-4 characters, flexible casting
o Deadline: The Polling Place (July 15), The Fireside Plays (September 15), The Garden Plays (January 15)
o Application Fee: None
o Eligibility: One submission per playwright per opportunity (three submissions total)
We suggest formatting similar to the Dramatist Guild Guidelines
A cover page should include the title, the playwright’s name, contact information, a brief synopsis, and character descriptions
Pages should be numbered
Minimum of 1, maximum of 4 characters
No musicals
o Categories: One-Act Plays
o Contact: nomadtheatresubmissions@gmail.com
Torch Literary Arts
Torch Literary Arts welcomes submissions of original creative work by Black women writers. We are interested in work that challenges and disrupts preconceived notions of what contemporary writing by Black women should be. Your stories and poems are valuable and necessary. Write freely and submit what you are excited to share with the world. Submissions are accepted for Friday Features only. We accept submissions on a rolling basis. Simultaneous submissions to other journals are welcome as long as they are identified as such and we are notified immediately upon acceptance elsewhere.
o Deadline: Rolling Basis
o Application Fee: No Fee
o Eligibility: Include a one (1) page cover letter noting the title(s) of the work(s) submitted.
Upload your text submission as a Word (DOC, DOCX) or portable document format/PDF (PDF).
Typed, double-spaced (poetry may be single-spaced) pages.
Numbered pages.
Margins should be set at no less than 1” and no greater than 1.5”.
Poetry: submit up to five (5) poems totaling no more than eight (8) pages.
Fiction, Hybrid genre: 12-point font. No more than ten (10) pages or 2500 words (whichever is achieved first). Excerpts of longer works are welcome if self-contained.
Drama/Screenwriting: submit one act or a collection of short scenes no longer than ten (10) pages. Excerpts of longer works are welcome if self-contained. Indicate if a performance video or dramatic audio reading will be available with the text submission if selected.
Restrictions: We do not reprint previously published work for TORCH Friday Features.
o Categories: Scripts
The Tank Presents
Each season, our The Tank Presents program serves hundreds of emerging artists as they create over 1000 performances of new works in music, theater, film, dance, comedy, and storytelling. As part of our mission to remove the economic barriers from the creation of new work, we never charge our artists to use our space for their performances! In addition, we also provide free rehearsal space, as well as free marketing and promotion of their event. Our The Tank Presents presenting model removes the daunting cost of space rental from the equation of art making, and provides an affordable home for emerging artists to create art that pushes the boundaries of their mediums. Through this program, artists can present readings, works-in-development, short runs of full theatre productions, screenings, concerts, storytelling festivals, comedy shows, and more.
o Deadline: None Given
o Application Fee: None
o Eligibility: To submit work for consideration as part of Tank programming, please email submissions@thetanknyc.org with the following information:
Show title
Discipline (theater, music, comedy, etc.)
Approximate running time
Summary of piece
Brief summary of artistic goals
Brief explanation of how the piece exists in the world (i.e. - art exhibit, soundscape, outdoor experience, digital hybrid)
Sample of work that will give us a sense of what it is you’re trying to make and that you know how to make it
Bio of lead artist(s)
The name of the Tank show you viewed
Submissions are accepted on a rolling basis.
o Categories: Plays
o Contact: submissions@thetanknyc.org
Diversionary: Seeking new, full-length LGBTQIA+ works
Diversionary is always seeking new, full-length LGBTQIA+ works for consideration. Please follow the guidelines below if you would like to submit your work. Because of the volume of submissions, those that do not follow the guidelines will not be considered.
o Deadline: None
o Application Fee: None
o Eligibility: Please send all of the above items as a single document in pdf format to frankie@diversionary.org. For music, please send the items in mp3 format or include a link to be accessed. No physical submissions sent to the theatre will be considered.
a one-page synopsis, character breakdown, and playwright bio
a development/production history of the submitted work (including date written and any readings, workshops, and full stagings)
a ten-page sample of the work
three audio recordings of music, twelve minutes total, if it’s a musical
o Categories: Full Length Plays, Musicals
o Contact: frankie@diversionary.org
Murmuration Theatre
Murmuration Theatre Company is seeking plays that have a cast size between 2-11 for our 2023 & 2024 seasons Accepting work for consideration in the following categories: New Voices Showcase: Curated selection of 4-10 new plays (scripts 2 - 40 pages); fully staged and directed by our creative team. Mainstage Show: a one act or full length play (scripts 35 - 120 pages); fully staged and directed by our creative team. In development: Actor's Lab Performance Series: a monthly selection of scenes or short plays (any length), performed at workshop or staged reading level.Playwrights selected for our mainstage production will receive $30 per performance of their one-act or full length play; playwrights selected for our New Voices Showcase will receive $10 per performance of their short or one-act.
o When/Where: Brooklyn, New York
o Deadline: None
o Application Fee: None
o Eligibility: Please submit PDF copies of scripts via the google form below, and feel free to reach out to murmurationtheatreco@gmail.com with any questions or concerns. Multiple submissions are allowed. Preference will be given to playwrights who are able to attend at least one performance of their work in the NYC area.
We will be accepting submissions on a rolling basis, and hope to be in touch with responses within 30 days of submission. Please feel free to reach out after that point if you have not received word from our team.
Solo Shows, Theatre for Young Audiences and Musicals will not be considered.
New writers as well as writers with voices that have historically been underrepresented in the theater industry (gender identity, sexual orientation, race, ethnicity, religion, ability status, etc.) are encouraged to apply.
o Categories: Full-Length Plays, One-Acts
o Contact: murmurationtheatreco@gmail.com
Manhattan Repertory Theatre Play Production Program
Self-Produce a production of your best play in New York City as live theatre comes back to life in this New Renaissance of Theatre. We will do all the work, from hiring a production team and staff, to casting, directing, building costumes, set design, lighting design, payroll and more. From 3 performances to 20 performances for one simple Production Fee. Pre-Pandemic, 2017 - 2019, we produced 60 plays in Midtown Manhattan for playwrights all over the world. Production time frames available: Late Autumn 2021, Winter/Spring 2022.Currently, as we move back into production in New York City, we are only accepting Full-Length plays and Musicals - 60 to 150 minutes. Production fees range from $12,000 to $50,000 depending on the "size" of your production, scenic elements, and the number of performances.
o Deadline: TBD
o Application Fee: None
o Eligibility: If you are serious about self-producing your play in New York City, please forward us: An email cover letter with information about you and your work. your play attached as a .pdf, an attached Synopsis of your play, with the approximate running time, and your set, lighting and costume requirements.
o Categories: Full Length Plays, New Plays
o Contact: manhattanrep@yahoo.com
Shubert Fendrich Memorial Playwriting Contest
To encourage the development of quality theatrical materials for the educational, community and children’s theatre markets, Pioneer Drama Service is proud to sponsor the annual Shubert Fendrich Memorial Playwriting Contest. This is an ongoing contest, with a winner selected by June 1 each year from all eligible submissions received the previous year. All eligible plays accepted for publication will be considered contest finalists, from which the winner will be selected. The contest winner will receive a $1,000 royalty advance in addition to publication.
o Deadline: Ongoing
o Application Fee: None
o Eligibility: You can start the submission process by contacting us here.
We will only consider manuscripts with a running time between 20 and 90 minutes.
Submissions must be family friendly in both subject and language. NO cursing. NO explicitly adult content.
We prefer casts that are either balanced or favoring females. The more gender neutral roles, the better.
We favor plays and musicals with ensemble casts, where more than just a few have a chance to shine.
Plays with elaborate set, costume or technical requirements are not appealing because of the limited resources of many of our customers. Pictures, sketches or descriptions of your vision are always helpful.
We recommend your submissions have had at least one production or reading, hopefully staged. We feel this fundamental field test is necessary before a play can be considered for publication since plays are created for the purpose of performance.
Manuscripts must be computer-printed in dark ink. We do not require specific formatting. However, your efforts to ensure your script is free of misspellings and typos will help the submissions editor.
We hope that Pioneer Drama is your first choice as a publisher, and we encourage you to submit to us exclusively. However, we do accept simultaneous submissions with the understanding that you will accept the first contract you’re offered and not use the situation to seek multiple offers from which to choose. If you receive another offer, please notify us immediately so we may rescind your submission.
The following information must accompany your submission or query:
100-200 word synopsis.
Cast list that indicates the number of female roles, the number of male roles and the number of roles that can be performed by either gender. We do not accept one-person shows.
Running time.
CD and/or score for musicals. We appreciate the opportunity to hear the music, if possible.
Set design(s). Please feel free to provide diagrams and/or pictures.
Proof of production or staged reading (i.e., review, program, etc.) A DVD of your performance is ideal, though not required.
Age of intended audience.
A self-addressed envelope of sufficient size with appropriate postage for the return of your materials. We will NOT return manuscripts or accompanying material if this is not included.
Cover letter and/or resume.
o Categories: family friendly
o Address: Pioneer Drama Service, Inc. Attn: Submissions Editor PO Box 4267
Englewood, CO 80155-4267
o Contact: https://www.pioneerdrama.com/ContactUs.asp?ID=6
Urban Stages Emerging Playwright Award
Our $500 Emerging Playwright Award (coupled with press coverage) is given to playwrights who show excellence and dedication throughout this process – from development to the stage. Out of hundreds of submissions a year, we select 15-20 plays for readings. From these, we select 1-3 plays annually to go on to our workshopping phase. Our workshops are meant to prepare a play for our Off-Broadway stage. From our workshops, we select 1-2 plays for full productions, complete with a playwright’s contract and compensation (separate from the award).
o Deadline: Ongoing
o Application Fee: None
o Eligibility: Plays may have been developed or produced elsewhere, but never produced in New York City. Plays from overseas and throughout the US are accepted and considered, but special attention will be given to playwrights who live in or near New York
o Categories: Full Length Plays, New Plays
o Contact: 212.421.1380
Onstage
Hell's Kitchen (Tour) - NYC Singers ECC (Female Characters) (02.13.25)
Equity chorus singers (Female characters) for the new Touring production of HELL'S KITCHEN (See breakdown)
o Deadline: February 13th
o Pay: $995 weekly minimum (Level 6) - Touring
o Details: In the mid 90’s, in an apartment high above the energy and grit of Manhattan’s Hell’s Kitchen neighborhood, 17-year-old Ali looks toward the horizon until she can just see the Hudson River. Despite the warnings of her over-protective mother, the symphony of the street calls to her—promising freedom, excitement, and the possibility of love. When an inspiring piano teacher facing her own mortality recognizes Ali’s musical talent, she helps Ali to find her voice and how she can make the city her own. Please prepare 16-bars of an Alicia Keys song, or a pop/R&B song in the style of Alicia Keys. Please bring sheet music. NO a cappella singing. Please bring your picture and resume stapled together.
o Audition Information: Ripley-Grier Studios (520) 520 8th Ave New York, NY 10018-6507 Holding room - Studio 17N
For more Onstage opportunities, visit Backstage.com; ActorsAccess.com; and Playbill.com.
Backstage
Rising Leaders of Color
In 2024, RLC will form a cohort of six exceptionally talented early-career leaders of color from Chicago, IL who are advancing their careers in the U.S. not-for-profit theatre and related sectors, and who demonstrate the potential to impact the field in a positive way. Please note that the RLC 2024 cohort will not include individuals specializing in theatre criticism or journalism, as the RLC 2023 national cohort specifically focused on theatre criticism and journalism.
o Deadline: February 23
o Application Fee: No Fee
o Eligibility: Leadership is a process of social influence, which maximizes the efforts of others, towards the achievement of a goal. RLC acknowledges that leadership takes place throughout the theatre field and is not necessarily defined by a position or title. RLC 2024 seeks to develop and highlight six exceptionally talented early-career leaders of color based in Chicago, IL who are committed to upholding equitable practices in the U.S. theatre field. RLC is created for leaders in early stages of their career, for whom participation would accelerate their leadership development and knowledge of the theatre field. Leaders who have already had significant national recognition and participated in similar programs would be beyond the scope of this program. At the same time, those who are not yet at a point in their career to take full advantage of this type of program will generally not be competitive. RLC acknowledges that leadership takes place throughout the theatre field and with that in mind, the program supports leaders working in all areas of the theatre field, including but not limited to acting, administration, craft areas, design, directing, dramaturgy, literary management, producing, stage management, technical production, and theatre criticism/journalism. Please note that the RLC 2024 cohort will not include individuals specializing in theatre criticism or journalism, as the RLC 2023 national cohort specifically focused on theatre criticism and journalism. The program defines a leader as an individual who has had experience leading staff and/or organizations as well as those who have led artistic processes and programmatic initiatives. Applicants of diverse backgrounds representing the full spectrum of leadership experience, including those who have worked in non-traditional organizations and structures, are encouraged to apply to this program.
o Contact: rkongseng@tcg.org
Director of Production, The Shed
The Shed seeks a Director of Production to oversee and work closely with the producers, curators, and creative team to design and oversee all aspects of the technical production process for both artistic productions and external events. The Director of Production should demonstrate an aptitude and willingness to brainstorm creative strategies for and solutions to productions and events still in their concept and development phase; to research new technologies and equipment; to think outside the box with the artists, Artistic Director, Chief Executive Producer, artistic staff, and producers to realize these programs. Reporting to the Chief Executive Producer, the Director of Production will have strong budgetary and personnel management skills, work well under short time constraints, and be able to pivot easily from one task or idea to another, working on all events from concept to load out. They should be experienced with all aspects of technical production and comfortable making managerial decisions where required. Experience in all performing arts genres, as well as event production experience, is essential, as is an open, creative approach to the production process. Sensitivity to varying artists’ and clients’ needs and patience amidst changing priorities will help immeasurably in this position. A flexible schedule is a requirement and patience and a good-natured attitude will be essential. International experience is a plus.
Roles & Responsibilities
Manage all production personnel including full-time staff, stage labor, and freelance production personnel
Advance work on future productions (technical specs, budgeting, logistics, and feasibility) and ensuring creative teams are aware of possible constraints
Work with artists, designers, producers, curators, and technical teams on design and construction details
Supervise Production staff around load-in, set-up, technical rehearsals, performances, strike, and restore of all Shed productions including seating and staging, lighting, rigging, and sound installations, hiring, and scheduling of all labor crews and creation of detailed logistics plans
Creation and execution of top-level production schedules and calendars
Prepare all production budgets including but not limited to labor estimating, material costs; research items and rental equipment and manage the reconciliation following close of production
Work with designers and technical teams to meet budgets and schedules
Create and manage project overview drawings (plans, sections, etc.).
Review design drawings for translation into technically useful drawings for shops and for load-in purposes.
Create timeline of technical and design deliverables for shops and contractors; ensure that deadlines are met
Research and propose materials to meet needs of design teams
Obtain quotes from shops/vendors for all production elements
Coordinate meetings with shops to discuss bids and work through technical details
Advise the Chief Financial and Administrative Officer and Chief Executive Producer in union contract matters and participate in the negotiation of all theatrical union collective bargaining agreements
Negotiate and contract vendors and subcontractors
Check in with shops and designers regularly to ensure progress on meeting deadlines
Identify technical, budgetary, and time-related issues and propose solutions
Manage creation of project documentation and tech riders to collect all relevant technical information about each project for internal reference and potential transfers
Manage the technical production department budget (departmental operations and purchasing, IT, other administrative costs, etc.)
Manage maintenance, storage and inventories of all Shed-owned, production-related equipment
Develop long-term capital equipment purchase recommendations and costs
o Compensation: $135,000.00 – $145,000.00
General Manager, Sundog Theater
Sundog Theatre seeks a highly organized and experienced General Manager (GM) to join its leadership team. Following the strategic direction set by the Executive Director, The GM is responsible for leading and executing smooth day-to-day operations of programmatic, administrative, and financial procedures across the organization. As the company is in a significant period of exciting growth, this position will play an integral role in Sundog’s continued success and progression. We are a collaborative group with the mission to create positive change through the power of live performance and the arts. We seek qualified, hard-working candidates who can join our dedicated, growing team. The General Manager will report to and work closely with the Executive Director, work in partnership with our Programs Manager, and supervise the Business Manager, Bookkeeper, and Admin Coordinator.
Roles & Responsibilities
Oversee day-to-day operations for arts education, productions, and classes; assign and ensure staff job completion and goal attainment
Review organizational effectiveness and implement needed changes
Supervise office staff and provide guidance/feedback to help them strengthen skills, gain knowledge, and collaborate
Help explore funding opportunities, supervise grant writer & assist in drafting grants/reports
Assist the Executive Director in developing and managing an annual operating budget; provide input in the annual budgeting process: planning, forecasting, reporting
With Executive Director and Program Manager, develop and manage education, production, and tour budgets to ensure fiscally responsible shows
Negotiate/review fees and contract terms for artists
Recruit, onboard, and train staff when necessary and fulfill basic human resource functions
Update/maintain company information on government portals
Oversee the organization of our annual benefit with Board/staff
Attend meetings for funding and business/arts education opportunities
Coordinate marketing and PR functions
Maintain and build upon Sundog’s reputation in the Staten Island communit
o Compensation: The salary for this position is $70,000, commensurate with experience. Sundog offers a benefits package, including:
Paid time off and paid sick leave; comp and flex days
Medical insurance
Opportunities for professional development support
Access to all Sundog performances
Access to events and performances of partner organizations (when availabl
Company Management Fellow, Wicked
WICKED is seeking a Company Management Fellow who identifies as part of an under-represented group* in commercial theatre. The Fellow will work with the company managers of the Broadway production of WICKED, specifically focusing on exposure to union contracts and regulations, financial planning and tracking, and supervision of the company at the theater during performances.
Roles & Responsibilities
Job responsibilities include but are not limited to:
Processing union benefit reports to eight different unions;
Processing weekly royalty remittances to percentage royalty holders;
Covering select performances each week at the theater – representing the producers and general managers during those performances;
Filing workers compensation claims for actors and other company members as necessary;
Compiling and tracking ticket needs from the production for submission to the box office;
Attending advertising and marketing meetings with company management;
Attending company management seminars for interns & fellows over the year;
Performing additional company management projects and tasks as they arise.
o Compensation: $1,237.50 per week RELOCATION STIPEND: $7500 for relocation if applicable BENEFITS: monthly $50 cell phone reimbursement, monthly Metrocard provided; health care reimbursement to be negotiated if applicable
Production Manager, Geva Theater Center
Geva Theatre, a LORT B regional theatre in the heart of Rochester, NY with an annual operating budget of $8.5 million, seeks an experienced and collaborative Production Manager to join their team.
Reporting to the General Manager and a member of senior staff, this position will oversee and work in tandem with our production departments managing the production needs and resources for the company’s Wilson (LORT B) and Fielding (LORT D) stages. This is an exempt, full-time position.
With the General Manager, the Production Manager will be responsible for planning, implementing, and managing all aspects of the company’s programs, including but not limited to mainstage productions, co-produced productions, scenic builds for other companies, and a variety of other Geva events. They maintain ownership of the advance planning, staffing and execution of all productions and events. They will serve as the primary point of contact for production personnel, production crew, stage management, and all production department heads. With department heads, they are responsible for overseeing the off-site scenic/paints shop, storage warehouses, inventory, and rentals.
o Responsibilities: Ensure all production departments have the resources they require to execute the season within scope and lead feasibility analysis of design plans of potential productions.
Develop and execute staffing plans for production/project execution.
With department heads, research and coordinate equipment and services related to physical production materials and labor, including not but limited to construction, acquisition, trucking and logistics purchase, rental and transportation of all sets, costumes, wig/makeup, props, lighting, sound and video equipment, and production and technical equipment for all programs.
With General Manager, develop and maintain production and technical schedules.
Attend design meetings, production meetings, and staff meetings, coordinate and lead meetings as needed.
Coordinate with stage management in advance of the production period and throughout the rehearsal and performances.
With Artistic Director and General Manager, develop season schedule and annual production budgets.
Work closely across the Artistic and Production departments to prepare and execute all technical and production needs related to artistic personnel and orchestra.
In collaboration with General Manager, negotiate, manage, prepare, and administer all co-production materials, documentation and agreements.
Oversee production permitting and certification needs for all programs.
TEAM MANAGEMENT: Manage and supervise a series of direct and indirect reports, including production department heads (6) and their staff, show crews, stage management (2 resident, multiple visiting), etc.
Execute and approve employment forms and payroll as necessary.
BUDGET MANAGEMENT & ANALYSIS: In collaboration with Artistic Director, Executive Director and General Manager, develop season schedule and annual production budgets.
Manage individual production budgets, expenses, and timelines.
With department heads, develop and maintain labor projections.
Obtain competitive pricing for all production elements of expenditure.
Regularly communicate any and all budget forecast related information to Artistic Director and General Manager.
Participate in reconciliation and settlement of credit card logs, invoices, and production related payments.
OPERATION MANAGEMENT: Lead production teams in solving unforeseen circumstances during the production process.
Provide on-site visibility along with General Manager at rehearsals, meetings, tech, previews, and performances as necessary.
Recommend technology upgrades based on necessity and feedback from production departments.
Provide management and oversight of production health and safety requirements; identify and recommend modifications to facilities and processes as necessary.
o Compensation: Salary and benefits commensurate with experience ranging from $70,000-$80,000 per year.
Milwaukee Repertory Theatre
o Seeking: Various Roles
o Location: Milwaukee, WI
o Website: https://www.milwaukeerep.com
For more information: https://www.milwaukeerep.com/about/work-us/jobs/?fbclid=IwAR2lXyj99fIOhY8MmQ5n4XRveG1wEqPl2mL_9w7A1-WVpLoZhqwUDc-2Crc
Milwaukee Repertory Theater is an Equal Opportunity Employer and values and encourages a diverse workforce. We invite you to review jobs that are currently available.
Full-time employee benefits include health, dental and voluntary vision and disability insurance; flexible spending accounts; retirement plan; parking programs and complimentary tickets.
Application Instructions
Send your letter, resume and salary history (PDF or Word attachments only) to the email address listed in the job listing.
Oregon Shakespeare Festival
o Seeking: Various Roles
o Location: Ashland, Oregon
o Website: https://www.osfashland.org
For more information: https://www.osfashland.org/work-with-us?fbclid=IwAR2cqx7fSs1YYwa2I86SMVxJjZ8ns4ba2RqsEr51mMKIVWdiIL7ByQ4Lv8U
Located in the beautiful Rogue Valley of southern Oregon, the Tony Award-Winning Oregon Shakespeare Festival presents a season of eleven plays in rotating repertory across three theaters between the months of February and October. Additionally, OSF offers extensive educational opportunities to students, teachers, and theatergoers of all ages during our performance season.
We offer employment and career opportunities in a wide range of positions (acting, other performing opportunities, scenery, costumes, lighting, marketing, finance, etc.). We encourage you to check our website regularly for openings.
Two River Theater
Two River Theater annually produces a theatrical season that includes American and world classics, new plays and musicals, programs for young people, and festivals of new work. Each year, we also offer 40+ events that reflect our diverse community of Red Bank, New Jersey. Two River celebrates and honors our core values of Artistic Excellence; Education and Community Engagement; Equity, Diversity, and Inclusion; and Operational Excellence. Anyone who joins our team quickly becomes part of putting all of our initiatives into action day in and day out. Two River Theater is led by Artistic Director John Dias and Managing Director Michael Hurst.Two River Theater is dedicated to the goal of building an equitable and culturally diverse work environment and strongly encourages applications from members of underrepresented groups.
o Seeking: Various Roles
o Location: Red Bank, NJ
o Website: https://tworivertheater.org/jobs/
The Kate Spade New York Foundation
o To honor Kate Spade’s legacy of empowering and inspiring women and girls, the National Council for Behavioral Health is excited to provide complimentary Mental Health First Aid training to communities throughout the five boroughs of New York City and New Jersey and in partnership with organizations that specifically support these populations.
What is Mental Health First Aid?
Just as CPR helps you assist an individual having a heart attack, Mental Health First Aid helps you assist someone experiencing a mental health or substance use-related crisis. In the Mental Health First Aid course, you learn risk factors and warning signs for mental health and addiction concerns, strategies for how to help someone in both crisis and non-crisis situations, and where to turn for help.
The National Council for Behavioral Health shares Kate Spade New York Foundation’s belief in “the power of women to transform their communities” through empowerment. In support of this mission, we are offering through a competitive application process, select Mental Health First Aid and Youth Mental Health First Aid training, fully funded!
o Location: New York, NY
o Website
For more Offstage opportunities, visit OffStageJobs.com and Playbill.com.
Funding Opportunities
The Inkwell Theater Development LAB
A unique program in Los Angeles, the LAB aims to bring the writer out of their office, or coffee shop, and into the rehearsal room. While we recognize the necessity for writers to work on their own, we believe that nothing benefits works-in-progress more than artistic collaboration. The LAB is focused on developing new plays through a collaborative workshop process. We believe that by working in a rehearsal setting with a director and actors, a playwright can best further their plays. Playwrights tell us often how they gained new insights from simply seeing their work with a cast, not to mention the constructive input from directors and other artists.We begin with a writer and their first draft. During a 3-week intensive process, writers will not only see and hear that draft as written but will also see their rewrites, changes, and inspired ideas come to life. This is aided by introducing an experienced and versatile director, bringing their own unique insights to the play. Mixing in a cast of talented performers only adds to the volume of artistic brainpower being brought to bear upon the play. And pulling the playwright into the rehearsal room brings the whole thing together.
o Deadline: April 30
o Application Fee: None
o Eligibility: Anyone is eligible to submit. There are no restrictions based on age, experience, representation, formal training or union-affiliation.
Please submit only full, completed scripts. It can be an early draft, but we do require a compete script in order to evaluate the submission.
Submitted work cannot have been previously produced. (Private workshops and readings are not considered productions).
Commissioned work is not eligible for submission.
Previous applicants may re-apply, but only with new material. We do not accept plays that have been previously submitted.
Submissions from writers outside of the LA area are accepted, but the writer is responsible for transportation and accommodations (if selected).
Please limit your submissions to one every six months
The Alpine Fellowship
The winner of the Theatre Prize will receive a cash prize to support the writing of their proposed play, and the runners up will receive travel expense support that must be used to attend our 2025 symposium - dates and venue to be announced.
o Deadline: April 1
o Application Fee: None
o Eligibility: Open to all nationalities.
Applicants must be aged 18 or above at the time of entry.
All entries must be written in English.
Applicants can only enter one of our prizes.
Limited to one entry per person.
Travel expenses can be used for economy travel costs only and are not exchangeable for cash, any leftover travel budget will not be redeemed as cash.
Travel expenses can be used for transport only and cannot be used towards accommodation outside of the dates of our symposium.
The Democracy Cycle
Over a five-year period, The Democracy Cycle will commission and develop 25 new performing arts works across the fields of theater, dance, music, opera, and multi-disciplinary performance. The commissioned works, to be selected over the course of three annual Rounds of Open Calls (2024, 2025, and 2026) will explore themes relating to the nature, practice, and experience of democracy. Our hope is that projects commissioned as part of The Democracy Cycle will enrich and expand the discussion around and participation in democracy – be it in the national, state, regional, or hyperlocal community realm – as it is practiced both within the United States and worldwide. The Cycle will provide $60,000 in support to each awarded project, consisting of a $30,000 commission as well as an additional $30,000 towards each commissioned project’s development process (research, readings, workshops etc.). The commissions will be awarded across three annual Open Calls, beginning in January 2024. In each Open Call, The Democracy Cycle will commission at least eight projects.
o Deadline: N/A
o Application Fee: Free
o Eligibility: Please look at the Eligibility section of both the RFP / Request for Proposals and the Submission Guidelines, and do the Eligibility Screen in Submittable. If you still have questions, make an appointment with the director of The Democracy Cycle via Calendly.
Audible Emerging Playwrights Fund
In 2017, Audible launched a theater initiative, intended to radically increase access to exceptional plays and performances. A core pillar of the initiative is the Emerging Playwrights Fund, a program that invests in and nurtures self-identifying emerging playwrights, some of our most inventive, delightful, and provocative storytellers. Through the Fund, Audible aims to connect extraordinary performers with remarkable original work, amplifying new voices and harnessing the power and potential of audio to reach millions of listeners. The Fund specifically supports the creation of original dramatic work, written with audio in mind, but theatrical in spirit. Audible is dedicated to commissioning, developing, and producing work that reflects the diversity of our members and our world. To accomplish this, Audible is committed to granting at least 50% of emerging playwright commissions to artists of color and women.
o Deadline: None
o Application Fee: Free
o Eligibility: please submit all of the following to AudibleTheater@audible.com:
One full-length script for an original or adapted play (in English language only) that represents your voice ("Script"). The Script can be in any genre and may include one-acts and solo pieces;
A short biography; and
A brief statement about why audio plays appeal to you.
If you have an idea for an original audio play, you are welcome to include a pitch or summary along with your statement (this is encouraged, but not required)
o Contact: AudibleTheater@audible.com
Steven Schwartzberg Grants for Mental Health & Wellness
Writers are the beating heart of theater, whom we rely upon to take us on journeys and inspire us to think. During these unprecedented times, DGF has created the Steven Schwartzberg Grants to provide financial support for mental health and wellness services for writers. To help connect writers to therapists, DGF has partnered with Advekit, an online therapist matching service, to expand access to mental health support that might be out of your reach.
Please complete the form to receive $1,000 toward therapy through Advekit, courtesy of DGF.
If you already have a therapist or are seeking mental wellness support other than Western talk therapy, DGF is working on ways to support you in your wellness.
NYC Department of Cultural Affairs (DCLA)
The NYC DCLA is dedicated to supporting and strengthening New York City's vibrant cultural life. Among our primary missions is to ensure adequate public funding for non-profit cultural organizations, both large and small, throughout the five boroughs.
They have many grants tailored to the needs of artists living and working in the city throughout the year.
o Deadline: Ongoing
o Application Fee: Freeexceptional plays and performances. A core pillar of the initiative is the Emerging Playwrights Fund, a program that invests in and nurtures self-identifying emerging playwrights, some of our most inventive, delightful, and provocative storytellers. Through the Fund, Audible aims to connect extraordinary performers with remarkable original work, amplifying new voices and harnessing the power and potential of audio to reach millions of listeners. The Fund specifically supports the creation of original dramatic work, written with audio in mind, but theatrical in spirit. Audible is dedicated to commissioning, developing, and producing work that reflects the diversity of our members and our world. To accomplish this, Audible is committed to granting at least 50% of emerging playwright commissions to artists of color and women.
o Deadline: None
o Application Fee: Free
o Eligibility: please submit all of the following to AudibleTheater@audible.com:
One full-length script for an original or adapted play (in English language only) that represents your voice ("Script"). The Script can be in any genre and may include one-acts and solo pieces;
A short biography; and
A brief statement about why audio plays appeal to you.
If you have an idea for an original audio play, you are welcome to include a pitch or summary along with your statement (this is encouraged, but not required)
o Contact: Audible
o Eligibility: Independent Artists and Groups
o Address: New York City Department of Cultural Affairs 31 Chambers Street New York, New York 10007
o Contact: 212.513.9300
SubletSeries@HERE Program
This creative curated rental program has allowed many upstart companies and emerging artists to realize their full artistic vision on a small budget. The program provides subsidized performance and rehearsal space, technical assistance, and administrative support, including a fully staffed box office. SubletSeries@HERE artists can also access equipment that is not typically available in venues our size such as video projectors, wireless microphones, color scrollers—all for free or at subsidized rates. We accept applications from artists all over the world for the opportunity to show work.
o Deadline: Ongoing
o Application Fee: Free
o Eligibility: Independent Artists and Groups
o Address: HERE Program 145 Sixth Ave New York, NY 10013
o Contact: 212.647.0202
Annenberg Foundation
The Annenberg Foundation does most of their funding in the arts, culture, and humanities to organizations in the counties of Los Angeles, Orange, Riverside, San Bernardino, and Ventura. The Annenberg Foundation's arts and humanities grants are available to agencies that serve the greater Los Angeles region, typically with budgets over $5 million.
o Deadline: Ongoing
o Application Fee: Free
o Eligibility: Arts, culture, and humanities in greater Los Angeles region
Residencies
The Players Theatre Improv and Sketch Residency
The Players Theatre is dedicated to creating space for those to create. Improv and Sketch Comedy is an art form like no other which sparks ideas and generates a unique unity between audience and performer. We want you here! Submit your proposal for The Players Theatre Improv and Sketch Residency.
o Deadline: December 31
Artcroft Center for Arts and Humanities
Residencies of an average of 2-8 weeks for visual artists, writers, actors, and performance artists. Residency provides housing, studio, and meals; artist responsible residency fee ($40/day), deposit (10% of residency fee), travel, materials, and local transportation.
o Deadline: Ongoing
o Application Fee: $25
o When: 2-8 weeks
o Eligibility: Residencies are available to established and emerging visual and literary artists 18 years of age and older without regard for race, gender, sexual orientation, or religion.
o Address: Artcroft Center for Arts and Humanities 2075 Johnson Rd. Carlisle, KY 40311
o Contact: artcroft@msn.com
Other Resources
NOTE: For more resources, visit our pages of Resources - Funding, Submissions, and more.
NYFA SOURCE - The New York Foundation for the Arts maintains the most comprehensive national directory of awards, services and publications for artists in the NYFA Source section of their website.
Updates to our resources and opportunities have been made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
#Screenopps
#ScreenOpps
#ScreenOppsfeb25
Submission Opportunities for Women in Film & Video
(previously known as Film/Video Funding Newsletter)
For full #ScreenOpps Listings please scroll
or click links below for specific listings
Film Festivals
Onscreen
Offscreen
Funding
Residencies
Other Resources
If you are a longtime recipient of #StageOpps and #ScreenOpps,
you know that they started as the Funding Newsletters,
brought to you by WomenArts, who still support the ongoing production of these opportunities as well as our Funding Resources pages.
WomenArts' founder and president, Martha Richards,
received the 2020 Elsa Rael VintAge Award
(for Advocacy for Women in the Arts & Media as They Age) from us
on Zoom Saturday, November 14, 2020.
Check out our VintAge page for more info.
Film Festivals
The East Village Queer Film Festival
East Village Queer Film Festival (EVQ) celebrates queer film in all it's glorious diversity. We welcome filmmakers who entertain, explore and promote queer-themed issues and as well as the downtown avant garde. EVQ's further goal is community building through queer cinema. EVQ promotes the work of queer film and fosters a highly inclusive environment for all artists. You don't have to be LGBTQ+ to submit your film but you do have to be Queer!
o When/Where: August 20-24
o Deadline: February 14 (Early Bird Deadline), April 1 (Regular Deadline), May 5 (Late Deadline), June 9 (Extended Deadline)
o Application Fee: $30-50
o Eligibility:You don't have to be LGBTQ+ to submit your film but you do have to be Queer!
o Categories: Feature, Short, Music Video
BlackStar Film Festival
BlackStar Film Festival is an annual celebration of the visual and storytelling traditions of the African diaspora and of global Indigenous communities, showcasing films by Black, Brown and Indigenous artists from around the world.
o When/Where: July 31-August 3
o Deadline: March 1 (Preferred Deadline), April 1 (Late Deadline)
o Application Fee: $20-45
o Eligibility:Films must (1) be directed by a person of African descent or who otherwise identifies as Black, Brown or Indigenous, and (2) feature persons of African descent, or tell a story of Black, Brown or Indigenous experiences.
Narrative feature films and documentary films must not exceed a runtime of 120 minutes, and short films must not exceed a runtime of 40 minutes.
Non-English language works must have English subtitles at the time submitted. Dialogue lists will not be accepted.
Though not required for eligibility, preference is given to premiere status films: Philadelphia, East Coast, US, North American, and World premieres.
Entrants must fully comply with these entry rules and regulations, including all deadlines, film length, entry material and other requirements.
Note: Entry fees are in U.S. dollars, are per film, and are non-refundable. BlackStar reserves the right to disqualify a submission, without refund of any kind, if eligibility requirements are not met, including if eligibility status changes post-submission.
Students: Entry fees for student submissions will be waived upon receipt of a photocopy of a current and valid student ID card or a letter from an accredited school that verifies enrollment.
o Categories: Feature, Documentary, Short, Music Video, Experimental
o Contact: submissions@blackstarfest.org.
Los Angeles Black Film Festival
The LA Black Film Festival is a bi-annual film festival that celebrates independent Black filmmakers and seeks to elevate Black voices and stories in the film community. We will be accepting submissions from BLACK DIRECTORS, WRITERS, MAJORITY BLACK CREW (at least 50%) and/or BLACK CENTERED STORIES of ANY GENRE. We are an affiliate festival of the LA FILM FESTIVALS organization that has the dual emphasis of discovering great talent with the purpose of promoting their work to both the LA public and the entertainment industry, as well as showcasing the work of seasoned professionals and well known stars. LA Film Festivals began with the biannual LA Comedy Festival in 2001, adding the biannual LA Indie Film Fest in 2007. The LA Film Festival family has since expanded to 12 independent film festivals, including LA Horror Film Fest, LA Action Film Fest, LA Sci-Fi Film Fest, LA Animation Film Fest, LA Black Film Fest, LA Asian Film Fest, LA Latinx Film Fest, LA Queer Film Fest, LA Women in Film Fest and LA Student Film Fest. Over the years, LA Film Festivals have attracted thousands of filmmakers from around the world. Each festival features live screenings in our own Let Live Theater in the heart of Los Angeles. Our 80-seat theater, in the heart of Hollywood, is outfitted with a Christie DLP projector and seven JBL speakers throughout the venue, delivering top notch quality in an intimate screening environment. Filmmakers whose work is accepted into our festival will receive free passes to screenings, invitations to networking events and are eligible for awards consideration.
o When/Where: April 3-6
o Deadline: February 14 (Last Chance Deadline)
o Application Fee: $40.50-90
o Eligibility: All Films must feature work produced by black filmmakers and black driven storytelling. We will be accepting submissions from BLACK DIRECTORS, WRITERS, MAJORITY BLACK CREW (at least 50%) and/or BLACK CENTERED STORIES of ANY GENRE.
Film Entrants must submit online screeners through FilmFreeway for consideration.
Entry forms and payment will not be processed without accompanying Preview Copies in one of the accepted formats for film applicants.
All entries must be in English or - SUBTITLED, DUBBED, unless special arrangements have been made with festival.
All films selected for screening at the festival grant LA FILM FESTIVALS the right to use stills and excerpts of up to two minutes for promotional purposes.
LA Film Festivals is not responsible for any lost, stolen or damaged entries.
Exceptions to the festival regulations must be authorized by one of the Festival Directors.
Multiple entries are permissible, but each entry must be accompanied by a separate Entry and fee.
Submissions will not be returned.
All fees are nonrefundable.
Submission to the festival is not a guarantee that your film will be screened.
o Categories: Feature, Short, Pilot, Web-Series
Fade to Black Arts Festival
Experience the dynamic evolution of cinema at the Fade To Black Arts Festival, where we celebrate the Past, Present, and Future of Film.This festival will bring together emerging talents and seasoned filmmakers, showcasing the rich narratives, artistic innovation, and technical mastery that shape the film industry. From intimate short films to compelling full-length features, the Film division is a platform for African-American creatives to highlight their unique voices and perspectives through the lens of film. Join us for an exciting film festival and awards ceremony that honors excellence in storytelling and technical craftsmanship. The event culminates in an awards ceremony inspired by the grandeur of festivals like the Academy Awards, recognizing outstanding achievements in various categories judged by esteemed professionals in the film industry.
o When/Where: June 8-14
o Deadline: February 16 (Regular Deadline), May 1 (Late Deadline)
o Application Fee: $50-$75
o Eligibility: The primary filmmaker (director, writer, or producer) must be of African-American descent.
Films must adhere to the stated qualifications for runtime and format in their respective categories.
Submissions must be the original work of the applicant. Plagiarism or copyright infringement will result in disqualification.
Films must be submitted via the official submission platform, along with all required documentation.
o Categories: Feature, Short
Reel Queer Film Festival
The Reel Queer Film Festival is a celebration of LGBTQ+ films, filmmakers, and stories from around the world. With a mission to provide innovative, unique, and diverse programming we hope to engage the hearts and minds of audiences in Arkansas and the surrounding region. Reel Queer observes the diversity of the LGBTQ+ community by presenting stories that reflect, document, and celebrate LGBTQ+ lives truthfully and with respect. The festival demonstrates the power of storytelling and filmmaking to transform lives of those inside and outside the LGBTQ+ community. Some of our guests in previous years included Armistead Maupin (The Untold Tales of Armistead Maupin), Cheryl Dunye (The Watermelon Woman), Luka Kain (Saturday Church), Assaad Yacoub (Cherry Pop), Graham Kolbeins (Queer Japan), Elegance Bratton (Pier Kids) and Stephen Cone (Princess Cyd), Del Shores (Sordid Lives), Vera Drew (The People's Joker).
o When/Where: August 7-10
o Deadline: April 30 (Regular Deadline), May 31 (Late Deadline)
o Application Fee: $10-$65
o Eligibility: Reel Queer Film Festival (Kaleidoscope Arts and Culture) is not responsible for any lost, damaged, or stolen items, including films in any medium, while en-route or in our possession, on or off of festival grounds.
Runtimes: Short Films are any films under 40 minutes in length. Feature films will be considered those that are over 40 minutes.
Only digital online screener submissions are accepted using FilmFreeway’s digital submission process (Vimeo/YouTube links).
All films submitted must be in English dialogue or contain onscreen English subtitles. The festival reserves the right to disqualify any film that does not meet this requirement.
More than one entry may be submitted. Each must be submitted with its own entry form and fee.
It is the sole responsibility of the Applicant to obtain all necessary copyrights. By submitting the film you maintain you have obtained all necessary rights for exhibition.
COMPLETION DATE: The film must have been completed on or after January 1, 2017.
PREMIERE STATUS: No premiere requirement
Works in progress may be submitted but it must be stated on the application. If selected it is the responsibility of the Applicant to ensure the completed version arrives to the festival before the festival begins.
Films may have distribution.
All submissions are final. No refunds are provided
o Categories: Feature, Short
Warped Witch Film Festival
Warped Witch (formerly Southern Gothic) is a dynamic film festival led by women which empowers filmmakers in our community. We value inclusivity above all else, welcoming filmmakers from diverse backgrounds with open arms. We provide a platform for their unique perspectives and embrace the weird, the strange, the unorthodox, and the unconventional. Our mission is to celebrate the beauty of diversity and encourage everyone to dare to be different! Go beyond the norm! While the roots of our festival remain in the essence of horror, we go beyond the boundaries showcasing films from all genres! All types of cinematic expressions are welcomed
o When/Where: May 16-17
o Deadline: February 1 (Regular Deadline), March 22 (Dead Deadline)
o Application Fee: $10-$20
o Eligibility: Film submissions must be provided on digital files.
Submissions must be English language or English subtitled.
Include title and name of contact on all media.
Southern Scream Film Festival reserves the right to change submission categories.
Eligibility and category determinations, along with prize awards, are the sole discretion of the Festival.
Submissions may be screened more than once during the Festival and at events post festival.
o Categories: Feature, Short
Queen City Film Festival (NJ)
The Queen City Film Festival (NJ), a A Queen City Film & Television Workshop event, is a community centered film festival based in the historic city of Plainfield, New Jersey; a central jersey hub for culture, cuisine, music, art and film. Located 25 miles southwest of Tribeca in lower Manhattan, Plainfield is set with two train stations along the NJ Transit Raritan Valley Line and is a quick easy commute to and from from New York City. QCFTVW is a NJ nonprofit corporation dedicated to providing Tv and film production training to area youth, free of charge With tree-lined streets and Victorian homes set against a unique urban landscape, the city is a perfect location for the festival, which attracts cinephiles from all around for two days of movies, workshops, networking, vendor opportunities, parties and an awards ceremony. Community partners include restaurants, shops, air b&b stewards and other local businesses. The festival, now in its 8th year, started out as a pop-up short film showcase featuring both Plainfield filmmakers as well as films produced within its borders. The goal of the festival is to provide a platform for developing and seasoned filmmakers with a platform for their work. To Connect audiences with emerging talent while curating impactful films. To create a space for film professionals to access continuing education and development in and effort to encourage career preparedness for the television and motion picture industry. The festival also pledges to continue its youth mentoring and internship programming through various nonprofit components. The Plainfield Film and Television Production Training Program has afforded dozens of local youth access to the tools of film production, direct contact with accomplished professionals and career counseling and placement in industry. Projects with socially impactful themes in their storytelling will be given the primary consideration from the judge’s panel . The class of 2018’s included films from Writer Okema T. Moore, Jacqueline Howell-King, Jamal Hodge, Director Patrick Coker as well as renowned novelist and Plainfield’s own, JM Benjamin. Despite the challenges presented by COVID 19 - the Queen City Film Festival continues to thrive. We have amassed thousands of views on our Facebook and YOUTUBE pages by hosting live screenings of official selections. We returned to live Screenings at CINEMARK THEATER in October of 2021 to great success. Though we have also been virtual hybrid event since April of 2020, the Queen City Film Festival has weathered the pandemic conditions and remains dedicated to providing a multiverse space for filmmakers - ONLINE,DRIVE IN THEATER EXPERIENCE and IN PERSON. Four days of film, workshop and development as well as an awards show. Join us October 16 - 19,2025 as we bring the best independent short and feature length films, series,animation, horror, music video, documentary and screenplays. New Jersey's most important film festival for underrepresented artists from around the globe.
o When/Where: October 16-19
o Deadline: January 1 (Early Bird Deadline), February 17 (Regular Deadline), March 16 (Late Deadline), April 13 (Final Deadline)
o Application Fee: $20-$70
o Eligibility: Entries must be written, directed, produced and/or principally acted by a person of color. Works in progress are not considered.
More than one entry can be submitted; however, each entry must be accompanied by a separate online submission form, entry fee, color JPEG publicity photo, one - two sentence synopsis and URL link and password.
Year of completion must be 2022 or later.
Foreign language films must have English subtitles.
o Categories: Feature, Short, Documentary, Horror
QFest LGBTQ Film Festival
QFest New Jersey LGBTQ Film and Digital Media Festival strives to support and promote LGBTQ film & digital media, the individuals who create it, and the people and stories they highlight. Festival submissions must have content about or connection to the LGBTQ community with preference given to unreleased work, work by New Jersey residents, and work that exemplifies artistic expression (in multiple forms), education or inclusion.
QFest, the original annual LGBTQ film & digital media festival in NJ, is produced by QSpot, one of New Jersey’s largest LGBTQ community centers. Entry categories are Feature Film (Narrative/Animated), Short Film (Narrative/Animated), Feature Documentary, Short Documentary, Music Video, Micro Video. Winning submissions in all categories will receive prizes.
o When/Where: March 7-9
o Deadline: January 1 (Regular Deadline), February 1 (Late Deadline), February 21 (Late Late Deadline)
o Application Fee: $35-$100
o Eligibility: QFest New Jersey LGBTQ Film and Digital Media Festival strives to support and promote LGBTQ film & digital media, the individuals who create it, and the people and stories they highlight. Festival submissions must have content about or connection to the LGBTQ community with preference given to unreleased work, work by New Jersey residents, and work that exemplifies artistic expression (in multiple forms), education or inclusion.
o Categories: Feature, Short, Documentary, Horror
Feminist Border Arts Film Festival
The Feminist Border Arts Film Festival (FBAFF & FBA25) is proud to celebrate its 10th season and anniversary in 2025. This year, our decade-long theme, "Film and Media Arts: Crafting New Futures," invites us to explore how creative expression can shape and reimagine the world we strive to build. Join us this Pride, on June 6-7, 2025, at the University Art Museum on the campus of New Mexico State University in Las Cruces, just forty miles from El Paso, TX, Ciudad Juárez, and the U.S.-Mexico border. Our 2nd Annual Zine Fest (FBAZF) will run concurrently on June 7. Over the past decade, FBAFF has established itself as an important platform for socially transformative work, rooted in the belief that film, media, and zines are powerful catalysts for change and community building. Our curation emphasizes not just content but also form, inviting works that explore innovative storytelling techniques. We care not only about what is being told but also about how it's being told, to whom, and by whom, all with the purpose of practicing feminist curiosity, fostering collective insight, and forming third or remixed space. Submission Process: FBA25 welcomes submissions from students, independent creators, collaborators, scholar-artists, and seasoned filmmakers. This two-day festival and exhibition interrogates and expands upon conventional narratives relating to women, gender, LGBTQ+ communities, BIPOC, and positive social change. Through film, digital projects, and media, we foster critical engagement that spans both U.S. and global contexts. We seek submissions that engage critically with social issues, push boundaries in storytelling, and envision radical possibilities through innovative and creative expression. We welcome submissions across genres, including narrative, documentary, experimental, and animated films that challenge the norms of storytelling, representation, and social engagement. The festival defines “feminist border arts” as a practice that challenges the limits of conventional representation through telling stories from the edge—threshold visions from the margins that create new ways of understanding and transmit underrepresented ways of knowing. Selected pieces revive the promise of cinema, the possibility of film and media arts to open minds, create new vistas, and challenge dehumanizing forms of representation.
o When/Where: June 6-7
o Deadline: January 5 (Regular Deadline), February 15 (Late Deadline), March 7 (Extended Deadline)
o Application Fee: $8-$50
o Eligibility: Cinematic Relevance: Your film must directly address topics related to women, gender, LGBTQIA+, social justice and transformation, disability, intersectionality, the environment, peace, and/or transnational and global issues. All films, regardless of the language, must include English captions to be screened at the festival.
Original Work & Legal Compliance: Your film must be an original work and legally cleared for exhibition by FBA. Ensure that you have the necessary licenses or permissions for all music, trademarks, and literary material used in your film.
Indemnification: By submitting, you agree to indemnify and hold harmless Feminist Border Arts, its organizers, and partners from any claims, liabilities, losses, damages, and expenses (including attorney's fees and court costs) arising from issues related to copyright, trademark, credits, publicity, or the screening of your work.
Film Length & Production Timeframe: Accepted lengths for short films are 60 seconds to 39 minutes, and for feature films, 40 to 120 minutes. Films must have been produced post-January 1, 2023.
o Categories: Feature, Short, Documentary, Animated
WRPN Women's International Film Festival
Welcome to the WRPN Women's International Film Festival, where distribution and feedback opportunities abound for films made by women or films that carry subjects relating to concerns about women's issues. WWIFF is a sister festival to the Depth of Field International Film Festival, a FilmFreeway “Top 100 Reviewed” festival alumni. Distribution: over the years, our sister festivals have sent hundreds of films and screenplays to 3 established Distribution companies who have already signed contracts with dozens of our filmmakers. WWIFF now operates with that same advantage! These distributors do not take unsolicited submissions; your top award-winning with WWIFF gets you into our private distributor review group. This is a Free Service provided exclusively to our top winners. Don’t forget Feedback: The one element most festivals ignore.
o When/Where: May 9, 2026
o Deadline: January 31 (Regular Deadline), March 31 (Late Deadline), May 31 (Extended Deadline), August 31 (Last Chance Deadline)
o Application Fee: $36-$80
o Eligibility: While WWIFF is a female-focused film festival, we will also accept films produced and/or directed by men if one or more self-identifying top production members are female (including but not limited to cinematographers, producers, writers, editors, or films featuring a strong female presence on screen). We will not exclude films directed by men if the topic is significant to women and women's issues. WWIFF is granted the right to use an excerpt from any film submitted and accepted for competition at the festival for promotional purposes. A clip of winning entries may also be streamed on the WWIFF.COM website and WRPN.TV.
o Categories: Feature, Short, Documentary, Screenplay
CineKink
An organization dedicated to the recognition and encouragement of sex-positive and kink-friendly depictions in film and television, CineKink is seeking films and videos that explore and celebrate the wide diversity of sexuality for our annual NYC-based festival and screening tour. Returning after a pandemic-inspired hiatus, we're sticking our toes back out into the festival world, as we celebrate our 19th anniversary in 2022! Currently planned for May 2022, the specially-curated CineKink NYC will include a short film competition, audience choice awards and an adult industry showcase, with a national screening tour to follow. Our hope is to offer in-person festivities and screenings, as long as it's possible to do so safely and affordably, enhanced by virtual presentations to expand our offerings. Cutting across orientations, topics covered at CineKink have included — but are by no means limited to — BDSM, leather and fetish, swinging, non-monogamy and polyamory, roleplay and gender bending, sex work and sex geekery. We’re looking to blur some boundaries and will be considering offerings of any length and genre drawn from both Hollywood and beyond, with works ranging from documentary to drama, camp comedy to artsy experimental, mildly spicy to quite explicit — and everything in between. Basically, as long as it involves consenting adults, just about anything celebrating sex as a right of self expression is fair game. (Far be it from us to define “kink” — if you think your work might make sense in this context, do send it along. Nonetheless, please read ALL guidelines before submitting, and make sure your work fits with our sex-focused niche!!)
o When/Where: July 30 - August 3rd
o Deadline: January 4 (Early Bird Deadline), January 31 (Regular Deadline), February 28 (Late Deadline) March 28 (Final Deadline)
o Application Fee: $20-$55
o Eligibility: All genres will be considered for inclusion in the festival and there is currently no restriction on production completion dates, as long as your submission is a finished work.
If you're submitting a series, you may include up to three episodes per entry.
In addition to your entry, please include a log-line description of your work, and a brief synopsis if available. A publicity still or two is also welcome, either online or on disc, high-resolution preferred. Please hold off on sending any additional materials at this time.
o Categories: Feature, Short
NC Black Film Festival
The North Carolina Black Film Festival is a Four day juried and invitational festival of independent motion pictures by Black filmmakers which showcase features, shorts, animation, documentary films, and student films. We pride ourselves in the Carolina Hospitality and great previous honorees and winners such as Anthony Hemingway, Ava DuVernay, Giancarlo Esposito, the late Dwayne McDuffie, Scott Sanders and more.The North Carolina Black Film Festival is held in Wilmington, NC formerly known as Hollywood East.
o When/Where: April 10-13
o Deadline: January 15 (Regular Deadline), February 20 (Late Deadline)
o Application Fee: $35-50
o Eligibility: Trophies Awarded to 1st Place winners as well as a Festival package in the Feature, Doc, and Short categories based on 3 submissions in each category.1st Place Student winners receive a special package and trophy.
o Categories: Feature, Short, Documentary, Documentary Short
The Her Vision International Film Festival
We welcome filmmakers and screenwriters from around the world! We accept feature films and shorts as well as feature-length and short scripts. Our main goal is equality and empowerment in the cinematic arts. The Her Vision International Film Festival is here to highlight the achievements of women and female-identifying directors, writers, editors and producers. In addition to our mission of equality, we also underscore the importance of unity. For example, our first year's Feature Film Winner was a female producer/writer with a male director. We also welcome and encourage LGBTQ creatives. You may submit a screenplay or a film if you are a male or male-identifying director or writer if your story shows a female with some agency or shows the plight of being a female or a member of the LGBTQ community. We are here to encourage and empower creatives regardless of gender. If you have questions as to whether you or your project qualifies, feel free to reach out; Caterinacampagna26@gmail.com. What also makes our festival stand out is that we have a Rewrite and Re-edit section. Screenwriters know that writing is rewriting and filmmakers know that shooting the ending that you really want is sometimes only possible after a deadline. To that end, we offer you a chance to resubmit your work with a half-off your original submission fee discount. Thank you for bringing your passion to the table!
o When/Where: June 20
o Deadline: January 22 (Regular Deadline), February 28 (Spring Into Gear), March 20 (Halfway Home), April 20 (Lights), May 15 (Camera), June 8 (Action)
o Application Fee: $8-55
o Eligibility: your screenplay is written in Italian or Spanish they will be accepted.
All screenplays must be submitted as a pdf.
The writer of the project or an authorized party is the only person who can submit a project.
For the Her Vision International Film Festival, 50 pages and above is considered a feature-length screenplay. Of course, under 50 pages is a short screenplay.
Stage plays will be accepted at this festival.
SHORT and FEATURE LENGTH scripts get COVERAGE WITH 1 Page of NOTES
The runtime for a short film is 49 minutes or less.
Music Videos will be considered short films.
Commercials will also be considered short films.
If you have a half-hour TV pilot, that will fit into the shorts category. Half-hour Web Series are also eligible for short film consideration.
If your project is in a language other than English, Italian or Spanish, please make sure that it is subtitled in English.
If your project is chosen to be screened it must be sent in as a DVD.Projects over 50 minutes are considered feature-length films. Fiction and documentaries are welcome. *43-48 minute TV pilots will be eligible for this category.* If your project is in a language other than English, Italian or Spanish, please make sure that it is subtitled in English. If your project is chosen to be screened at the live event it must be sent in as a DVD.
o Categories: Short Film, Feature Film
New Faces New Voices
Now in Year 6, New Faces New Voices is determined more than ever to continue discovering and highlighting new works often ignored by the mainstream and Hollywood. In just 4 short years our alums are making waves in the industry with theatrical and streaming distribution on Netflix, Sony Pictures Worldwide and more. Some of our most recent Alums were featured on CNN, ABC News and other local media outlets. NFNV showcases inclusive and diverse voices from around the world and is known for highlighting underrepresented communities - filmmakers of color, female filmmakers, members of the LGBTQ+ and disabled communities, including works by military veterans. Our recent alums include: Leah Kreitz who can now be seen in the NETFLIX series “Dash and Dilly”; Diane Paragas, who screened her short film “Unstoppable” in our first year, just acquired worldwide theatrical distribution for her debut feature “Yellow Rose” by Sony Pictures Worldwide and was featured in a story on CNN; And Molly Clark, who won an award earlier this year for her short film “Martin The Sea Turtle,” was just featured in a story on ABC News. In 2022 we have over $15,000+ in prizes and distribution opportunities sponsored by Final Draft, JMR Rentals, Urbn-TV, UKW Media, Bowery Film Festival, Screenblade, Katra Film Series, and International Screenwriters’ Association.
o When/Where: September 16-18
o Deadline: December 10 ( Regular Deadline), December 31 (Late Deadline), January 20 (Final Deadline), February 9 (Extended Final Deadline)
o Application Fee: $40-120
o Eligibility: To be eligible, at least one member of the production team must be a part of an underrepresented community such as filmmaker of color, female filmmaker, LGBTQ+, military veterans, etc. Either writer, director, or producer must fit this category. If you feel that you fit a community that is underrepresented or marginalized, please submit your work. We are open to all voices and faces with unique perspectives.
o Categories: Short Film, Feature Film, Documentary, Animated
Glass Ceiling Breakers: GCB
The Glass Ceiling Breakers Film Festival is the very FIRST film festival in the Hudson Valley to present the work of women filmmakers from all over the world. The film fest joined the well established women's short play festival and will take place at the Philipstown Depot Theatre in Garrison NY located alongside the beautiful Hudson River steps away from MetroNorth. The festival will include a workshop with artists and will offer networking opportunities with filmmakers, writers and actors. Dates of the festival will be June 6-8 and a selection of films will be presented at GCB's Best of the Fest at the Bedford Playhouse in September 2025.
o When/Where: June 6-8
o Deadline: January 1 (Regular Deadline), February 14 (Late Deadline), March 15 (Extended Deadline)
o Application Fee: $11-$45
o Eligibility: Films must have a running time of 20 minutes or less. At least two female or female identifying filmmakers must fill the role of Writer, Director, Producer, Cinematographer, Production Designer, and/or Editor to qualify to screen at our festival. Any of these roles can be filled by a man but 2 have to be credited to a woman. BIPOC filmmakers are strongly encouraged to submit.
o Categories: Short Films
Female Eye Film Festival
The Female Eye is a competitive international women directors’ film festival . The Female Eye is a competitive international women directors’ film festival that was established in 2001, as a not-for-profit organization. The 20th anniversary returned LIVE at TIFF Bell Lightbox, June 2022. We look forward to the 21st edition! The Female Eye showcases high-caliber independent films that illuminate the best of debut, emerging, and established women directors from around the globe. Our Script Development Program is open to both men and women. FeFF is big on audience engagement and networking. Audience Q&As follow each film program. All festival delegates receive a VIP All Access Pass to the festival (screenings, script development, FeFF Photo Exhibit, happy hour, industry panels, tributes, workshops, and the closing awards ceremony), where networking with attendees, festival participants, and industry members is key. The Female Eye, noted for its intimate atmosphere and accessibility, attracts film enthusiasts, emerging and internationally recognized directors, screenwriters, seasoned industry professionals, celebrities, and decision-makers in the film and television industry. The Female Eye serves to bridge the gap between the written and film arts. We produce a robust Industry Initiatives Program consisting of panels, masterclasses, workshops, script development, and pitch and networking sessions. Annually, FeFF honors an Honorary Director and Honorary Maverick with a Best in the Biz Tribute, an “intimate conversation with” and award presentation. Script Development is a three-tier program comprising the Good to Go, a closed-door session with decision-makers for screenwriters with scripts that are “good to go”; the Script-Reading Series, where main scenes are read by ACTRA members before a live audience and industry guests who provide feedback to the writers; and the Live Pitch, where writers and their team members pitch to a live audience and an industry-led jury. The winner takes home a $2,500 cash prize. For ten consecutive years (2013–2022), the Female Eye Film Festival has been voted one of the “Top 50 film festivals in the world worth the entry fee” by MovieMaker magazine. FeFF is an accredited festival by the Academy of Canadian Cinema & Television and a Telefilm
o When/Where: July 16-20
o Deadline: January 31 (Regular Deadline), March 31 (Late Deadline), April 11 (Extended Deadline)
o Application Fee: $50-$100
o Eligibility: Films must be directed by women. The Script Development Program is open to both men and women. Screenplays written by men must feature a female protagonist. Films must be produced within two years of the festival, and they cannot be streaming, televised, or playing theatrically in Canada. We give priority to films that have not yet screened in Toronto. The fee for the competition is applicable to all deadlines. Filmmakers and screenwriters must elect to compete for an award. The flat fee to enter the competition is $100 regardless of the deadline, genre, or project duration. FeFF programmers can also choose to nominate a project into the competition if they feel a project is award-worthy.
o Categories: Feature, Short, Screenplay
LA Underground Film Forum
LA Underground Film Forum (LAUFF) is Los Angeles's premier showcase of experimentation in film, video and audio based mediums. It focuses on avant-garde, art-house, independent and no/low budget filmmaking. Our program provides a venue for filmmakers to reinvent and explore new approaches, to foster new forms of media art and to build an audience for such work. We aim to present a wide range of work exploring the many definitions and interpretations of the concept of “underground”. We’re looking for films made with passion, obsession and drive; films that go beyond expectations and genre; films, video and audio projects that strive to push the boundaries of accepted form and content. A strong sense of authorship is a must.
o When/Where: April 12
o Deadline: Novembr 24 (Regular Deadline 3), December 29 (Late Deadline 1), January 26 (Late Deadline 2), February 27 (Final Deadline)
o Application Fee: $27-38
o Eligibility: LAUFF accepts all forms and genres: from drama, documentary, experimental, cult, art-house, foreign language, comedy, horror, sci-fi, fantasy, animation, LGBT, indigenous, erotica to slow cinema and video art …
o Categories: Micro Films, Short Films, Feature Films, Animation, Screenplay
New Jersey International Film Festival
The Rutgers Film Co-op/New Jersey Media Arts Center proudly announces the 29th Annual New Jersey International Film Festival. The festival will be held between May 31- June 9, 2024 at Rutgers University, New Brunswick, New Jersey and will showcase the best in independent film by featuring premiere screenings, special guest appearances by film directors, screenwriters, cast and crew and more. For more information go to www.njfilmfest.com or e-mail us at NJMAC@aol.com or njmac12@gmail.com!
o When/Where: May 30-June 8
o Deadline: November 21 (Super Early Bird Deadline), December 11 (Early Bird Deadline), December 31 (Regular Deadline), January 20 (Late Deadline), February 11 (Super Late Deadline), March 3 (Super Super Late Deadline)
o Application Fee: $36-95
o Eligibility: This competition is open to U.S. and International entries. Maximum film age is 24 months. No repeat entries. If a work is selected for public screening entrants are contractually obligated to provide an exhibition copy suitable for screening and cannot withdraw their film from the festival. Entry must be a New Jersey or Area Premiere and must not be available to view in full on the internet! Please note we do not pay screening fees. Only finalists are notified in advance that their work has been selected to be part of the Festival.
o Categories: Short Film, Feature Film, Documentary, Experimental.
The Women’s Independent Film & Television Festival
The Women's Independent Film & Television Festival is a chance to share and celebrate greatness in the world of female filmmaking. Our incredible community ranges from directors, to producers, to screenwriters, to actors, to content creators! Whatever the medium: We build this festival to shed light, deliver opportunity and celebrate the achievements of women in the world of filmmaking, storytelling and beyond! We're going into our 3rd year celebrating The Women's Independent Film & Television Festival and we're so excited for this year's work, partnerships, competitions and more. Whether a finalist or not, all officially selected filmmakers will be invited to join us at the Women's Independent Film Awards for screenings, networking, resources, collaboration, learning, partnerships and for our official premieres and awards ceremony blocks. The Women's Independent Film & Television Festival was created to encourage female content creators with unique backgrounds to share their stories/ The festival will promote the work of women filmmakers and recognize them globally for their achievements in film. Women have to be involved in the creation of ALL submitted films! That can be either as directors, producers, writers, performers, etc. Just as long as they were involved in the creation of the submitted work.
o When/Where: October 9-12
o Deadline: November 30 (November Deadline), January 31 (January Deadline), March 1 (February Deadline), March 31 (March Deadline), April 30 (April Deadline), May 31 (May Deadline), June 30 (Regular Deadline), July 31 (Regular Deadline), September 1 (Final Deadline)
o Application Fee: $10-52
o Eligibility: All entries should be sent via FilmFreeway with a secure online screener.
Each accepted film must be submitted in the .mp4 or .mov format, preferably.
By submitting to the festival you confirm that you own the rights of the film, including the rights to the music in the film.
By submitting to the festival you give consent to the festival programming staff to screen your work in front of the private audience of the Women's Independent Film Festival community.
There is no minimum running time.
Submission fees are non-refundable
Films must have been completed on or after Jan 1st, 2019.
All genres are welcome
Filmmakers may submit multiple entries as long as each film is submitted with its own Entry Form, online screener and paid Entry Fee.
o Categories: Short Film, Feature Film, Documentary, Experimental
Atlanta Women’s Film Festival
The Atlanta Women's Film Festival is a live screening of short films and table read events that takes place in Atlanta, GA. This event is an amazing opportunity to promote female filmmakers, directors, writers, producers, actors, and female-centered storylines to our incredibly supportive film community. There will be live screening blocks of films with Q&As with the filmmakers, table reads for the screenplays in our competition, live panels with influential women in the film industry, and networking events for anyone that would like to attend. Script writers, in addition to submitting your script to the festival we also provide optional script coverage. Script coverage with our festival includes the price of your submission fee. Your work will be analyzed by a Cinema Life filmmaker who’s produced award-winning films, has extensive writing experience, and also understands the indie way of filmmaking.
o When/Where: October 12
o Deadline: November 30 (Early Bird Deadline), December 31 (Holiday Deadline), January 31 (New Year Deadline), February 28 (Regular Deadline), March 31 (Spring Deadline), April 30 (Late Deadline), May 31 (Extended Late Deadline), July 31 (Final Deadline)
o Application Fee: $15-60
o Eligibility: Please fully fill out your submission profile to avoid hold-ups in the judging process. Points may be taken off of overall scores for incomplete profiles.
o Categories: Short Film, Feature Film, Documentary, Animated, Music Video, Podcast
Los Angeles Diversity Film Festival
Our mission is to create a true multicultural experience represented by the world’s independent film community where filmmakers showcase their voices without judgment, stereotypes, degradation or insincere reflection. We support the following topics, filmmakers and communities: LGBT, Disability Culture, Racial/Ethnic Diversity, Religious Diversity, Family structures, as well as other social diversities including the aging population and youth in cinema.
o When/Where: August 9-10
o Deadline: December 31 (Regular Deadline), February 15 (Late Deadline), March 15 (Extended Deadline)
o Application Fee: $25-$50
o Eligibility: To be eligible to screen, your film does not have to be a Premiere. Films must be original works, or you must have official permission and licensure to exhibit someone else's work. If you submit a film with copyrighted or trademarked materials, and you do not have written permission to use them, you are not be eligible to screen. Films can be original or adapted works, but you must have written permission to use copyrighted or trademarked content. Your film must be in English, or subtitled in English.
o Categories: Short, Documentary, Pilot, Music Video
Divergent Film Festival
After a groundbreaking inaugural year in Orlando, the Divergent Film Festival returns with even greater energy and creativity—this time in the heart of Brooklyn. Known for its rich cultural tapestry and vibrant artistic community, Brooklyn serves as the perfect backdrop for the second year of this trailblazing festival, dedicated to celebrating diverse voices and unconventional storytelling. This year’s festival promises to push the boundaries even further, showcasing films that challenge the status quo and redefine the narrative landscape. With a special focus on Afrofuturism, Afrosurrealism, and stories that highlight BIPOC and multicultural perspectives, the Divergent Film Festival is where art, culture, and innovation intersect.
o When/Where: April 18-20
o Deadline: December 31 (Regular Deadline), February 15 (Late Deadline), March 15 (Extended Deadline)
o Application Fee: $15-$60
o Eligibility: Original Content: All submitted films must be the original work of the applicant and must not infringe on any copyrights or other rights of third parties.
Completion Date: Films must have been completed within the last two years prior to the festival date.
Language: Non-English language films must include English subtitles.
Submission Categories: Films can be submitted in the following categories: Feature Film, Short Film, Documentary. Each film may only be submitted in one category
o Categories: Feature, Short, Screenplay
The Women’s Independent Film Festival
The Women's Independent Film Festival is a chance to share and celebrate greatness in the world of female filmmaking. Our incredible community ranges from directors, to producers, to screenwriters, to actors, to content creators! Whatever the medium: We build this festival to shed light, deliver opportunity and celebrate the achievements of women in the world of filmmaking, storytelling and beyond! We're going into our 3rd year celebrating the Women's Independent Film Festival and we're so excited for this year's work, partnerships, competitions and more. Whether a finalist or not, all officially selected filmmakers will be invited to join us at the Women's Independent Film Festival for screenings, networking, resources, collaboration, learning, partnerships and for our official premieres and awards ceremony blocks. The Women's Independent Film Festival was created to encourage female content creators with unique backgrounds to share their stories/ The festival will promote the work of women filmmakers and recognize them globally for their achievements in film. Women have to be involved in the creation of ALL submitted films! That can be either as directors, producers, writers, performers, etc. Just as long as they were involved in the creation of the submitted work.
o When/Where: October 9-12 2025
o Deadline: October 30 (October Deadline), November 30 (November Deadline), January 31 (January Deadline), March 1 (February Deadline), March 31 (March Deadline), April 30 (April Deadline), May 31 (May Deadline), June 30 (June Deadline), July 31 (Regular Deadline), September 1 (Final Deadline)
o Application Fee: $10-$60
o Eligibility: All entries should be sent via FilmFreeway with a secure online screener. Each accepted film must be submitted in the .mp4 or .mov format, preferably. By submitting to the festival you confirm that you own the rights of the film, including the rights to the music in the film. By submitting to the festival you give consent to the festival programming staff to screen your work in front of the private audience of the Women's Independent Film Festival community. There is no minimum running time. Films must have been completed on or after Jan 1st, 2019. All genres are welcome Filmmakers may submit multiple entries as long as each film is submitted with its own Entry Form, online screener and paid Entry Fee.
o Categories: Shorts, Feature Film, Documentary, Animated
Rainbow Fest Chicago
A CELEBRATION OF ALL THINGS QUEER Launched in 2018 as #SafeSpace, Rainbow Fest is a one-of-a-kind showcase of underrepresented voices that has raised funds for deserving organizations such as Trans Lifeline, Brave Space Alliance, Planned Parenthood, and more. Previous hosts and special guests include Meg Stalter (Hacks), Pauley Perrette (NCIS), Robyn Coffin (Chicago Fire), Maya May (The Lincoln Project), Scott Duff (Out Chicago), Malic White (Candyman)
o When/Where: June 21-28
o Deadline: September 30 (Pride Deadline), October 31 (Super Earlybird Deadline), November 30 (August Deadline), December 31 (September Deadline), January 24 (October Deadline), February 21 (November Deadline), March 17 (Regular Deadline), April 8 (Extended Deadline), April 30 (Late Deadline)
o Application Fee: $13-$75
o Eligibility: All genres and content types are welcome. Your film should feature queer identities, but that doesn't have to be the main focus. We love to see our queers in genre films just as much as romance.
o Categories: Feature, Short
Everybody is Somebody
The Albuquerque Film Festival, with the mantra 'Everybody is Somebody,' stands as a beacon of digital celebration for the world's storytellers. Nestled in the heart of New Mexico's vibrant capital, Albuquerque, our festival opens its doors wide, welcoming a kaleidoscope of cinematic talent from every corner of the globe. Dive into the fray with your masterpieces, as we call for submissions across all film genres; there's a spotlight here for every creator, regardless of nationality. It's your time to shine, to vie for prestigious awards across a multitude of categories. Let's unite. Let's craft. Let's rejoice. Boasting a spectrum as broad as the imagination itself, our festival invites you to join an esteemed circle, where selected films don't just screen—they compete for a host of distinctions, bestowed both by minutes of in-depth conversation about your creative journey, shared on our official website, YouTube channel, and across social media landscapes. Our committee is as varied as the films we celebrate, featuring a global tapestry of professionals—Architects to Entrepreneurs, Artists to Filmmakers, and VFX Producers—each bringing a unique perspective to the screen. Every submission is watched thoroughly, ensuring your vision is seen and appreciated in its entirety. Our Goals:To broadcast fresh, trailblazing narratives and cinematic discourse from across the world.To offer an exclusive glimpse into the pioneering realm of New Cinema.To foster the exchange of ideas and experiences among our event's vibrant participants. Our Creed: We are the champions of the cinematic dreamer, the believers in the power of story. The 'Everybody is Somebody' Albuquerque Film Festival is dedicated to showcasing the most diverse array of narratives. Our mission? To empower every filmmaker with a burning passion, to connect creators with audiences, and to help solidify their mark in the ever-expanding universe of film.
o When/Where: April 25-27
o Deadline: July 1 (Deadline 2), August 5 (Deadline 3), September 2 (Deadline 4), October 7 (Deadline 6), November 4 (Deadline 7), December 2 (Deadline 8), January 6 (Deadline 9), February 3 (Deadline 10), March 16 (Deadline 11)
o Application Fee: $15-20
o Eligibility: We accept all fiction and non-fiction film genres. All age groups are accepted. Projects submitted must be the original work of the participant. All submission will be received through Film Freeway only. No Exceptions.
o Categories: Feature, Short, Animated, Documentary, Music Video
Reel Sisters of the diaspora Film Festival & Lecture Series
The Reel Sisters of the Diaspora Film Festival & Lecture Series is a two-day annual film festival founded by African Voices magazine. Established in 1997, Reel Sisters (www.reelsisters.org) is dedicated to providing opportunities for women of color to advance their careers in the film industry. Reel Sisters accepts films written, directed, or produced by women/non-binary filmmakers of color. Reel Sisters is the first Academy Qualifying Film Festival for short narratives devoted to women of color across the globe. Reel Sisters is an IMDb qualifying film festival. Reel Sisters celebrates our 25th Anniversary in 2022! APPLICATION INFO: YOU MUST SUBMIT PRODUCTION STILLS/PHOTOS and a TRAILER for your submission to be ELIGIBLE AND COMPLETE. You can screenshot photos from your film if you were unable to hire a photographer. Reel Sisters is a competitive festival and films are selected by an independent jury. Please submit films early as deadlines away staff if you have any issues uploading your film and making it downloadable for our production staff if you receive an acceptance letter.
We will need downloadable trailer links from FilmFreeway or Vimeo to help promote your film in our festival. You must submit the trailers and photos with your application. If your materials are not submitted with your application, your film will be disqualified.
Complete the details required, providing brief synopsis of the film, credits, production stills and trailers. We accept photographs in all formats including JPEGs, TIFFs and EPS (electronic photos must be 300 dpi resolution for promotional purposes).
All accepted films will be notified via email. Please make sure ALL of your Contact Information is up-to-date. If your email changed between the time you submitted your film and our Notification Date, please update it ASAP so we can correspond with you.
o Categories: Feature, Short, Documentary, Documentary Short, Animation
NYWIFT Member Screening Series
The New York Women in Film & Television Member Screening Series is a unique opportunity for NYWIFT members to showcase their work in a theatrical setting. The series features a diverse array of projects from both established and emerging filmmakers in celebration of our community of women filmmakers. The NYWIFT member screening is open to all current members of NYWIFT. Films are selected and notified on a rolling basis for screening in the series. Due to high demand, screening is not guaranteed though we do our best to accommodate as many members as possible. Films may be short or feature length and may be paired with other film(s) for the screening. All genres are welcome. Projects must feature at least one current NYWIFT member in a key creative role. Films should have been completed within the last 4 years. If you have submitted your film in the past we encourage you to submit it again now for future consideration.
o When/Where: The series takes place September through November and January through June.
o Application Fee: None
o Eligibility: For the 2022-2023 season, we are envisioning a mix of virtual and in-person screenings, subject to change. Due to high demand, we cannot guarantee everyone an in-person slot. But alternately if you have a strong desire for your film to screen virtually, please note it in your submission.
Screenings are followed by a Q&A with the filmmaker / creative team.
Please note: By submitting your film, you confirm that you have or are able to attain the rights to screen this film in a public setting.
Please be aware that a public NYWIFT screening may disqualify you from submitting to certain other festivals. By submitting your film to us, you acknowledge that you are ready and willing for your film to screen publicly now.
o Categories: Feature, Short, Documentary, Documentary Short, Animation
o Contact: If you have any questions, please contact Katie Chambers at kchambers@nywift.org.
Onscreen
Dust
Casting DUST, a historical fiction set in the 1990s American South. Casting to be completed in mid-February 2025. Shooting in late May early June 2025 in Houston, TX.
o Roles: Various
o Rate: Total Pay: $100.00 - $6,500.00 for an estimated 15 days of work (flat rate)
Offscreen
Director, Content Production, Eyeline Studios
At Eyeline, Scanline VFX's virtual production division, we want to provide you with a solid foundation where you can be a part of an innovative team of brilliant researchers, developers and virtual storytellers. Eyeline Studios serves as the central hub of innovation for Netflix and its partners with the goal of empowering the creators with unparalleled creative and technical capabilities to share their vision with audiences across the globe. Our studio is strategically positioned to give filmmakers early access to our latest innovations to not only help execute their vision but also to have them help shape those capabilities to better serve the global community of storytellers. To effectively serve the needs of the business as well as our partners, the role of the Director of Content Production is being created to oversee the Eyeline production team in all aspects of production including bidding, planning, execution, and delivery of our engagements. The Director’s role is to oversee all Eyeline Producers and provide the Production workflow structure for a wide variety of projects. In this senior leadership role, they will provide an environment where the production team can excel in leading challenging projects and achieving exceptional results. This role will work closely with the internal & external teams including Virtual Production, VFX, Research, pipeline and development to maintain a positive working relationship and facilitate innovative solutions for all production needs. The Director of Content Production will be a proven leader, with a deep knowledge of the VFX, Virtual Production, and emerging workflows and a developing knowledge and industry changing innovations. They will demonstrate expert negotiation skills, business acumen and a passion for coaching and production crew development. They must be able to juggle multiple responsibilities and reconcile competing priorities. They will be able to adapt to change while remaining productive and focused on long term goals.
o Responisbilities: Manages new project set up workflows and procedures, ensuring proper forecasting and reporting to Finance and Resource Management
Work directly with technology development: Software, IT, Hardware and Robotics, in order to assure development of goals are aligned with Production needs.
Cultivate strong, collaborative relationships between the Production Team and all Clients and Stakeholders including Scanline VFX, Netflix, and Eyeline Research teams
Lead an aligned cross-functional internal team supporting multiple projects and competing schedules.
Build systems and manage all calendars and schedules to provide transparency
Maintains close communication and alignment with business development staff on all potential revenue projects
Supervise and mentor all Eyeline Producers and core production team at both a project and career level
Responsible for overseeing all project bidding for Eyeline work, including both Eyeline and Eyeline shared projects with Scanline VFX
Is the key point of escalation for Eyeline projects and work done in the Eyeline innovation space
o Pay Range: $230,000 - $250,000 a year
LA Independent Women in Film Awards
LA Independent Women Film Awards focuses on international and U.S. film and script projects of all genres. Every season, the IMDb qualifying fest recognizes projects with a female producer, director, lead actress, writer, cinematographer, editor, composer, etc. All topics related to women's thoughts, women's fate, life conditions, women's views and so on are welcome to participate. All the winners will be promoted through various online magazines in California and can request to receive certificates and laurels. All the winners can request for screening through our festival. Our mission is designed to help create a platform for our filmmakers to be seen, but more importantly, get them the industry exposure to help sustain their craft for many years to come.The members of our jury will be award winning artists working in media from all over the world. All the award winners can request to be a jury member of a new edition of the festival in order to vote for one of the categories. LA Independent Women Film Awards is an outstanding event for promoting female artists working in media from all over the world.
o When/Where: February 28
o Deadline: January 20 (Regular Deadline), February 18 (Final Deadline)
o Application Fee: $30-$60
Hollywood Cineverse Screenplay Competition
What’s your story? THE HOLLYWOOD CINEVERSE SCREENPLAY COMPETITION would like to know! Our competition welcomes emerging writers, celebrates diversity, and upholds the collective experience of enjoying cinema. We're a small-scale, indie screenplay competition that meets for annual gatherings in the heart of Hollywood, Los Angeles. Part of an alliance of indie festivals around the world, this is a great opportunity to get your work seen both in the U.S. and globally. Official selections of our festival are screened each year at trendy venues in Los Angeles. Writers are encouraged to join us at these events for Q&As, an awards presentation, and an opportunity to mingle with an enthusiastic audience. Selected works have the opportunity to win a variety of awards, accolades, distribution opportunities, and prizes (see below). Our awards are IMDb certified! We welcome scripts from all over the world, and of all genres. We accept short, feature, and pilot scripts up to 120 pages long. Come, grab a drink with friends, and check out the latest scripts from L.A. and across the globe. We pride ourselves on a diverse and open community who loves indie cinema of all kinds. When you submit to our festival you enter into a local filmmaking and film loving community. Join CINEVERSE, submit your script, and get your work seen! It all starts here
o When/Where: September 19
o Deadline: January 31 (New Season Deadline), February 28 (Early Bird Deadline), March 31 (End of Winter Deadline), April 30 (Late Submission Deadline), May 31 (Extended Deadline), June 30 (Final Call, Final Decisions)
o Application Fee: $30-50
o Categories: Feature Script, Short Script
Los Angeles International Awards Screenplay Diversity
THE MOTION PICTURE INDUSTRY'S PREMIER SCREENPLAY COMPETITION is hosting a Diversity Initiative to bring attention to those groups who are underrepresented in Hollywood. Our judging panel of Oscar and Emmy winning producers, writers, directors, and executives are looking to endorse the best diverse talent and bring them to literary representatives ASAP!
o When/Where: April 18
o Deadline: December 13 (Early Deadline), January 3 (Regular Deadline),January 24 (Late Deadline), February 14 (Final Deadline)
o Application Fee: $39-139
o Eligibility: Material is accepted via electronic submission only.
There is no limit to the number of projects you may submit.
Submitted scripts must be received by midnight of deadline dates and submission fee payment must accompany your material. All entry fees are non-refundable
All submitted material must be original, and all rights must be wholly owned by the writer(s).
Material must be submitted by the writer. Material written by writing teams must be submitted by one of the writers, with consent of the other(s). All writers must be credited on title page.
If a writing team is chosen as a winner, prizes will be given to the writer submitting the project. Each team is responsible for dividing or sharing the prize money, with no direction from L.A. International Screenplay Awards administrators, staff, or judges.
Revisions, rewrites, addenda, or substitutions of either corrected pages or new drafts of the entered material are accepted upon payment of a discounted administrative fee.
By using our service, you authorize us to use any trusted third-party online and cloud-based services and databases for hosting, managing and/or transmitting your submission file(s).
All copyright, ownership and derivative rights to the material submitted to L.A. International Screenplay Awards remains with the original rights holders and/or author.
Eligibility:All writers, without regard to age, gender, country of origin, native language, or sexual preference at least 18 years of age are eligible.
The material submitted must be in English.
All material submitted to other competitions or contests is eligible.
There are no limitations or restrictions as to date of authorship.
The material submitted must not be encumbered by any obligation to, or option held by, any third party prior to entering the competition.
Any submitted work that becomes optioned, published, produced or purchased between the time of submission and the end of the judging period will be ineligible.
Material should be submitted in standard screenplay format, font, spacing and margin.
No limitations regarding title page content. Title and name of writer and contact information on cover page is recommended.
Adaptations of source material or other literary work must be properly referenced and credited.
Feature scripts that exceed 130 pages will be disqualified.
All material must be submitted electronically as a PDF digital file.
o Categories: Feature Script, Short Script
Torch Literary Arts
Torch Literary Arts welcomes submissions of original creative work by Black women writers. We are interested in work that challenges and disrupts preconceived notions of what contemporary writing by Black women should be. Your stories and poems are valuable and necessary. Write freely and submit what you are excited to share with the world. Submissions are accepted for Friday Features only. We accept submissions on a rolling basis. Simultaneous submissions to other journals are welcome as long as they are identified as such and we are notified immediately upon acceptance elsewhere.
o Deadline: Rolling Basis
o Application Fee: No Fee
o Eligibility: Include a one (1) page cover letter noting the title(s) of the work(s) submitted.
Upload your text submission as a Word (DOC, DOCX) or portable document format/PDF (PDF).
Typed, double-spaced (poetry may be single-spaced) pages.
Numbered pages.
Margins should be set at no less than 1” and no greater than 1.5”.
Poetry: submit up to five (5) poems totaling no more than eight (8) pages.
Fiction, Hybrid genre: 12-point font. No more than ten (10) pages or 2500 words (whichever is achieved first). Excerpts of longer works are welcome if self-contained.
Drama/Screenwriting: submit one act or a collection of short scenes no longer than ten (10) pages. Excerpts of longer works are welcome if self-contained. Indicate if a performance video or dramatic audio reading will be available with the text submission if selected.
Restrictions: We do not reprint previously published work for TORCH Friday Features.
o Categories: Scripts
A24
Based in NY and LA, A24 is the Academy Award-winning film and TV studio behind feature films such as Minari, Midsommar, Moonlight, Ex Machina, Uncut Gems, and this summer’s Zola and The Green Knight. A24 TV productions include the Emmy-winning series Euphoria for HBO starring Zendaya, Hulu series Ramy from Golden Globe-winner Ramy Youssef, the eponymous variety series from viral comedy sensation Ziwe for Showtime, the forthcoming Joseph Gordon-Levitt Apple series Mr. Corman, and the Netflix anthology series Beef starring Oscar nominee Steven Yeun and Ali Wong.
o Seeking: Various Roles
o Location: Los Angeles, CA & New York, NY
o Website: https://a24films.com/jobs
The Kate Spade New York Foundation
o To honor Kate Spade’s legacy of empowering and inspiring women and girls, the National Council for Behavioral Health is excited to provide complimentary Mental Health First Aid training to communities throughout the five boroughs of New York City and New Jersey and in partnership with organizations that specifically support these populations.
What is Mental Health First Aid?
Just as CPR helps you assist an individual having a heart attack, Mental Health First Aid helps you assist someone experiencing a mental health or substance use-related crisis. In the Mental Health First Aid course, you learn risk factors and warning signs for mental health and addiction concerns, strategies for how to help someone in both crisis and non-crisis situations, and where to turn for help.
The National Council for Behavioral Health shares Kate Spade New York Foundation’s belief in “the power of women to transform their communities” through empowerment. In support of this mission, we are offering through a competitive application process, select Mental Health First Aid and Youth Mental Health First Aid training, fully funded!
o Location: New York, NY
o Website
Funding
Sundance Institute: 2025 Feature Film Producers Track
The 2025–2026 Feature Film Producers Fellowship is a yearlong program designed to nurture emerging producers with project-specific support through the Producers Lab, year-round mentorship from a dedicated industry mentor, film industry networking opportunities, professional development and project advancement strategy workshops, and ongoing support from Sundance Institute staff. The program is designed to hone emerging producers’ creative instincts and evolve their communication and problem-solving skills at all stages of their next feature film.
o Deadline: February 12
o Eligibility: Candidates must have produced at least one short or feature-length narrative or documentary film, but no more than two narrative features total as lead producer. This does not include co-producer, associate producer, or executive producer credits.
Candidates must have a completed scripted narrative feature-length project in hand, with a director attached to the project.
Candidates must have a legal agreement in place through which they control the project (e.g., an option, attachment, or shopping agreement).
Candidates may not be involved as a writer or director of the submitted project. Candidates must live in the United States, though the project may be filmed internationally.
o Contact: If you have further questions after reviewing our FAQ, please email us at producers@sundance.org.
Artslink International Fellowship
The ArtsLink International Fellowship program prioritizes applicants whose social practices seek to actively engage communities on issues related to the current climate emergency and human rights. We will actively encourage artists and arts leaders whose work is making a vital contribution to furthering people’s awareness, understanding, and active participation in environmental and/or social justice issues. Additionally, we will prioritize artists recently displaced from or still working in Afghanistan and Ukraine.
o Deadline: Letter of Inquiry deadline will be announced in January 2025 Fellowships take place in 2026: online research in May and in person residencies in the US in October-November
o Application Fee: None
o Eligibility: CEC ArtsLink welcomes applications from contemporary artists, curators, and arts leaders whose work is shaped by community engagement and social practice strategies, and informed by our most urgent local and global issues. We welcome applications from artists of any generation and invite those with both traditional and non-traditional artistic backgrounds. Applicants must be citizens of one of our network countries. If you are living outside the region, please indicate where you are currently based. Please note that an ability to communicate both verbally and in written English will be essential to success in the program. Undergraduate students and research scholars are not eligible. Arts leaders/curators must be affiliated with an arts organization in the non-commercial sector or work as individual independent arts professionals. Artists seeking placement in commercial firms are ineligible. ArtsLink International Fellows from prior years are not eligible to reapply.
American Documentary and Animation Film Festival and Film Fund
The American Documentary and Animation Film Festival and Film Fund (AmDocs) is one of the largest Docs and Animation festivals in the United States, located near the media capital of Hollywood in beautiful Palm Springs. This unique event focuses on international films in both the short and feature categories as well as showcasing animation. Recipients of the festival’s qualifying awards will be eligible for consideration in the Documentary Short Film category of the Academy Awards® without the standard theatrical run, provided the film otherwise complies with the Academy rules. In conjunction with the festival is the American Documentary Film Fund where U.S. filmmakers compete for start-up or finishing funds in order to complete their film masterpieces. Typically, the festival program proudly consists of 90% from film submissions. AmDocs, seeing the bigger picture.
o Deadline: December 13 (Late Deadline), January 10 (Extended Deadline)
o Application Fee: $37.50-70
o Eligibility: The festival is open to all categories within the documentary and animation film genres. The film should not be more than 3 years old, though in certain circumstances, a retrospective may be screened and/or a "hidden gem" never seen before by the public.
Sloan Distribution Grant
The Sloan Distribution Grant is a $50,000 grant awarded by Film Independent to a film that is entering its distribution phase. Eligible films must depict themes, stories and characters grounded in real science, technology or economics.
o Deadline: Rolling
o Application Fee: $65
o Eligibility: Applicants must be the producer of a narrative fiction feature film.The film should prominently feature science, mathematics and/or technology in the story and/or have a leading character that is a scientist, engineer or mathematician. Films with innovative marketing and distribution plans are encouraged to apply. All submitted films must be at least 70 minutes in length. Applicants must be legal residents of the United States. Film must be entering its distribution phase.
o Contact: artistdevelopment@filmindependent.org
Panavision New Filmmaker Program
Panavision believes in helping students and beginning filmmakers achieve their dreams. More than 25 years ago, Panavision launched the New Filmmaker Program, an ongoing grant program that loans camera packages to film schools, training programs, and independent filmmakers – at little or no charge. Panavision’s commitment to the industry's future provides student and beginning filmmakers the opportunity to work with professional grade equipment early in their careers.
o Deadline: Rolling
o Application Fee: Free
o Eligibility: Submit your proposals at least two months before you plan to shoot. Due to the high demand for Panavision cameras and equipment, it is essential that you plan ahead and contact us early.
Proposal materials will not be returned.
The New Filmmaker Program does not discriminate as to the nature of the project that can receive equipment grants. Any form, from experimental to documentary to musical to traditional narrative, is welcome.
Camera grants are available only for productions in the United States. Customs laws make transportation of cameras out of the US prohibitive. No exceptions.
The New Filmmaker Program will not allow cameras to be used on projects that perpetuate racial or sexual stereotypes and prejudices. Pornography is absolutely unacceptable.
Grant recipients must obtain insurance from an outside insurance agent. Students can generally have the school issue the necessary policies. Plan ahead! This can take several weeks to implement. The process varies from school to school, so check with your film department. Productions that are not attached to a school must obtain the necessary insurance from an independent broker. Panavision must receive proof of insurance two weeks prior to prep dates. EQUIPMENT WILL NOT LEAVE THE BUILDING WITHOUT PROPER INSURANCE. NO EXCEPTIONS!
Approved proposals are subject to a service fee for equipment.
Anamorphic lenses are not available via the New Filmmaker Program
All gear is requests are subject to availability
o Contact: nfp@panavision.com
Catapult Film Fund
Catapult Film Fund provides development funding to documentary filmmakers who have a compelling story to tell, have secured access to their story, and are ready to shoot and edit a piece for production fundraising purposes. Our mission is to enable filmmakers to develop their films to the next level at a moment where funding is hard to find.
o Deadline: Rolling
o Application Fee: Free
o Eligibility: Applicants must be 18 years of age or older. Catapult does not fund student films.
Documentaries must be 28 minutes or longer in length. We do not fund series.
Animation is okay. Documentary/narrative hybrids will be considered on a case-by-case basis.
Development funds must specifically be used for the process of completing a fundraising piece, which may include writing, shooting and editing once story and characters are in place.
Applicants must own the copyright of their production, and have artistic, budgetary and editorial control over their project.
Applicants should preferably have previous film or television production experience in a principal role (director, co-director, producer, co-producer) as demonstrated by submitting a previously completed work sample.
Applicants who have not yet produced or directed their own feature length documentary should demonstrate that they will be working with an experienced filmmaker in a principal role.
Catapult only makes grants to 501(c)(3) organizations. In most cases, this will mean getting a 501(c)(3) fiscal sponsor for the project. A film production company or individual, including applicants from outside the US, may submit an application without a fiscal sponsor in place. Please see the FAQ section for more details.
o Contact: info@catapultfilmfund.org
Residencies
18th Street Arts Center
18th Street Arts Center values art making as an essential component of a vibrant, just, and healthy society. Its mission is “to provoke public dialogue through contemporary art making.” Founded in 1988, 18th Street Arts Center has fostered and supported the work of many of Los Angeles’ most engaging artists, and has built bridges to artist communities around the globe.
o Deadline: Ongoing
o Application Fee: Yes
o When: Ongoing
o Eligibility: The Visiting Artist Residency Program accepts applications from working, professional artists who demonstrate a deep commitment to their practices. The program is open to artists of all generations, nationalities, and disciplines. Applicants are required to cover studio rental costs themselves. Although we primarily support visual artists, 18th Street Arts Center will consider applications from performing artists, writers, and filmmakers as well.
o Address: 1639 18th Street, Santa Monica, CA 90404
o Contact: 310-453-3711
Other Resources
NOTE: For more resources, visit our pages of Resources - Funding, Submissions, and more.
NYFA SOURCE - The New York Foundation for the Arts maintains the most comprehensive national directory of awards, services and publications for artists in the NYFA Source section of their website.
FILM FREEWAY - Film/Video artists can check Film Freeway at: