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Submission Opportunities for Women in Theatre
(previously known as Theatre Funding Newsletter)
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If you are a longtime recipient of #StageOpps and #ScreenOpps,
you know that they started as the Funding Newsletters,
brought to you by WomenArts, who still support the ongoing production of these opportunities as well as our Funding Resources pages.
WomenArts' founder and president, Martha Richards,
received the 2020 Elsa Rael VintAge Award
(for Advocacy for Women in the Arts & Media as They Age) from us
on Zoom Saturday, November 14, 2020.
Check out our VintAge page for more info.
Project Submissions
Submissions are still open for the 2025 Women in the Arts and Media Coalition Collaboration Awards
Playwrights, Screenwriters, Directors, Actors, Filmmakers, Choreographers, Dancers, among other Disciplines Encouraged to Apply - Deadline, December 31, 2024
Women in the Arts & Media Coalition is proud to announce their call for submissions for the 2025 Collaboration Awards. Established in 2006, the $1,000 award and other honors are designed to encourage professional women from different arts and media disciplines to work together on the creation of a new artistic work. Artistic disciplines include but are not limited to playwrights, directors, composers, choreographers, filmmakers, actors, singers, and dancers.ceremony in New York in Autumn, 2025. Also honored at this event will be an Acclaimed Collaboration Award winning project.
Applicants must be members in good standing of a member organization, and/or an individual member of the Women in the Arts & Media Coalition. Member organizations are: Actors' Equity Association (AEA), Associated Musicians of New York Local 802 AFM (802), Dramatists Guild (DG), League of Professional Theatre Women (LPTW), New York Women in Communications (WICI), New York Women in Film & Television (NYWIFT), Screen Actors Guild-American Federation of Television & Radio Artists (SAG-AFTRA), Stage Directors and Choreographers Society (SDC), and the Writers Guild of America, East (WGAE). See website for more information: www.womenartsmedia.org
International Theater Contest
The International Theater Competition (ITC) offers playwrights the opportunity to have their work exposed to multiple theater industry professionals—individuals who are often difficult to meet or may never have the chance to review your work. ITC is all about helping you take your play or musical to the next level.The International Theater Competition (ITC) offers playwrights the opportunity to have their work exposed to multiple theater industry professionals—individuals who are often difficult to meet or may never have the chance to review your work. ITC is all about helping you take your play or musical to the next level. First Place Prize: A fully produced production of your play or musical in a theater in Manhattan, New York City – the most sought-after location in the world for theater productions. Second Place Prize: $1,000 Third Place Prize: $500 Additionally, 9 finalists will be selected.
o Deadline: December 25
o Application Fee: No Fee
o Eligibility: No matter where you're from, this competition is open to playwrights worldwide. Your play or musical script will be read, evaluated, and judged by selected members of the New York theater industry. The reviews from these judges will play a crucial role in selecting the winners. There are no limits to the number of scripts a participant may submit.
Plays must be submitted in PDF format only.
Collaborative teams must be led by female members of the various Coalition arts & media associations, unions, guilds, affiliates, (full list below) or be individual members. While team participants may be of any gender, the two people submitting for the award must both identify as women and be from two different disciplines.
Eligible teams may suggest any form of creative collaboration on a new work created since 2021 and which has had a public performance. Public performances may include, but are not limited to, a production, a workshop, a staged reading, a gallery show, a concert, etc. Public performances may be in person and/or virtual. Submissions will be judged on the basis of artistic excellence, diversity, and clarity. All topics and subjects will be considered. Special attention shall be given to projects that reflect the goals of the Coalition: to advance the voice and vision of women (women's work and women's issues).
The winning team and the honorable mentions will be invited to an award
Musicals must include both the libretto and music score in PDF format. Additionally, submit three sample songs, which may be recorded using basic tools (e.g., phone recording with at least one instrument and one singer). Professional recordings are encouraged but not required.
Script Length: Submissions must be between 30 to 90 minutes in length.
Casting Requirements: The winner's script will be performed with a maximum of 6 actors/singers. If your script requires more than six characters, actors may be required to play multiple roles.
o Categories: Plays, One Acts
New Works of Merit Playwriting Contest
In our 22nd year, New Works of Merit Playwriting Contest was developed to bring works of social significance to the attention of Producers, Directors, and Literary Managers
o Deadline: December 31
o Application Fee: $27
o Eligibility: Scripts no longer than 2 hours or 90 pages Stage Play Format
(PLEASE NOTE: Scripts over 90 pages, but with performance time under 2 hours, are also eligible.)
One-acts
Short stage plays
Children's plays
Published scripts
Scripts that received a workshop
Scripts that received a staged reading
Scripts that received a non-union production
Scripts produced with an AEA Showcase Code or Plan
Plays submitted must be the original work of the author and meet Mission Statement Criteria (see Home Page).
o Categories: Plays, One Acts
Lincoln Park Theatre Festival
We invite talented female playwrights to submit their original, unpublished works for consideration in the upcoming Lincoln Park Theatre Festival. This festival aims to celebrate diverse voices in theatre, highlighting the unique perspectives of women in the arts. We encourage all female playwrights to share their voices and stories with us. We look forward to discovering your innovative works! During the festival, the top 3 selected playwrights will have a staged reading held by a selected group of actors in front of a live audience.
o Deadline: December 31
o Application Fee: No Fee
o Eligibility: Eligibility: Open to all female playwrights.
Play Length: Submissions should be between 30 to 60 pages.
Content: We are seeking new, unproduced works that showcase creativity, innovation, and compelling storytelling in Spanish, English or Bilingual of any genre. Must be multi-characters plays (No monologues).
Format: Please submit your work in a standard play format (PDF preferred).
Cover Letter: Include a brief cover letter with your contact information, a short bio, and a synopsis of your play.
Submission Deadline: All entries must be received by December 31st, 2024.
Selection Process: A panel of industry professionals will review submissions, and selected plays will be announced by March 31st, 2025.
Festival Dates: The festival will take place from June 20-22th, 2025, offering playwrights the opportunity to have their work showcased in a vibrant and supportive environment.
o Categories: Plays
o Contact: For more information, please contact www.bfatheatre.org or izzymartinez@bfatheatre.org.
Beyond Woodstock
The Woodstock Music and Arts Festival happened over a half-century ago in beautiful. Sullivan County, NY. The cultural impact of this monumental gathering is like a glorious tree that keeps growing and sharing its fruits as a catalyst and breakthrough moment in music, art, crafts, spirituality, and back-to-nature movements while promoting independence, self-abidance, group collaboration, and peaceful political protest. As the Catskill Public Theater (CPT) approaches our Summer 2025 season, we plan to present a series of skits that expand on the themes and messages that still resonate with the Woodstock phenomena. We envision this production of vignettes being dramatic as well as comedic, presented in a format that will include original content, dynamic multi-media sequences, music of the day, along with visual projections of iconic and previously unseen images taken by the recently discovered photographer, Mark Goff, whose collection is represented by CPT creative director Nick Clemente. To support this production, we are sponsoring a “Call for Submissions” for original ideas that could be part of the short scenes, sketches, and mini-plays, amplifying the Woodstock Festival message. We invite the public to share their direct experience or even their imaginative experiences for inclusion in this play. Any length will work. We encourage expansive, unexpected, and surprising connections to the Woodstock festival. Let your creative flag fly!
o Deadline: January 1
o Application Fee: No Fee
o Eligibility: Submissions will be curated by Jessica López-Barkl and Nick López, Professors of Theater and Speech at SUNY Sullivan. They will chair a jury that will include Nick Clemente and Marshall Shnider, Founding Director of CPT. Selected submissions will be a part of the final production of “Beyond Woodstock” and will be paid an honorarium of $200. All submissions will receive three free reservations for any CPT production during our 2025 season.
o Categories: Plays
o Contact: Please send submissions to catskillpublictheaternewplays@gmail.com
The Tank: Core Productions
The Tank Core Production Series comprises new, exciting, dynamic works of theater, dance, music, and comedy featuring talented emerging artists who are ready for more institutional support while maintaining their own artistic voice. We look for tonally diverse works that share a curiosity about what artists can create in an independent theater model. We seek to collaborate with artists who are excited by bringing their own vision to the stage, who have deepened their aesthetic and are ready to present themselves–unfettered, unfiltered–to New York audiences.
o Deadline: Open through 2024
o Application Fee: No Fee
o Eligibility: To apply, please email submissions@thetanknyc.org with the show title and CORE PRODUCTION in the email header and following information in the body of the email:
Show title
Discipline (theater, music, comedy, etc.)
Approximate running time
Summary of piece
Statement of artistic and professional goals
Explanation of how the piece exists in the world–what do you see? How does it get created?
The work, as it currently exists (script, sample, prospectus, video, etc.)
Bio of lead artist(s)
Names of currently attached artists
Previous experiences producing for lead artist and/or lead producer/producing company
The name of one or more Tank shows you’ve attended
o Categories: Plays
o Contact: submissions@thetanknyc.org
Downtown Urban Arts Festival
Downtown Urban Arts Festival (DUAF) is seeking theatrical works (plays, musicals, and solo performances) for its 23rd annual season to be held in June 2025 in the Theatre District in New York City. DUAF supports diverse, new, and emerging voices from America’s burgeoning multicultural landscape. Over 200 playwrights have participated in DUAF and some have gone on to greater success on Broadway and have claimed top prizes such as the Pulitzer, Tony and Obie awards and nominations. Submission Categories: Short-length play (under 45 minutes) Full-length play (up to 70 minutes)
o Deadline: November 4
o Application Fee: No Fee
o Eligibility: Submission Checklist:
Playwright's bio with contact info including name, address, phone # and email
Photo of playwright
Synopsis of theatrical work
Complete script of theatrical work
Estimated running time of work
Actor/director/crew bios, if available
Description of stage set (if any) and production needs (i.e. sound and lighting)
Please submit all attachments as .pdf. Photos must be in either .jpg or .jpeg.
o Categories: Short Plays, Full Length Plays
o Contact: Please submit to coordinator@duafnyc.com
The Caribbean Writer
The Caribbean Writer (TCW) has issued a call for submissions for Volume 39 under the 2025 theme: Possibilities: Beyond Tradition, Inside of Courage We inherit the legacies of our those who march before us, if not directly, some other way and so reckoning has become a way of life. Some suggests that what will save us is our resolve. Contributors may submit works of fiction, nonfiction, poetry, essays or one act plays which explore the ideas resonating within the region and its diaspora. The Caribbean should be central to the work, or the work should reflect a Caribbean heritage, experience or perspective. Prospective authors should submit all creative works: drama, fiction and poetry manuscripts, through the online portal ONLY at www.thecaribbeanwriter.org/online-submission. Submit Word files only (no PDFs) . Note that TCW no longer accepts hardcopy submissions.
o Deadline: December 31
o Application Fee: No Fee
o Eligibility: Individuals may submit poems (3 maximum), short stories (2 maximum) and personal essays (2 maximum) on general topics as well as on the theme. The maximum length (for short stories and personal essays) is 3500 words. Only previously unpublished work will be considered. The term “previously published” covers print and electronic publication —including on social media platforms, and self-published items. The Caribbean Writer does not accept simultaneous submissions (items being considered for publication elsewhere). The prospective author should provide contact information including mailing address, phone number, any professional affiliations, brief biographical information (no more than 100 words and such as appears under the “Contributors” section of the journal). In the event that the author’s contact information changes, all updates should be made by the author by logging into the online account.
o Categories: One-Acts
o Contact: submissionsofvenus@gmail.com
Eric H. Weinberger Award for Emerging Librettists
Eric H. Weinberger Award for Emerging Librettists is a juried cash and production grant given annually to support the early work and career of a deserving musical theatre librettist. It commemorates the life and work of playwright/librettist Eric H. Weinberger (1950-2017), who was a Drama Desk Award nominee for Best Book of a Musical (Wanda’s World), and the playwright/librettist of Class Mothers ’68, which earned Pricilla Lopez a Drama Desk Award nomination.The winner will receive $2,000 to help with cost-of-living expenses. The winning musical will receive development assistance in the 2025 New Works Development Program of Amas Musical Theatre, culminating in an Amas Lab production with New York theatre professionals. Amas, which is administering the Award, was the development home for several of Mr. Weinberger’s musicals, and which produced the World Premiere of Wanda’s World and the New York Premiere of Tea for Three. With the many setbacks in the theatre industry over the past few years, we are grateful to be afforded this opportunity to continue making theatre and creating an impact in our community. We are excited to begin work with our 2024 winners Daniel and James Cullen on their piece Dubbo Championship Wrestling and welcome a new wave of inspiring voices to our musical theatre family.Submissions open September 12, 2024 and will close December 2, 2024
o When/Where: New York, NY
o Deadline: December 2
o Application Fee: No Fee
o Eligibility: Be a full-length show (at least 80 minutes)
Have no more than seven actors (actors may play multiple roles, if so please include a suggested breakdown of role distribution)
Be complete and ready for readings, workshops and/or productions
Have a demo that is an accurate representation of the music and style of the show (at least five songs)
Have full underlying rights clearance of any pre-existing material used in the script (music, source material, etc.)
Not have had a full production or be published in any way, even if with a different name.
o Categories: New Musicals
o Contact: amas@amasmusical.org
The Richard Rodgers Awards 2024
The Richard Rodgers Awards were created and endowed by Richard Rodgers in 1978 for the development of the musical theater. These awards subsidize full productions, studio productions, and staged readings by nonprofit theaters in New York City of works by composers and writers who are not already established in this field. The winners are selected by a jury of the American Academy of Arts and Letters. The Richard Rodgers Awards are the only awards for which the Academy accepts applications.
o When/Where: New York, NY
o Deadline: November 1
o Application Fee: No Fee
o Eligibility: The name(s) of the author(s) must not appear on any of the items submitted, with the exception of the application form. Include only the title of the work on the script and plot summary. Please be sure author names are not included in music file metadata.
Entry must include:Script with lyrics, in PDF format.
Half-page synopsis of the action and a list of characters, in PDF format.
A separate track sheet (PDF) of recorded songs with page numbers indicating where they appear in the script and specifying the total number of minutes recorded.
At least 45 minutes of music, including a minimum of eight songs. Orchestrations are not necessary; piano and vocals are sufficient. Songs must be numbered in sequence (e.g. 01 Song Title.mp3) and each song’s lyrics clearly typed into the script where it appears. Tracks must be uploaded in the order they appear in the script.
Application form signed by all collaborators (see below). Applicants submitting work that has already been produced must give full information concerning these productions, including programs. A work is not eligible if one of the collaborators is deceased.
If applicable, a statement of intent declaring how the applicants would use the award if their musical is a winner. If the piece is already attached to producers or a theater, even if tentative, these associations must be declared here.
If the submitted work (or a portion thereof) is an adaptation of material which is not in the public domain, candidates must submit licenses, permissions, or authorizations necessary to permit the work to be produced in conformity with applicable copyright laws. The music must be original.
Applicants will be notified of the jury's decision by March 2023.
o Categories: Musicals
o Contact: 212-368-5900
The Woodward/Newman Award
The Woodward/Newman Award is an exclusive honor offered by Constellation Stage & Screen, started through the support of Joanne Woodward, Newman’s Own Foundation, and the Newman family, celebrating Paul Newman & Joanne Woodward’s tremendous history of work on stage and screen. It presents the best unpublished play of the year with a cash prize of $3,000 and a full production as part of Constellation’s Mainstage season. Please note that there are significant changes to our submission and selection process from previous years. In order to make the Woodward/Newman Award accessible to all, we have eliminated submission fees as wellhould have a complete running time of between 1 hour 15 minutes (75 minutes) to 2 hours 15 minutes (135 minutes). TYA shows should have a complete running time of over 40 minutes.
Plays submitted must be unpublished at the time of submission (independently published is acceptable).
Each play should be individually submitted at the following link: CONSTELLATION STAGE & SCREEN PLAY SUBMISSION.
You will be asked to submit your play as an attachment and all other information (bio, history, synopsis, character breakdown) will be entered into a form. Musical submissions may upload demos as an attachment or include a link to a shared folder.
Limit of 2 play submissions per year.
If you have any questions, please email literary@seeconstellation.org.
o Categories: New Works, Drama, Theatre
o Address: 411 E 7th ST Bloomington, IN 47408
o Contact: literary@seeconstellation.org
City Theatre Seeks 10 Minute Plays for the Susan J Westfall National Short Playwriting Contest
City Theatre is looking for the best short plays from all over for our upcoming 2024-25 season that furthers our mission to identify, acknowledge, and award excellence in dramatic writing. Having produced hundreds of plays, we want scripts that are lively and timely, hilarious, provocative, poignant, and surprising. We look for plays that span style and genre. We will consider bilingual scripts and ten-minute musicals. We have no restriction on the age range of the characters. In other words, we are seeking compelling plays that rise above the ordinary. City Theatre seeks compelling plays that rise above the ordinary. Playwrights from across the country are invited to submit lively, timely, hilarious, provocative, poignant, and surprising scripts. We look for plays that span style and genre. We will consider bilingual scripts and ten-minute musicals. Contest finalist scripts are contenders for production at various productions and programs City Theatre presents year-round. To submit a play, please visit citytheatre.com on June 1st. We highly encourage the submission of plays from writers who self-identify as BIPOC (Black, Indigenous, People of Color), women, and LBGTQ+. We invite writers at all career levels to submit. Contest finalist scripts are contenders for production at various productions and programs City Theatre presents year-round. The contest opens on June 1st and will remain open until the maximum number of submissions are received. Each playwright may only submit one play for consideration. Playwrights are encouraged to submit as soon as possible when the contest opens.
o Deadline: None Given
o Application Fee: Free
o Eligibility: Each script must be no more than ten pages long. We start counting when the actual play begins. City Theatre is opening a limited submission call for NPX playwrights only. This submission call will be limited to the first 200 scripts. We will only accept one play per playwright, and if you tag your play for this submission, you MAY NOT submit to City Theatre's general submissions via our website. Playwrights may only submit ONE play to ONE submission call. Those who submit twice will have their plays deemed ineligible (please don't make us do that!) Previously submitted plays, longer one-acts or full-length plays or musicals won’t be accepted or returned. City Theatre will consider previously produced works with a production history included with submission. The volume of scripts submitted prevents us from providing feedback or criticism.
o Categories: Short Plays, Plays
o Contact: Please reach out if you have questions not covered by the information above: info@citytheatre.com
Blackboard Plays - Reading Series Submission
Founded in 2008, Blackboard Plays has been devoted to Black Playwrights throughout the African Diaspora.
o Deadline: None Given
o Application Fee: Free
o Eligibility: Black Playwrights Submit up to 10 pages in consideration for a Feature reading. A Feature and a Community Night are the two main ways to have your work supported by Blackboard. Those not selected for a feature, are encouraged to attend a community night, which is structured like an Open Mic Night for Playwrights, where up to 10 pages is cold-read by Actors in person or on Zoom (During COVID-19 Social Distancing Practices).
o Categories: Short Plays, Plays
Neurodivergent New Play Series
Neurodivergent playwrights in NYC since 2023 - is accepting recurring submissions as we prepare for our 2024-25 Season.All submissions should be for full-length plays between 45 to 180 minutes long and may have received a previous reading or production outside of NYC, as long as they are unpublished. All neurodivergent/disabled writers (autistic, ADHD, dyslexic, OCD, Tourette's, etc.) at all stages of their careers are encouraged to apply - especially BIPOC, LGBTQ+, and female-identifying writers. There is no submission fee or any other fee for being involved in this process.
o Deadline: Rolling Basis
o Application Fee: None
o Eligibility: Plays can be of any genre, although we are especially seeking works that challenge traditional methods of storytelling & have something important to say about the world that isn't being heard enough. We ask that you submit only one play every 30 days during our recurring submissions process.
Contact: neurodivergentplays@gmail.com
o Categories: Full-length Plays
Freshwater Theatre
Freshwater Theatre prides itself on constantly working with new artists, expanding our family. We’re always on the lookout for new scripts and new technical artists to work with.
o Deadline: Ongoing
o Application Fee: Free
o Eligibility: While we certainly are interested in world premieres of new plays, we also are very interested in second and third productions of new works, as we believe this to be the key to finding the works that will propel theater into the future.
We will only respond to playwright submissions for plays that come into serious consideration for future production. We cannot give any specific time frame on if/when a response will be given.
o Categories: New Plays
o Contact: info@freshwatertheatre.com
SCRIPT Submissions
Abingdon Festivals of Short Plays
Seeking Playwrights, Directors, and Actors for Abingdon Theatre Company's upcoming Raise the Page, Uplift the Word: A BIPOC Festival of Short Plays in collaboration with AMT Theater. Abingdon Theatre Company continues to be committed to creating opportunities for all voices to be heard. With this in mind, ATC is thrilled to open submissions for their fifth annual festival of short plays; a festival shedding light on stories by people of color.
o Deadline: December 20
o Application Fee: No Fee
o Eligibility: Playwrights: Short play submissions should be unpublished and no longer than 40 pages and written by BIPOC individuals. We are accepting applications from artists from all experience levels, locations, and ages. Directors: Seeking BIPOC directors for our festival of short plays. Please ensure you are available for the in-person festival in New York City from February 15-16. Actors: Seeking actors of all ethnicities for our festival of short plays. Please ensure you are available for the in-person festival in New York City from February 15-16.
o Categories: Short Plays
o Contact: Should you have any questions, please email omannion@abingdontheatre.org and kbell@abingdontheatre.org.
Social Justice Shorts One Act Play Festival
A Call to Conscience Interactive Theatre for Social Change in collaboration with Bread & Roses Missouri is seeking submissions for its second annual “Social Justice Shorts” one-act play festival. The company is seeking 10-minute short plays, monologues, musicals or plays with music centered with the following suggested themes (this is not an exhaustive list. Feel free to submit a piece featuring a social justice issue not mentioned here): LGBTQIA+ & Transgender Issues, Mental Health, Economic Justice/Workers’ Rights, Police Brutality/Gun Violence, Healthcare Equity, Immigrant/Refugee Struggles, Homeless/Unhoused Issues, Age Discrimination, Reproductive Justice, Racial Justice, Gender Justice Storytelling must be rich in self-expression and theatrical imagination. Playwrights may live in any part of the country, and St. Louis-based playwrights are strongly encouraged to submit. Plays featuring a cast of one to three characters will be accepted (plays with more than three characters will not be considered). Playwrights are welcome to submit solo performance pieces. Plays longer than 10 minutes will NOT be considered. A pianist will be provided for musicals or plays that include music. However, plays that require a full band will not be accepted. Please note: All music must be original and not previously copyrighted by another party. The company is not liable for any copyright infringement. Limited set, props and technical requirements are strongly preferred.
o Deadline: January 1
o Application Fee: No Fee
o Eligibility: Playwrights please email: a bio or resume (100 words or less); entire play with original score if musical; title page/synopsis; and cast breakdowns
o Categories: Short Plays
Queens Short Play Festival
PLEASE NOTE: PLAYS ARE ACCEPTED ON A ROLLING BASIS. WAITING UNTIL THE DEADLINE TO SUBMIT IS NOT ADVISED. Queens Short Play Festival is now accepting plays for its Winter 2025 festival. The Secret Theatre seeks to promote new work and emerging playwrights through our biannual One Act Festival. Last year's festivals were a success and this year we are excited for more!
o Deadline: December 20
o Application Fee: No Fee
o Eligibility: Plays must be between 10 – 15 minutes in length. Preference given to plays that have not been produced before. Timings must be accurate please overestimate if not sure. We will reject any play longer than 15 mins. A rule of thumb is one minute per page if using 12pt Courier/Times Roman
• Playwrights are responsible for selecting the director and cast.
(We may be able to help you if you do not have a director but preference will be given to playwrights who can provide their own directors and actors.)
• Easy to produce. (If you have a play which for instance includes a swimming pool, a large amount of sets and props, or anything else too elaborate or is impossible to cast we may reject it.)
• Excerpts limited to 15 mins are acceptable
• Please submit plays in PDF or Word format only.
• We will divide selected plays into more programs, and selected Playwrights will be informed on a rolling basis.
• We offer discounted rates for rehearsals from $10 per hour for participant
o Categories: Short Plays
2025 International Playwriting Prize Carlo Annoni
The Carlo Annoni International Playwriting Prize is now open for submissions with topics concerning the LGBTQ+ community, including love, diversity, and identity in a time of gender fluidity. We accept full-length or short plays even if already represented. Award ceremony in Milan, September 2025.
o Deadline: April 30
o Application Fee: No Fee
o Eligibility: Send your submission to info@premiocarloannoni.eu 1000 € awarded to two best plays (one in English and one in Italian)
o Categories: Plays
She NYC Arts Script Submissions
We accept full-length plays and musicals during our open submissions period for our Summer Theater Festivals. In order to apply, you must be a playwright or composer of a gender marginalized group (including cis women, trans people, and non-binary people), or a writing team that is made up of at least 50% people from a gender-marginalized group. Script Submissions are now OPEN for our 2024 SheNYC, SheLA, and SheATL Festivals! Submissions for our first-annual SheDFW Festival in Dallas-Fort Worth will open in early 2024. Note that we only accept script submissions during our submission window. If you would like to be considered for our summer festivals, you must submit your work during that time period. Read on below for more details on what you’ll need to submit and for the application link.
o Deadline: November 15
o Application Fee: No Fee
o Eligibility: The full script to your show, in PDF form. It must be at least 75% finished. If the rest is not finished, you need to provide a “treatment” (a detailed outline of the scenes that remain to be written, in order) along with the script. Bear in mind that you will have to send us a completed script if you’re selected as a finalist.
A completed application form with some basic information (see below for FAQs).
If your show is a musical, recordings of at least 3 full songs from the show, in mp3 or m4a form. The more you have, the better! A simple recording with just you and your piano is fine, though obviously you want to make your music sound the best it can. Please do not submit Finale or Sibelius files (or any other automated vocals).
If your show is a solo show, a video of at least 5 minutes of your solo performer performing a cut from the show. This can be a video from a prior production or staged reading, or it can be a self-tape of your actor recording themselves at home.
o Categories: Plays
o Contact: info@shenycarts.org
South Texas Latinx New Play Festival
Thank you for your interest in submitting your play to the South Texas Latinx New Play Festival! We are excited to continue supporting and celebrating the development of new plays by Latino writers. Please make sure you have read all of the eligibility details before submitting. Three finalists will be chosen, and notified no later than April 1, 2024. The selected plays will be produced as staged readings for the 3rd Annual STX Latinx New Play Festival June 2024. The selection of directors will happen late April and actor auditions will be held early May 2024. Rehearsals will run from late May to performances in June 2023. At this time travel to and from the festival for the selected playwrights cannot be provided, but virtual and live streaming capabilities will be available through the rehearsal and live reading process.
o Deadline: December 2
o Application Fee: None
o Eligibility: Plays will be blind read and scored by a diverse panel of readers .
Submitting author is (or authors, when in collaboration, are) sole owner(s) of script copyright.
Previously unproduced
Submitted as a single PDF with all pages numbered.
2 character minimum (no one person shows)
No musical or film scripts
Script should include a character breakdown/description
Run time should be 30 minutes minimum - 90 minutes maximum
Only one script can be submitted per playwright
Only the first 50 play scripts submitted will be considered
o Categories: Plays
Theatre Now Soundbites
Theatre Now defines a 10-minute musical as any piece that can be performed in 10 minutes or less; has a beginning, middle, and end story arc; and includes music. Having produced nearly 100 pieces, we want musicals that are diverse and current, that test the musical form and communicate a well-crafted story. We accept musicals across all styles and genres and are happy to consider foreign language and/or bilingual scripts. We strongly encourage submissions from female writers, BIPOC and LGBTQ+ writers.As Theatre Now is an artist service organization and the producer of SOUND BITES, we cover the majority of your expenses and costs. We're the only short musical theatre festival that offers artists honorariums and rehearsal reimbursements for each piece. That being said, there are some out-of-pocket costs depending on your show's requirements (cast & creative team size, number of rehearsals, size of rehearsal space, etc.) and personal choice. Most of these costs relate to specific set-dressing, props and costumes for your show and additional personnel such as musicians.
o Deadline: January 3
o Application Fee: None
o Eligibility: Please review the following criteria thoroughly before sending your submission:
Ten-minute musicals will be accepted from September 1st, 2024 - January 3rd, 2025 at midnight.
Submissions won’t be considered before or after the deadline.
Musical theatre writers can only submit up to two scripts.
The story must have a beginning, middle, and end.
We accept submissions in foreign languages or that are bilingual. Although the application process is in English, the work itself may be submitted and performed in any other language if selected.
Each piece must include music.
All submissions must be submitted via this website. No physical copies.
Each musical must not exceed ten minutes when performed. If accepted, cuts may be required.
Longer one-acts or full-length musicals will not be considered, although the submission may be a 10-minute portion of a longer piece as long as it tells a complete story with a beginning, middle, and end story arc.
A musical may be a previously-produced work with a production history.
We have no formal script formatting guidelines, but all scripts should be easy to read.
The volume of submissions prevents us from providing feedback on all submissions.
If your piece is visual (i.e. choreography-heavy), please include video footage or detailed descriptions.
We expect to contact all writers by mid-February, 2025 on the status of their submission with one of the following emails:
An acceptance email into the festival that will include additional information to confirm their involvement.
A waitlist email. In the event an accepted musical declines their participation, a selected waitlisted musical will be notified to serve as a replacement.
The remaining musicals will receive a "not selected" email and are encouraged to submit again next year.
o Categories: Musicals
SHINE: Illuminating Black Stories ~ Barter Theatre's Black Stories Black Voices Monologue Writing Competition
2-3 monologues will be selected to be read at our 4th annual SHINE: Illuminating Black Stories in February 2025. SHINE is an annual evening of storytelling that explores the Black experience in Appalachia, curated by Barter’s Black Stories Black Voices. Using prompts derived from our local Black community and Appalachian region, Black playwrights from across the country can submit original monologues to be performed and directed by our artists. SHINE always provides an unforgettable experience to our audiences.
o Deadline: November 1
o Application Fee: None
o Eligibility: It is our hope that by connecting Black playwrights (wherever they are located) with stories from Black Appalachian communities, we can:
Create monologues that can be developed into full-length plays
Create work that explores the Black Appalachian experience, both past and present
Establish and cultivate relationships with Black playwrights and other Black theatre artists
Give audiences accessibility to new perspectives on life in Appalachia
2-3 monologues will be selected to be performed at our 4th Annual SHINE: Illuminating Black Stories, in February 2025.
Monologue Submission Guidelines
Playwright must be Black.
Monologues must be set in Appalachia. (Click Here list of qualifying states/counties as defined by the Appalachian Regional Commission)
Monologues must be 3-5 minutes in length.
Monologues must be unpublished and not have had a professional production.
Monologues must be submitted electronically.
Monologues must be written using selected prompts, viewable here.
o Categories: Monolouges
Talking It Out: A Virtual Festival in Support of Mental Health Awareness
The Talking It Out Virtual Arts Festival in support of mental health empowerment, is thrilled to be returning this Fall after a year-long hiatus! We are now accepting play submissions to be featured in our new ongoing series of live play readings in NYC and audio drama podcast to be featured worldwide. This year, we will be accepting submissions for short plays, (less than 20 minutes) one-act plays, (20-40 minutes) & full-length plays (60-120 minutes) of all genres, including comedy, drama, sci-fi, horror, experimental, etc. Plays will be accepted on an ongoing basis, with playwrights to be notified at least 3 months in advance of their proposed performance date.
o Deadline: none listed - playwrights are welcome to submit one play every 30 days
o Application Fee: Free
o Eligibility: The one requirement - in terms of subject matter - is that all plays should deal with the topic of mental illness. (i.e. anxiety, depression, PTSD, mental health in the context of neurodivergency, bipolar disorder, schizophrenia, dementia/Alzheimer’s, etc.) There is no submission fee, and playwrights are welcome to submit one play every 30 days. Plays that have received a previous reading or production outside of NYC are eligible, as long as they are unpublished.
o Categories: One-Act Plays
o Contact: talkingitoutfest@gmail.com
The Autry: 2025 OPEN Submission for Production Consideration
We accept scripts all year long. Do you have a full-length script that has been developed and produced that you would like us to consider for a future Native Voices production in Los Angeles? Please follow the Checklist for All Submissions below and in the Native Voices Script Submission form, check the box for 2025 General Production Consideration.
o When/Where: Open all year
o Deadline: None Given
o Application Fee: None
o Eligibility:Full-length plays (60+ pages) receive will be read and evaluated.
o Categories: Full-length Plays
NY Theatre Festival Spring/Summer and Fall/Winter 2024
This is a unique opportunity to invite people from the industry to see your production! People are more likely to go see a show than to read an unsolicited script - some industry people receive on average thousands of submissions per month. They understand that the journey for a show to be successful often goes through several productions and this is your chance to show that you can start that process! Our dedicated team is here to help you get your work out. We are with you from the moment you begin tech rehearsals, all the way through to your closing performance. You will never be left alone during the process. We will help you choose from the 85 set/furniture pieces we offer to dress your stage for your run, and we will give you a complete crash course on how to use the audio/light/video system in just 3 minutes, which are intentionally designed to be very user friendly. After we show you how to use the tools we provide and how to best utilize the space, The Festival’s team will provide prime responses to every inquiry, as well as a telephone # you can call anytime during relevant hours throughout the run of your show. In 12 years and 22 seasons we have successfully hosted 1,400 plays and 300 musicals, as well as rewarding over 300 participating artists cash prizes.
o Deadline: TBD
o Application Fee: None
o Eligibility: Submissions Accepted from a 30-mile radius outside of Manhattan and only run if the entire cast and crew are from New York City. Plays are considered on a first-come, first-serve basis. The earlier you submit, the better your chances are of having your script invited to the festival. Each applicant is fully responsible for all elements of their production, including directing, casting, stage-managing. We know exactly what you need to make your show a success and we welcome you into our community of playwrights and theater innovators!
o Categories: Plays, Musicals
Nomad Theater
Nomad Theatre seeks new unproduced short plays to be a part of our upcoming season! Our mission is to provide an immersive theatre experience by exposing audience members to eclectic and moving stories, taking theatre outside of a traditional theatre space and into site-specific locations. This year, we have three opportunities for playwrights to submit their original new short plays. Open to US playwrights, selected plays in our mainstage season receive a $15 honorarium ($40 for one-acts selected for By The Fireside) full production and a ticket to attend. Selected plays must be unpublished and unproduced at time of submission. We encourage anyone to submit, even if you’ve never written a play, especially underrepresented playwrights, including women, LGBTQIA+, BIPOC, disabled, etc. Nomad will not produce theatre that is derogatory Entries will be judged on the following criteria:
How well it meets the theme.
Overall writing quality (Plot - we like different or quirky, weird, out-of-the-box theatre; Character Development; Dialogue)
Suitability for our actors and space - low tech, 1-4 characters, flexible casting
o Deadline: The Polling Place (July 15), The Fireside Plays (September 15), The Garden Plays (January 15)
o Application Fee: None
o Eligibility: One submission per playwright per opportunity (three submissions total)
We suggest formatting similar to the Dramatist Guild Guidelines
A cover page should include the title, the playwright’s name, contact information, a brief synopsis, and character descriptions
Pages should be numbered
Minimum of 1, maximum of 4 characters
No musicals
o Categories: One-Act Plays
o Contact: nomadtheatresubmissions@gmail.com
Torch Literary Arts
Torch Literary Arts welcomes submissions of original creative work by Black women writers. We are interested in work that challenges and disrupts preconceived notions of what contemporary writing by Black women should be. Your stories and poems are valuable and necessary. Write freely and submit what you are excited to share with the world. Submissions are accepted for Friday Features only. We accept submissions on a rolling basis. Simultaneous submissions to other journals are welcome as long as they are identified as such and we are notified immediately upon acceptance elsewhere.
o Deadline: Rolling Basis
o Application Fee: No Fee
o Eligibility: Include a one (1) page cover letter noting the title(s) of the work(s) submitted.
Upload your text submission as a Word (DOC, DOCX) or portable document format/PDF (PDF).
Typed, double-spaced (poetry may be single-spaced) pages.
Numbered pages.
Margins should be set at no less than 1” and no greater than 1.5”.
Poetry: submit up to five (5) poems totaling no more than eight (8) pages.
Fiction, Hybrid genre: 12-point font. No more than ten (10) pages or 2500 words (whichever is achieved first). Excerpts of longer works are welcome if self-contained.
Drama/Screenwriting: submit one act or a collection of short scenes no longer than ten (10) pages. Excerpts of longer works are welcome if self-contained. Indicate if a performance video or dramatic audio reading will be available with the text submission if selected.
Restrictions: We do not reprint previously published work for TORCH Friday Features.
o Categories: Scripts
The Tank Presents
Each season, our The Tank Presents program serves hundreds of emerging artists as they create over 1000 performances of new works in music, theater, film, dance, comedy, and storytelling. As part of our mission to remove the economic barriers from the creation of new work, we never charge our artists to use our space for their performances! In addition, we also provide free rehearsal space, as well as free marketing and promotion of their event. Our The Tank Presents presenting model removes the daunting cost of space rental from the equation of art making, and provides an affordable home for emerging artists to create art that pushes the boundaries of their mediums. Through this program, artists can present readings, works-in-development, short runs of full theatre productions, screenings, concerts, storytelling festivals, comedy shows, and more.
o Deadline: None Given
o Application Fee: None
o Eligibility: To submit work for consideration as part of Tank programming, please email submissions@thetanknyc.org with the following information:
Show title
Discipline (theater, music, comedy, etc.)
Approximate running time
Summary of piece
Brief summary of artistic goals
Brief explanation of how the piece exists in the world (i.e. - art exhibit, soundscape, outdoor experience, digital hybrid)
Sample of work that will give us a sense of what it is you’re trying to make and that you know how to make it
Bio of lead artist(s)
The name of the Tank show you viewed
Submissions are accepted on a rolling basis.
o Categories: Plays
o Contact: submissions@thetanknyc.org
Diversionary: Seeking new, full-length LGBTQIA+ works
Diversionary is always seeking new, full-length LGBTQIA+ works for consideration. Please follow the guidelines below if you would like to submit your work. Because of the volume of submissions, those that do not follow the guidelines will not be considered.
o Deadline: None
o Application Fee: None
o Eligibility: Please send all of the above items as a single document in pdf format to frankie@diversionary.org. For music, please send the items in mp3 format or include a link to be accessed. No physical submissions sent to the theatre will be considered.
a one-page synopsis, character breakdown, and playwright bio
a development/production history of the submitted work (including date written and any readings, workshops, and full stagings)
a ten-page sample of the work
three audio recordings of music, twelve minutes total, if it’s a musical
o Categories: Full Length Plays, Musicals
o Contact: frankie@diversionary.org
Murmuration Theatre
Murmuration Theatre Company is seeking plays that have a cast size between 2-11 for our 2023 & 2024 seasons Accepting work for consideration in the following categories: New Voices Showcase: Curated selection of 4-10 new plays (scripts 2 - 40 pages); fully staged and directed by our creative team. Mainstage Show: a one act or full length play (scripts 35 - 120 pages); fully staged and directed by our creative team. In development: Actor's Lab Performance Series: a monthly selection of scenes or short plays (any length), performed at workshop or staged reading level.Playwrights selected for our mainstage production will receive $30 per performance of their one-act or full length play; playwrights selected for our New Voices Showcase will receive $10 per performance of their short or one-act.
o When/Where: Brooklyn, New York
o Deadline: None
o Application Fee: None
o Eligibility: Please submit PDF copies of scripts via the google form below, and feel free to reach out to murmurationtheatreco@gmail.com with any questions or concerns. Multiple submissions are allowed. Preference will be given to playwrights who are able to attend at least one performance of their work in the NYC area.
We will be accepting submissions on a rolling basis, and hope to be in touch with responses within 30 days of submission. Please feel free to reach out after that point if you have not received word from our team.
Solo Shows, Theatre for Young Audiences and Musicals will not be considered.
New writers as well as writers with voices that have historically been underrepresented in the theater industry (gender identity, sexual orientation, race, ethnicity, religion, ability status, etc.) are encouraged to apply.
o Categories: Full-Length Plays, One-Acts
o Contact: murmurationtheatreco@gmail.com
Manhattan Repertory Theatre Play Production Program
Self-Produce a production of your best play in New York City as live theatre comes back to life in this New Renaissance of Theatre. We will do all the work, from hiring a production team and staff, to casting, directing, building costumes, set design, lighting design, payroll and more. From 3 performances to 20 performances for one simple Production Fee. Pre-Pandemic, 2017 - 2019, we produced 60 plays in Midtown Manhattan for playwrights all over the world. Production time frames available: Late Autumn 2021, Winter/Spring 2022.Currently, as we move back into production in New York City, we are only accepting Full-Length plays and Musicals - 60 to 150 minutes. Production fees range from $12,000 to $50,000 depending on the "size" of your production, scenic elements, and the number of performances.
o Deadline: TBD
o Application Fee: None
o Eligibility: If you are serious about self-producing your play in New York City, please forward us: An email cover letter with information about you and your work. your play attached as a .pdf, an attached Synopsis of your play, with the approximate running time, and your set, lighting and costume requirements.
o Categories: Full Length Plays, New Plays
o Contact: manhattanrep@yahoo.com
The Rep New Works Festival
Currently, we accept full-length play submissions for season consideration and our upcoming New Works Festival.
o Deadline: Ongoing
o Application Fee: Free
o Eligibility: Please email plays to the Artistic team with the subject line: “Submission: TITLE OF PLAY.”
In the body of the email, please include:
• A brief synopsis of the play
• The development history of the play
• A brief, personal bio
Submissions made under these guidelines may be sent to The Rep by email.
o Categories: (musical, play, one-act, 10-minute, etc.)
o Address: 130 Edgar Road St. Louis, Missouri 63119
o Contact: 314-968-7340 PLAYSUBMISSION@REPSTL.ORG
Shubert Fendrich Memorial Playwriting Contest
To encourage the development of quality theatrical materials for the educational, community and children’s theatre markets, Pioneer Drama Service is proud to sponsor the annual Shubert Fendrich Memorial Playwriting Contest. This is an ongoing contest, with a winner selected by June 1 each year from all eligible submissions received the previous year. All eligible plays accepted for publication will be considered contest finalists, from which the winner will be selected. The contest winner will receive a $1,000 royalty advance in addition to publication.
o Deadline: Ongoing
o Application Fee: None
o Eligibility: You can start the submission process by contacting us here.
We will only consider manuscripts with a running time between 20 and 90 minutes.
Submissions must be family friendly in both subject and language. NO cursing. NO explicitly adult content.
We prefer casts that are either balanced or favoring females. The more gender neutral roles, the better.
We favor plays and musicals with ensemble casts, where more than just a few have a chance to shine.
Plays with elaborate set, costume or technical requirements are not appealing because of the limited resources of many of our customers. Pictures, sketches or descriptions of your vision are always helpful.
We recommend your submissions have had at least one production or reading, hopefully staged. We feel this fundamental field test is necessary before a play can be considered for publication since plays are created for the purpose of performance.
Manuscripts must be computer-printed in dark ink. We do not require specific formatting. However, your efforts to ensure your script is free of misspellings and typos will help the submissions editor.
We hope that Pioneer Drama is your first choice as a publisher, and we encourage you to submit to us exclusively. However, we do accept simultaneous submissions with the understanding that you will accept the first contract you’re offered and not use the situation to seek multiple offers from which to choose. If you receive another offer, please notify us immediately so we may rescind your submission.
The following information must accompany your submission or query:
100-200 word synopsis.
Cast list that indicates the number of female roles, the number of male roles and the number of roles that can be performed by either gender. We do not accept one-person shows.
Running time.
CD and/or score for musicals. We appreciate the opportunity to hear the music, if possible.
Set design(s). Please feel free to provide diagrams and/or pictures.
Proof of production or staged reading (i.e., review, program, etc.) A DVD of your performance is ideal, though not required.
Age of intended audience.
A self-addressed envelope of sufficient size with appropriate postage for the return of your materials. We will NOT return manuscripts or accompanying material if this is not included.
Cover letter and/or resume.
o Categories: family friendly
o Address: Pioneer Drama Service, Inc. Attn: Submissions Editor PO Box 4267
Englewood, CO 80155-4267
o Contact: https://www.pioneerdrama.com/ContactUs.asp?ID=6
Urban Stages Emerging Playwright Award
Our $500 Emerging Playwright Award (coupled with press coverage) is given to playwrights who show excellence and dedication throughout this process – from development to the stage. Out of hundreds of submissions a year, we select 15-20 plays for readings. From these, we select 1-3 plays annually to go on to our workshopping phase. Our workshops are meant to prepare a play for our Off-Broadway stage. From our workshops, we select 1-2 plays for full productions, complete with a playwright’s contract and compensation (separate from the award).
o Deadline: Ongoing
o Application Fee: None
o Eligibility: Plays may have been developed or produced elsewhere, but never produced in New York City. Plays from overseas and throughout the US are accepted and considered, but special attention will be given to playwrights who live in or near New York
o Categories: Full Length Plays, New Plays
o Contact: 212.421.1380
Onstage
Untitled Caitlin Saylor Stephens Play - NYC EPA (12.05.24)
Equity actors for roles in UNTITLED CAITLIN SAYLOR STEPHENS PLAY (see breakdown). No roles will be understudied. LCT is committed to diversity, equity, inclusion, and access in all areas of its structure and operations as attention to these goals makes it stronger and helps better serve the artists, staff, crew, audience, and community at large. LCT welcomes candidates who are fully committed to joining a theater that is proactively focused on diversity, equity, and inclusion. Applicants from populations underrepresented in theater and who align themselves with LCT’s values and goals are strongly encouraged to apply.
o Deadline: Friday December 5
o Pay: LORT Non-Rep $1011 weekly minimum (LORT C)
o APPOINTMENT: Please prepare the sides for the character you are interested in. Sides will be available on the morning of the audition at the audition site. Please bring your headshot and resume stapled together.
Address: Actors' Equity New York Audition Center 165 W 46th St 16th Fl New York, NY 10036
o Roles:
ROBERTA - M40s-60s. Female. White. An iconic-yet-overshadowed American fashion photographer known for her uniquely surreal and expressionistic photographs of women models. A trailblazer in her art form. Self-taught. Laser-focused on her work and single minded about getting the perfect shot. It’s difficult for others to know what she’s thinking, but she’s churning inside. During this shoot, she’s struggling with a painful personal issue, but doesn’t want to talk about it. Smart, precise, formidably talented. Elegant with a hint of punk. Intimidating.
CHRISSY - 20s. Female. White. A highly successful fashion model with numerous covers (and lovers) under her very tiny belt. Experienced and constantly in demand. Loves attention. Prefers working with male photographers. LA beachy vibes and looks. Plays the ingenue, but it’s an act. Everyone loves to hate her. 5’8 or taller.
MICHELLE - L20s. Female. Any race or ethnicity. A fashion model. Formerly successful in her younger years, now struggling to consistently book jobs. From an Eastern European or Soviet country where modeling was her escape from a repressive regime and where she learned you get nothing unless you fight for it. Exactly the person you want around when the world ends. 5’8 or taller.
ALEX - 20s. Female. Any race or ethnicity. A fashion model with an androgynous style on the brink of success. Dying to break through. Dropped out of college for a modeling gig. Brilliant. Highly intellectual. An over-thinker. A bit of a Joan of Arc. Always ready to work. Feminist and anarchically inclined. 5’8 or taller.
GRACE – Late teens-E20s. Female. Any race or ethnicity. The youngest model at the shoot; this is her first professional job. Curious and unjaded. Unworldly and inexperienced, yet open-minded, brave, and wise. A true artist and lover of fashion. Her mother died, not too long ago. Highly intuitive. Impeccable instinct. 5’8 or taller.
SANDY - 30s-40s. Female. Any race or ethnicity. English. A makeup artist and former model. Effortlessly cool, but also a bit of a hot mess from endless late nights at the disco. Likes a party. A vital secret weapon on any shoot, she is the bridge between vision and material expression, photographer and model. Has worked with Roberta multiple times and knows how she works. Unique individual in personality and looks. 5’8 or taller.
For more Onstage opportunities, visit Backstage.com; ActorsAccess.com; and Playbill.com.
Backstage
Arena Stage Director of Production
The Director of Production is responsible for the overall management of the Production Department, balancing artistic vision and integrity with practical needs including deadlines and budgets. The Director of Production will be responsible for budget management, staff development and creative problem solving.
Roles & Responsibilities
Coordinate effective communication among the directors, designers and all members of production staff
Budget and schedule the needs of the Production Department to ensure the fulfillment of planned productions, presentations, rentals and other events
Create and monitor schedules for building, production and presentation activities
Oversee annual production budget, monitor expenses and provide timely updates of actual expenses and projections
Facilitate design and production meetings, ensure deadlines are met and oversee the tech/production process
Administer the production payroll
Contract production staff (scenic, props, costume, lighting, sound, other production support)
Hire additional production staff (overhire) as required
As a member of Senior Staff, work with the Senior Staff to schedule and plan each season and develop strategic plans for the future.
o Compensation: $110,000-$165,000
Company Management Fellow, Wicked
WICKED is seeking a Company Management Fellow who identifies as part of an under-represented group* in commercial theatre. The Fellow will work with the company managers of the Broadway production of WICKED, specifically focusing on exposure to union contracts and regulations, financial planning and tracking, and supervision of the company at the theater during performances.
Roles & Responsibilities
Job responsibilities include but are not limited to:
Processing union benefit reports to eight different unions;
Processing weekly royalty remittances to percentage royalty holders;
Covering select performances each week at the theater – representing the producers and general managers during those performances;
Filing workers compensation claims for actors and other company members as necessary;
Compiling and tracking ticket needs from the production for submission to the box office;
Attending advertising and marketing meetings with company management;
Attending company management seminars for interns & fellows over the year;
Performing additional company management projects and tasks as they arise.
o Compensation: $1,237.50 per week RELOCATION STIPEND: $7500 for relocation if applicable BENEFITS: monthly $50 cell phone reimbursement, monthly Metrocard provided; health care reimbursement to be negotiated if applicable
Production Manager, Geva Theater Center
Geva Theatre, a LORT B regional theatre in the heart of Rochester, NY with an annual operating budget of $8.5 million, seeks an experienced and collaborative Production Manager to join their team.
Reporting to the General Manager and a member of senior staff, this position will oversee and work in tandem with our production departments managing the production needs and resources for the company’s Wilson (LORT B) and Fielding (LORT D) stages. This is an exempt, full-time position.
With the General Manager, the Production Manager will be responsible for planning, implementing, and managing all aspects of the company’s programs, including but not limited to mainstage productions, co-produced productions, scenic builds for other companies, and a variety of other Geva events. They maintain ownership of the advance planning, staffing and execution of all productions and events. They will serve as the primary point of contact for production personnel, production crew, stage management, and all production department heads. With department heads, they are responsible for overseeing the off-site scenic/paints shop, storage warehouses, inventory, and rentals.
o Responsibilities: Ensure all production departments have the resources they require to execute the season within scope and lead feasibility analysis of design plans of potential productions.
Develop and execute staffing plans for production/project execution.
With department heads, research and coordinate equipment and services related to physical production materials and labor, including not but limited to construction, acquisition, trucking and logistics purchase, rental and transportation of all sets, costumes, wig/makeup, props, lighting, sound and video equipment, and production and technical equipment for all programs.
With General Manager, develop and maintain production and technical schedules.
Attend design meetings, production meetings, and staff meetings, coordinate and lead meetings as needed.
Coordinate with stage management in advance of the production period and throughout the rehearsal and performances.
With Artistic Director and General Manager, develop season schedule and annual production budgets.
Work closely across the Artistic and Production departments to prepare and execute all technical and production needs related to artistic personnel and orchestra.
In collaboration with General Manager, negotiate, manage, prepare, and administer all co-production materials, documentation and agreements.
Oversee production permitting and certification needs for all programs.
TEAM MANAGEMENT: Manage and supervise a series of direct and indirect reports, including production department heads (6) and their staff, show crews, stage management (2 resident, multiple visiting), etc.
Execute and approve employment forms and payroll as necessary.
BUDGET MANAGEMENT & ANALYSIS: In collaboration with Artistic Director, Executive Director and General Manager, develop season schedule and annual production budgets.
Manage individual production budgets, expenses, and timelines.
With department heads, develop and maintain labor projections.
Obtain competitive pricing for all production elements of expenditure.
Regularly communicate any and all budget forecast related information to Artistic Director and General Manager.
Participate in reconciliation and settlement of credit card logs, invoices, and production related payments.
OPERATION MANAGEMENT: Lead production teams in solving unforeseen circumstances during the production process.
Provide on-site visibility along with General Manager at rehearsals, meetings, tech, previews, and performances as necessary.
Recommend technology upgrades based on necessity and feedback from production departments.
Provide management and oversight of production health and safety requirements; identify and recommend modifications to facilities and processes as necessary.
o Compensation: Salary and benefits commensurate with experience ranging from $70,000-$80,000 per year.
Milwaukee Repertory Theatre
o Seeking: Various Roles
o Location: Milwaukee, WI
o Website: https://www.milwaukeerep.com
For more information: https://www.milwaukeerep.com/about/work-us/jobs/?fbclid=IwAR2lXyj99fIOhY8MmQ5n4XRveG1wEqPl2mL_9w7A1-WVpLoZhqwUDc-2Crc
Milwaukee Repertory Theater is an Equal Opportunity Employer and values and encourages a diverse workforce. We invite you to review jobs that are currently available.
Full-time employee benefits include health, dental and voluntary vision and disability insurance; flexible spending accounts; retirement plan; parking programs and complimentary tickets.
Application Instructions
Send your letter, resume and salary history (PDF or Word attachments only) to the email address listed in the job listing.
Oregon Shakespeare Festival
o Seeking: Various Roles
o Location: Ashland, Oregon
o Website: https://www.osfashland.org
For more information: https://www.osfashland.org/work-with-us?fbclid=IwAR2cqx7fSs1YYwa2I86SMVxJjZ8ns4ba2RqsEr51mMKIVWdiIL7ByQ4Lv8U
Located in the beautiful Rogue Valley of southern Oregon, the Tony Award-Winning Oregon Shakespeare Festival presents a season of eleven plays in rotating repertory across three theaters between the months of February and October. Additionally, OSF offers extensive educational opportunities to students, teachers, and theatergoers of all ages during our performance season.
We offer employment and career opportunities in a wide range of positions (acting, other performing opportunities, scenery, costumes, lighting, marketing, finance, etc.). We encourage you to check our website regularly for openings.
Two River Theater
Two River Theater annually produces a theatrical season that includes American and world classics, new plays and musicals, programs for young people, and festivals of new work. Each year, we also offer 40+ events that reflect our diverse community of Red Bank, New Jersey. Two River celebrates and honors our core values of Artistic Excellence; Education and Community Engagement; Equity, Diversity, and Inclusion; and Operational Excellence. Anyone who joins our team quickly becomes part of putting all of our initiatives into action day in and day out. Two River Theater is led by Artistic Director John Dias and Managing Director Michael Hurst.Two River Theater is dedicated to the goal of building an equitable and culturally diverse work environment and strongly encourages applications from members of underrepresented groups.
o Seeking: Various Roles
o Location: Red Bank, NJ
o Website: https://tworivertheater.org/jobs/
The Kate Spade New York Foundation
o To honor Kate Spade’s legacy of empowering and inspiring women and girls, the National Council for Behavioral Health is excited to provide complimentary Mental Health First Aid training to communities throughout the five boroughs of New York City and New Jersey and in partnership with organizations that specifically support these populations.
What is Mental Health First Aid?
Just as CPR helps you assist an individual having a heart attack, Mental Health First Aid helps you assist someone experiencing a mental health or substance use-related crisis. In the Mental Health First Aid course, you learn risk factors and warning signs for mental health and addiction concerns, strategies for how to help someone in both crisis and non-crisis situations, and where to turn for help.
The National Council for Behavioral Health shares Kate Spade New York Foundation’s belief in “the power of women to transform their communities” through empowerment. In support of this mission, we are offering through a competitive application process, select Mental Health First Aid and Youth Mental Health First Aid training, fully funded!
o Location: New York, NY
o Website
For more Offstage opportunities, visit OffStageJobs.com and Playbill.com.
Funding Opportunities
Audible Emerging Playwrights Fund
In 2017, Audible launched a theater initiative, intended to radically increase access to exceptional plays and performances. A core pillar of the initiative is the Emerging Playwrights Fund, a program that invests in and nurtures self-identifying emerging playwrights, some of our most inventive, delightful, and provocative storytellers. Through the Fund, Audible aims to connect extraordinary performers with remarkable original work, amplifying new voices and harnessing the power and potential of audio to reach millions of listeners. The Fund specifically supports the creation of original dramatic work, written with audio in mind, but theatrical in spirit. Audible is dedicated to commissioning, developing, and producing work that reflects the diversity of our members and our world. To accomplish this, Audible is committed to granting at least 50% of emerging playwright commissions to artists of color and women.
o Deadline: None
o Application Fee: Free
o Eligibility: please submit all of the following to AudibleTheater@audible.com:
One full-length script for an original or adapted play (in English language only) that represents your voice ("Script"). The Script can be in any genre and may include one-acts and solo pieces;
A short biography; and
A brief statement about why audio plays appeal to you.
If you have an idea for an original audio play, you are welcome to include a pitch or summary along with your statement (this is encouraged, but not required)
o Contact: AudibleTheater@audible.com
Steven Schwartzberg Grants for Mental Health & Wellness
Writers are the beating heart of theater, whom we rely upon to take us on journeys and inspire us to think. During these unprecedented times, DGF has created the Steven Schwartzberg Grants to provide financial support for mental health and wellness services for writers. To help connect writers to therapists, DGF has partnered with Advekit, an online therapist matching service, to expand access to mental health support that might be out of your reach.
Please complete the form to receive $1,000 toward therapy through Advekit, courtesy of DGF.
If you already have a therapist or are seeking mental wellness support other than Western talk therapy, DGF is working on ways to support you in your wellness.
NYC Department of Cultural Affairs (DCLA)
The NYC DCLA is dedicated to supporting and strengthening New York City's vibrant cultural life. Among our primary missions is to ensure adequate public funding for non-profit cultural organizations, both large and small, throughout the five boroughs.
They have many grants tailored to the needs of artists living and working in the city throughout the year.
o Deadline: Ongoing
o Application Fee: Freeexceptional plays and performances. A core pillar of the initiative is the Emerging Playwrights Fund, a program that invests in and nurtures self-identifying emerging playwrights, some of our most inventive, delightful, and provocative storytellers. Through the Fund, Audible aims to connect extraordinary performers with remarkable original work, amplifying new voices and harnessing the power and potential of audio to reach millions of listeners. The Fund specifically supports the creation of original dramatic work, written with audio in mind, but theatrical in spirit. Audible is dedicated to commissioning, developing, and producing work that reflects the diversity of our members and our world. To accomplish this, Audible is committed to granting at least 50% of emerging playwright commissions to artists of color and women.
o Deadline: None
o Application Fee: Free
o Eligibility: please submit all of the following to AudibleTheater@audible.com:
One full-length script for an original or adapted play (in English language only) that represents your voice ("Script"). The Script can be in any genre and may include one-acts and solo pieces;
A short biography; and
A brief statement about why audio plays appeal to you.
If you have an idea for an original audio play, you are welcome to include a pitch or summary along with your statement (this is encouraged, but not required)
o Contact: Audible
o Eligibility: Independent Artists and Groups
o Address: New York City Department of Cultural Affairs 31 Chambers Street New York, New York 10007
o Contact: 212.513.9300
SubletSeries@HERE Program
This creative curated rental program has allowed many upstart companies and emerging artists to realize their full artistic vision on a small budget. The program provides subsidized performance and rehearsal space, technical assistance, and administrative support, including a fully staffed box office. SubletSeries@HERE artists can also access equipment that is not typically available in venues our size such as video projectors, wireless microphones, color scrollers—all for free or at subsidized rates. We accept applications from artists all over the world for the opportunity to show work.
o Deadline: Ongoing
o Application Fee: Free
o Eligibility: Independent Artists and Groups
o Address: HERE Program 145 Sixth Ave New York, NY 10013
o Contact: 212.647.0202
Annenberg Foundation
The Annenberg Foundation does most of their funding in the arts, culture, and humanities to organizations in the counties of Los Angeles, Orange, Riverside, San Bernardino, and Ventura. The Annenberg Foundation's arts and humanities grants are available to agencies that serve the greater Los Angeles region, typically with budgets over $5 million.
o Deadline: Ongoing
o Application Fee: Free
o Eligibility: Arts, culture, and humanities in greater Los Angeles region
Residencies
The Players Theatre Improv and Sketch Residency
The Players Theatre is dedicated to creating space for those to create. Improv and Sketch Comedy is an art form like no other which sparks ideas and generates a unique unity between audience and performer. We want you here! Submit your proposal for The Players Theatre Improv and Sketch Residency.
o Deadline: December 31
Artcroft Center for Arts and Humanities
Residencies of an average of 2-8 weeks for visual artists, writers, actors, and performance artists. Residency provides housing, studio, and meals; artist responsible residency fee ($40/day), deposit (10% of residency fee), travel, materials, and local transportation.
o Deadline: Ongoing
o Application Fee: $25
o When: 2-8 weeks
o Eligibility: Residencies are available to established and emerging visual and literary artists 18 years of age and older without regard for race, gender, sexual orientation, or religion.
o Address: Artcroft Center for Arts and Humanities 2075 Johnson Rd. Carlisle, KY 40311
o Contact: artcroft@msn.com
Other Resources
NOTE: For more resources, visit our pages of Resources - Funding, Submissions, and more.
NYFA SOURCE - The New York Foundation for the Arts maintains the most comprehensive national directory of awards, services and publications for artists in the NYFA Source section of their website.
Updates to our resources and opportunities have been made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
#Screenopps
#ScreenOpps
#ScreenOppsDEC24
Submission Opportunities for Women in Film & Video
(previously known as Film/Video Funding Newsletter)
For full #ScreenOpps Listings please scroll
or click links below for specific listings
Film Festivals
Onscreen
Offscreen
Funding
Residencies
Other Resources
If you are a longtime recipient of #StageOpps and #ScreenOpps,
you know that they started as the Funding Newsletters,
brought to you by WomenArts, who still support the ongoing production of these opportunities as well as our Funding Resources pages.
WomenArts' founder and president, Martha Richards,
received the 2020 Elsa Rael VintAge Award
(for Advocacy for Women in the Arts & Media as They Age) from us
on Zoom Saturday, November 14, 2020.
Check out our VintAge page for more info.
Film Festivals
Submissions are still open for the 2025 Women in the Arts and Media Coalition Collaboration Awards
Playwrights, Screenwriters, Directors, Actors, Filmmakers, Choreographers, Dancers, among other Disciplines Encouraged to Apply - Deadline, December 31, 2024
Women in the Arts & Media Coalition is proud to announce their call for submissions for the 2025 Collaboration Awards. Established in 2006, the $1,000 award and other honors are designed to encourage professional women from different arts and media disciplines to work together on the creation of a new artistic work. Artistic disciplines include but are not limited to playwrights, directors, composers, choreographers, filmmakers, actors, singers, and dancers.
Collaborative teams must be led by female members of the various Coalition arts & media associations, unions, guilds, affiliates, (full list below) or be individual members. While team participants may be of any gender, the two people submitting for the award must both identify as women and be from two different disciplines.
Eligible teams may suggest any form of creative collaboration on a new work created since 2021 and which has had a public performance. Public performances may include, but are not limited to, a production, a workshop, a staged reading, a gallery show, a concert, etc. Public performances may be in person and/or virtual. Submissions will be judged on the basis of artistic excellence, diversity, and clarity. All topics and subjects will be considered. Special attention shall be given to projects that reflect the goals of the Coalition: to advance the voice and vision of women (women's work and women's issues).
The winning team and the honorable mentions will be invited to an award ceremony in New York in Autumn, 2025. Also honored at this event will be an Acclaimed Collaboration Award winning project.
Applicants must be members in good standing of a member organization, and/or an individual member of the Women in the Arts & Media Coalition. Member organizatre Film, Documentary, Experimental.
Glass Ceiling Breakers: GCB
The Glass Ceiling Breakers Film Festival is the very FIRST film festival in the Hudson Valley to present the work of women filmmakers from all over the world. The film fest joined the well established women's short play festival and will take place at the Philipstown Depot Theatre in Garrison NY located alongside the beautiful Hudson River steps away from MetroNorth. The festival will include a workshop with artists and will offer networking opportunities with filmmakers, writers and actors. Dates of the festival will be June 6-8 and a selection of films will be presented at GCB's Best of the Fest at the Bedford Playhouse in September 2025.
o When/Where: June 6-8
o Deadline: December 1 (Early Bird Deadline), January 1 (Regular Deadline), February 14 (Late Deadline), March 15 (Extended Deadline)
o Application Fee: $11.25-$45
o Eligibility: Films must have a running time of 20 minutes or less. At least two female or female identifying filmmakers must fill the role of Writer, Director, Producer, Cinematographer, Production Designer, and/or Editor to qualify to screen at our festival. Any of these roles can be filled by a man but 2 have to be credited to a woman. BIPOC filmmakers are strongly encouraged to submit. Screeners: We only watch submissions visible through the FilmFreeway portal. Digital screeners must be provided be in standard HD 1080p. Films selected for Best of the Fest will be DCP
o Categories: Short
New Faces New Voicees
Now in Year 6, New Faces New Voices is determined more than ever to continue discovering and highlighting new works often ignored by the mainstream and Hollywood. In just a few short years NFNV alums are making waves in the industry with theatrical and streaming distribution on Netflix, Sony Pictures Worldwide and more. Some of our most recent Alums were featured on CNN, ABC News and other local media outlets. NFNV showcases inclusive and diverse voices from around the world and is known for highlighting underrepresented communities - filmmakers of color, female filmmakers, members of the LGBTQ+ and disabled communities, including works by military veterans. Our recent alums include: Leah Kreitz who can now be seen in the NETFLIX series “Dash and Dilly”; Diane Paragas, who screened her short film “Unstoppable” in our first year, just acquired worldwide theatrical distribution for her debut feature “Yellow Rose” by Sony Pictures Worldwide and was featured in a story on CNN; And Molly Clark, who won an award earlier this year for her short film “Martin The Sea Turtle,” was just featured in a story on ABC News. In 2022 we have over $15,000 of in-kind prizes provided by Universal DCP, JMR Rentals, Urbn-TV, UKW Media, Bowery Film Festival, Screenblade, Katra Film Series, and International Screenwriters’ Association.
o When/Where: September 16-18
o Deadline: December 1 (Early Bird Deadline), January 1 (Regular Deadline), February 14 (Late Deadline), March 15 (Extended Deadline)
o Application Fee: $44-$120
o Eligibility: To be eligible, at least one member of the production team must be a part of an underrepresented community such as filmmaker of color, female filmmaker, LGBTQIA+, military veterans, disabled folks etc. Either writer, director, or producer must fit this category. If you feel that you fit a community that is underrepresented or marginalized, please submit your work. We are open to all voices and faces with unique perspectives.
o Categories: Feature, Short, Screenplay
Horrorific Women Film Festival
The Horrorific Women Film Festival is a festival made to showcase the scariest and craziest films from women around the world. On the day of the festival, we will screen all of the nominees and have and award ceremony where we will announce the winners of each category and crown the Most Horrorific Woman Filmmaker. You can expect to experience meeting other amazing women filmmakers and networking with industry professionals!
o When/Where: September 13
o Deadline: December 1 (Early Bird Deadline), February 1 (Regular Deadline), April 1 (Late Deadline), June 1 (Extended Deadline)
o Application Fee: $13.50-$30
o Eligibility: Upon submission. Films must be original creations. By submitting their material, applicants agree to indemnify, protect, and defend the festival and its staff against any liability, claims, and damages associated with the submission, including fees and expenses. Failure to comply with the competition rules will lead to disqualification and forfeiture of the entry fee. Applicants commit to holding Horrorific Women Film Festival blameless and defending against any claims, demands, losses, damages, judgments, liabilities, and expenses arising from any submitted film.
Our festival places significant emphasis on upholding ethical and professional standards. Our rules and regulations form the bedrock of this commitment, and it is imperative that all participants adhere to these guidelines to ensure a just and respectful atmosphere for everyone involved.
Failure to Meet Submission Requirements: Submissions must conform to the specified criteria laid out in our rules and regulations, encompassing but not restricted to content, format, submission deadlines, and eligibility prerequisites.
Role requirement: Every film submission requires a woman filmmaker in a supportive position. Neglecting to meet this requirement may result in disqualification.
Foreign language: In all categories, If the film is any language besides English, subtitles much be included. Failure to include subtitles in your submission may result in disqualification.
Unethical Conduct: Any unethical behavior, such as plagiarism, dishonesty, or any actions that undermine the festival's integrity, is strictly prohibited.
Lack of Responsiveness: Entrants must maintain open and timely communication with the festival organizers. Neglecting to respond to inquiries or furnish necessary information may result in disqualification.
o Categories: Feature, Short, Screenplay
Big Apple Fim Festival and Screenplay Competetition
Big Apple Film Festival is CURRENTLY accepting entries for the SPRING 2025 edition. Big Apple Film Festival (Fall Edition) will take place November 18 - December 12 at Look Dine-In Cinemas in the heart of NYC, with additional film screenings taking place at Look Dine-in Cinemas in LOS ANGELES. In addition to film screenings and screenplay competition, BAFF presents numerous networking opportunities, including Meet The Agents and Managers Conference, industry panels, networking receptions, along with year round industry networking and mentoring sessions. ALL submitters to this season's festival will receive complimentary access to select networking and mentorship events.
o When/Where: May 19-22
o Deadline: December 17 (Bamff Discount Deadline), January 6 (Final Discount Deadline), January 26 (FilmFreeway Early Deadline), February 15 (Bamff Early Deadline), March 7 (Official Entry Deadline), March 27 (Late Entry Deadline), April 16 (Final Deadline)
o Application Fee: $40-$180
o Eligibility: Big Apple Film Festival accepts submissions for feature films, short films, feature documentaries, short documentaries, animation, episodic, music videos, student films, feature length screenplays, series/episodic pilot scripts and short screenplays.
All films submitted must have been completed on or after January 1, 2022.
All films must be submitted with an online screener
All feature narrative and feature documentary submissions must be over 60 minutes in length.
All short film narrative and short documentary submissions must be under 60 minutes in length.
Animation, episodic, and student film submissions of all lengths will be considered.
Music Videos must be under 10 minutes
BAFF will present selected films as a live in person event.
Submission fees are non-refundable
SUBMITTER MUST HOLD ALL NECESSARY RIGHTS AND CLEARANCES TO ALL MATERIAL SUBMITTED TO BIG APPLE FILM FESTIVAL, LLC
The organizers of the Big Apple Film Festival and Screenplay Competition wish to make it clear that while we welcome and appreciate all submissions to our festival, we are unable to provide individualized feedback on entries. Furthermore, the selection process for our festival is subjective and may involve various factors related to overall programming considerations. BAFF is under no obligation to provide feedback or comments regarding submitted films or scripts to any applicant. As such, Big Apple Film Festival is not obligated to explain why a particular film or script was not selected for inclusion in the festival, or why a particular script did not advance in our screenplay competition. Our decisions are final and not open to negotiation or appeal.
o Categories: Feature, Short, Screenplay
Female Eye Film Festival
The Female Eye is a competitive international women directors’ film festival . The Female Eye is a competitive international women directors’ film festival that was established in 2001, as a not-for-profit organization. The 20th anniversary returned LIVE at TIFF Bell Lightbox, June 2022. We look forward to the 21st edition! The Female Eye showcases high-caliber independent films that illuminate the best of debut, emerging, and established women directors from around the globe. Our Script Development Program is open to both men and women. FeFF is big on audience engagement and networking. Audience Q&As follow each film program. All festival delegates receive a VIP All Access Pass to the festival (screenings, script development, FeFF Photo Exhibit, happy hour, industry panels, tributes, workshops, and the closing awards ceremony), where networking with attendees, festival participants, and industry members is key. The Female Eye, noted for its intimate atmosphere and accessibility, attracts film enthusiasts, emerging and internationally recognized directors, screenwriters, seasoned industry professionals, celebrities, and decision-makers in the film and television industry. The Female Eye serves to bridge the gap between the written and film arts. We produce a robust Industry Initiatives Program consisting of panels, masterclasses, workshops, script development, and pitch and networking sessions. Annually, FeFF honors an Honorary Director and Honorary Maverick with a Best in the Biz Tribute, an “intimate conversation with” and award presentation. Script Development is a three-tier program comprising the Good to Go, a closed-door session with decision-makers for screenwriters with scripts that are “good to go”; the Script-Reading Series, where main scenes are read by ACTRA members before a live audience and industry guests who provide feedback to the writers; and the Live Pitch, where writers and their team members pitch to a live audience and an industry-led jury. The winner takes home a $2,500 cash prize. For ten consecutive years (2013–2022), the Female Eye Film Festival has been voted one of the “Top 50 film festivals in the world worth the entry fee” by MovieMaker magazine. FeFF is an accredited festival by the Academy of Canadian Cinema & Television and a Telefilm
o When/Where: July 16-20
o Deadline: January 31 (Regular Deadline), March 31 (Late Deadline), April 11 (Extended Deadline)
o Application Fee: $50-$100
o Eligibility: Films must be directed by women. The Script Development Program is open to both men and women. Screenplays written by men must feature a female protagonist. Films must be produced within two years of the festival, and they cannot be streaming, televised, or playing theatrically in Canada. We give priority to films that have not yet screened in Toronto. The fee for the competition is applicable to all deadlines. Filmmakers and screenwriters must elect to compete for an award. The flat fee to enter the competition is $100 regardless of the deadline, genre, or project duration. FeFF programmers can also choose to nominate a project into the competition if they feel a project is award-worthy.
o Categories: Feature, Short, Screenplay
LA Underground Film Forum
LA Underground Film Forum (LAUFF) is Los Angeles's premier showcase of experimentation in film, video and audio based mediums. It focuses on avant-garde, art-house, independent and no/low budget filmmaking. Our program provides a venue for filmmakers to reinvent and explore new approaches, to foster new forms of media art and to build an audience for such work. We aim to present a wide range of work exploring the many definitions and interpretations of the concept of “underground”. We’re looking for films made with passion, obsession and drive; films that go beyond expectations and genre; films, video and audio projects that strive to push the boundaries of accepted form and content. A strong sense of authorship is a must.
o When/Where: April 12
o Deadline: Novembr 24 (Regular Deadline 3), December 29 (Late Deadline 1), January 26 (Late Deadline 2), February 27 (Final Deadline)
o Application Fee: $27-38
o Eligibility: LAUFF accepts all forms and genres: from drama, documentary, experimental, cult, art-house, foreign language, comedy, horror, sci-fi, fantasy, animation, LGBT, indigenous, erotica to slow cinema and video art …
o Categories: Micro Films, Short Films, Feature Films, Animation, Screenplay
New Jersey International Film Festival
The Rutgers Film Co-op/New Jersey Media Arts Center proudly announces the 29th Annual New Jersey International Film Festival. The festival will be held between May 31- June 9, 2024 at Rutgers University, New Brunswick, New Jersey and will showcase the best in independent film by featuring premiere screenings, special guest appearances by film directors, screenwriters, cast and crew and more. For more information go to www.njfilmfest.com or e-mail us at NJMAC@aol.com or njmac12@gmail.com!
o When/Where: May 30-June 8
o Deadline: November 21 (Super Early Bird Deadline), December 11 (Early Bird Deadline), December 31 (Regular Deadline), January 20 (Late Deadline), February 11 (Super Late Deadline), March 3 (Super Super Late Deadline)
o Application Fee: $36-95
o Eligibility: This competition is open to U.S. and International entries. Maximum film age is 24 months. No repeat entries. If a work is selected for public screening entrants are contractually obligated to provide an exhibition copy suitable for screening and cannot withdraw their film from the festival. Entry must be a New Jersey or Area Premiere and must not be available to view in full on the internet! Please note we do not pay screening fees. Only finalists are notified in advance that their work has been selected to be part of the Festival.
o Categories: Short Film, Feature Film, Documentary, Experimental.
Wicked Queer: Boston’s LGBTQ + Film Festival
WICKED QUEER: The Boston LGBTQ+ Film Festival is the fourth oldest LGBTQ+ film festival in North America and it is the largest LGBTQ+ media event in New England. Founded in 1984 by film programmer George Mansour, the festival has been hosted by the Museum of Fine Arts, Boston since the early nineties. In 2009 the festival expanded to include screenings at the Brattle Theatre in iconic Harvard Square, Cambridge, the Fenway Health Center on Boylston Street in Boston, and the Institute of Contemporary Art. Our mission is to build community and to celebrate Queer storytelling and filmmaking through the uplifting of voices and stories not yet heard and to present and preserve the vibrancy of our histories. In 2023 the festival screened over 150 films in 39 programs throughout the month of April.
o When/Where: April 4-15
o Deadline: November 4 (Regular Deadline), December 16 (Late Deadline), January 31 (Extended Deadline)
o Application Fee: $25-75
o Eligibility: Filmmakers are required upon acceptance to have a COMPLETE press kit assembled with stills labeled with the film's name and poster images, trailer, synopsis, log line and social media handles. Moving toward our goal of becoming more accessible, all films, including English language, that are accepted must have ENGLISH CAPTIONS or SUBTITLES burnt onto a DCP with an MP4 back-up.
o Categories: Short Film, Feature
The Women’s Independent Film & Television Festival
The Women's Independent Film & Television Festival is a chance to share and celebrate greatness in the world of female filmmaking. Our incredible community ranges from directors, to producers, to screenwriters, to actors, to content creators! Whatever the medium: We build this festival to shed light, deliver opportunity and celebrate the achievements of women in the world of filmmaking, storytelling and beyond! We're going into our 3rd year celebrating The Women's Independent Film & Television Festival and we're so excited for this year's work, partnerships, competitions and more. Whether a finalist or not, all officially selected filmmakers will be invited to join us at the Women's Independent Film Awards for screenings, networking, resources, collaboration, learning, partnerships and for our official premieres and awards ceremony blocks. The Women's Independent Film & Television Festival was created to encourage female content creators with unique backgrounds to share their stories/ The festival will promote the work of women filmmakers and recognize them globally for their achievements in film. Women have to be involved in the creation of ALL submitted films! That can be either as directors, producers, writers, performers, etc. Just as long as they were involved in the creation of the submitted work.
o When/Where: October 9-12
o Deadline: November 30 (November Deadline), January 31 (January Deadline), March 1 (February Deadline), March 31 (March Deadline), April 30 (April Deadline), May 31 (May Deadline), June 30 (Regular Deadline), July 31 (Regular Deadline), September 1 (Final Deadline)
o Application Fee: $10-52
o Eligibility: All entries should be sent via FilmFreeway with a secure online screener.
Each accepted film must be submitted in the .mp4 or .mov format, preferably.
By submitting to the festival you confirm that you own the rights of the film, including the rights to the music in the film.
By submitting to the festival you give consent to the festival programming staff to screen your work in front of the private audience of the Women's Independent Film Festival community.
There is no minimum running time.
Submission fees are non-refundable
Films must have been completed on or after Jan 1st, 2019.
All genres are welcome
Filmmakers may submit multiple entries as long as each film is submitted with its own Entry Form, online screener and paid Entry Fee.
o Categories: Short Film, Feature Film, Documentary, Experimental
Black History Film Festival
Annual celebration of Black History, arts, and culture held in Atlanta and Washington, DC.
o When/Where: February 21-28
o Deadline: December 1 (Extended Deadline)
o Application Fee: $15-100
o Eligibility: Projects submitted must be by a writer, director, and/or producer who is a person of color (including but not limited to Black, African-American, Latinx, East Asian, South Asian, and Pacific Islander) AND/OR feature people of color in the cast/storyline. At a minimum, projects must highlight an inclusive cast that reflects the shifting demographics around the world.
Programming emphasizes historical and new works in categories including narrative and documentary films, both features/shorts, as well as animation, and web series.
Filmmaker is responsible for the costs of providing film in the format identified in notification email, if selected.
Virtual screenings will require a file upload with specs provided by the Festival.
Projects in competition may not have had a commercial distribution or been broadcast in the United States. The programming committee reserves the right to waive this rule in the case of small non-commercial, non-publicized screenings.
Projects receiving a theatrical or key festival screening in the Atlanta or Washington D.C. area prior to festival dates will not be considered. Exceptions will be made under special circumstances. Please contact our office if you agree to any other screenings directly before or after the festival, other than those listed on your submission.
The Festival does not pay rental/screening fees. Instead, our limited resources are invested in the production and promotion of the best possible showcase for your work.
Projects must have been completed AFTER January 1, 2022, but more recent work is preferred for premiere.
Works-in-progress may be submitted, as long as the final version is shared prior to the festival and a DCP will be available for screening during the Festival.
o Categories: Short Film, Feature Film, Documentary, Animated
Global Film Festival Awards
Welcome to GLOBAL FILM FESTIVAL AWARDS. We're a monthly and annual competition based in Los Angeles. We want the best worldwide film stories to promote filmmakers’ works for distributors. The GFFA is an open door for independent filmmakers. It's a special jury formed by Hollywood producers, European and international distributors to promote films and new media. What's the difference between submitting your project to GFFA and other film festivals? GFFA is not the typical film festival that promotes only local artists. We have an original global channel with partners. To date, our press crew around the world includes press in the USA, Canada, England, Denmark, French, Italy, Spain, Japan, Australia, Argentina, and Brazil. We understand the difficulties independent producers face to have a fully analyzed project. Our judging team is looking for potential films and filmmakers for scheduled meetings with executives from the film and television industry. GFFA is an opportunity for independent showrunners, directors, and producers to meet with a worldwide audience. Every month, our jury will award the best independent filmmakers through private screenings. Every submission can submit to as many categories as fits the film to increase the chances of winning. We also provide honorable mentions for filmmakers who may not necessarily win but who should be acknowledged for their work. All the annual winners receive the prestigious Golden Star trophy, and monthly winners may contact our team to order their trophy and pay the production and shipping costs. The GFFA Public Event will celebrate the "Best of Year" competitions. The Global Film Festival Awards has the honor of hosting eight exclusive artists on our team. The GFFA family is made up of diverse professionals who are looking for unique and creative films from around the world.
o When/Where: January 3-5
o Deadline: November 1 (November), November 21 (November), December 11 (December Early), December 31 (Last Call)
o Application Fee: $40.50-45
o Eligibility: Let's celebrate films! We can provide a better future for all nations together. Stay tuned and follow our social media for further information.
o Categories: Short Film, Feature Film, Documentary, Animated
Atlanta Women’s Film Festival
The Atlanta Women's Film Festival is a live screening of short films and table read events that takes place in Atlanta, GA. This event is an amazing opportunity to promote female filmmakers, directors, writers, producers, actors, and female-centered storylines to our incredibly supportive film community. There will be live screening blocks of films with Q&As with the filmmakers, table reads for the screenplays in our competition, live panels with influential women in the film industry, and networking events for anyone that would like to attend. Script writers, in addition to submitting your script to the festival we also provide optional script coverage. Script coverage with our festival includes the price of your submission fee. Your work will be analyzed by a Cinema Life filmmaker who’s produced award-winning films, has extensive writing experience, and also understands the indie way of filmmaking.
o When/Where: October 12
o Deadline: November 30 (Early Bird Deadline), December 31 (Holiday Deadline), January 31 (New Year Deadline), February 28 (Regular Deadline), March 31 (Spring Deadline), April 30 (Late Deadline), May 31 (Extended Late Deadline), July 31 (Final Deadline)
o Application Fee: $15-60
o Eligibility: Please fully fill out your submission profile to avoid hold-ups in the judging process. Points may be taken off of overall scores for incomplete profiles.
o Categories: Short Film, Feature Film, Documentary, Animated, Music Video, Podcast
Latino Feedback Film Festival
This festival is an extension to the popular Feedback Festival in Los Angeles and is designed to showcase the best of Latino stories from around the world. We accept screenplays (short, TV Pilot, feature) and short films from all corners of the world. Showcasing all winning scripts & short films in the great city of Los Angeles at the LA LIVE Regal Cinemas.
o When/Where: December 19
o Deadline: October 31 (Early Bird Deadline), November 18 (Late Deadline)
o Application Fee: $85-120
o Eligibility: Submit your FEATURE FILM and receive an audience feedback promotional/testimonial video of your film. Great video to use to get into more festivals and/or promote your film. All submissions receive feedback on their film no matter what.
o Categories: Short Film, Feature Film, Documentary, Animated
Los Angeles Diversity Film Festival
Our mission is to create a true multicultural experience represented by the world’s independent film community where filmmakers showcase their voices without judgment, stereotypes, degradation or insincere reflection. We support the following topics, filmmakers and communities: LGBT, Disability Culture, Racial/Ethnic Diversity, Religious Diversity, Family structures, as well as other social diversities including the aging population and youth in cinema.
o When/Where: August 9-10
o Deadline: December 31 (Regular Deadline), February 15 (Late Deadline), March 15 (Extended Deadline)
o Application Fee: $25-$50
o Eligibility: To be eligible to screen, your film does not have to be a Premiere. Films must be original works, or you must have official permission and licensure to exhibit someone else's work. If you submit a film with copyrighted or trademarked materials, and you do not have written permission to use them, you are not be eligible to screen. Films can be original or adapted works, but you must have written permission to use copyrighted or trademarked content. Your film must be in English, or subtitled in English.
o Categories: Short, Documentary, Pilot, Music Video
Divergent Film Festival
After a groundbreaking inaugural year in Orlando, the Divergent Film Festival returns with even greater energy and creativity—this time in the heart of Brooklyn. Known for its rich cultural tapestry and vibrant artistic community, Brooklyn serves as the perfect backdrop for the second year of this trailblazing festival, dedicated to celebrating diverse voices and unconventional storytelling. This year’s festival promises to push the boundaries even further, showcasing films that challenge the status quo and redefine the narrative landscape. With a special focus on Afrofuturism, Afrosurrealism, and stories that highlight BIPOC and multicultural perspectives, the Divergent Film Festival is where art, culture, and innovation intersect.
o When/Where: April 18-20
o Deadline: December 31 (Regular Deadline), February 15 (Late Deadline), March 15 (Extended Deadline)
o Application Fee: $15-$60
o Eligibility: Original Content: All submitted films must be the original work of the applicant and must not infringe on any copyrights or other rights of third parties.
Completion Date: Films must have been completed within the last two years prior to the festival date.
Language: Non-English language films must include English subtitles.
Submission Categories: Films can be submitted in the following categories: Feature Film, Short Film, Documentary. Each film may only be submitted in one category
o Categories: Feature, Short, Screenplay
Queens Underground International Black History Film Festival
Welcome to the Underground. Submissions are Open - it’s time to Share Your Story at the Queens Underground Black History International Film Festival in New York City. The borough of Queens, Southeast Queens, NY is calling all storytellers, creatives, and filmmakers from around the world to join us for our next Black History International Film Festival. As the home of Hip Hop, Jazz, Designer, Athletes, Actors,Comedians, Journalists and Business Moguls, Southeast Queens has a very unique welcoming spirit for all Genres of Talent and for those who are Multi-talented as well as new to Creative pursuits…And more than that, we love Celebrating your Creativity, Dedication and Vision on the Stage and Big Screen. Lights, Camera, Action and Red Carpet Hosts, we’re open to newbies, seasoned professionals and Film Students. Join us for In-person screenings, Panels, Demonstrations and Workshops along with Awards Presentations. Imagine, after your Red Carpet Interview, you can mingle, network and enjoy feeling like the Star that you are! Our Mission is to support the independent filmmakers as essential worldwide voices that deserve to be experienced by many. Showcasing Diverse stories from across the country and beyond with an impressive selection of 45-55 Films, Videos and Episodes each season, ours is the space where different stories and Creators can come together through the Art of Storytelling on the Screen. Through film, we have the power to Entertain, Challenge, Inform and Inspire while uniting people from all walks of life. From Drama to Action, Mystery, Animation, Comedy, Documentaries, Music, Dance, Poetry and Series Episodes all of the major Categories are covered.
o When/Where: April 3-5
o Deadline: October 31 (Regular Deadline), November 30 (Deadline), December 31 (Extended Deadline), February 1 (Late Deadline)
o Application Fee: $20-$55
o Eligibility: Submit several entries or submit to several categories by following the requirements and submitting within the deadlines. WE ARE OPEN TO ANYONE from Anywhere - this is where you can tell your Story, Sing Your Song, Dance Your Dance, Tell a Joke or Two, Demonstrate Your Talent with Your Poetry, Music, Dance or Comedy VIdeo or submit a Commercial / PSA for your Organization, Club, Cause, Neighborhood, Family, Culture, Traditions, or ideas of what the Future will look like.
o Categories: Feature, Short, Animated, Screenplay
Flow Festival and Film Market
FLOW (Florida Leaders Opening Worlds) Film Festival and Film Market is an international Film Festival that focuses primarily on promoting women in the film industry in non-traditional senior and leadership roles. Our mission is to encourage the growth of opportunities for women in important and male-dominated positions in the film industry, to fight gender bias and pave the way for an aspiring new generation of female film makers, through highlighting both their significant contributions and the films and film industry stakeholders who employ them
o When/Where: February 27 - March 3
o Deadline: November 17 (Regular Deadline), December 31 (Late Deadline), January 22 (Extended Deadline)
o Application Fee: $15-$130
o Eligibility: Content submitted to FLOW festival will be promoted on our website, in printed materials (such as the festival program) and in our press and marketing activity (this can include presenting films that we have selected to the press). The filmmaker gives us the right to use the name of the film and the images submitted for the uses listed.
o Categories: Feature, Short, Animated, Screenplay
The Women’s Independent Film Festival
The Women's Independent Film Festival is a chance to share and celebrate greatness in the world of female filmmaking. Our incredible community ranges from directors, to producers, to screenwriters, to actors, to content creators! Whatever the medium: We build this festival to shed light, deliver opportunity and celebrate the achievements of women in the world of filmmaking, storytelling and beyond! We're going into our 3rd year celebrating the Women's Independent Film Festival and we're so excited for this year's work, partnerships, competitions and more. Whether a finalist or not, all officially selected filmmakers will be invited to join us at the Women's Independent Film Festival for screenings, networking, resources, collaboration, learning, partnerships and for our official premieres and awards ceremony blocks. The Women's Independent Film Festival was created to encourage female content creators with unique backgrounds to share their stories/ The festival will promote the work of women filmmakers and recognize them globally for their achievements in film. Women have to be involved in the creation of ALL submitted films! That can be either as directors, producers, writers, performers, etc. Just as long as they were involved in the creation of the submitted work.
o When/Where: October 9-12 2025
o Deadline: October 30 (October Deadline), November 30 (November Deadline), January 31 (January Deadline), March 1 (February Deadline), March 31 (March Deadline), April 30 (April Deadline), May 31 (May Deadline), June 30 (June Deadline), July 31 (Regular Deadline), September 1 (Final Deadline)
o Application Fee: $10-$60
o Eligibility: All entries should be sent via FilmFreeway with a secure online screener. Each accepted film must be submitted in the .mp4 or .mov format, preferably. By submitting to the festival you confirm that you own the rights of the film, including the rights to the music in the film. By submitting to the festival you give consent to the festival programming staff to screen your work in front of the private audience of the Women's Independent Film Festival community. There is no minimum running time. Films must have been completed on or after Jan 1st, 2019. All genres are welcome Filmmakers may submit multiple entries as long as each film is submitted with its own Entry Form, online screener and paid Entry Fee.
o Categories: Shorts, Feature Film, Documentary, Animated
Through Women’s Eyes International Film Festival
Welcome to the Through Women's Eyes International Film Festival in beautiful Sarasota, Florida! Our 25th Anniversary festival, Reel Equals, is March 6-10, 2025. We are an international, mission-driven festival, dedicated to women filmmakers and films that address issues inadequately represented in the mainstream media. Every year we host significant numbers of films from all over the world. We frequently select films that go on to commercial success (RBG), publicize the work of voices that need to be heard (Nobel Prize Winner Nadia Murad), and remind the world about issues that need more attention (violence as an act of war in the DRC featuring Nobel Prize Winner Dennis Mukwege). In 2021, our festival successfully launched on a virtual platform, permitting our most successful festival ever, with viewers from 38 U.S. states and 13 countries. In 2024, our films will be shown both in person at theaters in Sarasota and on our virtual, on-demand platform for a global audience.
o When/Where: March 6-10
o Deadline: October 15 (Regular Deadline), November 10 (Late Deadline), December 1 (Entry Close Deadline)
o Application Fee: $20-$90
o Eligibility: All films must be in English OR contain English subtitles. All subtitles must be clearly within the visible frame.
All film genres are accepted.
Emerging Filmmaker category: to be eligible for the Emerging Filmmaker category, the producer or director must be either under the age of 30 OR enrolled in an accredited film school during the production of the submitted film. Documentation proving one of these criteria is required at the time of submission. For example, submission of a valid government ID or a student card/transcript. Please send documentation to team.throughwomenseyes@gmail.com. If this is your “first” film and you are NOT under 30 or enrolled in an accredited film school, please do not submit in the Emerging Filmmaker category. Your film will not be considered and your submission fee will not be refunded. You may resubmit in the general festival categories.
4. Films must have been completed AFTER December 1, 2022. All film submissions will be reviewed initially by 2 - 3 screeners; high-scoring films will then be reviewed by our advisory panel and referred to a final selection committee.
If selected, TWE has the right to use stills, posters, titles, or any information from the submission for promotional purposes.
Films that are publicly available prior to our festival, either in theatrical release or through electronic or digital media, or DVD sales, may not be selected. The only exception is showings in recognized film festivals.
EXHIBITION COPY OF ALL FILMS ACCEPTED MUST BE IN DCP FORMAT ONLY by upload to our digital partner. THERE ARE ABSOLUTELY NO EXCEPTIONS TO THIS EXHIBITION FORMAT. Details will be provided to accepted filmmakers.
Films selected for the festival will be shown in both the live and online festival.
o Categories: Shorts, Feature Film, Documentary, Animated
The Women’s Voices Now Online
Women’s Voices Now is a 501(c)3 non-profit organization using film to drive positive social change that advances women's and girls' rights globally. Our Film Festival promotes emerging women filmmakers using social-change films to advocate for women’s and girls’ rights around the world, by:
- Providing a PLATFORM for emerging filmmakers telling essential, authentic stories.
- Offering CASH PRIZES and VISIBILITY.
- Facilitating NETWORKING with other filmmakers and media industry professionals.
Since 2011, our independent film festival has received 965+ impactful social-change films from more than 85+ countries, brought them to millions of viewers in 178 countries around the world, and awarded $118k in cash prizes! Our festival is a month-long event. Pre-selected & selected films are made available to event ticket holders for a limited time (through password protected links on Vimeo). Our culminating festival event provides the opportunity to recognize our amazing filmmakers, winning films, and the importance of women in film!
o When/Where: March 25-April 30
o Deadline: October 1 (Early Bird Deadline), November 8 (Regular Deadline), November 29 (Late Deadline)
o Application Fee: Free - $60
o Eligibility: To be considered for our festival, films must fall into the DOCUMENTARY genre (creative documentaries encouraged!). Our festival specifically promotes women filmmakers using SOCIAL-CHANGE films that advocate for women’s and girls’ rights around the world.
o Categories: Documentary Feature, Documentary Short
Seattle Black Film Festival
The annual Seattle Black Film Festival (formerly the Langston Hughes African American Film Festival - LHAAFF) is a major season program of LANGSTON, showing provocative films and works about the Black experience from independent filmmakers. For nineteen years, the festival has been bringing stories and experiences by and about Black people to the big screen in the heart of Seattle's historically Black neighborhood. Housed at the historic Langston Hughes Performing Arts Institute, the festival features film screenings, hands-on workshops, panel discussions, and in-depth chats with filmmakers, industry professionals and local community leaders. As Seattle grows as a seat of activism, progressive ideology, innovation and technology, the Seattle Black Film Festival is a hub for filmmakers and audiences to exchange ideas with Black film as a catalyst for discussion. The event is the culmination of a year’s worth of community-building through a series of smaller events and partnerships that provide audiences with unique cinematic and cultural opportunities, resulting in the community-wide film festival. The festival focuses on established names and emerging talent in Black media and connecting audiences with filmmakers and filmmaking through interactions in and outside the theater. Films are selected from entries screened by panels and curated from current and vintage offerings. The festival takes pride in showcasing independent film celebrating Black brilliance, from emerging and established filmmakers from around the world and in our own backyard, connecting filmmakers and the community.
o When/Where: April 24-27
o Deadline: November 22 (Regular Deadline)
o Application Fee: Free - $45
o Eligibility: To be eligible, films must be by or about Black people (people of African descent). While our goal is to celebrate and lift the work of Black filmmakers, we will consider films that features Black people as a predominant focus of the work.
o Categories: Feature, Short, Music Video
Los Angeles Women in Film Festival
The LA Women in Film Festival champions female identifying filmmakers and female driven storytelling. We will be accepting submissions from FEMALE IDENTIFYING DIRECTORS, WRITERS, MAJORITY FEMALE CREW (at least 50%) and/or FEMALE DRIVEN STORIES of ANY GENRE. We are an affiliate festival of the LA FILM FESTIVALS organization that has the dual emphasis of discovering great talent with the purpose of promoting their work to both the LA public and the entertainment industry, as well as showcasing the work of seasoned professionals and well known stars. LA Film Festivals began with the biannual LA Comedy Festival in 2001, adding the biannual LA Indie Film Fest in 2007. The LA Film Festival family has since expanded to 12 independent film festivals, including LA Horror Film Fest, LA Action Film Fest, LA Sci-Fi Film Fest, LA Animation Film Fest, LA Black Film Fest, LA Asian Film Fest, LA Latinx Film Fest, LA Queer Film Fest, LA Women in Film Fest and LA Student Film Fest. Over the years, LA Film Festivals have attracted thousands of filmmakers from around the world. Each festival features live screenings in our own Let Live Theater in the heart of Los Angeles. Our 80-seat theater, in the heart of Hollywood, is outfitted with a Christie DLP projector and seven JBL speakers throughout the venue, delivering top notch quality in an intimate screening environment. Filmmakers whose work is accepted into our festival will receive free passes to screenings, invitations to networking events and are eligible for awards consideration.
o When/Where: February 20-23
o Deadline: September 20 (Regular Deadline), October 11 (Late Deadline), November 1 (Fashionably Late Deadline), November 22 (Final Deadline), December 13 (Extended Deadline), January 3 (Last Chance Deadline)
o Application Fee: $25-$90
o Eligibility: 1. All Films must feature work produced by female identifying filmmakers and female driven storytelling. We will be accepting submissions from FEMALE IDENTIFYING DIRECTORS, WRITERS, MAJORITY FEMALE CREW (at least 50%) and/or FEMALE DRIVEN STORIES of ANY GENRE.
o Categories: Feature, Short, Document, Web-series, TV Pilot, Animation, Music Video
o Contact: https://www.lafilmfestivals.com/la-women-in-film-fest
Rainbow Fest Chicago
A CELEBRATION OF ALL THINGS QUEER Launched in 2018 as #SafeSpace, Rainbow Fest is a one-of-a-kind showcase of underrepresented voices that has raised funds for deserving organizations such as Trans Lifeline, Brave Space Alliance, Planned Parenthood, and more. Previous hosts and special guests include Meg Stalter (Hacks), Pauley Perrette (NCIS), Robyn Coffin (Chicago Fire), Maya May (The Lincoln Project), Scott Duff (Out Chicago), Malic White (Candyman)
o When/Where: June 21-28
o Deadline: September 30 (Pride Deadline), October 31 (Super Earlybird Deadline), November 30 (August Deadline), December 31 (September Deadline), January 24 (October Deadline), February 21 (November Deadline), March 17 (Regular Deadline), April 8 (Extended Deadline), April 30 (Late Deadline)
o Application Fee: $13-$75
o Eligibility: All genres and content types are welcome. Your film should feature queer identities, but that doesn't have to be the main focus. We love to see our queers in genre films just as much as romance.
o Categories: Feature, Short
California Women’s Film Festival (Winter)
The California Women’s Film Festival is deeply honored to celebrate women filmmakers, artists and writers by providing a showcase and networking forum in the heart of Hollywood. The CWFF understands how important it is to hear and see the educated, entertaining and diverse stories of women from around the globe. We provide a platform so these voices can be heard and shared with audiences that want to be inspired. The California Women’s Film Festival accepts all projects that has at least one woman in one of the key production positions: (Producer, Director, Writer, Cinematographer, Editor, Lead Actress, Etc......). Projects that are produced and/or directed by men are accepted as long as there is a lead female protagonist and/or the story is based around women. The California Women's Film Festival operates as a biannual event. Our Winter season will be held in January and our Summer season will be held in July.
o When/Where: January 10-12
o Deadline: September 6 (Regular Deadline), September 27 (Late Deadline), October 18 (Extended Deadline), November 8 (Freeway Deadline), November 29 (Final Deadline)
o Application Fee: $22.50-$90
o Eligibility: Projects must have at least one woman in one of the key production positions: (Producer, Director, Writer, Cinematographer, Lead Actress, Etc......).
Projects that are produced and/or directed by men are accepted as long as there is a lead female protagonist and/or the story is based around women.
All genres are accepted.
Works in progress should be clearly marked on the screening copy.
Submissions in languages other than English must be subtitled or dubbed.
The entry fee is per category. Entry fee is non-refundable. Fee waivers are not available.
DVDs must clearly be labeled with FilmFreeway tracking ID and contact info.
Our Festival will consist of Award presentations, red carpet photos, screenings and Q&A sessions.
For more information please contact us at info@calwomensfest.com
Please do not send paper press kits with your screener unless requested.
DVDs will not be returned.
o Categories: Feature, Short, Documentary
o Contact: info@calwomensfest.com
San Francisco International Film Festival
SFFILM champions the world's finest films and filmmakers through programs anchored in and inspired by the spirit and values of the San Francisco Bay Area. Founded in 1957, the San Francisco International Film Festival (SFFILM Festival) is the longest-running film festival in the Americas. Held each spring and highly anticipated by its loyal and passionate audiences, the Festival is refreshingly intimate for a festival of its size and scope, and traditionally combines a range of marquee premieres, international competitions, compelling documentaries, live music performances, and star-studded red carpet events. SFFILM is currently moving forward with planning its Festival for April 2022 with both in-person and online events, parties, talks and more. Exact dates, venue footprint, and in-person event structure are all subject to some change based on the realities of producing a safe and accessible film festival at that time.Opportunities for Filmmakers Since 1991, SFFILM Education’s Schools at the Festival program has provided the Bay Area educational community with the opportunity to experience stories from around the world. Schools at the Festival annually introduces thousands of students ages 6–18 and their teachers to international film and the art of filmmaking while promoting media literacy, deepening insights into other cultures, enhancing foreign language aptitude, developing critical thinking skills, and inspiring a lifelong appreciation of cinema. Festival filmmakers can participate via student screenings, school visits, hands-on workshops, and more. SFFILM's year-round Artist Development programs provide significant financial and creative resources to independent narrative and documentary filmmakers from around the world through grants, fellowships, residencies and more. Since 2009, over $8 million has been awarded to more than 250 film projects in various stages of production. Festival filmmakers are invited to a series of industry talks and pitch sessions, and can meet with the SFFILM Makers team to discuss future projects and funding opportunities.
o When/Where: April 17-27
o Deadline: September 26 (Early Deadline), November 14 (Regular Deadline), December 12 (Final Deadline)
o Application Fee: $30-$80
o Categories: Feature Films, Documentaries, Animated, Shorts
Winter Film Festival Awards International Film Festival NYC
New York City's Winter Film Awards (WFA) is a volunteer-run and operated celebration of the diversity of local and international film-making. Our Mission is to recognize excellence in cinema and to promote learning and artistic expression for people at all stages of their artistic careers with a focus on nurturing emerging filmmakers and helping them gain recognition and contacts to break into this difficult industry. We pride ourselves on our diverse collection of Festival selections, allowing our audience to enjoy films they normally wouldn’t think to seek out. Now in its eleventh year, the rapidly growing Festival showcases the work of emerging filmmakers from around the world. For the 2021 Festival, 91 films from 28 countries were screened, including an eclectic mix of Animated films, Documentaries, Feature narratives, Horror films, Music Videos, Narrative shorts and Web series. 50% of the films were created by women, 53% were created by or about people of color. Works of all genres, forms, and lengths are considered. All selected films are screened at Cinema Village, NYC's top indie cinema in the heart of Greenwich Village. The Festival includes ten days of film screenings, educational panels, professional development workshops and industry networking after-parties, which will conclude with a glittering awards ceremony . Outstanding work will be awarded for each category, along with Best Director, Best Actor/Actress, Outstanding Woman Director, Best vStudent Film and the NY PERSPECTIVES Award for best depiction of the New York multi-cultural experience. Winter Film Awards International Film Festival is an IMDB-qualifying festival. Like many of the great film Festivals across the country and the world, WFA seeks to bring our audience compelling and unique content that inspires the viewers and honors the filmmakers. There are hundreds of film festivals in New York City; what makes us different is our intense focus on a bias-free submissions review, the variety of our films and helping new filmmakers reach what may be their first real audience. WFA is a minority- and women-owned registered 501(c)3 non-profit organization. We work with all local NYC film schools, colleges, arts high schools and many cultural societies.
o When/Where: February 19 - 23
o Deadline: September 6 (Early Bird Deadline), October 18 (Regular Deadline), November 8 (Late Deadline)
o Application Fee: $20-$65
o Eligibility: All films must have been completed not earlier than January 1, 2020.
Films must be in English or have English subtitles Winter Film Awards is a non-profit organization and we do not pay Screening Fees Films must be submitted via online screener - we do not accept hardcopies of DVDs
Winter Film Awards does not require World Premiere, but appreciates if you notify us if you are either a World Premiere, International Premiere (your first premiere outside your country of origin), North American Premiere or New York Premiere.
Submission fees are in U.S. dollars, per film entry. All submissions for Winter Film Awards International Film Festival are to be paid by credit card. The submission fee is non-refundable.
Submitting filmmakers/individuals will be notified by e-mail on or before January 5 2023. If the Festival will be postponed due to COVID-19, we will notify all submitters as soon as possible. Winter Film Awards does not send physical mail — please make sure the email address in your entry form is accurate. Changes of email address can be sent to submissions@winterfilmawards.com. Winter Film Awards is not liable for emails delayed by spam filters, server rejections, outdated email addresses or any other technical or human error. If an accepted filmmaker is unable to submit the final screening copy of the film electronically, the filmmaker will be responsible for the mailing/shipping cost of the work for screening at the film festival. Films with incomplete materials by the deadline will forfeit their ability to screen in the festival. Winter Film Awards, its members, directors, employees, and volunteers are not responsible for lost, unplayable, misplaced, and undelivered film and media.
Submitted entry materials will not be returned.
A filmmaker with multiple entries (titles) must submit each entry and entry fee separately.
The Festival reserves the right to remove a film from the festival program for any reason or for no reason and shall not be liable for any refund or claims of any kind arising out of such removal.
The submitting filmmaker must own the copyright to the work. In the case of any legal dispute involving the film, Winter Film Awards will immediately remove the work from our schedule.
By submitting your film, Winter Film Awards is hereby granted the right to utilize an excerpt from any film submitted and accepted for exhibition at the Festival for promotional purposes. The individual or corporation submitting the film hereby warrants that it is authorized to commit the film for screening, and understands and accepts these requirements and regulations.
You agree to indemnify and hold harmless Winter Film Awards from and against any and all claims, liabilities, losses, damages, and expenses (including but not limited to attorney's fees, and costs of the court) which may be incurred by reason of any claim involving copyright, trademark, credits, publicity, screening, and loss of or damage to the screening videos entered.
o Categories: Shorts, Feature Film, Documentary, Animated
Beirut International Women Film Festival
Beirut International Women Film Festival (BWFF) is an annual event organized in Beirut by Beirut Film Society, under the theme “Women for Change”; gathering filmmakers and cinema lovers from all over the world, BWFF tackles issues such gender equality, sexual identity, domestic violence among others through the power of the lens and cinema which is the window to society and particularly women in this case. BWFF, which comprises films about women and/or executed by women, aims to highlight the power of women in different life situations, the festival organizers believe in promoting a positive image of women struggling with dignity to make a change in their environment.
o When/Where: August 12-18
o Deadline: August 5 (Midway to the Festival), September 6 (Summer Submissions), October 4 (Regular Deadline), November 4 (Late Deadline), December 6 (Extended Deadline), January 10 (Exceptional Deadline)
o Application Fee: $7-$45
o Eligibility: Filmmakers are invited to submit their original work to Beirut International Women Film Festival (BWFF) for the above listed categories and as per the assigned duration of each category.
FILMS PRODUCED AFTER JANUARY 1, 2020 ARE ELIGIBLE FOR SUBMISSION.
FOR INTERNATIONAL FEATURE FILMS SUBMISSIONS, LEBANESE PREMIERE IS A MUST – FEATURE FILMS THAT WERE SCREENED PREVIOUSLY IN LEBANON WON’T BE TAKEN INTO CONSIDERATION.
BWFF supports travel cost for directors of selected international films to Lebanon during the festival days. (Conditions apply)
Submission fees are non refundable and non reimbursable under any circumstances; BWFF does not reimburse any submission fees for films who are not selected for the festival program, or who withdrew their submissions at any time.
BWFF retains the right to accept or decline any film, for whatever reason, without any explanation.
Applicant admits that he/she is authorized to submit the film, being the rights-holder or authorized representative of the film.
BWFF receives exhibition copy in QuickTime 1080p HD 8 bit uncompressed or Apple ProRes file or equivalent via a downloadable link.
All non-English speaking films must have adequate English subtitles.
Screening fees must be declared prior to or upon submission. If a screening fee is only indicated after the official selection has been announced, the Festival retains the right to revoke the film's acceptance.
Beirut International Women Film Festival (BWFF) holds the right to:
Use the selected films for trailers and publicity usage
Screen the winning films in other related events inside Lebanon, and recommend the winning films to other international film festivals that collaborate with BWFF after the approval of the filmmakers.
o Categories: Shorts, Feature Film, Documentary, Animated
Valkyrie International Film Festival
Valkyrie International Film Festival (VIFF) spotlights films directed by women of all backgrounds and advances the cause of women in film. Held every year in March (Women's History Month), VIFF was founded by Tamar Lamberson and her daughter, Kaelin Lamberson. VIFF seeks impactful films in all genres. If a woman directed it, we want to see it! VIFF will screen narrative, documentary, and experimental shorts and features. The only requirement is that every film selected for screening must have been directed by a woman. VIFF will be held on Thursday, March 21st - Monday, March 25th, 2024 at The Screening Room Cinema & Arts Café, a boutique digital cinema located in Amherst, New York, just outside Buffalo. The Screening Room features a large screen and surround sound, with mixed dining room and theater seating. The venue is a staple of the indie film scene in Western New York. Beer and wine are available. VIFF will only hold in-person screenings. VIFF will serve as a platform for female directors to come together, support each other’s work, and discuss the challenges and advances of women in film. The programmers will present awards, but view the event as a celebration rather than a competition. VIFF will be held during Women’s History Month each year. We are accepting all female-directed films, of all genres, completed 2019 – present.
o When/Where: March 28 - April 1
o Deadline: August 31 (Early Bird Deadline), November 30 (Regular Deadline), December 31 (Late Deadline), January 24 (Extended Deadline)
o Application Fee: $18-$50
o Eligibility: NO WAIVERS.
Only films directed by females will be selected.
Any co-directors must also be female.
Films must be in English or subtitled in English.
All exhibition screeners must be MP4 digital files .
All films must have been completed 2019 – present.
Anyone submitting a film to VIFF warrants that they are authorized to do so.
o Categories: Short Film, Feature, Documentary, Animation. Experimental, Music Video
Everybody is Somebody
The Albuquerque Film Festival, with the mantra 'Everybody is Somebody,' stands as a beacon of digital celebration for the world's storytellers. Nestled in the heart of New Mexico's vibrant capital, Albuquerque, our festival opens its doors wide, welcoming a kaleidoscope of cinematic talent from every corner of the globe. Dive into the fray with your masterpieces, as we call for submissions across all film genres; there's a spotlight here for every creator, regardless of nationality. It's your time to shine, to vie for prestigious awards across a multitude of categories. Let's unite. Let's craft. Let's rejoice. Boasting a spectrum as broad as the imagination itself, our festival invites you to join an esteemed circle, where selected films don't just screen—they compete for a host of distinctions, bestowed both by minutes of in-depth conversation about your creative journey, shared on our official website, YouTube channel, and across social media landscapes. Our committee is as varied as the films we celebrate, featuring a global tapestry of professionals—Architects to Entrepreneurs, Artists to Filmmakers, and VFX Producers—each bringing a unique perspective to the screen. Every submission is watched thoroughly, ensuring your vision is seen and appreciated in its entirety. Our Goals:To broadcast fresh, trailblazing narratives and cinematic discourse from across the world.To offer an exclusive glimpse into the pioneering realm of New Cinema.To foster the exchange of ideas and experiences among our event's vibrant participants. Our Creed: We are the champions of the cinematic dreamer, the believers in the power of story. The 'Everybody is Somebody' Albuquerque Film Festival is dedicated to showcasing the most diverse array of narratives. Our mission? To empower every filmmaker with a burning passion, to connect creators with audiences, and to help solidify their mark in the ever-expanding universe of film.
o When/Where: April 25-27
o Deadline: July 1 (Deadline 2), August 5 (Deadline 3), September 2 (Deadline 4), October 7 (Deadline 6), November 4 (Deadline 7), December 2 (Deadline 8), January 6 (Deadline 9), February 3 (Deadline 10), March 16 (Deadline 11)
o Application Fee: $15-20
o Eligibility: We accept all fiction and non-fiction film genres. All age groups are accepted. Projects submitted must be the original work of the participant. All submission will be received through Film Freeway only. No Exceptions.
o Categories: Feature, Short, Animated, Documentary, Music Video
Miami Jewish Film Festival
The Miami Jewish Film Festival (MJFF) is the world's preeminent Jewish film festival and the largest festival of its kind dedicated to celebrating new film and media exploring universal themes of identity, history, and culture. Presenting its 27th edition from January 11-25, 2024, the Festival showcases the work of the world's best emerging and established filmmakers and offers cash awards totaling more than $40,000 in juried competition categories. Among the 105 films that premiered at the 2023 Festival which featured the largest Jewish film program in the world, more than 50 were selected from FilmFreeway submissions. Miami Jewish Film Festival has also made the prestigious "One of the 50 Film Festivals Worth the Entry Fee" list by MovieMaker Magazine in 2020, 2021, and 2022. In 2023, the Miami Jewish Film Festival drew more than 35,000 filmgoers and attracted more than 100 filmmakers, producers, talent, and industry professionals to its two-week event of inspiring films, events, panels, and parties that are hosted at 7 major venues throughout Miami. In all, the Festival presents more than 100 feature narratives, documentaries, and short films of all genres, from more than 25 different countries. MJFF presents dramatic and documentary features, experimental, and animated features and shorts about Jewish history, culture, and identity as well as films that reflect life through a Jewish lens. The programming staff takes a broad view of what makes a film Jewish and have been known to curate films that are Jew(ish) as well as films about issues that are relevant to Jewish communities and resonate with other cultural communities across the globe. Works in all forms and genres are considered. The Festival receives significant industry recognition; each year several films premiering at the Festival are acquired for US distribution. Recent distributors who have acquired films directly from the Festival include Kino Lorber ("The Last Resort"), Samuel Goldwyn Films ("Saul & Ruby, To Life!," "Sobibor"), Netflix ("Curtiz"), Strand Releasing ("The Other Story"), Menemsha Films ("Tiger Within," "If You See My Mother," "1945," "In Search of Israeli Cuisine," "Leona"), Film Movement ("Shtetlers," "God of the Piano"), Breaking Glass Pictures ("Extra Innings," "Children of the Inquisition"), Passion River Films ("The Barn"), and Go2Films ("Sefarad"), among others.
o When/Where: January 9-23
o Deadline: July 5 (Midway Deadline), August 2 (Regular Deadline), September 6 (Fall Deadline), October 4 (Extended Deadline), November 8 (Final Deadline)
o Application Fee: $18-$40
o Eligibility: MJFF requires at least a Florida Premiere for any feature or short film. Works-in-progress are accepted.
o Categories: Feature, Documentary, Short
Women’s Comedy Film Festival in Atlanta
The Women's Comedy Film Festival in Atlanta is a theatrical screening event in Atlanta for independent films featuring female filmmakers, actors, directors, writers and producers from all over the world. This is an amazing opportunity to showcase the talent of female directors, writers, actors, and everything in between right here in one of the world's fastest growing film communities. The Women's Comedy Film Festival also recognizes exceptional filmmaking and screenwriting with awards and nominations by our judging panel. Submit your film if you meet AT LEAST ONE of the following requirements:
o When/Where: March 16, 2025
o Deadline: April 30 (April Early Deadline), May 31(Spring Early Deadline), July 31 (Summer Early Deadline), August 31 (Labor Day Deadline), September 30 (Fall Early Deadline), November 30 (Regular Deadline), December 31 (Late Deadline), January 31 (Final Deadline)
o Application Fee: $22.50-$50
o Eligibility: Script writers, in addition to submitting your script to the festival we also provide optional script coverage. Script coverage with our festival includes the price of your submission fee. Your work will be analyzed by a Cinema Life filmmaker who's produced award-winning films, has extensive writing experience, and also understands the indie way of filmmaking.
o Categories: Feature, Animated, Documentary, Comedy Short
Los Angeles Film Festival
Los Angeles Asian Film Awards, originally called Las Vegas Asian Film Awards (LVAFA), was an independent festival that resides beneath the umbrella of AOF MegaFest, which is in its 19th year, is the largest film event of its kind in the world. Held in Las Vegas at the Premiere Theaters and Locations, the show regularly exceeds 20,000 guests and attendees. After a first successful annual event in Las Vegas with the legendary AOF MegaFest in summer 2021, it moved to Los Angeles, the center of the world film industry. Opportunities at Los Angeles Asian Film Awards are literally like no other in the world; Los Angeles Asian Film Awards can put more resources together and offer a wide variety of industry guests, seminar speakers, and panelists. We invite you to join festival director, Award-Winning Filmmaker and Writer Lureen Wu and honorable judge, director Roger Christiansen ("Friends," "Hannah Montana," "Tango Down") as they bring you a selection of pure Asian Cinema for Screenings and Awards. The situation surrounding COVID-19 has caused much pain in the film and entertainment industries, and no group has been affected more than Asian Filmmakers, Writers, and Creators. The Los Angeles Asian Film Awards is a hub and platform for Asian filmmakers to have their works seen and voices heard. Festival Director Lureen Wu was born and raised in Shanghai, China. She worked as a TV director in Shanghai for years, including TV documentaries, TV commercials, celebrity talk shows, and music videos. Early in her career in Shanghai, Lureen worked with the Emmy Award-winning television interviewer, Nancy Merrill, in the English talk show "Nancy Merrill: Minds of Millionaires" on the international channel of Shanghai TV Station(SMG) and CCTV NEWS. After moving to the United States, Lureen continued pursuing her career in film. She worked with filmmakers who are part of some best-known movies and TV shows such as Friends, Les Misérables（2012), The Big Bang Theory, Saw, Sex and The City, Iron Man 2, Grey's Anatomy, The Princess Diaries, Stranger Things, Game of Thrones......Our Festival is open to ALL Asian filmmakers, talents, and writers of all genres and lengths.
o When/Where: December 7-8
o Deadline: March 31 (Early Bird Deadline), May 31 (Regular Early Deadline), June 30 (Regular Deadline), July 31 (Regular Late Deadline), August 31 (Late Deadline), September 30 (Extended Deadline) November 15 (Final Deadline)
o Application Fee: $40-$55
o Eligibility: We are Accepting submissions for feature Narrative and Documentary, short Narrative and Documentary, Music Videos, TV Commercials, short/feature scripts. All genres are welcome. The festival programming staff will place your film in the appropriate category. To Enter for Competition your film or Project must have a writer, producer, talent or director of Asian descent in order to be eligible for awards.
o Categories: Feature, Short, Documentary, Documentary Short, Animation
Reel Sisters of the diaspora Film Festival & Lecture Series
The Reel Sisters of the Diaspora Film Festival & Lecture Series is a two-day annual film festival founded by African Voices magazine. Established in 1997, Reel Sisters (www.reelsisters.org) is dedicated to providing opportunities for women of color to advance their careers in the film industry. Reel Sisters accepts films written, directed, or produced by women/non-binary filmmakers of color. Reel Sisters is the first Academy Qualifying Film Festival for short narratives devoted to women of color across the globe. Reel Sisters is an IMDb qualifying film festival. Reel Sisters celebrates our 25th Anniversary in 2022! APPLICATION INFO: YOU MUST SUBMIT PRODUCTION STILLS/PHOTOS and a TRAILER for your submission to be ELIGIBLE AND COMPLETE. You can screenshot photos from your film if you were unable to hire a photographer. Reel Sisters is a competitive festival and films are selected by an independent jury. Please submit films early as deadlines away staff if you have any issues uploading your film and making it downloadable for our production staff if you receive an acceptance letter.
We will need downloadable trailer links from FilmFreeway or Vimeo to help promote your film in our festival. You must submit the trailers and photos with your application. If your materials are not submitted with your application, your film will be disqualified.
Complete the details required, providing brief synopsis of the film, credits, production stills and trailers. We accept photographs in all formats including JPEGs, TIFFs and EPS (electronic photos must be 300 dpi resolution for promotional purposes).
All accepted films will be notified via email. Please make sure ALL of your Contact Information is up-to-date. If your email changed between the time you submitted your film and our Notification Date, please update it ASAP so we can correspond with you.
o Categories: Feature, Short, Documentary, Documentary Short, Animation
NYWIFT Member Screening Series
The New York Women in Film & Television Member Screening Series is a unique opportunity for NYWIFT members to showcase their work in a theatrical setting. The series features a diverse array of projects from both established and emerging filmmakers in celebration of our community of women filmmakers. The NYWIFT member screening is open to all current members of NYWIFT. Films are selected and notified on a rolling basis for screening in the series. Due to high demand, screening is not guaranteed though we do our best to accommodate as many members as possible. Films may be short or feature length and may be paired with other film(s) for the screening. All genres are welcome. Projects must feature at least one current NYWIFT member in a key creative role. Films should have been completed within the last 4 years. If you have submitted your film in the past we encourage you to submit it again now for future consideration.
o When/Where: The series takes place September through November and January through June.
o Application Fee: None
o Eligibility: For the 2022-2023 season, we are envisioning a mix of virtual and in-person screenings, subject to change. Due to high demand, we cannot guarantee everyone an in-person slot. But alternately if you have a strong desire for your film to screen virtually, please note it in your submission.
Screenings are followed by a Q&A with the filmmaker / creative team.
Please note: By submitting your film, you confirm that you have or are able to attain the rights to screen this film in a public setting.
Please be aware that a public NYWIFT screening may disqualify you from submitting to certain other festivals. By submitting your film to us, you acknowledge that you are ready and willing for your film to screen publicly now.
o Categories: Feature, Short, Documentary, Documentary Short, Animation
o Contact: If you have any questions, please contact Katie Chambers at kchambers@nywift.org.
Onscreen
2
Casting and seeking crew for "2," an independently produced New Media Streaming Series set in the U.S. Southwest Desert. Synopsis: Parts psychological thriller, classic tragedy, urban fantasy, sci-fi, modern-day myth, and Neo-Western Noir.
o Roles: Various
o Rate: Up to $12,000 for an estimated three weeks of work.
Offscreen
New York Screenwriting Awards
New York Screenwriting Awards, is an international screenplay competition based in New York. Screenwriters who would need recognition to be able to contact agents and producers can submit their screenplays. New York Screenwriting Awards has four editions per year. Spring, Summer, Fall, and Winter editions. Winners will be announced on the NewY work Screenwriting Awards website, via emails, and FilmFreeway. Winners of each category will receive a prestigious digital certificate and the official laurel. New York Screenwriting Awards has been run by MAE Media House, one of the most prestigious creative writing consultancies in New York, since 2015.
o When/Where: December 20
o Deadline: December 15 (Extended Deadline)
o Application Fee: $27-$50
LA Independent Women in Film Awards
LA Independent Women Film Awards focuses on international and U.S. film and script projects of all genres. Every season, the IMDb qualifying fest recognizes projects with a female producer, director, lead actress, writer, cinematographer, editor, composer, etc. All topics related to women's thoughts, women's fate, life conditions, women's views and so on are welcome to participate. All the winners will be promoted through various online magazines in California and can request to receive certificates and laurels. All the winners can request for screening through our festival. Our mission is designed to help create a platform for our filmmakers to be seen, but more importantly, get them the industry exposure to help sustain their craft for many years to come.The members of our jury will be award winning artists working in media from all over the world. All the award winners can request to be a jury member of a new edition of the festival in order to vote for one of the categories. LA Independent Women Film Awards is an outstanding event for promoting female artists working in media from all over the world.
o When/Where: January 11
o Deadline: November 19 (Regular Seasonal Deadline), December 14(Final Seasonal Deadline)
o Application Fee: $30-$60
Executive Assistant, DEI Warner Brothers
This role provides top-level administrative support to DEI Leaders in their global capacities. Must provide support for calendars, meetings, travel, and other administrative duties as required. The individual needs to be pro-active, efficient, and highly organized and be able to work independently as well as with the team. Must be proficient in communicating professionally to employees and clients of all levels over the phone, zoom, email and in person.
o Requirements: Reports and Presentations – Working in AirTable, Excel, PowerPoint & Word, must be able to design presentations and prepare agendas, talking points, and briefing documents to support the department. Responsible for performing research and managing tasks as needed to support work assigned.
Meetings & Travel – Coordinates and manages executive’s calendar, anticipating and proactively resolving conflicts to ensure time is used efficiently. Prepares agendas and briefing materials, sends invitations, organizes technical requirements for in-person and virtual meetings. Coordinates travel arrangements for executive and non-employee talent, processes expenses, and arranges client meals. Must be able to manage potential conflicts of schedule or priorities with discretion.
Office Administrator – Responsible for ordering department specific supplies, managing computer requests/trouble-shooting, Amex and P-card reconciliation, and maintaining and organizing digital files in Shared Drive for department to access. Must attend weekly meetings and follow-up with notes and action items. Must be able to work as a team with other Executive Assistants and Administrative personnel, providing seamless support for the executive and the department.
Other duties and projects as needed— Must be able to support with ad-hoc projects for the executive and the department, including setting up new vendors, invoice processing, updating databases, spreadsheets and documents consistently, creating decks, arranging travel for department and non-employee talent, onboarding new hires, and liaising with internal/external vendors. Assist with department purchases, p-cards, and administrative requests as needed
o Pay Range: $47,466.00 - $88,150.0
Assistant Professor of Film, Media and Digital Studies, Davidson College
The department of Film, Media, and Digital Studies at Davidson College invites applications for a tenure-track position in film and media production to begin July 1, 2025. A relevant MFA, PhD, or professional profile in film and media production is required. The successful candidate will have a record of creative activity as evidenced by screenings, exhibitions, commissioned works, or noteworthy experience in the film and media industries. Applicants must also demonstrate a commitment to undergraduate teaching and mentoring. The typical teaching load is five courses per year (four courses in the first year), including introductory and advanced filmmaking, where students work with DSLR cameras, lighting, sound, and editing equipment. The successful candidate will also teach production courses grounded in their expertise and interests. Such courses might include—but not be limited to—the following: screenwriting, animation, documentary film, desktop cinema, short form video, tactical media, or experimental narrative. In all cases, the courses should strive to model the core liberal arts value of integrating creativity with critical analysis.
o Requirements: The successful candidate will have the opportunity to help chart the future of the Film, Media, and Digital Studies department, including the development of production spaces on campus. Davidson offers competitive benefits and salaries, a faculty housing program, a generous sabbatical policy, substantial internal support for faculty research and creative works, as well as support applying for and managing external grants. As part of Davidson’s commitment to supporting faculty development, every new tenure-track faculty member receives mentorship from a faculty colleague in another department, has access to $2,000 in annual funds to travel to professional meetings, and is offered workshops on professional development and inclusive pedagogy.
Torch Literary Arts
Torch Literary Arts welcomes submissions of original creative work by Black women writers. We are interested in work that challenges and disrupts preconceived notions of what contemporary writing by Black women should be. Your stories and poems are valuable and necessary. Write freely and submit what you are excited to share with the world. Submissions are accepted for Friday Features only. We accept submissions on a rolling basis. Simultaneous submissions to other journals are welcome as long as they are identified as such and we are notified immediately upon acceptance elsewhere.
o Deadline: Rolling Basis
o Application Fee: No Fee
o Eligibility: Include a one (1) page cover letter noting the title(s) of the work(s) submitted.
Upload your text submission as a Word (DOC, DOCX) or portable document format/PDF (PDF).
Typed, double-spaced (poetry may be single-spaced) pages.
Numbered pages.
Margins should be set at no less than 1” and no greater than 1.5”.
Poetry: submit up to five (5) poems totaling no more than eight (8) pages.
Fiction, Hybrid genre: 12-point font. No more than ten (10) pages or 2500 words (whichever is achieved first). Excerpts of longer works are welcome if self-contained.
Drama/Screenwriting: submit one act or a collection of short scenes no longer than ten (10) pages. Excerpts of longer works are welcome if self-contained. Indicate if a performance video or dramatic audio reading will be available with the text submission if selected.
Restrictions: We do not reprint previously published work for TORCH Friday Features.
o Categories: Scripts
A24
Based in NY and LA, A24 is the Academy Award-winning film and TV studio behind feature films such as Minari, Midsommar, Moonlight, Ex Machina, Uncut Gems, and this summer’s Zola and The Green Knight. A24 TV productions include the Emmy-winning series Euphoria for HBO starring Zendaya, Hulu series Ramy from Golden Globe-winner Ramy Youssef, the eponymous variety series from viral comedy sensation Ziwe for Showtime, the forthcoming Joseph Gordon-Levitt Apple series Mr. Corman, and the Netflix anthology series Beef starring Oscar nominee Steven Yeun and Ali Wong.
o Seeking: Various Roles
o Location: Los Angeles, CA & New York, NY
o Website: https://a24films.com/jobs
The Kate Spade New York Foundation
o To honor Kate Spade’s legacy of empowering and inspiring women and girls, the National Council for Behavioral Health is excited to provide complimentary Mental Health First Aid training to communities throughout the five boroughs of New York City and New Jersey and in partnership with organizations that specifically support these populations.
What is Mental Health First Aid?
Just as CPR helps you assist an individual having a heart attack, Mental Health First Aid helps you assist someone experiencing a mental health or substance use-related crisis. In the Mental Health First Aid course, you learn risk factors and warning signs for mental health and addiction concerns, strategies for how to help someone in both crisis and non-crisis situations, and where to turn for help.
The National Council for Behavioral Health shares Kate Spade New York Foundation’s belief in “the power of women to transform their communities” through empowerment. In support of this mission, we are offering through a competitive application process, select Mental Health First Aid and Youth Mental Health First Aid training, fully funded!
o Location: New York, NY
o Website
Funding
Sloan Distribution Grant
The Sloan Distribution Grant is a $50,000 grant awarded by Film Independent to a film that is entering its distribution phase. Eligible films must depict themes, stories and characters grounded in real science, technology or economics.
o Deadline: Rolling
o Application Fee: $65
o Eligibility: Applicants must be the producer of a narrative fiction feature film.The film should prominently feature science, mathematics and/or technology in the story and/or have a leading character that is a scientist, engineer or mathematician. Films with innovative marketing and distribution plans are encouraged to apply. All submitted films must be at least 70 minutes in length. Applicants must be legal residents of the United States. Film must be entering its distribution phase.
o Contact: artistdevelopment@filmindependent.org
Panavision New Filmmaker Program
Panavision believes in helping students and beginning filmmakers achieve their dreams. More than 25 years ago, Panavision launched the New Filmmaker Program, an ongoing grant program that loans camera packages to film schools, training programs, and independent filmmakers – at little or no charge. Panavision’s commitment to the industry's future provides student and beginning filmmakers the opportunity to work with professional grade equipment early in their careers.
o Deadline: Rolling
o Application Fee: Free
o Eligibility: Submit your proposals at least two months before you plan to shoot. Due to the high demand for Panavision cameras and equipment, it is essential that you plan ahead and contact us early.
Proposal materials will not be returned.
The New Filmmaker Program does not discriminate as to the nature of the project that can receive equipment grants. Any form, from experimental to documentary to musical to traditional narrative, is welcome.
Camera grants are available only for productions in the United States. Customs laws make transportation of cameras out of the US prohibitive. No exceptions.
The New Filmmaker Program will not allow cameras to be used on projects that perpetuate racial or sexual stereotypes and prejudices. Pornography is absolutely unacceptable.
Grant recipients must obtain insurance from an outside insurance agent. Students can generally have the school issue the necessary policies. Plan ahead! This can take several weeks to implement. The process varies from school to school, so check with your film department. Productions that are not attached to a school must obtain the necessary insurance from an independent broker. Panavision must receive proof of insurance two weeks prior to prep dates. EQUIPMENT WILL NOT LEAVE THE BUILDING WITHOUT PROPER INSURANCE. NO EXCEPTIONS!
Approved proposals are subject to a service fee for equipment.
Anamorphic lenses are not available via the New Filmmaker Program
All gear is requests are subject to availability
o Contact: nfp@panavision.com
Catapult Film Fund
Catapult Film Fund provides development funding to documentary filmmakers who have a compelling story to tell, have secured access to their story, and are ready to shoot and edit a piece for production fundraising purposes. Our mission is to enable filmmakers to develop their films to the next level at a moment where funding is hard to find.
o Deadline: Rolling
o Application Fee: Free
o Eligibility: Applicants must be 18 years of age or older. Catapult does not fund student films.
Documentaries must be 28 minutes or longer in length. We do not fund series.
Animation is okay. Documentary/narrative hybrids will be considered on a case-by-case basis.
Development funds must specifically be used for the process of completing a fundraising piece, which may include writing, shooting and editing once story and characters are in place.
Applicants must own the copyright of their production, and have artistic, budgetary and editorial control over their project.
Applicants should preferably have previous film or television production experience in a principal role (director, co-director, producer, co-producer) as demonstrated by submitting a previously completed work sample.
Applicants who have not yet produced or directed their own feature length documentary should demonstrate that they will be working with an experienced filmmaker in a principal role.
Catapult only makes grants to 501(c)(3) organizations. In most cases, this will mean getting a 501(c)(3) fiscal sponsor for the project. A film production company or individual, including applicants from outside the US, may submit an application without a fiscal sponsor in place. Please see the FAQ section for more details.
o Contact: info@catapultfilmfund.org
Residencies
18th Street Arts Center
18th Street Arts Center values art making as an essential component of a vibrant, just, and healthy society. Its mission is “to provoke public dialogue through contemporary art making.” Founded in 1988, 18th Street Arts Center has fostered and supported the work of many of Los Angeles’ most engaging artists, and has built bridges to artist communities around the globe.
o Deadline: Ongoing
o Application Fee: Yes
o When: Ongoing
o Eligibility: The Visiting Artist Residency Program accepts applications from working, professional artists who demonstrate a deep commitment to their practices. The program is open to artists of all generations, nationalities, and disciplines. Applicants are required to cover studio rental costs themselves. Although we primarily support visual artists, 18th Street Arts Center will consider applications from performing artists, writers, and filmmakers as well.
o Address: 1639 18th Street, Santa Monica, CA 90404
o Contact: 310-453-3711
Other Resources
NOTE: For more resources, visit our pages of Resources - Funding, Submissions, and more.
NYFA SOURCE - The New York Foundation for the Arts maintains the most comprehensive national directory of awards, services and publications for artists in the NYFA Source section of their website.
FILM FREEWAY - Film/Video artists can check Film Freeway at: