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#StageOppsoct26
Submission Opportunities for Women in Theatre
(previously known as Theatre Funding Newsletter)
For full #StageOpps Listings please scroll
or click links below for specific listings
Project Submissions
Script Submissions
Onstage
BackSTAGE
Funding
Residencies
Other Resources
Project Submissions
Black Women on Broadway
The Black Women On Broadway Reading Series is a development reading series dedicated to early career Black Women Playwrights. This readings series offers ONE playwright the opportunity to have a relaxed approach to development with a full day of rehearsal culminating in a public reading that evening. The reading series is scheduled for Monday, November 9th, 2026 with the generous support and partnership with WP Theater.
o Deadline: October 14
o Application Fee: Free
o Eligibility: Any early career Black Woman playwright is encouraged to submit (NOTE: Early career = TWO or less professional productions in their career. Productions must have been at a non-profit, regional, commercial off-broadway or non-union theater only. Playwright cannot have been produced on Broadway. )
The play submitted CANNOT have had a professional or workshop production. (Other developmental readings are fine)
Only ONE submission per playwright.
Playwrights CAN re-submit the same play if they have submitted to previous BWOB reading series
Only FULL LENGTH PLAYS can be submitted. No musicals, no one act plays (i.e. 30 minutes or less,) no 10 minute plays. We are not accepting any solo/one person plays at this time.
Playwright must be available in person, in New York City for the full day of the scheduled reading series date: MONDAY, NOVEMBER 9TH, 2026. We cannot make any exceptions or provide any hotel, flight or other travel arrangements or accommodations.
Playwright will receive $500 stipend
o Categories: Full-Length Plays
Playing Ace: A New Asexualities Play Festival
The “Playing Ace” play festival is an opportunity for folks who are interested in showcasing and exploring asexual worldmaking to connect and share their work! We aim to provide opportunities for playwrights to produce and then publish their work, to expand the reach of these important stories. Over the next year, we will be collecting and carefully reviewing play submissions to be showcased in a staged reading held in Madison, Wisconsin in spring 2027. Playwrights will have the support of a dramaturg during the play rehearsal process and will see how live audiences react to their play. After the play festival, playwrights will have an opportunity to join a proposal to publish their play in the first anthology of asexual plays! Overall, we recognize that there is a growing need to share stories about asexual lives, experiences, and perspectives. As asexuality becomes more of a topic for discussion in the world, it is important that we create spaces where stories and perspectives can be shared. We believe that theatre is a fantastic place to come together and create new communities, and with the proposal for an anthology, we want to ensure that these stories are shared with as many people as possible.
o Deadline: November 1
o Application Fee: Free
o Eligibility: Given the festival’s mission, all submitted plays must feature a story that relates to asexualities
All plays must be submitted via the submission form. No physical copies.
Playwrights may only submit one script.
Script must be original, unpublished, and unproduced (previous readings or workshops are acceptable).
Formatting:
Standard format, such as Dramatists Guild Modern Stage Play, Final Draft, etc.
12-point, standard font such as Times New Roman or Courier
Double-spaced
Numbered pages from the first page of the action/dialogue, excluding the title page, author information, setting, character descriptions, notes, etc.
For guidance on formatting, visit the Dramatist Guild’s guide here.
There are two submission options:
Full length plays (80 to 120 minutes)
Short plays (10 to 30 minutes)
o Categories: Short Plays, Full-Length Plays
Blackboard Plays - Reading Series Submission
Founded in 2008, Blackboard Plays has been devoted to Black Playwrights throughout the African Diaspora.
o Deadline: None Given
o Application Fee: Free
o Eligibility: Black Playwrights Submit up to 10 pages in consideration for a Feature reading. A Feature and a Community Night are the two main ways to have your work supported by Blackboard. Those not selected for a feature, are encouraged to attend a community night, which is structured like an Open Mic Night for Playwrights, where up to 10 pages is cold-read by Actors in person or on Zoom (During COVID-19 Social Distancing Practices).
o Categories: Short Plays, Plays
Neurodivergent Plays
Neurodivergent playwrights in NYC since 2023 - is accepting recurring submissions as we prepare for our 2024-25 Season.All submissions should be for full-length plays between 45 to 180 minutes long and may have received a previous reading or production outside of NYC, as long as they are unpublished. All neurodivergent/disabled writers (autistic, ADHD, dyslexic, OCD, Tourette's, etc.) at all stages of their careers are encouraged to apply - especially BIPOC, LGBTQ+, and female-identifying writers. There is no submission fee or any other fee for being involved in this process.
o Deadline: Rolling Basis
o Application Fee: None
o Eligibility: Plays can be of any genre, although we are especially seeking works that challenge traditional methods of storytelling & have something important to say about the world that isn't being heard enough. We ask that you submit only one play every 30 days during our recurring submissions process.
Contact: neurodivergentplays@gmail.com
o Categories: Full-length Plays
SCRIPT Submissions
Downtown Urban Arts Festival
DUAF is seeking theatrical works (plays, musicals, and solo performances) for its 25th Annual season to be held in June 2027 in Manhattan, New York City. We support diverse, new and emerging voices from America’s burgeoning multicultural landscape. Over 200 playwrights have participated in DUAF and some have gone on to greater success on Broadway and have claimed top prizes such as the Pulitzer, Tony and Obie awards and nominations.
o Deadline: October 26
o Application Fee: Free
o Eligibility: Plays do not exceed 70 minutes
Plays should be new or existing work with minimal exposure
Plays should not have any other production in New York City during the 30-day period before and after the 2027 festival
o Categories: Short Length Plays, Full Length Plays
Eric H. Weinberger Award for Emerging Librettists
The Eric H. Weinberger Award for Emerging Librettists is a juried cash and production grant given annually to support the early work and career of a deserving musical theatre librettist. It commemorates the life and work of playwright/librettist Eric H. Weinberger (1950-2017), who was a Drama Desk Award nominee for Outstanding Book of a Musical (Wanda’s World), and the playwright/librettist of Class Mothers ’68, which earned Priscilla a Drama Desk Award. The winner will receive $2,000 to help with cost-of-living expenses. The winning musical will receive development assistance in the 2027 New Works Development Program of Amas Musical Theatre, culminating in an Amas Lab production with New York theatre professionals. Amas was the development home for several of Mr. Weinberger’s musicals, including the World Premiere of Wanda’s World and the New York Premiere of Tea for Three. We are grateful to be afforded this opportunity to continue supporting theatre artists and making an impact in our community. We are excited to welcome a new wave of inspiring voices to our musical theatre family.
o Deadline: November 30
o Application Fee: Free
o Eligibility: Be a full-length show (at least 80 minutes)
• Have no more than eight actors (actors may play multiple roles; if so, please include a suggested breakdown of role distribution)
• Be complete and ready for readings, workshops and/or productions
• Have a demo that is an accurate representation of the music and style of the show (at least five songs)
• Have full underlying rights clearance of any pre-existing material used in the script (music, source material, etc.)
• Not have had a full production or be published in any way, even if with a different name.
o Categories: Musicals
Theatre Now Soundbites Festival
Theatre Now defines a 10-minute musical as any piece that can be performed in 10 minutes or less; has a beginning, middle, and end story arc; and includes music. Having produced over 100 pieces, we want musicals that are diverse and current, that test the musical form and communicate a well-crafted story. We accept musicals across all styles and genres and are happy to consider foreign language and/or bilingual scripts. We strongly encourage submissions from female, BIPOC and LGBTQ+ writers as well as writers with disabilities.
o Deadline: December 1
o Application Fee: Free
o Eligibility: Please review the following criteria thoroughly before sending your submission:
Ten-minute musicals will be accepted from September 1st 2026- December 1st, 2026 at midnight.
Submissions will not be considered before September 1st or after the deadline.
Musical theatre writers can submit no more than two scripts during the current submission period.
The story must have a beginning, middle, and end.
We accept submissions in foreign languages or that are bilingual. Although the application process is in English, the work itself may be submitted and performed in any other language if selected.
Each piece must include music.
All submissions must be submitted via the submission form. No physical copies.
Each musical must not exceed ten minutes when performed. If accepted, cuts may be required.
Longer one-acts or full-length musicals will not be considered, although the submission may be a 10-minute portion of a longer piece as long as it tells a complete story with a beginning, middle, and end story arc.
A musical may be a previously-produced work with a production history.
We have no formal script formatting guidelines, but all scripts should be easy to read.
The volume of submissions prevents us from providing feedback on all submissions.
If your piece is visual (i.e. choreography-heavy), please include video footage or detailed descriptions.
o Categories: Short Musical
Eclectic Full Contact Theater Company 6th Annual Patchwork Play Festival
Eclectic Full Contact Theater Company announces the opening of submissions for the 6th annual Patchwork Play festival. To be presented at The Edge Theater, 5451 N Broadway, Chicago, IL. Feb. 26, 2027 - March 7, 2027 We are currently accepting submissions of New One-Act Plays that embody this years theme of: Alienation
o Deadline: October 31
o Application Fee: Free
o Eligibility: Play must be previously unproduced. (Staged Reading are fine)
Play length not to exceed 30 minutes.
Play must reflect the yearly theme. This years theme is: Hope
Play must be received by October 31, 2026
Playwrights cannot submit more than 2 scripts per year for Patchwork. If more than 2 scripts are submitted by the same playwright, we’ll pick 2 at random. Only one play per playwright may be featured per Patchwork Festival per season.
Scripts cannot contain copyrighted music unless the playwright owns the music’s copyright, or has written permission from the music’s copyright owner.
We are not accepting musicals at this time.
o Categories: New Plays
o Contact: Patchworkplayfest@gmail.com
Theatre Three 28th Annual Festival of One-Act Plays
Since its inception in 1998, The Festival has received over 13,000 submissions from across the world and produced over 140 world premieres by more than 100 different playwrights. The Festival presents between five and eight plays each season.
o Deadline: September 1
o Application Fee: Free
o Eligibility: Playwrights may only submit one play per Festival.
Only unproduced works will be accepted.
Plays that have had staged readings or on-line productions are eligible.
No adaptations, children’s plays, or musicals.
Cast size maximum: 12
Length maximum: 30 minutes (no minimum)
Settings: Simple or suggested.
All submissions should be emailed as PDFs with the title in caps followed by the playwright’s name. Example: THE BASKET WEAVERS Jamie Martin
Play’s cover sheet should include author’s information (name, address, telephone, email). It may also contain a short synopsis.
Any stage play format is acceptable.
Due to last year’s high volume of submissions, we are allowing plays to be resubmitted for consideration.
o Categories: Short Plays, Plays
o Contact: Jeffrey@theatrethree.com
The Black List x TRW Collection
The Black List and Theatrical Rights Worldwide (TRW) have partnered to publish and license a minimum of six plays annually from writers discovered on blcklst.com. The six plays will be published and licensed under The Black List x TRW Collection, which will make the work accessible to a wide range of customers, including schools, colleges and universities, community and regional theaters, and more. The Black List and TRW hope to add at least six plays each year to The Collection. All writers are welcome to submit their plays for consideration. Writers will be invited to contribute to The Collection semi-annually, with semi-annual review cycles deadlines on the first of May and November each year. The next cycle deadline will be November 1, 2026.
o Deadline: November 1
o Application Fee: None
o Eligibility:You must post an original stage play on www.blcklst.com and opt-in to the Program during the Submission Period.
You must agree to (1) these Submission Requirements, (2) all terms relating to the Program posted on Black List’s website, which you should review and read in full, and (3) theSubmission Agreement, which governs the submission of your script to Company and BlackList.
The Submission Agreement includes important, legally binding terms and conditions,
including arbitration of any disputes, which you must read in full before accepting.
If requested, you must submit by a date determined by Company the following materials, which area lso governed by the Submission Agreement: A professional resume and personal statement; Contact and other personal information; and Executed originals of the Submission Agreement.
If selected by Company for the Program, as a condition of your participation, you must agree to Company’s terms of participation, including without limitation a publishing deal and/or licensing deal, which shall be negotiated in good faith.
You must be at least 18 years of age and not a minor in the state or country of your residence at time of submission.
If the submitted materials written by a team consisting of one or more writers, (i) each member of that writing team must comply with these Submission Requirements, including agreeing to the Submission Agreement described below and (ii) all members of the writing team must opt-out of the Program if any other member becomes ineligible (including as a result of failing to timely agree to the Submission Agreement or failing to timely provide the materials listed above).
The submitted materials must be wholly original to you and you must be the sole owner of all rights. The submitted materials must not in any way infringe upon the copyright of any person or entity or, to the best of your knowledge in the exercise of reasonable prudence, constitute libel, defamation or invasion of privacy or any other rights of any third party. You understand and agree that Black List will share any information that you provide in connection with the Program with Company.
o Categories: Plays
Gather by the Ghostlight Standalone Stories
Throughout the year, we produce one-off episodes featuring stand alone stories as part of our ongoing anthology. If you would like to submit a script for consideration, please read the guidelines below.
o Deadline: Ongoing
o Application Fee: None
o Eligibility: Script Length - 20 to 60 pages (please make sure pages are numbered)
Genre - Any
Cast Size - 2 or more characters. No one-person shows.
Please send your script as PDF documents only.
Format - Any format as long as it's dialogue based and we can tell what's going on in the story. We don't produce audiobooks. Please don't submit a prose story and expect us to adapt your work to a dialogue format for voice actors to perform.
Include all of your contact info in the body of the email and on the script.
Writers will be paid $50-100 depending on the length of their script if selected.
We recommend that you listen to previous productions on our podcast so that you get a feel for the type of works we produce.
o Categories: Plays
o Contact: Submit your script to submissions@gatherbytheghostlight.com with the subject line "STAND ALONE STORY SUBMISSION"
Southern Soul Theatre Ensemble Presents the Inaugural 10x10 Play Festival
The Southern Soul Theatre Ensemble proudly announces the Inaugural 10x10 Play Festival, celebrating creativity, culture, and community! In honor of Juneteenth, this festival amplifies Black and Latinx voices through a dynamic showcase of 10-minute plays.
o Deadline: None Given
o Application Fee: None
o Eligibility: Eligibility: Open to Black and Latinx playwrights (one submission per playwright).
Play Length: 10-minute plays (8-10 pages).
Cast Size: 2-6 characters.
Themes: Works should reflect the diversity of Black and Latinx cultures; all genres welcome.
Original Work: Must be unproduced or have had limited exposure (readings/workshops accepted).
Format: PDF submissions only, including a title page with name, contact info, and a brief synopsis.
Deadline: Selected playwrights will be notified by April 15th.Southern Soul Theatre
o Categories: Plays
The Autry: 2026 OPEN Submission for Production Consideration
We accept scripts all year long. Do you have a full-length script that has been developed and produced that you would like us to consider for a future Native Voices production in Los Angeles? Please follow the Checklist for All Submissions below and in the Native Voices Script Submission form, check the box for 2026 General Production Consideration.
o When/Where: Open all year
o Deadline: None Given
o Application Fee: None
o Eligibility:Full-length plays (60+ pages) received will be read and evaluated.
o Categories: Full-length Plays
NY Theatre Festival Spring/Summer and Fall/Winter
This is a unique opportunity to invite people from the industry to see your production! People are more likely to go see a show than to read an unsolicited script - some industry people receive on average thousands of submissions per month. They understand that the journey for a show to be successful often goes through several productions and this is your chance to show that you can start that process! Our dedicated team is here to help you get your work out. We are with you from the moment you begin tech rehearsals, all the way through to your closing performance. You will never be left alone during the process. We will help you choose from the 85 set/furniture pieces we offer to dress your stage for your run, and we will give you a complete crash course on how to use the audio/light/video system in just 3 minutes, which are intentionally designed to be very user friendly.
After we show you how to use the tools we provide and how to best utilize the space, The Festival’s team will provide prime responses to every inquiry, as well as a telephone # you can call anytime during relevant hours throughout the run of your show. In 12 years and 22 seasons we have successfully hosted 1,400 plays and 300 musicals, as well as rewarding over 300 participating artists cash prizes.
o Deadline: TBD
o Application Fee: None
o Eligibility: Submissions Accepted from a 30-mile radius outside of Manhattan and only run if the entire cast and crew are from New York City. Plays are considered on a first-come, first-serve basis. The earlier you submit, the better your chances are of having your script invited to the festival. Each applicant is fully responsible for all elements of their production, including directing, casting, stage-managing. We know exactly what you need to make your show a success and we welcome you into our community of playwrights and theater innovators!
o Categories: Plays, Musicals
Torch Literary Arts
Torch Literary Arts welcomes submissions of original creative work by Black women writers. We are interested in work that challenges and disrupts preconceived notions of what contemporary writing by Black women should be. Your stories and poems are valuable and necessary. Write freely and submit what you are excited to share with the world. Submissions are accepted for Friday Features only. We accept submissions on a rolling basis. Simultaneous submissions to other journals are welcome as long as they are identified as such and we are notified immediately upon acceptance elsewhere.
o Deadline: Rolling Basis
o Application Fee: No Fee
o Eligibility: Include a one (1) page cover letter noting the title(s) of the work(s) submitted.
Upload your text submission as a Word (DOC, DOCX) or portable document format/PDF (PDF).
Typed, double-spaced (poetry may be single-spaced) pages.
Numbered pages.
Margins should be set at no less than 1” and no greater than 1.5”.
Poetry: submit up to five (5) poems totaling no more than eight (8) pages.
Fiction, Hybrid genre: 12-point font. No more than ten (10) pages or 2500 words (whichever is achieved first). Excerpts of longer works are welcome if self-contained.
Drama/Screenwriting: submit one act or a collection of short scenes no longer than ten (10) pages. Excerpts of longer works are welcome if self-contained. Indicate if a performance video or dramatic audio reading will be available with the text submission if selected.
Restrictions: We do not reprint previously published work for TORCH Friday Features.
o Categories: Scripts
The Tank Presents
Each season, our The Tank Presents program serves hundreds of emerging artists as they create over 1000 performances of new works in music, theater, film, dance, comedy, and storytelling. As part of our mission to remove the economic barriers from the creation of new work, we never charge our artists to use our space for their performances! In addition, we also provide free rehearsal space, as well as free marketing and promotion of their event. Our The Tank Presents presenting model removes the daunting cost of space rental from the equation of art making, and provides an affordable home for emerging artists to create art that pushes the boundaries of their mediums. Through this program, artists can present readings, works-in-development, short runs of full theatre productions, screenings, concerts, storytelling festivals, comedy shows, and more.
o Deadline: None Given
o Application Fee: None
o Eligibility: To submit work for consideration as part of Tank programming, please email submissions@thetanknyc.org with the following information:
Show title
Discipline (theater, music, comedy, etc.)
Approximate running time
Summary of piece
Brief summary of artistic goals
Brief explanation of how the piece exists in the world (i.e. - art exhibit, soundscape, outdoor experience, digital hybrid)
Sample of work that will give us a sense of what it is you’re trying to make and that you know how to make it
Bio of lead artist(s)
The name of the Tank show you viewed
Submissions are accepted on a rolling basis.
o Categories: Plays
o Contact: submissions@thetanknyc.org
Diversionary: Seeking new, full-length LGBTQIA+ works
Diversionary is always seeking new, full-length LGBTQIA+ works for consideration. Please follow the guidelines below if you would like to submit your work. Because of the volume of submissions, those that do not follow the guidelines will not be considered.
o Deadline: None
o Application Fee: None
o Eligibility: Please send all of the above items as a single document in pdf format to frankie@diversionary.org. For music, please send the items in mp3 format or include a link to be accessed. No physical submissions sent to the theatre will be considered.
a one-page synopsis, character breakdown, and playwright bio
a development/production history of the submitted work (including date written and any readings, workshops, and full stagings)
a ten-page sample of the work
three audio recordings of music, twelve minutes total, if it’s a musical
o Categories: Full Length Plays, Musicals
o Contact: frankie@diversionary.org
Manhattan Repertory Theatre Play Production Program
Self-Produce a production of your best play in New York City as live theatre comes back to life in this New Renaissance of Theatre. We will do all the work, from hiring a production team and staff, to casting, directing, building costumes, set design, lighting design, payroll and more. From 3 performances to 20 performances for one simple Production Fee. Pre-Pandemic, 2017 - 2019, we produced 60 plays in Midtown Manhattan for playwrights all over the world. Production time frames available: Late Autumn 2021, Winter/Spring 2022.Currently, as we move back into production in New York City, we are only accepting Full-Length plays and Musicals - 60 to 150 minutes. Production fees range from $12,000 to $50,000 depending on the "size" of your production, scenic elements, and the number of performances.
o Deadline: TBD
o Application Fee: None
o Eligibility: If you are serious about self-producing your play in New York City, please forward us: An email cover letter with information about you and your work. your play attached as a .pdf, an attached Synopsis of your play, with the approximate running time, and your set, lighting and costume requirements.
o Categories: Full Length Plays, New Plays
o Contact: manhattanrep@yahoo.com
Shubert Fendrich Memorial Playwriting Contest
To encourage the development of quality theatrical materials for the educational, community and children’s theatre markets, Pioneer Drama Service is proud to sponsor the annual Shubert Fendrich Memorial Playwriting Contest.
This is an ongoing contest, with a winner selected by June 1 each year from all eligible submissions received the previous year. All eligible plays accepted for publication will be considered contest finalists, from which the winner will be selected. The contest winner will receive a $1,000 royalty advance in addition to publication.
o Deadline: Ongoing
o Application Fee: None
o Eligibility: You can start the submission process by contacting us here.
We will only consider manuscripts with a running time between 20 and 90 minutes.
Submissions must be family friendly in both subject and language. NO cursing. NO explicitly adult content.
We prefer casts that are either balanced or favoring females. The more gender neutral roles, the better.
We favor plays and musicals with ensemble casts, where more than just a few have a chance to shine.
Plays with elaborate set, costume or technical requirements are not appealing because of the limited resources of many of our customers. Pictures, sketches or descriptions of your vision are always helpful.
We recommend your submissions have had at least one production or reading, hopefully staged. We feel this fundamental field test is necessary before a play can be considered for publication since plays are created for the purpose of performance.
Manuscripts must be computer-printed in dark ink. We do not require specific formatting. However, your efforts to ensure your script is free of misspellings and typos will help the submissions editor.
We hope that Pioneer Drama is your first choice as a publisher, and we encourage you to submit to us exclusively. However, we do accept simultaneous submissions with the understanding that you will accept the first contract you’re offered and not use the situation to seek multiple offers from which to choose. If you receive another offer, please notify us immediately so we may rescind your submission.
The following information must accompany your submission or query:
100-200 word synopsis.
Cast list that indicates the number of female roles, the number of male roles and the number of roles that can be performed by either gender. We do not accept one-person shows.
Running time.
CD and/or score for musicals. We appreciate the opportunity to hear the music, if possible.
Set design(s). Please feel free to provide diagrams and/or pictures.
Proof of production or staged reading (i.e., review, program, etc.) A DVD of your performance is ideal, though not required.
Age of intended audience.
A self-addressed envelope of sufficient size with appropriate postage for the return of your materials. We will NOT return manuscripts or accompanying material if this is not included.
Cover letter and/or resume.
o Categories: family friendly
o Address: Pioneer Drama Service, Inc. Attn: Submissions Editor PO Box 4267
Englewood, CO 80155-4267
o Contact: https://www.pioneerdrama.com/ContactUs.asp?ID=6
Urban Stages Emerging Playwright Award
Our $500 Emerging Playwright Award (coupled with press coverage) is given to playwrights who show excellence and dedication throughout this process – from development to the stage. Out of hundreds of submissions a year, we select 15-20 plays for readings. From these, we select 1-3 plays annually to go on to our workshopping phase. Our workshops are meant to prepare a play for our Off-Broadway stage. From our workshops, we select 1-2 plays for full productions, complete with a playwright’s contract and compensation (separate from the award).
o Deadline: Ongoing
o Application Fee: None
o Eligibility: Plays may have been developed or produced elsewhere, but never produced in New York City. Plays from overseas and throughout the US are accepted and considered, but special attention will be given to playwrights who live in or near New York
o Categories: Full Length Plays, New Plays
o Contact: 212.421.1380
Onstage
WICKED (BROADWAY/TOUR #2) - NYC EPA (10.20.26)
Equity actors for future replacements for principal roles in the Broadway production and the National Touring (#2) production of WICKED (See breakdown). Venue: Gershwin Theatre - Broadway There are no Equity stage managerial positions available in either production.
o Deadline: October 26
o Details: Please sing a brief contemporary musical theater song showing range. Sopranos may sing a brief traditional legit musical theater song showing range. Please bring sheet music for the piano accompanist provided. Please bring a headshot and resume stapled together.
o Location: Pearl Studios (500) 500 8th Ave New York, NY 10018-6504 315 - Audition Room; 314 - Holding Room
o Seeking: [ELPHABA] Character is female (cis, transgender, or nonbinary), 20s, any ethnicity. The “wicked” witch. Born with emerald-green skin, she has had a rough childhood and is an outcast from the beginning. Smart, fiery, sensitive, passionate, misunderstood, sincere, has potent inner beauty, rallies for the underdog, has great talent for sorcery. Has a thrilling, powerhouse, contemporary high-belt singing voice. A lead capable of carrying a big show.
[GLINDA] Character is female (cis, transgender, or nonbinary), 20s, any ethnicity. The “good” witch. Charming, entrancing, ambitious, perky, vain, very popular, a social climber, but also vulnerable and sympathetic. Her friendship with Elphaba reveals more depth in her character. Has excellent comic chops and a glorious singing voice with high soprano and belt capability. A lead capable of carrying a big show.
[FIYERO] Character is male (cis, transgender, or nonbinary), 20s-Early 30s, any ethnicity, height of 5’11” or taller. A striking prince with a philosophy of “Dancing Through Life.” A wealthy, dangerous party boy who at first is attracted to Glinda. Initially he is shallow and self-absorbed; however, his growing relationship with Elphaba prompts him to reexamine his way of thinking. Has an effortless contemporary tenor singing voice. Strong movement ability.
[THE WIZARD OF OZ] Character is male (cis, transgender, or nonbinary), 50s – 70s, any ethnicity. A carnival huckster who blew into Oz in a hot air balloon and became a false-faced leader. Has a strong, distinctive, engaging, sweet character with a character singing voice.
[MADAME MORRIBLE] Character is female (cis, transgender, or nonbinary), 50s – 70s, any ethnicity. A sorceress and Headmistress of Shiz University. Dignified, powerful, haughty, has a dark side. Takes Elphaba under her wing, training her in sorcery. Is a strong, comical character with a formidable presence. Sings a little; should be able to carry a tune.
[NESSAROSE] Character is female (cis, transgender, or nonbinary), 20s, any ethnicity. Elphaba’s striking, lonely, compassionate younger sister, she was favored by their father. Has spent her life in a wheelchair. Her unrequited love for Boq leads her to become the Wicked Witch of the East. Commanding with a strong lyrical voice and musical theatre belt.
[BOQ] Character is male (cis, transgender, or nonbinary), 20s, any ethnicity, height of 5’7” or shorter. A helpless, quirky munchkin. Enamored with Glinda, who pays him no mind. Reluctantly, he becomes involved with Nessarose. Comical with a strong tenor singing voice.
[DOCTOR DILLAMOND] Character is male (cis, transgender, or nonbinary), late 40s – 60s, any ethnicity, height of 5’10” or taller. A distinguished and well-liked professor at Shiz University. He is a goat and the sole animal on the faculty. He becomes a victim to the animal discrimination occurring in Oz. Has a sense of gravity and authority and a benevolent air. Sings a little; character singing voice.
o Contract: Production (League) / Touring Agreement $2799 weekly minimum - Broadway; $2599 weekly minimum - Tour - (Level 1)
For more Onstage opportunities, visit Backstage.com; ActorsAccess.com; and Playbill.com.
Backstage
Managing Director, North Carolina Black Repertory Theater
Administration: The Managing Director supervises production staff, recruits and trains interns,exercises responsible stewardship of all resources within the organization, and collaborates with the Producing Artistic Director to ensure the optimum balance of artistic quality, financial strength,and institutional integrity. The Managing Director reports to the NC Black Repertory CompanyBoard of Directors. Financial Management: The Managing Director oversees the theater’s ticketing and donation systems. They work with the Producing Artistic Director to develop an annual budget to support the organization’s programmatic and institutional priorities. The Managing Director works on monthly financial reporting, budget performance, forecasting, cash flow projections and maintenance of the accounting systems, reporting monthly to the Board of Directors. Audience Development/Earned Income: The Managing Director works with staff to plan and implement audience development activities including marketing strategies, public relations and promotional events for season and single ticket sales campaigns, as well as seasonal, production and program sponsorships. Fundraising: The Managing Director works with the Board and staff to strategize fundraising activities of the theater, including individual gifts, Board gifts, special events, corporate giving,government support and foundation grants.n Planning: The Managing Director works with the Producing Artistic Director, Board and staff to create and execute long-term marketing and fundraising strategies that will sustain the fiscal and operational health of the Theatre.Advocate: The Managing Director helps to advance the relationship between the Theatre and various local and regional organizations, including government agencies and advocacy groups,community and local business groups and arts organizations. The Managing Director may becalled upon to speak to private and public organizations and to the press.
o The Ideal Candidate will have: Have a bachelor’s degree and/or a minimum of five years experience with a nonprofit or for-profit organization in a management/leadership role. Experience in fundraising, Board relations,marketing and prior experience with a theatre company is highly desirable.
Have strong business skills and experience in budgeting, creating long-term budgets and goals,and financial management.
Demonstrate experience and capacity to lead, manage, motivate, inspire, train and collaborate with staff, artists, Board, and volunteers.
Have the ability to successfully develop and implement long-term strategic and annual tacticalplans.
- Be a highly motivated self-starter with strong computer skills and experience with Quickbooks,MS Office Suite, and Google Docs.
Exhibit stamina and a strong work ethic, as well as the flexibility to deal with unpredictable pressures and a variable flow of work activity with a small administrative staff.
Be able to speak and write persuasively and serve as a spokesperson for the Theatre in public and to the media.
Demonstrate experience and interest in supervising/managing fundraising campaigns and identifying new sources and increased levels of contributed income.
Have a working knowledge of artistic production including intellectual property rights and contracts.
Have experience and knowledge of marketing, advertising, and public relations activities,particularly as they relate to growing ticket and other earned income revenue.
Demonstrate a passion for theatre and the connection between a professional company and its community.
Ability to interact with others respectfully and develop productive working relationships to minimize conflict and maximize rapport.
Ability to build sincerity and trust; moderate behaviors (less impulsive) and enhance agreeableness.
o Salary: Salary is $75,000+. Position includes medical and dental benefits, flexible work schedule including remote workdays. Please be prepared to provide references if contacted for an interview.The North Carolina Black Repertory Company considers all qualified applicants for employment without regard to race, color, religion, sex, sexual orientation, gender identity,national origin, age, disability, veteran status, or any other protected characteristic underlaw; essentially, hiring decisions are based solely on merit and qualifications, not personal attributes
Director of Production, Apollo Theatre Foundation
The Director of Production (DoP) is the Senior-level organizational advocate and strategy leader for all Production activities associated with The Apollo. The DOP oversees the planning and execution of a diverse range of live performances, including music, dance, theater, multimedia, and interdisciplinary events, across the six performance spaces at The Apollo as well as for Apollo branded activities in non-Apollo locations. The DoP is a strong leader with comprehensive experience in live performance and event production. As the front-line point of contact for production inquiries, the DoP collaborates as the primary Production liaison for artists, renters, professional technical personnel, and various departments within The Apollo. The DoP ensures seamless coordination of technical and stage labor requirements for all events, maintains high safety standards, upholds production quality, and delivers exceptional artist and audience experiences. The DoP oversees both internal and external programs and events, managing two distinct business units. DoP supports internal events (Programming, Community, Education, Development, Growth, and Special Events) by providing comprehensive Production planning and execution of technical, staging, staffing and budget elements. DoP additionally supports external events (Renters, Producers, Co-Pro partners) by acting as frontline contact on all production elements associated with work in all Apollo performance spaces. The DoP is responsive, proactive, and deeply adept at managing large-scale production activities and client relationships, while ensuring budget and schedule are safely delivered. The DoP has extensive labor management and planning experience, having worked extensively with IATSE, Equity, USA, and AFofM partners in delivering presented and produced experiences.
Production Planning and Management
Determine event technical requirements based on an understanding of artist technical specs and contracts
Collaborate with internal and external stakeholders to determine production budget on a per-event and annualized basis
Develop and implement short/mid/long-term production calendars and schedules, integrate same into contract documents as required
Collaborate on Apollo organizational planning on a seasonal basis, balancing optimal use of Apollo stages with departmental maintenance and training requirementsOversee preparation and execution of lighting, AV, rigging, and staging configurations for all Apollo stage activities.
Hire and oversee Overhire designers as required
Partner with the Director of Facilities to originate and support production-adjacent capital projects and develop capital equipment and facility investment programs, encompassing long-range capital planning, project execution, asset maintenance, and lifecycle management.
Implementation and Labor
Supervise and manage daily operations of the Apollo Production Department, to include all budgeting, scheduling, and management of departmental direct reports, IATSE Local 1 Stagehands, Overhire designers and stage managers, and non-union operational staff
Develop and maintain Standard Operating Procedures (SOPs) for labor practices, equipment use, safety standards and protocols, performance routines, and program support
Working with department heads to create, maintain, and improve SOPs for technical equipment and continued safety training.
Fiscal Responsibility
Develop and administer production department budgets, both on a per-show and annualized basis.
Forecast and contribute to organizational cash-flow and resource allocation processes
Develop and maintain all production finance SOPs, including the daily/event close-out documentation and budget templating
Ensure regular contact with Finance concerning insurance requirements, and equipment depreciation schedules
Collaborate with the Development department to create scope and budget on Production-related capital projects
o Compensation: $150,000 - $170,000
Obsidian Theater Festival
There exists an enduring legacy of storytelling within the Black community. Actors, writers, musicians, and dancers, capture the richness of Black stories, moving beyond stereotypes and tropes. The Obsidian Theatre Festival exists to uplift both stories as well as storytellers, and firmly believes in the power of art to change lives. Obsidian will provide the community with the powerful platform it deserves by way of a fresh new stage upon which these stories will be meaningfully exist, an enduring legacy of storytelling within the Black community. Actors, writers, musicians, and dancers, capture the richness of Black stories, moving beyond stereotypes and tropes. The Obsidian Theatre Festival exists to uplift both stories as well as storytellers, and firmly believes in the power of art to change lives. Obsidian will provide the community with the powerful platform it deserves by way of a fresh new stage upon which these stories will be meaningfully celebrate
o Seeking: Various Roles
o Location: Detroit, MI
o Website: https://www.obsidianfest.org/available-positions
Milwaukee Repertory Theatre
o Seeking: Various Roles
o Location: Milwaukee, WI
o Website: https://www.milwaukeerep.com
For more information: https://www.milwaukeerep.com/about/work-us/jobs/?fbclid=IwAR2lXyj99fIOhY8MmQ5n4XRveG1wEqPl2mL_9w7A1-WVpLoZhqwUDc-2Crc
Milwaukee Repertory Theater is an Equal Opportunity Employer and values and encourages a diverse workforce. We invite you to review jobs that are currently available.
Full-time employee benefits include health, dental and voluntary vision and disability insurance; flexible spending accounts; retirement plan; parking programs and complimentary tickets.
Application Instructions
Send your letter, resume and salary history (PDF or Word attachments only) to the email address listed in the job listing.
Oregon Shakespeare Festival
o Seeking: Various Roles
o Location: Ashland, Oregon
o Website: https://www.osfashland.org
For more information: https://www.osfashland.org/work-with-us?fbclid=IwAR2cqx7fSs1YYwa2I86SMVxJjZ8ns4ba2RqsEr51mMKIVWdiIL7ByQ4Lv8U
Located in the beautiful Rogue Valley of southern Oregon, the Tony Award-Winning Oregon Shakespeare Festival presents a season of eleven plays in rotating repertory across three theaters between the months of February and October. Additionally, OSF offers extensive educational opportunities to students, teachers, and theatergoers of all ages during our performance season.
We offer employment and career opportunities in a wide range of positions (acting, other performing opportunities, scenery, costumes, lighting, marketing, finance, etc.). We encourage you to check our website regularly for openings.
Two River Theater
Two River Theater annually produces a theatrical season that includes American and world classics, new plays and musicals, programs for young people, and festivals of new work. Each year, we also offer 40+ events that reflect our diverse community of Red Bank, New Jersey. Two River celebrates and honors our core values of Artistic Excellence; Education and Community Engagement; Equity, Diversity, and Inclusion; and Operational Excellence. Anyone who joins our team quickly becomes part of putting all of our initiatives into action day in and day out. Two River Theater is led by Artistic Director John Dias and Managing Director Michael Hurst.Two River Theater is dedicated to the goal of building an equitable and culturally diverse work environment and strongly encourages applications from members of underrepresented groups.
o Seeking: Various Roles
o Location: Red Bank, NJ
o Website: https://tworivertheater.org/jobs/
The Kate Spade New York Foundation
o To honor Kate Spade’s legacy of empowering and inspiring women and girls, the National Council for Behavioral Health is excited to provide complimentary Mental Health First Aid training to communities throughout the five boroughs of New York City and New Jersey and in partnership with organizations that specifically support these populations.
What is Mental Health First Aid?
Just as CPR helps you assist an individual having a heart attack, Mental Health First Aid helps you assist someone experiencing a mental health or substance use-related crisis. In the Mental Health First Aid course, you learn risk factors and warning signs for mental health and addiction concerns, strategies for how to help someone in both crisis and non-crisis situations, and where to turn for help.
The National Council for Behavioral Health shares Kate Spade New York Foundation’s belief in “the power of women to transform their communities” through empowerment. In support of this mission, we are offering through a competitive application process, select Mental Health First Aid and Youth Mental Health First Aid training, fully funded!
o Location: New York, NY
o Website
For more Offstage opportunities, visit OffStageJobs.com and Playbill.com.
Funding Opportunities
LMCC Manhattan Arts Grants: UMEZ Arts Engagement
UMEZ Arts Engagement is administered by Lower Manhattan Cultural Council in partnership with the Upper Manhattan Empowerment Zone Development Corporation. UMEZ Arts Engagement is a grant program designed to support Upper Manhattan artists, arts groups, and arts nonprofit organizations in accessing Upper Manhattan Empowerment Zone (UMEZ) funds for presentations that enhance the diversity and frequency of cultural presentations in Upper Manhattan. Upper Manhattan is home to a remarkable concentration of artists and arts organizations, including one of the largest concentrations of culturally-specific groups in the country, and is defined here as north of 98th Street on the east side of Fifth Avenue; and north of 110th Street on the west side. Through UMEZ Arts Engagement, UMEZ invests in artists and cultural organizations as part of its long-term strategy to strengthen Upper Manhattan neighborhoods, expand access to arts and culture, and support the vitality of the community's creative economy UMEZ Arts Engagement invites proposals from artists and arts organizations of diverse disciplines, practices, cultural backgrounds, and career stages that are 1) based in Upper Manhattan and 2) presenting arts projects or programming in Upper Manhattan, making their work more widely available to the public. LMCC will provide funding to projects in the performing, literary, media, and visual arts, ranging from folk/traditional forms to contemporary and socially-engaged artistic practices. Supported activities include concerts, performances, public art installations, exhibitions, screenings, festivals, readings, and more. The program encourages artistic presentations that respond to the current needs of Upper Manhattan’s local communities and amplify the cultural expressions of its diverse population. LMCC encourages projects that are generated within and serve communities that may have limited access to art programs, services, or resources due to location, race, language, economic status, gender identity, sexual orientation, age, religion and disability to apply. LMCC also highly encourages individuals and organizations whose work is rooted in the lived experience of Upper Manhattan’s Black, Indigenous, and immigrant communities to apply for funding.
o Deadline: November 12
o Application Fee: Free
o Eligibility: ELIGIBLE PROJECTS MUST:
be finished or complete works that will be promoted and presented to the public in Manhattan take place between January 1 and December 31, 2027 guarantee a fee for participating professional artists, indicated in the project budget have at least one artist confirmed as a creative leader or significant contributor to the project
PREVIOUS UMEZ ARTS ENGAGEMENT GRANTEES (ANY YEAR): must submit any outstanding final reports by January 31, 2027 to be considered eligible
may be funded a maximum of three consecutive years, and then must skip one funding cycle
If you received UMEZ Arts Engagement funding in 2024, 2025, and 2026, you may only apply to Creative Engagement, Creative Learning, or Creative Unrestricted in the 2027 funding cycle.
LMCC Manhattan Arts Grants: Creative Engagement
Creative Engagement is a Manhattan Arts Grants program that provides funding to artists and nonprofit organizations for public events that will take place in Manhattan between January-December 2027. Each year, the program supports hundreds of arts projects, including concerts, performances, public art, exhibitions, screenings, festivals, workshops, readings, and more. LMCC will fund projects that connect with Manhattan’s communities from Inwood to the Battery and amplify the cultural expressions of the borough’s diverse population. LMCC encourages projects that are generated within and serve communities that may have limited access to art programs, services, or resources due to location, race, language, economic status, gender identity, sexual orientation, age, religion, and disability to apply. LMCC also highly encourages individuals and organizations whose work is rooted in the lived experience of Manhattan’s Black, Indigenous, and immigrant communities to apply for funding.
o Deadline: November 12
o Application Fee: Free
o Eligibility: ELIGIBLE PROJECTS MUST:
be finished or complete works that will be promoted and presented to the public in Manhattan take place between January 1 and December 31, 2027 guarantee a fee for participating professional artists, indicated in the project budget have at least one artist confirmed as a creative leader or significant contributor to the project
PREVIOUS CREATIVE ENGAGEMENT GRANTEES (ANY YEAR): must submit any outstanding final reports by January 31, 2027 to be considered eligible may be funded a maximum of three consecutive years, and then must skip one funding cycle
If you received Creative Engagement funding in 2024, 2025, and 2026, you may only apply to UMEZ Arts Engagement, Creative Learning, or Creative Unrestricted in the 2027 funding cycle.
LMCC Manhattan Arts Grants: Su-Casa
SU-CASA is a community arts engagement program that places artists and organizations for collaborative residencies at senior centers across the five boroughs of New York City. Individual artists may apply to SU-CASA for placements at participating senior centers through their local arts council; organizations must apply for a SU-CASA designation directly through the New York City Department of Cultural Affairs.
The program is designed to positively impact the well-being of older adults through arts-based, process-oriented activities, culminating in a public program component open to the center’s surrounding community that showcases the participants’ progress and creative expression.
o Deadline: November 12
o Application Fee: Free
o Eligibility: Applicants may apply as an individual artist or a small collective of no more than two (2) people, and meet the following requirements:
Applicants must have proof of residency or address in Manhattan. This may include proof of residence or permanent workspace.
Applicants may not apply or receive a SU-CASA placement on behalf of a non-profit organization or a for-profit entity.
Applicants must be 18 years of age or older at the time of submission and may not be enrolled full-time in a degree-granting institution.
Applicants may not be directly applying for SU-CASA in another borough for the same fiscal year.
Collectives must designate a lead artist who meets all eligibility requirements for individual artists to apply as an individual on its behalf. The lead artist must be one of the teaching personnel and serve as the main contact person for the application.
Past SU-CASA artists must have complied with final report requirements for previous placement(s).
LMCC Manhattan Arts Grants: Creative Unrestricted
Creative Unrestricted is a Manhattan Arts Grants program that provides unrestricted funding to Manhattan-based individual artists, artist collectives, and small- to mid-sized arts organizations with annual operating budgets under $250,000. The program is designed to strengthen long-term sustainability for artists and cultural organizations that play vital roles in local creative ecosystems. The program welcomes applications from organizations and artists working within the performing arts field, including all cultural traditions and creative practices in dance, music, theater, and multidisciplinary performance. Funding is intended for artists and small arts organizations with sustained bodies of work who often fall between early stage project grants and the relatively small number of large scale institutional funding opportunities available in the field. Funds may be applied towards building organizational capacity, administrative infrastructure, or the broader conditions required to develop high-quality artistic work. Creative Unrestricted funding is provided in part by the Howard Gilman Foundation and an anonymous foundation.
o Deadline: November 12
o Application Fee: Free
o Eligibility: NONPROFIT GRANT RECIPIENTS MUST:
be legally registered and have proof of address in Manhattan
have proof of registration with the NYS Charities Bureau, in the form of a Bureau filing receipt dated within the last 24 months
provide a copy of their 501(c)(3) IRS Determination Letter
have a core artistic mission and/or history of performing arts programming
provide a financial statement for the most recently completed fiscal year
have an annual operating budget under $250,000
provide a projected FY2027 organizational budget
INDIVIDUAL ARTISTS AND COLLECTIVES MUST:
have proof of address in Manhattan
be 18 years of age at the time of submission
not be enrolled in a full-time degree program
complete a budget worksheet template spanning calendar year 2027 provided by LMCC
Individuals submitting on behalf of a collective may upload the group’s budget for calendar year 2027.
Jokes on Her Comedy Prize
The Jokes On Her Annual Comedy Prize awards the winning playwright a $5,000 grant, an industry reading of her play in New York City in partnership with WP Theater and New Georges, and a featured appearance in a “Women Writing Comedy for the Stage” Q&A at The Drama Book Shop. Jokes On Her will further support the playwright by identifying and facilitating future development opportunities.
o Deadline: October 1
o Application Fee: Free
o Eligibility: Jokes On Her will further support the playwright by identifying and facilitating future development opportunities.
Submissions are now open for original full-length comedies that have never been produced or published. Developmental readings and workshops are acceptable; however, plays under option or scheduled for production, licensing, or publication are not eligible.
The Jokes On Her Comedy Prize is open to women (identifying & femmes inclusive) playwrights residing in the United States or Puerto Rico who are 21 years of age or older at the time of submission. Plays must be the author’s own work.
Steven Schwartzberg Grants for Mental Health & Wellness
Writers are the beating heart of theater, whom we rely upon to take us on journeys and inspire us to think. During these unprecedented times, DGF has created the Steven Schwartzberg Grants to provide financial support for mental health and wellness services for writers. To help connect writers to therapists, DGF has partnered with Advekit, an online therapist matching service, to expand access to mental health support that might be out of your reach.
Please complete the form to receive $1,000 toward therapy through Advekit, courtesy of DGF.
If you already have a therapist or are seeking mental wellness support other than Western talk therapy, DGF is working on ways to support you in your wellness.
NYC Department of Cultural Affairs (DCLA)
The NYC DCLA is dedicated to supporting and strengthening New York City's vibrant cultural life. Among our primary missions is to ensure adequate public funding for non-profit cultural organizations, both large and small, throughout the five boroughs.
They have many grants tailored to the needs of artists living and working in the city throughout the year.
o Deadline: Ongoing
o Application Fee: Free
o Eligibility: Independent Artists and Groups
o Address: New York City Department of Cultural Affairs 31 Chambers Street New York, New York 10007
o Contact: 212.513.9300
SubletSeries@HERE Program
This creative curated rental program has allowed many upstart companies and emerging artists to realize their full artistic vision on a small budget. The program provides subsidized performance and rehearsal space, technical assistance, and administrative support, including a fully staffed box office. SubletSeries@HERE artists can also access equipment that is not typically available in venues our size such as video projectors, wireless microphones, color scrollers—all for free or at subsidized rates. We accept applications from artists all over the world for the opportunity to show work.
o Deadline: Ongoing
o Application Fee: Free
o Eligibility: Independent Artists and Groups
o Address: HERE Program 145 Sixth Ave New York, NY 10013
o Contact: 212.647.0202
Annenberg Foundation
The Annenberg Foundation does most of their funding in the arts, culture, and humanities to organizations in the counties of Los Angeles, Orange, Riverside, San Bernardino, and Ventura. The Annenberg Foundation
dation's arts and humanities grants are available to agencies that serve the greater Los Angeles region, typically with budgets over $5 million.
o Deadline: Ongoing
o Application Fee: Free
o Eligibility: Arts, culture, and humanities in greater Los Angeles region
Residencies
Cry Havoc Playwriting Residencies
CRY HAVOC is centering our programming around a keystone of Playwriting Residencies. Through a series of moderated workshop sessions utilizing the CRY HAVOC approach to play development, we provide a community rich in artists devoted to and practiced in the development of new work to support the playwright in bringing their script closer to their goals. The residencies culminate in a public presentation of the work. Do you have a play you’d like to workshop through a residency with us?
o Deadline: Ongoing
o Application Fee: N/A
o Eligibility: The CRY HAVOC Approach helps the playwright write the play they are trying to write.
The CRY HAVOC Approach provides targeted feedback to bring the playwright closer to their goals. This requires that they communicate those goals clearly— feedback can only be helpful if the writer knows what they are looking for (even if they discover something else).
The CRY HAVOC Approach demands focused feedback— responding to the writer’s goals— backed up with evidence from the text. This results in a community rich in artists devoted to and practiced in the development of new work.
To anchor our approach, CRY HAVOC opens each feedback session by asking the playwright our fundamental question: “What are you working on?”
Artcroft Center for Arts and Humanities
Residencies of an average of 2-8 weeks for visual artists, writers, actors, and performance artists. Residency provides housing, studio, and meals; artist responsible residency fee ($40/day), deposit (10% of residency fee), travel, materials, and local transportation.
o Deadline: Ongoing
o Application Fee: $25
o When: 2-8 weeks
o Eligibility: Residencies are available to established and emerging visual and literary artists 18 years of age and older without regard for race, gender, sexual orientation, or religion.
o Address: Artcroft Center for Arts and Humanities 2075 Johnson Rd. Carlisle, KY 40311
o Contact: artcroft@msn.com
Other Resources
NOTE: For more resources, visit our pages of Resources - Funding, Submissions, and more.
NYFA SOURCE - The New York Foundation for the Arts maintains the most comprehensive national directory of awards, services and publications for artists in the NYFA Source section of their website.
Updates to our resources and opportunities have been made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
#Screenopps
#ScreenOpps
#ScreenOppsoct26
Submission Opportunities for Women in Film & Video
(previously known as Film/Video Funding Newsletter)
For full #ScreenOpps Listings please scroll
or click links below for specific listings
Film Festivals
Onscreen
Offscreen
Funding
Residencies
Other Resources
Film Festivals
Seattle Black Film Festival
The annual Seattle Black Film Festival (formerly the Langston Hughes African American Film Festival - LHAAFF) is a major season program of LANGSTON, showing provocative films and works about the Black experience from independent filmmakers. For nineteen years, the festival has been bringing stories and experiences by and about Black people to the big screen in the heart of Seattle's historically Black neighborhood. Housed at the historic Langston Hughes Performing Arts Institute, the festival features film screenings, hands-on workshops, panel discussions, and in-depth chats with filmmakers, industry professionals and local community leaders. As Seattle grows as a seat of activism, progressive ideology, innovation and technology, the Seattle Black Film Festival is a hub for filmmakers and audiences to exchange ideas with Black film as a catalyst for discussion. The event is the culmination of a year’s worth of community-building through a series of smaller events and partnerships that provide audiences with unique cinematic and cultural opportunities, resulting in the community-wide film festival. The festival focuses on established names and emerging talent in Black media and connecting audiences with filmmakers and filmmaking through interactions in and outside the theater. Films are selected from entries screened by panels and curated from current and vintage offerings. The festival takes pride in showcasing independent film celebrating Black brilliance, from emerging and established filmmakers from around the world and in our own backyard, connecting filmmakers and the community.
o When/Where: April 22-May 2
o Deadline: October 21 (Regular Deadline)
o Application Fee: Free - $45
o Eligibility: To be eligible, films must be by or about Black people (people of African descent). While our goal is to celebrate and lift the work of Black filmmakers, we will consider films that features Black people as a predominant focus of the work.
o Categories: Feature, Short, Music Video
Through Women’s Eyes International Film Festival
Welcome to Reel Equals International Film Festival, a production of Through Women's Eyes in beautiful Sarasota, Florida! Our signature 28th annual festival, Reel Equals, is March 4-9, 2027, and we supplement this with year-round Pop-Up film showings. We are a mission-driven festival, dedicated to showcasing works that challenge traditional stereotypes, support female filmmakers, or address issues inadequately represented in the mainstream media. We are an international festival, and every year we host significant numbers of films from all over the world. Branded Content/Advertisements will be featured in a film block for the first time in 2027. This is in recognition of the power and impact of this media and the importance of acknowledging creative Branded Content that refuses to reproduce traditional stereotypes. At the 2027 March festival, we will be supporting visiting and local filmmakers through a networking and pitch panel designed to help foster collaboration and enrich new and established filmmakers alike. We frequently select films that go on to commercial success, publicize the work of voices that need to be heard, and remind the world about issues that need more attention. In 2027, our films will be shown in three ways: in person at theaters in Sarasota (March 5-7, 2027); on our virtual, on-demand platform for a global audience (March 4-9, 2027); and in select, invitation-only settings throughout the calendar year.
o When/Where: March 4-9
o Deadline: October 15 (Regular Deadline), November 10 (Late Deadline), December 1 (Entry Close Deadline)
o Application Fee: $20-$90
o Eligibility: All films must be in English OR contain English subtitles. All subtitles must be clearly within the visible frame.
All film genres are accepted.
Emerging Filmmaker category: to be eligible for the Emerging Filmmaker category, the producer or director must be either under the age of 30 OR enrolled in an accredited film school during the production of the submitted film. Documentation proving one of these criteria is required at the time of submission. For example, submission of a valid government ID or a student card/transcript. Please send documentation to team.throughwomenseyes@gmail.com. If this is your “first” film and you are NOT under 30 or enrolled in an accredited film school, please do not submit in the Emerging Filmmaker category. Your film will not be considered and your submission fee will not be refunded. You may resubmit in the general festival categories.
4. Films must have been completed AFTER December 1, 2022. All film submissions will be reviewed initially by 2 - 3 screeners; high-scoring films will then be reviewed by our advisory panel and referred to a final selection committee.
If selected, TWE has the right to use stills, posters, titles, or any information from the submission for promotional purposes.
Films that are publicly available prior to our festival, either in theatrical release or through electronic or digital media, or DVD sales, may not be selected. The only exception is showings in recognized film festivals.
EXHIBITION COPY OF ALL FILMS ACCEPTED MUST BE IN DCP FORMAT ONLY by upload to our digital partner. THERE ARE ABSOLUTELY NO EXCEPTIONS TO THIS EXHIBITION FORMAT. Details will be provided to accepted filmmakers.
Films selected for the festival will be shown in both the live and online festival.
o Categories: Shorts, Feature Film, Documentary, Animated
The Women’s Voices Now Online
Women’s Voices Now is a 501(c)3 non-profit organization using film to drive positive social change that advances women's and girls' rights globally. Our Film Festival promotes emerging women filmmakers using social-change films to advocate for women’s and girls’ rights around the world, by: Providing a PLATFORM for emerging filmmakers telling essential, authentic stories. Offering CASH PRIZES and VISIBILITY. Facilitating NETWORKING with other filmmakers and media industry professionals. Since 2011, our independent film festival has received 965+ impactful social-change films from more than 85+ countries, brought them to millions of viewers in 178 countries around the world, and awarded $118k in cash prizes! Our festival is a month-long event. Pre-selected & selected films are made available to event ticket holders for a limited time (through password protected links on Vimeo). Our culminating festival event provides the opportunity to recognize our amazing filmmakers, winning films, and the importance of women in film!
o When/Where: April 14 - May 21
o Deadline: October 1 (Early Bird Deadline), November 1 (Regular Deadline), December 1 (Late Deadline)
o Application Fee: Free - $60
o Eligibility: To be considered for our festival, films must fall into the DOCUMENTARY genre (creative documentaries encouraged!). Our festival specifically promotes women filmmakers using SOCIAL-CHANGE films that advocate for women’s and girls’ rights around the world.
o Categories: Documentary Feature, Documentary Short
New York Independent Women Film Festival
The New York Independent Women Film Festival is a live event dedicated to discovering, supporting, and promoting independent women filmmakers or films centered around women's experiences. The festival provides a global stage for short films and feature films, celebrating the creativity and vision of female directors, writers, actors, and cinematographers. With awards in various categories, the festival recognizes exceptional achievements in directing, acting, writing, cinematography, and more. Each selected film is offered the opportunity to be showcased to a broad audience, including film critics, industry professionals, and fellow filmmakers, all while highlighting the diverse voices of women in the film industry.
o When/Where: April 19
o Deadline: October 13 (Late Deadline), November 3 (Extended Deadline), January 2 (Last Chance Deadline), February 24 (Final Call Deadline)
o Application Fee: $45-$90
o Eligibility: The festival is open to women filmmakers from all countries or films made about women. Films can be in any language, but those not in English must include English subtitles to ensure accessibility for a global audience.
o Categories: Short Film, Documentary Short, Animated Short, Full-Length, Web-Series, Comedy Short
Winter Film Festival NYC
New York City's Winter Film Festival (WFF) is a volunteer-run and operated celebration of the diversity of local and international film-making. We showcase creative fresh voices from emerging filmmakers worldwide in all genres and lengths – feature length and shorts, narrative fiction, documentary, animation, horror, web series and music videos. Our mission is to promote diversity, bridge the opportunity divide and provide a platform for under-represented artists and a variety of genres, viewpoints and approaches. We believe that only by seeing others’ stories can we understand each other and only via an open door can the underrepresented artist enter the room. We pride ourselves on our diverse collection of Festival selections, allowing our audience to enjoy films they normally wouldn’t think to seek out. For the 2026 Festival, 103 films from 27 countries were screened, including 20 student films and 34 first-time filmmakers. Half of the films were created by women, half were created by or about people of color. Works of all genres, forms, and lengths are considered. All selected films are screened at REGAL Union Square Cinemas in New York City on Screen 1 (70 seats) or Screen 2(130 seats).
o When/Where: February 24-28
o Deadline: September 14 (Early Bird Deadline), October 18 (Regular Deadline), November 15 (Late Deadline)
o Application Fee: $20-$65
o Eligibility: COMPLETION DATE: All films must have been completed not earlier than January 1, 2024.
LANGUAGE: Films must be in English or have English subtitles
SCREENING FEES: Winter Film Festival is a non-profit organization and we are not able to pay Screening Fees
SCREENERS: Films must be submitted via online screener - we do not accept hardcopies of DVDs
PREMIERE STATUS: Winter Film Festival does not require World Premiere, but appreciates if you notify us if you are either a World Premiere, International Premiere (your first premiere outside your country of origin), North American Premiere or New York Premiere.
SUBMISSION FEES: Submission fees are in U.S. dollars, per film entry. All submissions for Winter Film Festival are to be paid by credit card. The submission fee is non-refundable.
NOTIFICATIONS: Submitting filmmakers/individuals will be notified by e-mail on or before January 5 2027. Winter Film Festival does not send physical mail — please make sure the email address in your entry form is accurate. Changes of email address can be sent to submissions@winterfilmawards.com. Winter Film Festival is not liable for emails delayed by spam filters, server rejections, outdated email addresses or any other technical or human error.
INCOMPLETE MATERIALS: If an accepted filmmaker is unable to submit the final screening copy of the film electronically, the filmmaker will be responsible for the mailing/shipping cost of the work for screening at the film festival. Films with incomplete materials by the deadline will forfeit their ability to screen in the festival. Winter Film Festival, its members, directors, employees, and volunteers are not responsible for lost, unplayable, misplaced, and undelivered film and media.
DISTRIBUTION & ONLINE FILMS: With the exception of Web Series and Music Videos, films that are publicly available online, or are available to the public through a distribution service, are ineligible for submission
MULTIPLE SUBMISSIONS/MULTIPLE CATEGORIES: Each film should be submitted as a separate entry. Do not submit a single film in multiple categories - if your film crosses multiple categories, choose the category that it best fits into.
o Categories: Short Film, Feature, Documentary, Animation, Music Video
o Contact: For any additional information concerning submissions, contact us at submissions@winterfilmawards.com
Valkyrie International Film Festival
Valkyrie International Film Festival (VIFF) spotlights films directed by women of all backgrounds and advances the cause of women in film. Held every year in March (Women's History Month), VIFF was founded by Tamar Lamberson and her daughter, Kaelin Lamberson. VIFF seeks impactful films in all genres. If a woman directed it, we want to see it! VIFF will screen narrative, documentary, and experimental shorts and features. The only requirement is that every film selected for screening must have been directed by a woman. VIFF will be held on Thursday, March 21st - Monday, March 25th, 2024 at The Screening Room Cinema & Arts Café, a boutique digital cinema located in Amherst, New York, just outside Buffalo. The Screening Room features a large screen and surround sound, with mixed dining room and theater seating. The venue is a staple of the indie film scene in Western New York. Beer and wine are available. VIFF will only hold in-person screenings. VIFF will serve as a platform for female directors to come together, support each other’s work, and discuss the challenges and advances of women in film. The programmers will present awards, but view the event as a celebration rather than a competition. VIFF will be held during Women’s History Month each year. We are accepting all female-directed films, of all genres, completed 2019 – present.
o When/Where: April 1-4
o Deadline: October 19 (Early Bird Deadline), December 31 (Regular Deadline), February 8 (Late Deadline)
o Application Fee: $18-$50
o Eligibility: NO WAIVERS.
Only films directed by females will be selected.
Any co-directors must also be female.
Films must be in English or subtitled in English.
All exhibition screeners must be MP4 digital files .
All films must have been completed 2019 – present.
Anyone submitting a film to VIFF warrants that they are authorized to do so.
o Categories: Short Film, Feature, Documentary, Animation. Experimental, Music Video
San Francisco International Film Festival
SFFILM champions the world's finest films and filmmakers through programs anchored in and inspired by the spirit and values of the San Francisco Bay Area. Founded in 1957, the San Francisco International Film Festival (SFFILM Festival) is the longest-running film festival in the Americas. Held each spring and highly anticipated by its loyal and passionate audiences, the Festival is refreshingly intimate for a festival of its size and scope, and traditionally combines a range of marquee premieres, international competitions, compelling documentaries, live music performances, and star-studded red carpet events. SFFILM is currently moving forward with planning its Festival for April 2022 with both in-person and online events, parties, talks and more. Exact dates, venue footprint, and in-person event structure are all subject to some change based on the realities of producing a safe and accessible film festival at that time.Opportunities for Filmmakers Since 1991, SFFILM Education’s Schools at the Festival program has provided the Bay Area educational community with the opportunity to experience stories from around the world. Schools at the Festival annually introduces thousands of students ages 6–18 and their teachers to international film and the art of filmmaking while promoting media literacy, deepening insights into other cultures, enhancing foreign language aptitude, developing critical thinking skills, and inspiring a lifelong appreciation of cinema. Festival filmmakers can participate via student screenings, school visits, hands-on workshops, and more. SFFILM's year-round Artist Development programs provide significant financial and creative resources to independent narrative and documentary filmmakers from around the world through grants, fellowships, residencies and more. Since 2009, over $8 million has been awarded to more than 250 film projects in various stages of production. Festival filmmakers are invited to a series of industry talks and pitch sessions, and can meet with the SFFILM Makers team to discuss future projects and funding opportunities.
o When/Where: April 22-May 2
o Deadline: September 30 (Early-All Films), November 11 (Regular Deadline, Last Deadline Shorts), December 2 (Final Deadline–Feature, Mid Length, Youth)
o Application Fee: $30-$80
o Categories: Feature Films, Documentaries, Animated, Shorts
Los Angeles Latinx Film Festival
The LA Latinx Film Festival champions work produced by filmmakers of Latinx decent as well as stories about Latinx culture and heritage. We will be accepting submissions from LATINX DIRECTORS, WRITERS, MAJORITY LATINX CREW (at least 50%) and/or LATINX STORIES of ANY GENRE. We are an affiliate festival of the LA FILM FESTIVALS organization that has the dual emphasis of discovering great talent with the purpose of promoting their work to both the LA public and the entertainment industry, as well as showcasing the work of seasoned professionals and well known stars. LA Film Festivals began with the Biannual LA Comedy Festival in 2001, adding the biannual LA Indie Film Fest in 2007. The LA Film Festival family has since expanded to 12 independent film festivals, including LA Horror Film Fest, LA Action Film Fest, LA Sci-Fi Film Fest, LA Animation Film Fest, LA Black Film Fest, LA Asian Film Fest, LA Latinx Film Fest, LA Queer Film Fest, LA Women in Film Fest and LA Student Film Fest. Over the years, LA Film Festivals have attracted thousands of filmmakers from around the world. Each festival features live screenings in our own Let Live Theater in the heart of Los Angeles. Our 80-seat theater, in the heart of Hollywood, is outfitted with a Christie DLP projector and seven JBL speakers throughout the venue, delivering top notch quality in an intimate screening environment. Filmmakers whose work is accepted into our festival will receive free passes to screenings, invitations to networking events and are eligible for awards consideration.
o When/Where: January 14-17
o Deadline: September 14 (Late Deadline), September 25 (Mid-way Deadline), October 16 (Final Deadline), November 6 (11th Hour Deadline), November 27 (Last Chance Deadline)
o Application Fee: $22.50-$91
o Eligibility: All Films must feature work produced by filmmakers of of Latinx decent as well as stories about Latinx culture and heritage. We will be accepting submissions from LATINX DIRECTORS, WRITERS, MAJORITY LATINX CREW (at least 50%) and/or LATINX STORIES of ANY GENRE.
Film Entrants must submit online screeners through FilmFreeway for consideration.
Entry forms and payment will not be processed without accompanying Preview Copies in one of the accepted formats for film applicants.
All entries must be in English or - SUBTITLED, DUBBED, unless special arrangements have been made with festival.
All films selected for screening at the festival grant LA FILM FESTIVALS the right to use stills and excerpts of up to two minutes for promotional purposes.
LA Film Festivals is not responsible for any lost, stolen or damaged entries.
Exceptions to the festival regulations must be authorized by one of the Festival Directors.
Multiple entries are permissible, but each entry must be accompanied by a separate Entry and fee.
Submissions will not be returned.
All fees are nonrefundable.
Submission to the festival is not a guarantee that your film will be screened.
o Categories: Feature, Short, Documentary, Documentary Short, TV Pilot, Music Video
Warped Witch Film Festival
Warped Witch (formerly Southern Gothic) is a dynamic film festival led by women which empowers filmmakers in our community. We value inclusivity above all else, welcoming filmmakers from diverse backgrounds with open arms. We provide a platform for their unique perspectives and embrace the weird, the strange, the unorthodox, and the unconventional. Our mission is to celebrate the beauty of diversity and encourage everyone to dare to be different! Go beyond the norm! While the roots of our festival remain in the essence of horror, we go beyond the boundaries showcasing films from all genres! All types of cinematic expressions are welcomed! Filmmakers who attend will get the opportunity to network and mingle with other filmmakers during the fest. We will also have a Q&A session after every block so you will get to speak about your films to an audience of film lovers! We want to be able to include other artists in our festival as well. There will be artists vending in the lobby and the entertainment will be provided by our amazing local drag community! Costumes are highly encouraged! Come out and have a spooky good time with us!
o When/Where: June 12
o Deadline: November 5 (Early Bird Deadline), February 12 (Regular Deadline), May 12 (Dead Deadline)
o Application Fee: $10-$40
o Eligibility: Film submissions must be provided on digital files.
Submissions must be English language or English subtitled.
Include title and name of contact on all media.
Southern Scream Film Festival reserves the right to change submission categories.
Eligibility and category determinations, along with prize awards, are the sole discretion of the Festival.
Submissions may be screened more than once during the Festival and at events post festival.
All films must be under 20 minutes.
o Categories: Short Film, Feature Film, Student Film
California Women’s Film Festival (Winter)
The California Women’s Film Festival is deeply honored to celebrate women filmmakers, artists and writers by providing a showcase and networking forum in the heart of Hollywood. The CWFF understands how important it is to hear and see the educated, entertaining and diverse stories of women from around the globe. We provide a platform so these voices can be heard and shared with audiences that want to be inspired. The California Women’s Film Festival accepts all projects that has at least one woman in one of the key production positions: (Producer, Director, Writer, Cinematographer, Editor, Lead Actress, Etc......). Projects that are produced and/or directed by men are accepted as long as there is a lead female protagonist and/or the story is based around women. The California Women's Film Festival operates as a biannual event. Our Winter season will be held in January and our Summer season will be held in July.
o When/Where: January 8-10
o Deadline: August 5 (Early Bird Deadline), August 26 (Regular Deadline), September 16 (Late Deadline), October 7 (Extended Deadline), October 28 (Freeway Deadline), November 18 (Final Deadline)
o Application Fee: $36-$60
o Eligibility: California Women's Film Festival General Rules
Projects must have at least one woman in one of the key production positions: (Producer, Director, Writer, Cinematographer, Lead Actress, Etc......).
Projects that are produced and/or directed by men are accepted as long as there is a lead female protagonist and/or the story is based around women.
All genres are accepted.
Works in progress should be clearly marked on the screening copy.
Submissions in languages other than English must be subtitled or dubbed.
The entry fee is per category.
Entry fee is non-refundable.
Fee waivers are not available.
DVDs must clearly be labeled with FilmFreeway tracking ID and contact info.
Our Festival will consist of Award presentations, red carpet photos, screenings and Q&A sessions.
For more information please contact us at info@calwomensfest.com
Please do not send paper press kits with your screener unless requested.
DVDs will not be returned.
o Categories: Short Film, Feature Film, Documentary, Animated, Script
Winter Film Festival Awards International Film Festival NYC
New York City's Winter Film Awards (WFA) is a volunteer-run and operated celebration of the diversity of local and international film-making. Our Mission is to recognize excellence in cinema and to promote learning and artistic expression for people at all stages of their artistic careers with a focus on nurturing emerging filmmakers and helping them gain recognition and contacts to break into this difficult industry. We pride ourselves on our diverse collection of Festival selections, allowing our audience to enjoy films they normally wouldn’t think to seek out. Now in its eleventh year, the rapidly growing Festival showcases the work of emerging filmmakers from around the world. For the 2021 Festival, 91 films from 28 countries were screened, including an eclectic mix of Animated films, Documentaries, Feature narratives, Horror films, Music Videos, Narrative shorts and Web series. 50% of the films were created by women, 53% were created by or about people of color. Works of all genres, forms, and lengths are considered. All selected films are screened at Cinema Village, NYC's top indie cinema in the heart of Greenwich Village. The Festival includes ten days of film screenings, educational panels, professional development workshops and industry networking after-parties, which will conclude with a glittering awards ceremony . Outstanding work will be awarded for each category, along with Best Director, Best Actor/Actress, Outstanding Woman Director, Best vStudent Film and the NY PERSPECTIVES Award for best depiction of the New York multi-cultural experience. Winter Film Awards International Film Festival is an IMDB-qualifying festival. Like many of the great film Festivals across the country and the world, WFA seeks to bring our audience compelling and unique content that inspires the viewers and honors the filmmakers. There are hundreds of film festivals in New York City; what makes us different is our intense focus on a bias-free submissions review, the variety of our films and helping new filmmakers reach what may be their first real audience. WFA is a minority- and women-owned registered 501(c)3 non-profit organization. We work with all local NYC film schools, colleges, arts high schools and many cultural societies.
o When/Where: February 24-28
o Deadline: September 14 (Early Bird Deadline), October 18 (Regular Deadline), November 15 (Late Deadline)
o Application Fee: $20-$65
o Eligibility: All films must have been completed not earlier than January 1, 2024.
Films must be in English or have English subtitles Winter Film Awards is a non-profit organization and we do not pay Screening Fees Films must be submitted via online screener - we do not accept hard copies of DVDs
Winter Film Awards does not require a World Premiere, but is appreciated if you notify us if you are either a World Premiere, International Premiere (your first premiere outside your country of origin), North American Premiere or New York Premiere.
Submission fees are in U.S. dollars, per film entry. All submissions for Winter Film Awards International Film Festival are to be paid by credit card. The submission fee is non-refundable.
Submitting filmmakers/individuals will be notified by e-mail on or before January 5 2023. If the Festival will be postponed due to COVID-19, we will notify all submitters as soon as possible. Winter Film Awards does not send physical mail — please make sure the email address in your entry form is accurate. Changes of email address can be sent to submissions@winterfilmawards.com. Winter Film Awards is not liable for emails delayed by spam filters, server rejections, outdated email addresses or any other technical or human error. If an accepted filmmaker is unable to submit the final screening copy of the film electronically, the filmmaker will be responsible for the mailing/shipping cost of the work for screening at the film festival. Films with incomplete materials by the deadline will forfeit their ability to screen in the festival. Winter Film Awards, its members, directors, employees, and volunteers are not responsible for lost, unplayable, misplaced, and undelivered film and media.
Submitted entry materials will not be returned.
A filmmaker with multiple entries (titles) must submit each entry and entry fee separately.
The Festival reserves the right to remove a film from the festival program for any reason or for no reason and shall not be liable for any refund or claims of any kind arising out of such removal.
The submitting filmmaker must own the copyright to the work. In the case of any legal dispute involving the film, Winter Film Awards will immediately remove the work from our schedule.
By submitting your film, Winter Film Awards is hereby granted the right to utilize an excerpt from any film submitted and accepted for exhibition at the Festival for promotional purposes. The individual or corporation submitting the film hereby warrants that it is authorized to commit the film for screening, and understands and accepts these requirements and regulations.
You agree to indemnify and hold harmless Winter Film Awards from and against any and all claims, liabilities, losses, damages, and expenses (including but not limited to attorney's fees, and costs of the court) which may be incurred by reason of any claim involving copyright, trademark, credits, publicity, screening, and loss of or damage to the screening videos entered.
o Categories: Shorts, Feature Film, Documentary, Animated
Beirut International Women Film Festival
Beirut International Women Film Festival (BWFF) is an annual event organized in Beirut by Beirut Film Society, under the theme “Women for Change”; gathering filmmakers and cinema lovers from all over the world, BWFF tackles issues such gender equality, sexual identity, domestic violence among others through the power of the lens and cinema which is the window to society and particularly women in this case. BWFF, which comprises films about women and/or executed by women, aims to highlight the power of women in different life situations, the festival organizers believe in promoting a positive image of women struggling with dignity to make a change in their environment.
o When/Where: April 18-23
o Deadline: August 15 (Active Submitter Deadline), September 15 (Midway to the Festival), October 15 (End of Summer Submissions), November 15 (Regular Deadline), December 15 (Late Deadline), January 15 (Extended Submissions), February 15 (Exceptional Submissions)
o Application Fee: $7-$45
o Eligibility: Filmmakers are invited to submit their original work to Beirut International Women Film Festival (BWFF) for the above listed categories and as per the assigned duration of each category.
BWFF supports travel costs for directors of selected international films to Lebanon during the festival days. (Conditions apply)
Submission fees are non refundable and non reimbursable under any circumstances; BWFF does not reimburse any submission fees for films who are not selected for the festival program, or who withdrew their submissions at any time.
BWFF retains the right to accept or decline any film, for whatever reason, without any explanation.
Applicant admits that he/she is authorized to submit the film, being the rights-holder or authorized representative of the film.
BWFF receives exhibition copy in QuickTime 1080p HD 8 bit uncompressed or Apple ProRes file or equivalent via a downloadable link.
All non-English speaking films must have adequate English subtitles.
Screening fees must be declared prior to or upon submission. If a screening fee is only indicated after the official selection has been announced, the Festival retains the right to revoke the film's acceptance.
Beirut International Women Film Festival (BWFF) holds the right to:
Use the selected films for trailers and publicity usage
Screen the winning films in other related events inside Lebanon, and recommend the winning films to other international film festivals that collaborate with BWFF after the approval of the filmmakers.
o Categories: Shorts, Feature Film, Documentary, Animated
New Jersey Film Festival - Spring
The Rutgers Film Co-op/New Jersey Media Arts Center proudly announces the 44th Bi-Annual New Jersey Film Festival. The Festival will be held between January 23 - February 15, 2026 at Rutgers University, New Brunswick, New Jersey and will showcase the best in independent film by featuring premiere screenings, special guest appearances by film directors, screenwriters, cast and crew and more. For more information go to www.njfilmfest.com or e-mail NJMAC@aol.com or newjerseyfilmfestival@gmail.com
o When/Where: January 22 - February 21
o Deadline: August 8 (Regular Deadline), August 28 (Extended Deadline), September 18 (Late Deadline), October 10 (Super Late Deadline)
o Application Fee: $40-$85
o Eligibility: This competition is open to U.S. and International entries. Maximum film age is 24 months. No repeat entries. If a work is selected for public screening entrants are contractually obligated to provide an exhibition copy suitable for screening and cannot withdraw their film from the festival. Entry must be a New Jersey or Area Premiere and must not be available to view in full on the internet! Please note we do not pay screening fees. Only finalists are notified in advance that their work has been selected to be part of the Festival.
o Categories: Short Film, Feature, Documentary, Animation
Divine Feminine Film Fest
The Divine Feminine Film Fest is a yearly event that features creative work by women and non-binary artists. The focus of this festival is to highlight and celebrate women in all of their magic, mystery, and creativity.
o When/Where: October 16-17
o Deadline: September 30 (Regular Deadline)
o Application Fee: $22-30
o Eligibility: To submit, you must own the rights to your submission.
All projects submitted to us may be screened/displayed at our official event.
Posters and/or trailers of your film may be used on our social media platforms to promote the festival and your film.
All films/music videos must be submitted in English or with English subtitles.
Posters are required for your film in order to promote this screening.
o Categories: Feature, Short, Documentary
Everybody is Somebody
The Albuquerque Film Festival, with the mantra 'Everybody is Somebody,' stands as a beacon of digital celebration for the world's storytellers. Nestled in the heart of New Mexico's vibrant capital, Albuquerque, our festival opens its doors wide, welcoming a kaleidoscope of cinematic talent from every corner of the globe. Dive into the fray with your masterpieces, as we call for submissions across all film genres; there's a spotlight here for every creator, regardless of nationality. It's your time to shine, to vie for prestigious awards across a multitude of categories. Let's unite. Let's craft. Let's rejoice. Boasting a spectrum as broad as the imagination itself, our festival invites you to join an esteemed circle, where selected films don't just screen—they compete for a host of distinctions, bestowed both by our expert panel and the audience's voice. Rest assured, every entry is given the attentive gaze it deserves. As seasoned filmmakers, we resonate with the dedication poured into your craft. That's why we elevate Officially Selected films with a spotlight dialogue—up to 10 minutes of in-depth conversation about your creative journey, shared on our official website, YouTube channel, and across social media landscapes. Our committee is as varied as the films we celebrate, featuring a global tapestry of professionals—Architects to Entrepreneurs, Artists to Filmmakers, and VFX Producers—each bringing a unique perspective to the screen. Every submission is watched thoroughly, ensuring your vision is seen and appreciated in its entirety. Our Goals:To broadcast fresh, trailblazing narratives and cinematic discourse from across the world.To offer an exclusive glimpse into the pioneering realm of New Cinema.To foster the exchange of ideas and experiences among our event's vibrant participants. Our Creed: We are the champions of the cinematic dreamer, the believers in the power of story. The 'Everybody is Somebody' Albuquerque Film Festival is dedicated to showcasing the most diverse array of narratives. Our mission? To empower every filmmaker with a burning passion, to connect creators with audiences, and to help solidify their mark in the ever-expanding universe of film.
o When/Where: March 27-29
o Deadline: July 6 (Deadline 4), August 3 (Deadline 6), August 31 (Deadline 7), October 5 (Deadline 8), November 2 (Deadline 9), November 30 (Deadline 10), February 8 (Final Deadline)
o Application Fee: $15-25
o Eligibility: We accept all fiction and non-fiction film genres. All age groups are accepted. Projects submitted must be the original work of the participant. All submissions will be received through Film Freeway only. No Exceptions.
o Categories: Feature, Short, Animated, Documentary, Music Video
GRRL HAUS CINEMA
GRRL HAUS CINEMA is a 𝗻𝗼𝗻𝗽𝗿𝗼𝗳𝗶𝘁 𝗳𝗶𝗹𝗺 𝗳𝗲𝘀𝘁𝗶𝘃𝗮𝗹, 𝘀𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝘀𝗲𝗿𝗶𝗲𝘀, 𝗮𝗻𝗱 𝗰𝗼𝗹𝗹𝗲𝗰𝘁𝗶𝘃𝗲 dedicated to showcasing the short film works by 𝘄𝗼𝗺𝗲𝗻, 𝘁𝗿𝗮𝗻𝘀, 𝗻𝗼𝗻-𝗯𝗶𝗻𝗮𝗿𝘆, 𝗮𝗻𝗱 𝗴𝗲𝗻𝗱𝗲𝗿𝗾𝘂𝗲𝗲𝗿 filmmakers in experimental, low-budget-, and underground cinema. By promoting creativity and diverse expression through film, we provide a platform for emerging filmmakers and those without easy access to funding, creating a space for underrepresented voices in cinema. GRRL HAUS is dedicated to inclusivity and celebrates 𝗗𝗜𝗬 𝗰𝘂𝗹𝘁𝘂𝗿𝗲, because we think it’s important to share works by diverse filmmakers across various audiences, from international museums to underground clubs.
o When/Where: April 19 - May 8
o Deadline: July 31 (July), August 31 (August), September 30 (September), October 31 (October), November 30 (Regular Deadline), December 31 (Late Deadline), January 31 (Final Deadline)
o Application Fee: $15-$50
o Categories: Short
Miami Jewish Film Festival
The Miami Jewish Film Festival (MJFF) is recognized as the world's largest Jewish film festival dedicated to celebrating new film and media exploring universal themes of identity, history, and culture. Presenting its 30th edition from January 13-28, 2027, the Festival showcases the work of the world's best emerging and established filmmakers and offers awards in juried competition categories. Among the 139 films that premiered at the 2026 Festival which featured the largest Jewish film program in the world, more than 60 were selected from FilmFreeway submissions. Miami Jewish Film Festival has also made the prestigious "One of the 50 Film Festivals Worth the Entry Fee" list by MovieMaker Magazine in 2020, 2021, 2022, and 2025. In 2026, the Miami Jewish Film Festival drew more than 58,500 filmgoers and attracted more than 100 filmmakers, producers, talent, and industry professionals to its two-week event of inspiring films, events, panels, and parties that are hosted at 8 major venues throughout Miami. In all, the Festival presents more than 139 feature narratives, documentaries, and short films of all genres, from more than 25 different countries. MJFF presents dramatic and documentary features, experimental, and animated features and shorts about Jewish history, culture, and identity as well as films that reflect life through a Jewish lens. The programming staff takes a broad view of what makes a film Jewish and have been known to curate films that are Jew(ish) as well as films about issues that are relevant to Jewish communities and resonate with other cultural communities across the globe. Works in all forms and genres are considered. The Festival receives significant industry recognition; each year several films premiering at the Festival are acquired for US distribution. Recent distributors who have acquired films directly from the Festival include Kino Lorber, Greenwich Entertainment, Samuel Goldwyn Films, Netflix, Menemsha Films, Film Movement, Briarcliff Entertainment, Breaking Glass Pictures, and Go2Films, among many others.
o When/Where: January 13-27
o Deadline: August 3 (Regular Deadline), September 4 (Fall Deadline), October 2 (Extended Deadline), November 6 (Final Deadline)
o Application Fee: $18-$40
o Eligibility: MJFF requires at least a Florida Premiere for any feature or short film. Works-in-progress are accepted.
o Categories: Feature, Documentary, Short
Big Apple Film Festival
Big Apple Film Festival is currently accepting film and screenplay submissions for our fall festival. Big Apple Film Festival (Fall Edition) takes place in the heart of NYC. In addition to film screenings, the festival includes a Screenplay Competition, Agents and Managers Conference, Agents and Managers Networking Lab, Film Distribution Summit, Industry Networking Panels, Awards Presentation and Reception.
o When/Where: November 4-7
o Deadline: June 9 (BAFF Discount Deadline), June 30 (Final Discount Deadline), July 21 (Film Freeway Early Deadline), August 11 (BAFF Early Deadline), August 31 (Official Entry Deadline), September 22 (Extended Entry Deadline), October 8 (Final Entry Deadline)
o Application Fee: $60-$90
o Eligibility: Big Apple Film Festival accepts submissions for feature films, short films, feature documentaries, short documentaries, animation, web series, music videos, student films, feature length screenplays, short screenplays, scripts for television/web series pilots and virtual reality.
o Categories: (Narrative Feature, Documentary Feature, Environmental Outdoor Feature, Indigenous Feature, Narrative Short, Documentary Short, Outdoor Short, Animated Short)
WRPN Women's International Film Festival
Welcome to the WRPN Women's International Film Festival, where distribution and feedback opportunities abound for films made by women or films that carry subjects relating to concerns about women's issues. WWIFF is a sister festival to the Depth of Field International Film Festival, a FilmFreeway “Top 100 Reviewed” festival alumni. Distribution: over the years, our sister festivals have sent hundreds of films and screenplays to 3 established Distribution companies who have already signed contracts with dozens of our filmmakers. WWIFF now operates with that same advantage! These distributors do not take unsolicited submissions; your top award-winning work with WWIFF gets you into our private distributor review group. This is a Free Service provided exclusively to our top winners. Don’t forget Feedback: The one element most festivals ignore.
o When/Where: June 19, 2027
o Deadline: May 31 (Regular Deadline), June 30 (Late Deadline), September 30 (Extended Deadline), November 15 (Last Chance Deadline)
o Application Fee: $36-$80
o Eligibility: While WWIFF is a female-focused film festival, we will also accept films produced and/or directed by men if one or more self-identifying top production members are female (including but not limited to cinematographers, producers, writers, editors, or films featuring a strong female presence on screen). We will not exclude films directed by men if the topic is significant to women and women's issues. WWIFF is granted the right to use an excerpt from any film submitted and accepted for competition at the festival for promotional purposes. A clip of winning entries may also be streamed on the WWIFF.COM website and WRPN.TV.
o Categories: Feature, Short, Documentary, Screenplay
B!tchFest Film Festival & Screenplay Contest
Welcome to B!tchFest—where Badass B!tches reign supreme! Following the incredible SUCCESS of B!TCHFEST SEASONS 1 & 2—which featured a combined 47 FILM and SCREENPLAY WINNERS, a multitude of talented Runners-up, Finalists, and Semifinalists, 2 WINNING FILMS PICKED UP BY STREAMING PLATFORMS, 5 SCREENWRITERS WITH PROJECTS NOW IN PRODUCTION, a sold-out venue, and an unforgettable, emotional festival experience—we’re back for B!TCHFEST Season 3! So, what makes B!tchFest different? B!tchFest is more than just a festival—it’s a COMMUNITY! One that extends beyond the festival event itself. We are invested in the success of your films and screenplays, offering a space for SUPPORT, CONNECTION, and COLLABORATION for all our past and present submitters. In a world where women and the LGBTQIA+ community often face challenges with equality and representation, we’re here to unite and empower minority creators! B!tchFest is an INTERNATIONAL FILM FESTIVAL & SCREENPLAY CONTEST featuring a groundbreaking in-person event for filmmakers and screenwriters in the heart of Los Angeles. At B!tchFest, we’re not just breaking glass ceilings—we’re shattering them into a million pieces by unleashing the POWER of FEMALE and LGBTQIA+ VOICES in film and TV! By providing a platform for RECOGNITION, AWARDS, PROMOTION, and making NEW CONNECTIONS, we aim to break barriers, amplify voices, and pave the way for a more inclusive entertainment industry. Join us for a festival that goes beyond screenings—promote your projects, immerse yourself in panels, flaunt your work to cheering audiences, walk the red carpet, and forge connections with industry trailblazers who share our commitment to diversity and inclusion. Our esteemed panel of industry professionals, including DIRECTORS, PRODUCERS, AGENTS, MANAGERS, EXECUTIVES, and CASTING DIRECTORS, will meticulously ASSESS ALL SUBMISSIONS. Our jury consists of seasoned individuals from various sectors within the ENTERTAINMENT and PUBLISHING INDUSTRIES. Expert script readers, filmmakers, and story analysts are slated to carefully review all screenplay competition entries and film submissions. The top contenders are then passed on to our executive industry judges for final evaluation to determine the winners of each category.
o When/Where: February 27
o Deadline: June 2 (Early Deadline), July 2 (Regular Deadline), August 4 (Late Deadline), September 8 (Last Minute Deadline), October 13 (Extended Deadline), November 17 (Final Deadline)
o Application Fee: $36-$70
o Eligibility: The 3rd Annual B!tchFest Film Festival & Screenplay Contest will be held at the Eastwood Performing Arts Center in Hollywood, CA, on Saturday, February 27, 2027. WINNING SCREENWRITERS and FILMMAKERS will join our RED CARPET EVENT, SCREEN THEIR FILMS in front of a LIVE AUDIENCE, snag trophies at our AWARDS CEREMONY, PARTICIPATE in LIVE PANEL DISCUSSIONS (which will be recorded and STREAMED on our website for PROMOTION), and engage in an INDUSTRY MEET-&-GREET EVENT aimed at making NEW CONNECTIONS. Submit your films and screenplays today and join a revolution that refuses to stay silent. Welcome to the B!tchFest family—your story starts here!
o Categories: Feature, Short, Music Video, TV Pilot Screenplay
Silicon Valley Queer Film Festival
We are an LGBTQ+ focused film festival screening high-quality [short & feature] films, which accurately and/or positively represent the LGBTQ+ Community. We are looking for independent projects from all genres, particularly low or no-budget ones, from all countries. We are looking for Queer-Positive Films with main characters and/or supporting characters who identify as LGBTQ+. First-time filmmakers are encouraged to submit their projects.
o When/Where: February 12-13
o Deadline: September 30 (Early Bird 4), October 31 (Regular Fee Deadline), November 30 (Late Fee Deadline), December 31 (Extended Fee Deadline), January 31 (Last Call Deadline)
o Submission Requirements: All films are eligible, regardless if they have distribution or not.
All films are eligible even if they have been accepted to other film festivals.
All films must have been completed on/after January 1, 2023.
All films must include English subtitles (unless the spoken language is English).
Short Films must not be longer than 50 minutes in length.
o Application Fee: $16.50 - $28
o Categories: Feature Films, Shorts
The Her Vision International Film Festival
We welcome filmmakers and screenwriters from around the world! We accept feature films and shorts as well as feature-length and short scripts. Our main goal is equality and empowerment in the cinematic arts. The Her Vision International Film Festival is here to highlight the achievements of women and female-identifying directors, writers, editors and producers. In addition to our mission of equality, we also underscore the importance of unity. For example, our first year's Feature Film Winner was a female producer/writer with a male director. We also welcome and encourage LGBTQ creatives. You may submit a screenplay or a film if you are a male or male-identifying director or writer if your story shows a female with some agency or shows the plight of being a female or a member of the LGBTQ community. We are here to encourage and empower creatives regardless of gender. If you have questions as to whether you or your project qualifies, feel free to reach out; Caterinacampagna26@gmail.com. What also makes our festival stand out is that we have a Rewrite and Re-edit section. Screenwriters know that writing is rewriting and filmmakers know that shooting the ending that you really want is sometimes only possible after a deadline. To that end, we offer you a chance to resubmit your work with a half-off your original submission fee discount. Thank you for bringing your passion to the table!
o When/Where: November 7
o Deadline: May 15 (Joy), June 4 (Halfway Home), August 17 (Lights), September 21 (Camera), October 20 (Action)
o Application Fee: $8-55
o Eligibility: your screenplay is written in Italian or Spanish they will be accepted.
All screenplays must be submitted as a pdf.
The writer of the project or an authorized party is the only person who can submit a project.
For the Her Vision International Film Festival, 50 pages and above is considered a feature-length screenplay. Of course, under 50 pages is a short screenplay.
Stage plays will be accepted at this festival.
SHORT and FEATURE LENGTH scripts get COVERAGE WITH 1 Page of NOTES
The runtime for a short film is 49 minutes or less.
Music Videos will be considered short films.
Commercials will also be considered short films.
If you have a half-hour TV pilot, that will fit into the shorts category. Half-hour Web Series are also eligible for short film consideration.
If your project is in a language other than English, Italian or Spanish, please make sure that it is subtitled in English.
If your project is chosen to be screened it must be sent in as a DVD.Projects over 50 minutes are considered feature-length films. Fiction and documentaries are welcome. *43-48 minute TV pilots will be eligible for this category.* If your project is in a language other than English, Italian or Spanish, please make sure that it is subtitled in English. If your project is chosen to be screened at the live event it must be sent in as a DVD.
o Categories: Short Film, Feature Film
Los Angeles Asian Film Festival
Los Angeles Asian Film Awards, originally called Las Vegas Asian Film Awards (LVAFA), was an independent festival that resides beneath the umbrella of AOF MegaFest, which is in its 19th year, is the largest film event of its kind in the world. Held in Las Vegas at the Premiere Theaters and Locations, the show regularly exceeds 20,000 guests and attendees. After a first successful annual event in Las Vegas with the legendary AOF MegaFest in summer 2021, it moved to Los Angeles, the center of the world film industry. Opportunities at Los Angeles Asian Film Awards are literally like no other in the world; Los Angeles Asian Film Awards can put more resources together and offer a wide variety of industry guests, seminar speakers, and panelists. We invite you to join festival director, Award-Winning Filmmaker and Writer Lureen Wu and honorable judge, director Roger Christiansen ("Friends," "Hannah Montana," "Tango Down") as they bring you a selection of pure Asian Cinema for Screenings and Awards. The situation surrounding COVID-19 has caused much pain in the film and entertainment industries, and no group has been affected more than Asian Filmmakers, Writers, and Creators. The Los Angeles Asian Film Awards is a hub and platform for Asian filmmakers to have their works seen and voices heard. Festival Director Lureen Wu was born and raised in Shanghai, China. She worked as a TV director in Shanghai for years, including TV documentaries, TV commercials, celebrity talk shows, and music videos. Early in her career in Shanghai, Lureen worked with the Emmy Award-winning television interviewer, Nancy Merrill, in the English talk show "Nancy Merrill: Minds of Millionaires" on the international channel of Shanghai TV Station(SMG) and CCTV NEWS. After moving to the United States, Lureen continued pursuing her career in film. She worked with filmmakers who are part of some best-known movies and TV shows such as Friends, Les Misérables（2012), The Big Bang Theory, Saw, Sex and The City, Iron Man 2, Grey's Anatomy, The Princess Diaries, Stranger Things, Game of Thrones......Our Festival is open to ALL Asian filmmakers, talents, and writers of all genres and lengths.
o When/Where: December 12
o Deadline: March 31 (Early Deadline), May 31 (Regular Early Deadline), June 30 (Regular Deadline), July 31 (Regular Late Deadline), August 31 (Late Deadline), September 30 (Extended Deadline) November 15 (Final Deadline)
o Application Fee: $40-$55
o Eligibility: We are Accepting submissions for feature Narrative and Documentary, short Narrative and Documentary, Music Videos, TV Commercials, short/feature scripts. All genres are welcome. The festival programming staff will place your film in the appropriate category. To Enter for Competition your film or Project must have a writer, producer, talent or director of Asian descent in order to be eligible for awards.
o Categories: Feature, Short, Documentary, Documentary Short, Animation
LA Underground Film Forum
LA Underground Film Forum (LAUFF) is Los Angeles's premier showcase of experimentation in film, video and audio based mediums. It focuses on avant-garde, art-house, independent and no/low budget filmmaking. Our program provides a venue for filmmakers to reinvent and explore new approaches, to foster new forms of media art and to build an audience for such work. We aim to present a wide range of work exploring the many definitions and interpretations of the concept of “underground”. We’re looking for films made with passion, obsession and drive; films that go beyond expectations and genre; films, video and audio projects that strive to push the boundaries of accepted form and content. A strong sense of authorship is a must.
o When/Where: February 13
o Deadline: March 9 (Early Bird Deadline 1), March 29 (Early Bird Deadline 2), April 26 (Early Bird Deadline 3), May 24 (Early Bird Deadline 4), June 27 (Regular Deadline 1), July 26 (Regular Deadline 2), August 29 (Regular Deadline 3), September 27 (Late Deadline 1), October 25 (Late Deadline 2), November 29 (Final Deadline)
o Application Fee: $27-38
o Eligibility: LAUFF accepts all forms and genres: from drama, documentary, experimental, cult, art-house, foreign language, comedy, horror, sci-fi, fantasy, animation, LGBT, indigenous, erotica to slow cinema and video art …
o Categories: Micro Films, Short Films, Feature Films, Animation, Screenplay
Onscreen
Everything’s A Mess
Casting "Everything's a Mess," a short film. Logline: Two lonely neighbors use each other to disparate ends. Raw revelations of people's inner needs. Natural relationships and happenstances. Transgressive acceptance of life's defeats and people's lack of ability to have it all.Casting "Everything's a Mess," a short film. Logline: Two lonely neighbors use each other to disparate ends. Raw revelations of people's inner needs. Natural relationships and happenstances. Transgressive acceptance of life's defeats and people's lack of ability to have it all.
o Roles: Various
o Details: Rehearses btwn. Oct. 8-30 (6 half-days): two table reads, two blocking (one with DP), two intimacy rehearsals (with DP); shoots btwn. Nov. 5-13 (5 days, approx. 5 p.m.-5 a.m.; 2 nights on adjusted calls) in NYC.
o Rate: $920 - $1725 (est. 4-7 days of work)
Offscreen
LA Independent Women in Film Awards
LA Independent Women Film Awards focuses on international and U.S. film and script projects of all genres. Every season, the IMDb qualifying fest recognizes projects with a female producer, director, lead actress, writer, cinematographer, editor, composer, etc. All topics related to women's thoughts, women's fate, life conditions, women's views and so on are welcome to participate. All the winners will be promoted through various online magazines in California and can request to receive certificates and laurels. All the winners can request for screening through our festival. Our mission is designed to help create a platform for our filmmakers to be seen, but more importantly, get them the industry exposure to help sustain their craft for many years to come.The members of our jury will be award winning artists working in media from all over the world. All the award winners can request to be a jury member of a new edition of the festival in order to vote for one of the categories. LA Independent Women Film Awards is an outstanding event for promoting female artists working in media from all over the world.
o When/Where: December 11
o Deadline: October 8 (Early Deadline), November 19 (Regular Deadline)
o Application Fee: $30-$60
Finance & Operations Lead, Women Make Movies
Women Make Movies is an earned-income-based nonprofit, and the ideal candidate is fluent in both business and nonprofit accounting practices. The Finance and Operations Lead is the person responsible for the ongoing management and sustainability of the organizational fiscal operations. They manage the banking, annual audit, and reconciliations, and they provide financial oversight of WMM’s multi-million-dollar fiscal sponsorship and distribution programs. The ideal candidate is well-versed in grant administration and reporting — including, but not limited to, donor-advised funds (DAFs) and government and foundation grants — and understands fiscal sponsorship administration. This position is responsible for the budgets for the organization and works with senior management on overall budget and grant reporting. The Finance and Operations Lead supervises the Finance and Administration Coordinator, who handles the bookkeeping functions of the organization, including AP/AR, wires and ACH’s, and credit card management. The Finance and Operation Lead manages the WMM office and organization of the future. Whether that is in-person, remote, or hybrid, the Finance and Operations Lead manages our infrastructure – office, computers, systems, vendors, tenants, and equipment – and liaises with our IT consultants and vendors to ensure everything is operating smoothly and efficiently. This position also administers employee recruitment; onboarding and offboarding; payroll processes; benefits administration, including health, fringe benefits, and retirement plans; the intern program; and working with senior management on staff development.
o Skills, Qualifications and Other Requirements: 5 + years of progressive management-level, financial responsibility in a non-profit organization or a for-profit film organization – women’s or arts organization a plus
Excellent financial, budgeting, and operations management skills; expertise with QuickBooks Online and GAAP for nonprofits
Experience/knowledge of fiscal sponsorship
Experience with benefits administration and payroll processes
Strong process orientation and a desire to always find new and efficient ways to get things done
Technologically-savvy and experience managing IT infrastructure
Ability to prioritize and problem-solve while handling multiple tasks, supervising, and managing the work of others
Detail-oriented
Experience with CRM tools and databases a plus
Flexibility, professionalism, and a positive attitude
Sense of humor appreciated
Commitment to feminism
o Salary: TBC
SeriesFest Women Directing Mentorship
SeriesFest and Shondaland are honored to partner on our eighth cycle of the Women Directing Mentorship: A competition designed to discover aspiring female directors with unique voices and provide a launchpad for their careers. Founded in 2019, The Women Directing Mentorship is anchored by the prestigious opportunity to shadow a director on an episode of a Shondaland original series. The 2027 winner will be announced at the thirteenth annual SeriesFest in Denver, Colorado! Creatives and the Television Industry will gather from around the world at SeriesFest: Season 13 to celebrate the impact of the Women’s Directing Mentorship Program during the annual festival.
o Deadline: November 1
o Application Fee: N/A
o Eligibility: To qualify, you must have 3 years of professional experience (in any professional role, not just Director). This can include having experience directing independent shorts, series, and films.
Applicants who have previously directed a network series are ineligible.
Must be 21+ years of age.
Applicants should be based in the United States or the United Kingdom.
No directing teams will be considered. We encourage you to apply individually.
2026 Black List x WIF Episodic Lab
The Black List and WIF will invite six promising non-professional television writers who are of an underrepresented gender (women, NB/GNC, and/or trans, and others) to the Lab. The Lab will consist of script development, pitching, peer workshopping sessions, and master classes with established writers and industry executives. Writers can also apply directly through WIF. The Lab will run for four weeks in-person in Los Angeles beginning in March 2027 and sessions will be held twice weekly on Tuesday and Thursday evenings. There will be additional mandatory sessions on several weekend days (to be announced). All selected Lab participants will be invited to join the yearlong WIF Fellowship Program following the Lab.The Episodic Lab is a Los Angeles-based program. If you live outside of the Los Angeles area, we kindly request that you withhold your submission to this opportunity.
o Deadline: December 15
o Submission Requirements: You are the sole and exclusive author of the pilot screenplay submitted for consideration and you are of an underrepresented gender (women, NB/GNC, and/or trans, and others)
Feature screenplays will not be considered for submission.
You have not received more than $25K in aggregate to date as compensation for television writing work.
If selected as one of the writers invited to submit a professional resume and one page personal statement for additional consideration, you will deliver that personal statement within 5 days of receiving notification of your selection or by the deadline specified when you are notified.
If selected for participation in the Lab program, you are available to attend all sessions in person during the course of the four-week Lab.
New York International Screenplay Awards
New York International Screenplay Awards is an international screenplay competition for screenwriters who aspire to connect with the US industry workers and explore the US markets. NYISA winners will be connected to the US film industry by the valued Sponsors; InkTip, Script Mailer, R2W2 talent & project accelerator/ consulting, Script Reader Pro, Screenwriting Software Final Draft!, And much more!
o When/Where: May 13
o Deadline: July 6 (Early Bird Deadline), November 23 (Regular Deadline), February 8 (Late Deadline), April 12 (Extended Deadline)
o Application Fee: $18-$60
o Eligibility: All scripts must be submitted in English, formatted in 12-point courier font.
Entry fees must be paid in U.S. dollars. Entry in the competition is void where prohibited by law.
Screenplays written by up to four people may be entered in the contest. Only one entry fee is required for such entries. All writers' names should be listed on the online entry. All writers must authorize the submission of the entry. If a screenplay is written by multiple authors, prizes will be divided at the writers' discretion.
All entries must be uploaded in PDF format. (www.freepdfconcert.com)
Entrants to the NYISA retain all rights to their screenplays.
Entries must be received by the applicable Entry Deadline.
Once a script has been entered into the competition, we will not accept substitutions or revised drafts. If you wish to submit a revised draft of your script, you must enter it as a new submission.
NYISA will not share your screenplay with anyone except the official judges of the competition.
By entering the NYISA, you represent that your entry is your original work, and does not infringe on the copyright or other rights of other people.
Entry fees are non-refundable.
We do not accept hardcopy submissions by mail.
Submissions must be the original work of the applicant. Entries may be adapted from the applicant's own work.
The decisions of the judges are final.
NYISA reserves the right to make any necessary changes, postponements, or cancellations to event scheduling at our discretion.
Notification of winners and official finalists will be sent by email and posted on our website. It is the responsibility of the winners to redeem any prizes allotted to them by the NYISA or our sponsors. Applicants will be responsible for providing current contact information and mailing addresses for prize redemption purposes.
There is no limit to the number of screenplays you may submit.
Under absolutely no circumstances will substitutions of either corrected pages or new drafts of the entry screenplay(s) be made. Screenplays will not be returned.
Screenplay titles cannot be changed upon resubmission under any circumstances.ers and industry executives. Writers can also apply directly through WIF. The Lab will run for four weeks in-person in Los Angeles beginning in March 2027 and sessions will be held twice weekly on Tuesday and Thursday evenings. There will be additional mandatory sessions on several weekend days (to be announced). All selected Lab participants will be invited to join the yearlong WIF Fellowship Program following the Lab.The Episodic Lab is a Los Angeles-based program. If you live outside of the Los Angeles area, we kindly request that you withhold your submission to this
Feature screenplays must be between 41 and 150 pages in length.
Short screenplays must be between 1 and 40 pages in length. Please email us if you have a longer screenplay that you would like to submit.opportunity.
Hollywood Storytellers Script Competition
The Hollywood Storytellers Script Competition (formerly The LA International Script Competition) is an annual event where outstanding Feature, Short, and TV Pilot Scripts are evaluated and placed in our all-inclusive genre contest. One writer from each genre and medium will be awarded the genre winner of their respective category. One feature screenplay writer, one short screenplay writer, and one TV pilot script writer will advance and receive the overall "grand prize winner" title. Call for entries open in January and close in November with announcements and subsequent information to follow. If you have a produced script, we'd be delighted to invite you to submit to our sister competition: The Hollywood Storytellers Film Festival
o When/Where: October 12-17
o Application Fee: $28-80
o Deadline: May 10 (Regular Deadline), July 12 (Late Deadline), August 30 (Extended Deadline), October 4 (Final Deadline)
o Categories: Feature Script, Short Script
Torch Literary Arts
Torch Literary Arts welcomes submissions of original creative work by Black women writers. We are interested in work that challenges and disrupts preconceived notions of what contemporary writing by Black women should be. Your stories and poems are valuable and necessary. Write freely and submit what you are excited to share with the world. Submissions are accepted for Friday Features only. We accept submissions on a rolling basis. Simultaneous submissions to other journals are welcome as long as they are identified as such and we are notified immediately upon acceptance elsewhere.
o Deadline: Rolling Basis
o Application Fee: No Fee
o Eligibility: Include a one (1) page cover letter noting the title(s) of the work(s) submitted.
Upload your text submission as a Word (DOC, DOCX) or portable document format/PDF (PDF).
Typed, double-spaced (poetry may be single-spaced) pages.
Numbered pages.
Margins should be set at no less than 1” and no greater than 1.5”.
Poetry: submit up to five (5) poems totaling no more than eight (8) pages.
Fiction, Hybrid genre: 12-point font. No more than ten (10) pages or 2500 words (whichever is achieved first). Excerpts of longer works are welcome if self-contained.
Drama/Screenwriting: submit one act or a collection of short scenes no longer than ten (10) pages. Excerpts of longer works are welcome if self-contained. Indicate if a performance video or dramatic audio reading will be available with the text submission if selected.
Restrictions: We do not reprint previously published work for TORCH Friday Features.
o Categories: Scripts
A24
Based in NY and LA, A24 is the Academy Award-winning film and TV studio behind feature films such as Minari, Midsommar, Moonlight, Ex Machina, Uncut Gems, and this summer’s Zola and The Green Knight. A24 TV productions include the Emmy-winning series Euphoria for HBO starring Zendaya, Hulu series Ramy from Golden Globe-winner Ramy Youssef, the eponymous variety series from viral comedy sensation Ziwe for Showtime, the forthcoming Joseph Gordon-Levitt Apple series Mr. Corman, and the Netflix anthology series Beef starring Oscar nominee Steven Yeun and Ali Wong.
o Seeking: Various Roles
o Location: Los Angeles, CA & New York, NY
o Website: https://a24films.com/jobs
The Kate Spade New York Foundation
o To honor Kate Spade’s legacy of empowering and inspiring women and girls, the National Council for Behavioral Health is excited to provide complimentary Mental Health First Aid training to communities throughout the five boroughs of New York City and New Jersey and in partnership with organizations that specifically support these populations.
What is Mental Health First Aid?
Just as CPR helps you assist an individual having a heart attack, Mental Health First Aid helps you assist someone experiencing a mental health or substance use-related crisis. In the Mental Health First Aid course, you learn risk factors and warning signs for mental health and addiction concerns, strategies for how to help someone in both crisis and non-crisis situations, and where to turn for help.
The National Council for Behavioral Health shares Kate Spade New York Foundation’s belief in “the power of women to transform their communities” through empowerment. In support of this mission, we are offering through a competitive application process, select Mental Health First Aid and Youth Mental Health First Aid training, fully funded!
o Location: New York, NY
o Website
Funding
Vimeo Short Film Grant
We are delighted to support the next generation of filmmakers with the Vimeo Short Film Grant! Launched in 2025, this initiative supports the production of artistically driven short films by awarding five emerging filmmakers with money, mentorship, and access to gear for the production of their next short film projects. Following this open call for submissions, a dream team jury featuring Koganada, Josephine Decker, Pete Ohs, Sarah Winshall, and Jomo Fray, ASC will select five winners to each receive a $60,000 cash production grant, access to select Panavision camera packages and OWC storage, one-on-one mentorship with the jury, screenings, distribution and promotion on Vimeo, and more. With support from Panavision, OWC, AJA Video Systems, and ShotDeck
o Deadline: October 16
o Application Fee: None
o Eligibility: The Vimeo Short Film Grant is open to directors who are residents of the US and Canada only.
Applicants must be 18 years or older at the time of entry.
The Vimeo Short Film Grant is intended for emerging filmmakers who have directed at least two short films, but have yet to direct a feature film.
Funds from the Vimeo Short Film Grant are intended for production purposes. Projects that are currently in production or post-production will not be considered.
Each applicant is permitted to submit only one project for consideration.
Applicants must have a free or paid Vimeo account to enter.
No purchase is necessary to submit.
Roy W. Dean Grants
Now entering its fourth decade, the Roy W. Dean Film Grants fund independent feature films, documentaries, web series, and short films with budgets of $500,000 or less that are unique and make a contribution to society that, without its help, might otherwise never get made.
o Deadline: June 30th (Roy W Grant - Summer), October 31 (Roy W Grant - Fall), November 30 (Carole Dorothy Joyce Grant)
o Application Fee: None
o Eligibility:we want a one page synopsis (or outline) of the film and the first 10 pages of your script. Please be sure also include the following:
Style, format and approach to the material, including any distinct visual or technical elements.
What are your plans for distribution?
Are you the producer, director, what?
How is this project unique and how does this project benefit society?
What is your relationship to the material?
List name and position of proposed key production personnel (producer, director, cinematographer, editor, etc.) List their relevant experience or credits.
o Contact: artistdevelopment@filmindependent.org
Artslink International Fellowship
The ArtsLink International Fellowship program prioritizes applicants whose social practices seek to actively engage communities on issues related to the current climate emergency and human rights. We will actively encourage artists and arts leaders whose work is making a vital contribution to furthering people’s awareness, understanding, and active participation in environmental and/or social justice issues. Additionally, we will prioritize artists recently displaced from or still working in Afghanistan and Ukraine.
o Deadline: The Letter of Inquiry deadline will be announced in Fall 2026 Fellowships take place in 2027: online research in June-July and in person residencies in the US in October-November
o Application Fee: None
o Eligibility: CEC ArtsLink welcomes applications from contemporary artists, curators, and arts leaders whose work is shaped by community engagement and social practice strategies, and informed by our most urgent local and global issues. We welcome applications from artists of any generation and invite those with both traditional and non-traditional artistic backgrounds. Applicants must be citizens of one of our network countries. If you are living outside the region, please indicate where you are currently based. Please note that an ability to communicate both verbally and in written English will be essential to success in the program. Undergraduate students and research scholars are not eligible. Arts leaders/curators must be affiliated with an arts organization in the non-commercial sector or work as individual independent arts professionals. Artists seeking placement in commercial firms are ineligible. ArtsLink International Fellows from prior years are not eligible to reapply.
Sloan Distribution Grant
The Sloan Distribution Grant is a $50,000 grant awarded by Film Independent to a film that is entering its distribution phase. Eligible films must depict themes, stories and ase.
o Contact: artistdevelopment@filmindependent.org
Panavision New Filmmaker Program
Panavision believes in helping students and beginning filmmakers achieve their dreams. More than 25 years ago, Panavision launched the New Filmmaker Program, an ongoing grant program that loans camera packages to film schools, training programs, and independent filmmakers – at little or no charge. Panavision’s commitment to the industry's future provides student and beginning filmmakers the opportunity to work with professional grade equipment early in their careers.
o Deadline: Rolling
o Application Fee: Free
o Eligibility: Submit your proposals at least two months before you plan to shoot. Due to the high demand for Panavision cameras and equipment, it is essential that you plan ahead and contact us early.
Proposal materials will not be returned.
The New Filmmaker Program does not discriminate as to the nature of the project that can receive equipment grants. Any form, from experimental to documentary to musical to traditional narrative, is welcome.
Camera grants are available only for productions in the United States. Customs laws make transportation of cameras out of the US prohibitive. No exceptions.
The New Filmmaker Program will not allow cameras to be used on projects that perpetuate racial or sexual stereotypes and prejudices. Pornography is absolutely unacceptable.
Grant recipients must obtain insurance from an outside insurance agent. Students can generally have the school issue the necessary policies. Plan ahead! This can take several weeks to implement. The process varies from school to school, so check with your film department. Productcharacters grounded in real science, technology or economics.
o Contact: nfp@panavision.com
Catapult Film Fund
Catapult Film Fund provides development funding to documentary filmmakers who have a compelling story to tell, have secured access to their story, and are ready to shoot and edit a piece for production fundraising purposes. Our mission is to enable filmmakers to develop their films to the next level at a moment where funding is hard to find.
o Deadline: Rolling
o Application Fee: Free
o Eligibility: Applicants must be 18 years of age or older. Catapult does not fund student films.
Documentaries must be 28 minutes or longer in length. We do not fund series.
Animation is okay. Documentary/narrative hybrids will be considered on a case-by-case basis.
Development funds must specifically be used for the process of completing a fundraising piece, which may include writing, shooting and editing once story and characters are in place.
Applicants must own the copyright of their production, and have artistic, budgetary and editorial control over their project.
Applicants should preferably have previous film or television production experience in a principal role (director, co-director, producer, co-producer) as demonstrated by submitting a previously completed work sample.
Applicants who have not yet produced or directed their own feature length documentary should demonstrate that they will be working with an experienced filmmaker in a principal role.
Catapult only makes grants to 501(c)(3) organizations. In most cases, this will mean getting a 501(c)(3) fiscal sponsor for the project. A film production company or individual, including applicants from outside the US, may submit an application without a fiscal sponsor in place. Please see the FAQ section for more details.
o Contact: info@catapultfilmfund.org
Residencies
18th Street Arts Center
18th Street Arts Center values art making as an essential component of a vibrant, just, and healthy society. Its mission is “to provoke public dialogue through contemporary art making.” Founded in 1988, 18th Street Arts Center has fostered and supported the work of many of Los Angeles’ most engaging artists, and has built bridges to artist communities around the globe.
o Deadline: Ongoing
o Application Fee: Yes
o When: Ongoing
o Eligibility: The Visiting Artist Residency Program accepts applications from working, professional artists who demonstrate a deep commitment to their practices. The program is open to artists of all generations, nationalities, and disciplines. Applicants are required to cover studio rental costs themselves. Although we primarily support visual artists, 18th Street Arts Center will consider applications from performing artists, writers, and filmmakers as well.
o Address: 1639 18th Street, Santa Monica, CA 90404
o Contact: 310-453-3711
Other Resources
NOTE: For more resources, visit our pages of Resources - Funding, Submissions, and more.
NYFA SOURCE - The New York Foundation for the Arts maintains the most comprehensive national directory of awards, services and publications for artists in the NYFA Source section of their website.
FILM FREEWAY - Film/Video artists can check Film Freeway at: