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Submission Opportunities for Women in Theatre
(previously known as Theatre Funding Newsletter)
For full #StageOpps Listings please scroll
or click links below for specific listings
Project Submissions
Script Submissions
Onstage
BackSTAGE
Funding
Residencies
Other Resources
If you are a longtime recipient of #StageOpps and #ScreenOpps,
you know that they started as the Funding Newsletters,
brought to you by WomenArts, who still support the ongoing production of these opportunities as well as our Funding Resources pages.
WomenArts' founder and president, Martha Richards,
received the 2020 Elsa Rael VintAge Award
(for Advocacy for Women in the Arts & Media as They Age) from us
on Zoom Saturday, November 14, 2020.
Check out our VintAge page for more info.
Project Submissions
Pyro PlayFest
Paris Junior College Department of Drama's 11th Annual Pyro PlayFest is now accepting submissions! In a season celebrating new voices, we are looking for bold, original short plays that explore the heart of creativity — the human spirit, invention, imagination, and the drive to express. Whether you tackle these ideas literally, abstractly, or metaphorically, we want to experience the spark that fuels your storytelling! The chosen submissions will receive a full production on our 3/4 thrust stage space performed by students and community members in late April 2026, right here in Paris, Texas, on the Duane Allen Stage in the Ray E. Karrer Theater. Please note: This is a non-paying opportunity. While we are unable to offer financial compensation at this time, selected playwrights will have the opportunity to have their work brought to life in front of a live audience by a dedicated team of emerging artists and community members.
o Deadline: January 12
o Application Fee: None
o Eligibility: Unpublished, minimally produced plays (readings okay; no full productions).
Length: 10 minutes or less.
Page Limit: 10 pages max (standard format, 12-pt font, with page numbers).
Cast: No more than 6 characters.
Technical Requirements: Keep it simple — minimal sets, basic lighting, and modest props.
Theme Connection: Must explore creation, humanity, invention, or expression in some form.
o Categories: 10-Minute Plays
FutureFest
The Dayton Playhouse invites playwrights of all races and ethnicities, all gender identities, all physical abilities, and all ages to submit scripts for consideration as a Finalist for FutureFest 2026. Festival dates: July 17 – 19, 2026. The Dayton Playhouse will hold the 2026 festival in person. The submission deadline for FutureFest 2026 is October 31, 2025.
o Deadline: October 31
o Application Fee: Please note our submission fee structure has changed, slightly, for 2026.
The “earlybird” fee for FutureFest 2026 script submissions is still $20 per script. This fee will be reduced 50% for members of the Dramatists Guild to $10. Earlybird fees will be in effect through October 14, 2025.
Script submissions between October 15 and October 31, 2025 will have a fee of $30 ($15 for Dramatist Guild members) per script.
Online payments are available by following this link to our online payment system.
Payment by check or money order, if preferred, should be made payable to “The Dayton Playhouse” and mailed to FutureFest 2026 ℅ Dayton Playhouse, P.O. Box 3017, Dayton, OH 45401-3017.
o Eligibility: Your entry must be an original work written for THE STAGE and intended for an English-speaking audience*. No musicals or plays for children will be accepted. Plays must be full length with a run time of at least 75 minutes. The script must not have been published, or produced where admission was charged, prior to FutureFest 2026. Staged readings/workshop productions are not necessarily disqualifying factors. Playwrights may submit no more than two scripts for consideration for FutureFest 2026. * Scripts may include phrases/sentences from other languages, even characters speaking in other languages, but the primary language of the script must be English.
o Categories: Full-Length Plays
o Contact: futurefest@daytonplayhouse.com
Kingdom Theater
Selecting new 10 Minute and One Act plays From Writers of Color for Black History Month Festival and FEMALE Writers ALL Ethnicities apply for Women's History Month Festival.
o Deadline: October 28
o Application Fee: None
o Eligibility: We will provide the following,
Professional Creative staff, Actors and Actresses Rehearsal and venue for your play to be performed live Off Book
Publicity and Promotion of the play and the playwright
The theatre company fully produces the play, casting, Directing, costuming and staging the play
o Categories: One-Act Plays, 10 Minute Plays
o Contact: Send submissions to: kingdommtctheatre@gmail.com
The Caribbean Writer
The Caribbean Writer (TCW) has issued a call for submissions for Volume 40 under the 2026 theme: 40 years of The Caribbean Writer: A Spectrum of Representation. In addition to the usual call for creative works, we are also issuing a Call for Papers (CFP) focused on the diverse themes explored in The Caribbean Writer over the years, highlighting how our shared humanity emerges through the discourse present in poetry, fiction, and nonfiction. As an international journal, The Caribbean Writer continues to investigate our humanity at home and in the diaspora in an ever-changing world. Through its dynamic publications, it has remained impactful for over four decades. Papers will be presented at the anniversary symposium scheduled for April 2026 and published in an anniversary supplement of The Caribbean Writer. Abstracts will be reviewed by a scholarly panel of seven. Successful papers will be published in a TCW supplement while selected authors will be invited to present their papers at the Conference to be held at the University of the Virgin Islands, St Croix campus.
o Deadline: The proposal’s abstract (or summary) should be no more than 300 words. Abstracts are due by October 31, 2025. Kindly note that submissions for volume 40 will be accepted through November 30, 2025.
o Application Fee: No Fee
o Eligibility: Individuals may submit poems (3 maximum), short stories (2 maximum) and personal essays (2 maximum) on general topics as well as on the theme. The maximum length (for short stories and personal essays) is 3500 words. Only previously unpublished work will be considered. The term “previously published” covers print and electronic publication —including on social media platforms, and self-published items. The Caribbean Writer does not accept simultaneous submissions (items being considered for publication elsewhere). The prospective author should provide contact information including mailing address, phone number, any professional affiliations, brief biographical information (no more than 100 words and such as appears under the “Contributors” section of the journal). In the event that the author’s contact information changes, all updates should be made by the author by logging into the online account.
o Categories: One-Acts
o Contact: submissionsofvenus@gmail.com
Eric H. Weinberger Award for Emerging Librettists
The Eric H. Weinberger Award for Emerging Librettists is a juried cash and production grant given annually to support the early work and career of a deserving musical theatre librettist. It commemorates the life and work of playwright/librettist Eric H. Weinberger (1950-2017), who was a Drama Desk Award nominee for Best Book of a Musical (Wanda’s World), and the playwright/librettist of Class Mothers ’68, which earned Pricilla Lopez a Drama Desk Award nomination. The winner will receive $2,000 to help with cost-of-living expenses. The winning musical will receive development assistance in the 2025 New Works Development Program of Amas Musical Theatre, culminating in an Amas Lab production with New
York theatre professionals. Amas, which is administering the Award, was the development home for several of Mr. Weinberger’s musicals, and which produced the World Premiere of Wanda’s World and the New York Premiere of Tea for Three. With the many setbacks in the theatre industry over the past few years, we are grateful to be afforded this opportunity to continue making theatre and creating an impact in our community. We are excited to begin work with our 2024 winners Daniel and James Cullen on their piece Dubbo Championship Wrestling and welcome a new wave of inspiring voices to our musical theatre family.
o When/Where: New York, NY
o Deadline: November 30
o Application Fee: No Fee
o Eligibility: Be a full-length show (at least 80 minutes)
Have no more than seven actors (actors may play multiple roles, if so please include a suggested breakdown of role distribution)
Be complete and ready for readings, workshops and/or productions
Have a demo that is an accurate representation of the music and style of the show (at least five songs)
Have full underlying rights clearance of any pre-existing material used in the script (music, source material, etc.)
Not have had a full production or be published in any way, even if with a different name.
o Categories: New Musicals
o Contact: amas@amasmusical.org
Nomad Theater
Nomad Theatre seeks 6-10 short plays to be a part of our upcoming show, Down on Honey Dew Acres in May 2026. Submissions will open on August 11th and close on January 1st, 2026 at midnight. Selected playwrights will receive notification by April 7th, 2026. If you have not received notification from us by that date, we did not choose you for the production. Down on Honey DEW Acres will blend immersive storytelling with the laid-back spirit of farm life. Selected plays must take place in a cedar barn on a real Central Illinois farm: Honey DEW Acres. We encourage you to use the space creatively. They must be unpublished and unproduced at the time of submission.
o Deadline: January 1
o Application Fee: No Fee
o Eligibility: 1 submission per playwright.
8-15 pages long (or about ten minutes in length)
Formatted using the Dramatist Guild Guidelines: https://www.dramatistsguild.com/sites/default/files/2020-01/General-SFI-Formatting-Guidelines-Complete.pdf
Cover page should include title, playwright’s name, contact information, brief synopsis, and character descriptions.
Playwright’s name MUST NOT appear on any other pages.
Pages should be numbered.
Minimum of 1, maximum of 4 actors (characters may be double cast)
Must take place in a barn.
No musicals.
o Categories: 10 Minute Plays
o Contact: If you have questions or need any accommodations for submission, please email nomadtheatre@gmail.com
The Richard Rodgers Awards 2026
The Richard Rodgers Awards were created and e ndowed by Richard Rodgers in 1978 for the development of the musical theater. These awards subsidize full productions, studio productions, and staged readings by nonprofit theaters in New York City of works by composers and writers who are not already established in this field. The winners are selected by a jury of the American Academy of Arts and Letters. The Richard Rodgers Awards are the only awards for which the Academy accepts applications.
o When/Where: New York, NY
o Deadline: October 31
o Application Fee: No Fee
o Eligibility: The name(s) of the author(s) must not appear on any of the items submitted, with the exception of the application form. Include only the title of the work on the script and plot summary. Please be sure author names are not included in music file metadata.
Entry must include:Script with lyrics, in PDF format.
Half-page synopsis of the action and a list of characters, in PDF format.
A separate track sheet (PDF) of recorded songs with page numbers indicating where they appear in the script and specifying the total number of minutes recorded.
At least 45 minutes of music, including a minimum of eight songs. Orchestrations are not necessary; piano and vocals are sufficient. Songs must be numbered in sequence (e.g. 01 Song Title.mp3) and each song’s lyrics clearly typed into the script where it appears. Tracks must be uploaded in the order they appear in the script.
Application form signed by all collaborators (see below). Applicants submitting work that has already been produced must give full information concerning these productions, including programs. A work is not eligible if one of the collaborators is deceased.
If applicable, a statement of intent declaring how the applicants would use the award if their musical is a winner. If the piece is already attached to producers or a theater, even if tentative, these associations must be declared here.
If the submitted work (or a portion thereof) is an adaptation of material which is not in the public domain, candidates must submit licenses, permissions, or authorizations necessary to permit the work to be produced in conformity with applicable copyright laws. The music must be original.
Applicants will be notified of the jury's decision by March 2023.
o Categories: Musicals
o Contact: 212-368-5900
Blackboard Plays - Reading Series Submission
Founded in 2008, Blackboard Plays has been devoted to Black Playwrights throughout the African Diaspora.
o Deadline: None Given
o Application Fee: Free
o Eligibility: Black Playwrights Submit up to 10 pages in consideration for a Feature reading. A Feature and a Community Night are the two main ways to have your work supported by Blackboard. Those not selected for a feature, are encouraged to attend a community night, which is structured like an Open Mic Night for Playwrights, where up to 10 pages is cold-read by Actors in person or on Zoom (During COVID-19 Social Distancing Practices).
o Categories: Short Plays, Plays
NYLonFusion
We are accepting new works for our 2025/ 2026 This Round’s On Us festivals, each of which will focus on certain broad eras.(see below). But the plays do not necessarily have to be set in these time periods, but they should at least be informed by the social, cultural and/or political happenings of the time. Whether you find inspiration in the movies, music or theater of a particular era, the major events that formed the historical narrative or which have been ignored by history, or the everyday lives of people in the bygone days of the not-so-long-ago, you can send your 10-minute play to NyLonFusion@gmail.com
o Deadline: The Gilded Age/Cage Deadline: February 15th, 2025. (Festival June 27-28), The New Deal Deadline: June, 1, 2025, The Great Society Deadline November 12, 2025
o Application Fee: No Fee
o Eligibility: Each submission should be no longer than ten pages or approximately 10 minutes in length. Not have been previously produced. To be considered This Round's On Us please submit/email the following: A cover letter, brief synopsis, resume and full script to nylonsubmissions@gmail.com Please be specific as to which project you are submitting to. Write on the SUBJECT LINE For example: This Round’s On Us: The Gilded Age/ Cage.
o Categories: Short Plays
o Contact: NyLonFusion@gmail.com
Neurodivergent New Play Series
Neurodivergent playwrights in NYC since 2023 - is accepting recurring submissions as we prepare for our 2024-25 Season.All submissions should be for full-length plays between 45 to 180 minutes long and may have received a previous reading or production outside of NYC, as long as they are unpublished. All neurodivergent/disabled writers (autistic, ADHD, dyslexic, OCD, Tourette's, etc.) at all stages of their careers are encouraged to apply - especially BIPOC, LGBTQ+, and female-identifying writers. There is no submission fee or any other fee for being involved in this process.
o Deadline: Rolling Basis
o Application Fee: None
o Eligibility: Plays can be of any genre, although we are especially seeking works that challenge traditional methods of storytelling & have something important to say about the world that isn't being heard enough. We ask that you submit only one play every 30 days during our recurring submissions process.
Contact: neurodivergentplays@gmail.com
o Categories: Full-length Plays
Freshwater Theatre
Freshwater Theatre prides itself on constantly working with new artists, expanding our family. We’re always on the lookout for new scripts and new technical artists to work with.
o Deadline: Ongoing
o Application Fee: Free
o Eligibility: While we certainly are interested in world premieres of new plays, we also are very interested in second and third productions of new works, as we believe this to be the key to finding the works that will propel theater into the future.
We will only respond to playwright submissions for plays that come into serious consideration for future production. We cannot give any specific time frame on if/when a response will be given.
o Categories: New Plays
o Contact: info@freshwatertheatre.com
SCRIPT Submissions
Hepburn Hooks Theatre Co: "Brown Skin Girl"
For the second edition of our evenings of shorts, we are seeking out four female, BIPOC playwrights whose works we will fully produce and present at a London venue to be determined. A clear element of inspiration for our very first endeavour is legendary superstar and timeless icon Beyoncé's 2019 song "BROWN SKIN GIRL", a gorgeous, heartfelt celebration of Black girl/womanhood. Its music video (which we enjoin you to watch, if you haven't already, features a plethora of Brown Skinned Girls and illustrates the broadness of this term!) The plays may be set in any era, they may tackle whatever subject you desire, the stories may even not centre Black/Brown women at all! We are quite simply looking to pick the brains of young, BIPOC female playwrights from all over the world and get a sense of how they feel about the world at large, or about very specific things in it. Let your imagination run wild, do not be afraid to be goofy, cringey, subversive or unapologetically militant - we want to see and hear it all!
o Deadline: December 15
o Application Fee: None
o Eligibility: There is no entry fee for this opportunity.
This year, we are happy to announce that all four selected playwrights will receive a 100 GBP stipend. The remaining three playwrights will be offered a free yearlong subscription to www.playsubmissionshelper.com, the most comprehensive and up-to-date online directory of play submission opportunities available anywhere.
Playwrights must be aged (at least) 18 at the time of submission.
Your play should have a running time of 10 to 15 minutes.
Your play should require no more than 4 actors and minimal props.
Your play should be in English (mainly).
The play should be original, unpublished and it should not have been performed in the UK as of the day of submission.
Submissions containing copyrighted material that does not belong to you cannot be accepted.
Unfortunately, we cannot yet accept musicals.
Your play should NOT BE BLIND.
The document you submit should be a PDF.
Unfortunately, written feedback will only be provided to short-listed writers.
All submissions are final. No revisions to the text of a play will be accepted after it is submitted.
o Categories: Short Plays
WRPN Women’s International Film Festival
Welcome to the WRPN Women's International Film Festival, where distribution and feedback opportunities abound for films made by women or those that address issues affecting women. WWIFF is a sister festival to the Depth of Field International Film Festival, a FilmFreeway “Top 100 Reviewed” festival alumnus.
o When/Where: June 20
o Deadline: October 31 (Regular Deadline), November 30 (Late Deadline), December 31 (Extended Deadline), March 31 (Last Chance)
o Application Fee: $50-$130
o Eligibility: While WWIFF is a female-focused film festival, we also accept films produced and/or directed by men if one or more self-identifying top production members are female (including, but not limited to, cinematographers, producers, writers, editors, or films featuring a strong female presence on screen). We will not exclude films directed by men if the topic is significant to women and women's issues.
o Categories: Play
The Gay Players
Are you a Playwright? A Scriptwriter? A Person with a story? The Gay Players are looking for an original script to perform next summer! For our next show, we are looking to highlight 2SLGBTQIA+ voices. We will announce our selection in late November or early December.
o Deadline: October 10
o Application Fee: None
o Eligibility: Must include two LGBTQIA+ Themes
Approximately 1-2 hours in Length
Written in Standard Script Format (12pt Font, Times New Roman)
o Categories: Full-Length Plays
o Contact: Please email all scripts and questions to: eyrin.thegayplayers@gmail.com
Theatre Noir Blanc
Theatre Noir Blanc is a new theatre company based in the city of Dallas, Texas. Our mission is to create, develop, and produce original works that explore the gay interracial experience–pushing boundaries, taking creative risks, and fostering an inclusive community that inspires a future generation of theatre-makers. We are launching our inaugural season in 2026 and preparing for the 2027 season. Our goal is to produce four original unproduced full-length plays each season that explore our mission statement. The vision of Theatre Noir Blanc is to elevate these bold, untold narratives by national and international playwrights that reflect the richness and complexity of a diverse world.
o Deadline: October 5
o Application Fee: None
o Eligibility: Unproduced plays (workshops and readings are fine)
Original full-length plays that are at least 65 pages (no first or second drafts)
Cast of 1 to 8 (7 to 8 with dual roles)
Your play must be in either the Dramatists Guild Modern or Traditional Stage play format; if it is not, your play will not be read
Please send your script in .PDF format only
Only one play can be submitted by the playwright
Playwright’s CV
We accept submissions from September 6 to October 5, 2025
We will respond to all submissions within 6 months
o Categories: Full-Length Plays
o Contact: We are a new theatre company focused on fulfilling our mission statement. We encourage you to reach out to us at literary@theatrenoirblanc.org with any questions you may have about submitting your play and our mission.
Obsidian
Obsidian cultivates, through publication and critical inquiry, Black imagination, innovation, and excellence—supporting Black, African, and African Diaspora creatives globally. Obsidian celebrates nearly fifty years of continuous publication and is dedicated to publishing contemporary poetry, fiction, drama/performance, visual and media art biannually in print and year round online. Supported in part by a grant from the National Endowment for the Arts, Obsidian: Literature & Arts in the African Diaspora is a peer-reviewed journal published by the Publications Unit in the Department of English at Illinois State University, a body corporate and politic of the State of Illinois and a 501(c)(3) organization. Founded in 1975 and recognized for editorial achievement by the Council of Editors of Learned Journals and the Illinois Arts Council Agency, Obsidian’s full archive is available through JSTOR.
o Deadline: October 16
o Application Fee: None
o Eligibility: Drama/Performance: submit one act or a collection of short scenes no longer than twenty pages (20) following Samuel French or the Dramatists Guild suggested formatting. Excerpts of longer works are welcome if self-contained.
o Categories: Short Plays
Theatre Now Soundbites Festival
Theatre Now defines a 10-minute musical as any piece that can be performed in 10 minutes or less; has a beginning, middle, and end story arc; and includes music. Having produced over 100 pieces, we want musicals that are diverse and current, that test the musical form and communicate a well-crafted story. We accept musicals across all styles and genres and are happy to consider foreign language and/or bilingual scripts. We strongly encourage submissions from female, BIPOC and LGBTQ+ writers as well as writers with disabilities.
o Deadline: December 1
o Application Fee: Free
o Eligibility: Please review the following criteria thoroughly before sending your submission:
Ten-minute musicals will be accepted from July 1st, 2025 - December 1st, 2025 at midnight.
Submissions will not be considered before July 1st or after the deadline.
Musical theatre writers can submit no more than two scripts during the current submission period.
The story must have a beginning, middle, and end.
We accept submissions in foreign languages or that are bilingual. Although the application process is in English, the work itself may be submitted and performed in any other language if selected.
Each piece must include music.
All submissions must be submitted via the submission form. No physical copies.
Each musical must not exceed ten minutes when performed. If accepted, cuts may be required.
Longer one-acts or full-length musicals will not be considered, although the submission may be a 10-minute portion of a longer piece as long as it tells a complete story with a beginning, middle, and end story arc.
A musical may be a previously-produced work with a production history.
We have no formal script formatting guidelines, but all scripts should be easy to read.
The volume of submissions prevents us from providing feedback on all submissions.
If your piece is visual (i.e. choreography-heavy), please include video footage or detailed descriptions.
o Categories: Short Musical
THE ALEXANDER NDERITU PRIZE FOR WORLD LITERATURE (2025) seeks short plays
The African Griot Review is proud to announce the return of the Alexander Nderitu World Literature Prize! The 2025 Edition will honour original, one-act stage plays from anywhere in the world. A single winner will be chosen by the founder of the prize, Kenyan-born writer and critic Alexander Nderitu. The longlist will be announced in December 2025. The shortlist will be announced in February 2026 and the eventual winner will be unveiled at a literary event in April 2026. The winning playwright will walk away with a cash prize of 50,000, a one-year online promotion campaign by IT form Websoft Interactive and grace the cover of The African Griot Review magazine. The 2024 winner of the prize was Nigeria’s Haliru Ali Musa, for his short story, The Pregnant Ghost. There is no entry fee.
o Deadline: November 15
o Application Fee: Free
o Eligibility: Territories: The contest is open to writers anywhere in the world, aged over 18.
Language: All entries must be in English. Translations and adaptations are not eligible.
Work: The entry must not be optioned, commissioned, performed or been previously published anywhere, including online. Simultaneous submissions are fine but please inform us if your work is published or staged elsewhere during the judging process. We’re looking for a play that is roughly 10 – 15 minutes long. A minute of dialogue is roughly one page of script. The playwright’s name must not appear anywhere on the submitted document. One may submit up to three different plays. Each play must have only one writer, no collaborators. Plagiarism and assistance from Artificial Intelligence (AI) writing tools are grounds for instant disqualification.
While not essential, the Standard Stage Play format is recommended. Free guide available here: https://caryplaywrightsforum.org/wp-content/uploads/2012/07/CPF_play_formatting2.pdf
Judging: This year’s contest will be judged by award-winning writer and critic Alexander Nderitu. Apart from penning his own stage plays, he has also authored two non-fiction books on the theatre business - Kenyan Theatre: The Good, The Bad and The Ugly and This Time With Feeling.
o Categories: Short Plays
o Contact: For any inquiries regarding the Prize, please email: admin@theafricangriot.com
Eclectic Full Contact Theater Company 5th Annual Patchwork Play Festival
Eclectic Full Contact Theater Company announces the opening of submissions for the 5th annual Patchwork Play festival. To be presented at The Edge Theater, 5451 N Broadway, Chicago, IL. Feb. 20, 2026 - March 1, 2026 We are currently accepting submissions of New One-Act Plays that embody this years theme of: Hope
o Deadline: October 31
o Application Fee: Free
o Eligibility: Play must be previously unproduced. (Staged Reading are fine)
Play length not to exceed 30 minutes.
Play must reflect the yearly theme. This years theme is: Hope
Play must be received by October 31, 2025
Playwrights cannot submit more than 2 scripts per year for Patchwork. If more than 2 scripts are submitted by the same playwright, we’ll pick 2 at random. Only one play per playwright may be featured per Patchwork Festival per season.
Scripts cannot contain copyrighted music unless the playwright owns the music’s copyright, or has written permission from the music’s copyright owner.
We are not accepting musicals at this time.
o Categories: New Plays
o Contact: Patchworkplayfest@gmail.com
Southern Soul Theatre Ensemble Presents the Inaugural 10x10 Play Festival
The Southern Soul Theatre Ensemble proudly announces the Inaugural 10x10 Play Festival, celebrating creativity, culture, and community! In honor of Juneteenth, this festival amplifies Black and Latinx voices through a dynamic showcase of 10-minute plays.
o Deadline: None Given
o Application Fee: None
o Eligibility: Eligibility: Open to Black and Latinx playwrights (one submission per playwright).
Play Length: 10-minute plays (8-10 pages).
Cast Size: 2-6 characters.
Themes: Works should reflect the diversity of Black and Latinx cultures; all genres welcome.
Original Work: Must be unproduced or have had limited exposure (readings/workshops accepted).
Format: PDF submissions only, including a title page with name, contact info, and a brief synopsis.
Deadline: Selected playwrights will be notified by April 15th.Southern Soul Theatre
o Categories: Plays
The Autry: 2025 OPEN Submission for Production Consideration
We accept scripts all year long. Do you have a full-length script that has been developed and produced that you would like us to consider for a future Native Voices production in Los Angeles? Please follow the Checklist for All Submissions below and in the Native Voices Script Submission form, check the box for 2025 General Production Consideration.
o When/Where: Open all year
o Deadline: None Given
o Application Fee: None
o Eligibility:Full-length plays (60+ pages) receive will be read and evaluated.
o Categories: Full-length Plays
NY Theatre Festival Spring/Summer and Fall/Winter
This is a unique opportunity to invite people from the industry to see your production! People are more likely to go see a show than to read an unsolicited script - some industry people receive on average thousands of submissions per month. They understand that the journey for a show to be successful often goes through several productions and this is your chance to show that you can start that process! Our dedicated team is here to help you get your work out. We are with you from the moment you begin tech rehearsals, all the way through to your closing performance. You will never be left alone during the process. We will help you choose from the 85 set/furniture pieces we offer to dress your stage for your run, and we will give you a complete crash course on how to use the audio/light/video system in just 3 minutes, which are intentionally designed to be very user friendly. After we show you how to use the tools we provide and how to best utilize the space, The Festival’s team will provide prime responses to every inquiry, as well as a telephone # you can call anytime during relevant hours throughout the run of your show. In 12 years and 22 seasons we have successfully hosted 1,400 plays and 300 musicals, as well as rewarding over 300 participating artists cash prizes.
o Deadline: TBD
o Application Fee: None
o Eligibility: Submissions Accepted from a 30-mile radius outside of Manhattan and only run if the entire cast and crew are from New York City. Plays are considered on a first-come, first-serve basis. The earlier you submit, the better your chances are of having your script invited to the festival. Each applicant is fully responsible for all elements of their production, including directing, casting, stage-managing. We know exactly what you need to make your show a success and we welcome you into our community of playwrights and theater innovators!
o Categories: Plays, Musicals
Torch Literary Arts
Torch Literary Arts welcomes submissions of original creative work by Black women writers. We are interested in work that challenges and disrupts preconceived notions of what contemporary writing by Black women should be. Your stories and poems are valuable and necessary. Write freely and submit what you are excited to share with the world. Submissions are accepted for Friday Features only. We accept submissions on a rolling basis. Simultaneous submissions to other journals are welcome as long as they are identified as such and we are notified immediately upon acceptance elsewhere.
o Deadline: Rolling Basis
o Application Fee: No Fee
o Eligibility: Include a one (1) page cover letter noting the title(s) of the work(s) submitted.
Upload your text submission as a Word (DOC, DOCX) or portable document format/PDF (PDF).
Typed, double-spaced (poetry may be single-spaced) pages.
Numbered pages.
Margins should be set at no less than 1” and no greater than 1.5”.
Poetry: submit up to five (5) poems totaling no more than eight (8) pages.
Fiction, Hybrid genre: 12-point font. No more than ten (10) pages or 2500 words (whichever is achieved first). Excerpts of longer works are welcome if self-contained.
Drama/Screenwriting: submit one act or a collection of short scenes no longer than ten (10) pages. Excerpts of longer works are welcome if self-contained. Indicate if a performance video or dramatic audio reading will be available with the text submission if selected.
Restrictions: We do not reprint previously published work for TORCH Friday Features.
o Categories: Scripts
The Tank Presents
Each season, our The Tank Presents program serves hundreds of emerging artists as they create over 1000 performances of new works in music, theater, film, dance, comedy, and storytelling. As part of our mission to remove the economic barriers from the creation of new work, we never charge our artists to use our space for their performances! In addition, we also provide free rehearsal space, as well as free marketing and promotion of their event. Our The Tank Presents presenting model removes the daunting cost of space rental from the equation of art making, and provides an affordable home for emerging artists to create art that pushes the boundaries of their mediums. Through this program, artists can present readings, works-in-development, short runs of full theatre productions, screenings, concerts, storytelling festivals, comedy shows, and more.
o Deadline: None Given
o Application Fee: None
o Eligibility: To submit work for consideration as part of Tank programming, please email submissions@thetanknyc.org with the following information:
Show title
Discipline (theater, music, comedy, etc.)
Approximate running time
Summary of piece
Brief summary of artistic goals
Brief explanation of how the piece exists in the world (i.e. - art exhibit, soundscape, outdoor experience, digital hybrid)
Sample of work that will give us a sense of what it is you’re trying to make and that you know how to make it
Bio of lead artist(s)
The name of the Tank show you viewed
Submissions are accepted on a rolling basis.
o Categories: Plays
o Contact: submissions@thetanknyc.org
Diversionary: Seeking new, full-length LGBTQIA+ works
Diversionary is always seeking new, full-length LGBTQIA+ works for consideration. Please follow the guidelines below if you would like to submit your work. Because of the volume of submissions, those that do not follow the guidelines will not be considered.
o Deadline: None
o Application Fee: None
o Eligibility: Please send all of the above items as a single document in pdf format to frankie@diversionary.org. For music, please send the items in mp3 format or include a link to be accessed. No physical submissions sent to the theatre will be considered.
a one-page synopsis, character breakdown, and playwright bio
a development/production history of the submitted work (including date written and any readings, workshops, and full stagings)
a ten-page sample of the work
three audio recordings of music, twelve minutes total, if it’s a musical
o Categories: Full Length Plays, Musicals
o Contact: frankie@diversionary.org
Murmuration Theatre
Murmuration Theatre Company is seeking plays that have a cast size between 2-11 for our 2023 & 2024 seasons Accepting work for consideration in the following categories: New Voices Showcase: Curated selection of 4-10 new plays (scripts 2 - 40 pages); fully staged and directed by our creative team. Mainstage Show: a one act or full length play (scripts 35 - 120 pages); fully staged and directed by our creative team. In development: Actor's Lab Performance Series: a monthly selection of scenes or short plays (any length), performed at workshop or staged reading level.Playwrights selected for our mainstage production will receive $30 per performance of their one-act or full length play; playwrights selected for our New Voices Showcase will receive $10 per performance of their short or one-act.
o When/Where: Brooklyn, New York
o Deadline: None
o Application Fee: None
o Eligibility: Please submit PDF copies of scripts via the google form below, and feel free to reach out to murmurationtheatreco@gmail.com with any questions or concerns. Multiple submissions are allowed. Preference will be given to playwrights who are able to attend at least one performance of their work in the NYC area.
We will be accepting submissions on a rolling basis, and hope to be in touch with responses within 30 days of submission. Please feel free to reach out after that point if you have not received word from our team.
Solo Shows, Theatre for Young Audiences and Musicals will not be considered.
New writers as well as writers with voices that have historically been underrepresented in the theater industry (gender identity, sexual orientation, race, ethnicity, religion, ability status, etc.) are encouraged to apply.
o Categories: Full-Length Plays, One-Acts
o Contact: murmurationtheatreco@gmail.com
Manhattan Repertory Theatre Play Production Program
Self-Produce a production of your best play in New York City as live theatre comes back to life in this New Renaissance of Theatre. We will do all the work, from hiring a production team and staff, to casting, directing, building costumes, set design, lighting design, payroll and more. From 3 performances to 20 performances for one simple Production Fee. Pre-Pandemic, 2017 - 2019, we produced 60 plays in Midtown Manhattan for playwrights all over the world. Production time frames available: Late Autumn 2021, Winter/Spring 2022.Currently, as we move back into production in New York City, we are only accepting Full-Length plays and Musicals - 60 to 150 minutes. Production fees range from $12,000 to $50,000 depending on the "size" of your production, scenic elements, and the number of performances.
o Deadline: TBD
o Application Fee: None
o Eligibility: If you are serious about self-producing your play in New York City, please forward us: An email cover letter with information about you and your work. your play attached as a .pdf, an attached Synopsis of your play, with the approximate running time, and your set, lighting and costume requirements.
o Categories: Full Length Plays, New Plays
o Contact: manhattanrep@yahoo.com
Shubert Fendrich Memorial Playwriting Contest
To encourage the development of quality theatrical materials for the educational, community and children’s theatre markets, Pioneer Drama Service is proud to sponsor the annual Shubert Fendrich Memorial Playwriting Contest. This is an ongoing contest, with a winner selected by June 1 each year from all eligible submissions received the previous year. All eligible plays accepted for publication will be considered contest finalists, from which the winner will be selected. The contest winner will receive a $1,000 royalty advance in addition to publication.
o Deadline: Ongoing
o Application Fee: None
o Eligibility: You can start the submission process by contacting us here.
We will only consider manuscripts with a running time between 20 and 90 minutes.
Submissions must be family friendly in both subject and language. NO cursing. NO explicitly adult content.
We prefer casts that are either balanced or favoring females. The more gender neutral roles, the better.
We favor plays and musicals with ensemble casts, where more than just a few have a chance to shine.
Plays with elaborate set, costume or technical requirements are not appealing because of the limited resources of many of our customers. Pictures, sketches or descriptions of your vision are always helpful.
We recommend your submissions have had at least one production or reading, hopefully staged. We feel this fundamental field test is necessary before a play can be considered for publication since plays are created for the purpose of performance.
Manuscripts must be computer-printed in dark ink. We do not require specific formatting. However, your efforts to ensure your script is free of misspellings and typos will help the submissions editor.
We hope that Pioneer Drama is your first choice as a publisher, and we encourage you to submit to us exclusively. However, we do accept simultaneous submissions with the understanding that you will accept the first contract you’re offered and not use the situation to seek multiple offers from which to choose. If you receive another offer, please notify us immediately so we may rescind your submission.
The following information must accompany your submission or query:
100-200 word synopsis.
Cast list that indicates the number of female roles, the number of male roles and the number of roles that can be performed by either gender. We do not accept one-person shows.
Running time.
CD and/or score for musicals. We appreciate the opportunity to hear the music, if possible.
Set design(s). Please feel free to provide diagrams and/or pictures.
Proof of production or staged reading (i.e., review, program, etc.) A DVD of your performance is ideal, though not required.
Age of intended audience.
A self-addressed envelope of sufficient size with appropriate postage for the return of your materials. We will NOT return manuscripts or accompanying material if this is not included.
Cover letter and/or resume.
o Categories: family friendly
o Address: Pioneer Drama Service, Inc. Attn: Submissions Editor PO Box 4267
Englewood, CO 80155-4267
o Contact: https://www.pioneerdrama.com/ContactUs.asp?ID=6
Urban Stages Emerging Playwright Award
Our $500 Emerging Playwright Award (coupled with press coverage) is given to playwrights who show excellence and dedication throughout this process – from development to the stage. Out of hundreds of submissions a year, we select 15-20 plays for readings. From these, we select 1-3 plays annually to go on to our workshopping phase. Our workshops are meant to prepare a play for our Off-Broadway stage. From our workshops, we select 1-2 plays for full productions, complete with a playwright’s contract and compensation (separate from the award).
o Deadline: Ongoing
o Application Fee: None
o Eligibility: Plays may have been developed or produced elsewhere, but never produced in New York City. Plays from overseas and throughout the US are accepted and considered, but special attention will be given to playwrights who live in or near New York
o Categories: Full Length Plays, New Plays
o Contact: 212.421.1380
Onstage
DIVERSION - NYC EPA (10.06.25) & (10.07.25)
Diversion by Scott Organ, an off-Broadway production directed by Seth Barrish, Opening November 2025
o Deadline: October 6-7
o Details: Please prepare a 2-minute contemporary monologue and bring your headshot and resume stapled together.
o Audition Information:
In Person: The Barrow Group 520 8th Ave #901 New York, NY 10018
o Salary: Mini $793 weekly minimum
For more Onstage opportunities, visit Backstage.com; ActorsAccess.com; and Playbill.com.
Backstage
Assistant Director Events, Jazz at Lincoln Center
The mission of Jazz at Lincoln Center, Inc. (“JALC”) is to entertain, enrich and expand a global community for jazz through performance, education, and advocacy. From college students to young stars, from working professionals to celebrated masters, we present quality jazz for an ever-increasing audience in an unprecedented range of activities and a variety of venues. We are dedicated to lifting audiences and bringing people together with substance and with integrity. JALC has created a dynamic platform where our key constituents – jazz artists (beginner to grizzled veteran), fans (casual listeners to advanced scholars), educators (local band leaders to leading artist-educators) and advocates (local community advocates to important national promoters) – can meet, engage, learn, and work towards common objectives. The Assistant Director, Events is responsible for leading and managing a portfolio of events in Frederick P. Rose Hall, Dizzy’s Club, private residences, and other venues in support of the Jazz at Lincoln Center Development team. Management includes internal and external communications, drafting and sending invitations, tracking RSVPs, and updating donor records. They are responsible for planning and executing cultivation events in close coordination with multiple stakeholders across the organization. The Assistant Director also works closely with and supports the Director of Events on the annual Gala and other major cultivation events. They interact directly with Jazz at Lincoln Center senior leadership, members of the Board of Directors, and other important donors.
o Key Responsibilities include:
Partner and collaborate with the Director of Events and other Development team members to plan and successfully execute 30+ events annually, managing a portfolio of events and assisting with the Director on others.
Strategize on different fundraising approaches for the Gala to successfully hit the $3M fundraising goal and support the Director of Events on all planning and execution.
Build the primary event calendar each season for all Development-related events and work to maintain and update all ancillary timelines.
Manage internal communications and tracking for collateral, RSVPs, catering, and production needs with colleagues across the institution including Concerts & Touring, Brand, Sales & Marketing, Frederick P. Rose Hall, Dizzy’s Club, and Great Performances, JALC’s in-house caterer.
Compile and manage invitation lists and record attendance in Tessitura.
Track expenses and manage event budgets.
Ensure consistent high-quality service and execution standards when working with clients and staff.
Coordinate special projects for the Leadership team as assigned.
Oversee Events administrative folders, work with the events team to build Event SOPs, and propose new systems to streamline the event planning process.
Evening and weekend work required; domestic travel as needed.
o Compensation: $85,000.00 To $95,000.00 Annually
Dean of Musical Theatre, Manhattan School of Music
The incoming Dean of Musical Theatre will join an institution with a clear vision for the future, a commitment to innovative practices that support students’ artistic growth, and a collaborative and supportive spirit. Building upon the successes of our past, the new Dean will work to enhance the School’s reputation as a leader in professional performing arts education with a history of excellence. The portfolio of responsibilities for the successful candidate will include:
o Key Responsibilities include:
Possess a deep commitment to work in an educational environment that supports MSM’s mission and Cultural Inclusion Initiative.
Inspire and demonstrate collaborative leadership among faculty and staff to foster and retain a high level of collegiality within and across departments.
Create a vibrant and cohesive vision for the Division’s goals to train and prepare performing artists to thrive as artists in a contemporary, ever-evolving professional landscape.
Explore and promote external artistic partnerships to elevate performance opportunities to create more visibility for the program.
Work with the Office of Philanthropy to identify donors and strategies for increasing scholarship, capital, and production support.
Serve as a member of MSM’s leadership councils, including the President’s Council, the Provost’s Council, and the Academic Leadership Council.
o Compensation: $150,000.00 – $165,000.00 per year
o To Apply: Applications must be submitted online using this link Upload a cover letter, resume/curriculum vitae, and list of three references. For fullest consideration, application materials should be received by November 1, 2025. Application review will continue until position is filled.
Director of Marketing and Communications, Asolo Theater
The Director of Marketing is responsible for leading the strategic vision and daily operations of Asolo Repertory Theatre’s Marketing Department, with direct responsibility for driving earned income and audience engagement. This position oversees institutional branding, advertising, public relations, and customer-facing services including box office, house management, and concessions. As a key member of the leadership team, the Director of Marketing ensures that the theatre’s messaging, reach, and revenue objectives align with its artistic mission and community values.
o Key Responsibilities include:
Strategic Leadership
Serve as a member of the leadership team, contributing to institutional strategy, planning, and cross-departmental initiatives.
Represent the Marketing Department and its priorities in presentations to the Board of Directors and other external stakeholders.
Design and implement comprehensive marketing strategies to meet or exceed earned revenue goals from ticket sales, subscriptions, and auxiliary income sources.
Lead audience development efforts with a focus on growth, retention, and broadening community engagement.
Marketing and Communications
Oversee all advertising, media placement, public relations, social media, and digital communications, ensuring alignment with Asolo Rep’s brand and mission.
Supervise the development of print and digital collateral, including season brochures, show programs, signage, and email campaigns.
Identify and activate promotional opportunities, partnerships, and community collaborations that extend reach and increase impact.
Maintain productive relationships with media outlets, advertising partners, and vendors.
Revenue Oversight
Establish earned income projections and pricing strategies in collaboration with the Managing Director and Artistic Director.
Create and manage marketing budgets across all revenue streams, including single tickets, subscriptions, group sales, and concessions.
Monitor performance metrics and adapt strategies to optimize return on investment.
Operational Oversight
Direct and support the operations of the box office, front-of-house/house management, and concessions in coordination with departmental managers.
Foster seamless integration between marketing, customer service, and production schedules to ensure audience satisfaction and operational efficiency.
Team Leadership
Hire, train, supervise, and evaluate marketing and customer service staff, including managers, coordinators, and seasonal personnel.
Cultivate a collaborative, innovative, and inclusive departmental culture where staff are supported and empowered.
Lead ongoing efforts to improve internal processes, communication workflows, and audience insights through data and research
o Compensation: $100,000-115,000
o To Apply: Please send a cover letter and resume to ASOLO_HUMAN_RESOURCES@ASOLO.ORG. Applications will be reviewed on a rolling basis until the position is filled. If you are excited about this role but don’t meet every single requirement, we still encourage you to apply. We value transferable skills, varied perspectives, and a genuine passion for our mission.
Director of Development, Lincoln Center Theater
Lincoln Center Theater has produced over 200 plays and musicals at the Vivian Beaumont, Mitzi E. Newhouse, and Claire Tow Theaters at Lincoln Center and other theaters on and off-Broadway, as well as touring productions nationally and around the world. LCT is committed to developing and producing new works and classics with an emphasis on the work of new and emerging playwrights, directors, and designers. LCT’s education program, Open Stages, reaches thousands of public-school students annually with curriculum-related projects, teaching artist support, and tickets to LCT productions. Reporting directly to the Executive Director of Development and Planning, the Director of Development is responsible for overseeing critical elements of Lincoln Center Theater’s Annual Fund as well as carrying a full major and principal gifts portfolio. This role interfaces regularly with the LCT Board of Directors, acting as liaison to several board committees, and serves as a senior member of the development team of 15. This role is both strategic and tactical, with a sharp focus on generating revenue and establishing fundraising best practices. This new position is part of a plan to meaningfully increase the annual fund and launch ancillary fundraising initiatives over the next three years in a fast-paced and growing Development Department now raising $14.5 million annually. This position is expected to be in office 4 days a week.
o Essential Duties
Carry a portfolio of approximately 100 donors and prospects, creating and implementing a plan for annual giving and special campaign giving across the portfolio. Track all donor engagement in Tessitura and assign prospects to other members of the team when appropriate.
Help strengthen and diversify the fundraising program by expanding LCT’s donor base across all sectors, with a focus on individual giving. Develop and execute data-driven, research-based strategies for acquisition, retention, and upgrading of key prospects.
Identify and cultivate new prospects as program supporters (production funding, education programs, community programs, new play development, etc.); manage cultivation, solicitation and stewardship activities related to new program underwriting.
Meet and exceed fundraising goals, as determined annually during organizational budgeting process.
Monitor industry fundraising trends and help adapt and redirect LCT’s fundraising plans accordingly.
Build strong relationships with members of the artistic and education teams at LCT, and leverage staff in these teams as well as the Managing Director for fundraising purposes.
Board Engagement
Build strong relationships with board members to ensure maximum engagement
Act as solicitor for a selection of board members.
Prospect for new board members, taking all steps towards nomination, from cultivation through to nomination and on-boarding
Act as chief staff liaison and worker to the Board Development Committee, convening meetings, creating an agenda, and working with the Executive Director and the committee leadership on materials and presentations.
Leadership and Outreach
Directly supervise activities of the Patron Program and Angels Program, managing a two-person Individual Giving team, and support all components that make up these two membership programs. Bring a strategic eye to these programs to ensure that they are performing at peak, with both programs showing annual growth in the foreseeable future (baseline is $1.6M).
With Director of Individual Giving, and in partnership with the Chief Marketing Officer, launch a Friends Program that will grow over five years to provide a meaningful new source of annual income to LCT. Leverage new Tessitura database system and new marketing strategy in this cause.
Directly supervise the Development Operations group of three, ensuring a robust support system across the development team. Oversee deeper department systems in gift acknowledgement, budget tracking, integration with the marketing team, materials development, communications calendaring and data review.
Represent the organization externally at a range of events that offer prospecting opportunities. Be on the lookout for cultivation opportunities,
As Deputy to Executive Director of Development and Planning, lead team as requested and take on a range of projects as assigned.
o Compensation: $175,000 - $200,000
Director of Production, Arena Stage
The Director of Production is responsible for the overall management of the Production Department, balancing artistic vision and integrity with practical needs including deadlines and budgets. The Director of Production will be responsible for budget management, staff development and creative problem solving.
o Essential Duties
Coordinate effective communication among the directors, designers and all members of production staff
Budget and schedule the needs of the Production Department to ensure the fulfillment of planned productions, presentations, rentals and other events
Create and monitor schedules for building, production and presentation activitiesOversee annual production budget, monitor expenses and provide timely updates of actual expenses and projections
Facilitate design and production meetings, ensure deadlines are met and oversee the tech/production process
Administer the production payrollContract production staff (scenic, props, costume, lighting, sound, other production support)
Hire additional production staff (overhire) as required
As a member of Senior Staff, work with the Senior Staff to schedule and plan each season and develop strategic plans for the future.
o Skills: Five years of production management
Degree in theater preferred but not required
Ability to work some evenings and weekends required
Knowledge of MS Office, particularly Excel and Outlook
Knowledge of all production elements including scenic, properties, lighting, costuming, sound, video, stage management, and directing
Previous experience working within SDC, AEA, USA and AFofM policies preferred.
o Compensation: $110,000-$165,000
Obsidian Theater Festival
There exists an enduring legacy of storytelling within the Black community. Actors, writers, musicians, and dancers, capture the richness of Black stories, moving beyond stereotypes and tropes. The Obsidian Theatre Festival exists to uplift both stories as well as storytellers, and firmly believes in the power of art to change lives. Obsidian will provide the community with the powerful platform it deserves by way of a fresh new stage upon which these stories will be meaningfully celebrhere exists an enduring legacy of storytelling within the Black community. Actors, writers, musicians, and dancers, capture the richness of Black stories, moving beyond stereotypes and tropes. The Obsidian Theatre Festival exists to uplift both stories as well as storytellers, and firmly believes in the power of art to change lives. Obsidian will provide the community with the powerful platform it deserves by way of a fresh new stage upon which these stories will be meaningfully celebrate
o Seeking: Various Roles
o Location: Detroit, MI
o Website: https://www.obsidianfest.org/available-positions
Milwaukee Repertory Theatre
o Seeking: Various Roles
o Location: Milwaukee, WI
o Website: https://www.milwaukeerep.com
For more information: https://www.milwaukeerep.com/about/work-us/jobs/?fbclid=IwAR2lXyj99fIOhY8MmQ5n4XRveG1wEqPl2mL_9w7A1-WVpLoZhqwUDc-2Crc
Milwaukee Repertory Theater is an Equal Opportunity Employer and values and encourages a diverse workforce. We invite you to review jobs that are currently available.
Full-time employee benefits include health, dental and voluntary vision and disability insurance; flexible spending accounts; retirement plan; parking programs and complimentary tickets.
Application Instructions
Send your letter, resume and salary history (PDF or Word attachments only) to the email address listed in the job listing.
Oregon Shakespeare Festival
o Seeking: Various Roles
o Location: Ashland, Oregon
o Website: https://www.osfashland.org
For more information: https://www.osfashland.org/work-with-us?fbclid=IwAR2cqx7fSs1YYwa2I86SMVxJjZ8ns4ba2RqsEr51mMKIVWdiIL7ByQ4Lv8U
Located in the beautiful Rogue Valley of southern Oregon, the Tony Award-Winning Oregon Shakespeare Festival presents a season of eleven plays in rotating repertory across three theaters between the months of February and October. Additionally, OSF offers extensive educational opportunities to students, teachers, and theatergoers of all ages during our performance season.
We offer employment and career opportunities in a wide range of positions (acting, other performing opportunities, scenery, costumes, lighting, marketing, finance, etc.). We encourage you to check our website regularly for openings.
Two River Theater
Two River Theater annually produces a theatrical season that includes American and world classics, new plays and musicals, programs for young people, and festivals of new work. Each year, we also offer 40+ events that reflect our diverse community of Red Bank, New Jersey. Two River celebrates and honors our core values of Artistic Excellence; Education and Community Engagement; Equity, Diversity, and Inclusion; and Operational Excellence. Anyone who joins our team quickly becomes part of putting all of our initiatives into action day in and day out. Two River Theater is led by Artistic Director John Dias and Managing Director Michael Hurst.Two River Theater is dedicated to the goal of building an equitable and culturally diverse work environment and strongly encourages applications from members of underrepresented groups.
o Seeking: Various Roles
o Location: Red Bank, NJ
o Website: https://tworivertheater.org/jobs/
The Kate Spade New York Foundation
o To honor Kate Spade’s legacy of empowering and inspiring women and girls, the National Council for Behavioral Health is excited to provide complimentary Mental Health First Aid training to communities throughout the five boroughs of New York City and New Jersey and in partnership with organizations that specifically support these populations.
What is Mental Health First Aid?
Just as CPR helps you assist an individual having a heart attack, Mental Health First Aid helps you assist someone experiencing a mental health or substance use-related crisis. In the Mental Health First Aid course, you learn risk factors and warning signs for mental health and addiction concerns, strategies for how to help someone in both crisis and non-crisis situations, and where to turn for help.
The National Council for Behavioral Health shares Kate Spade New York Foundation’s belief in “the power of women to transform their communities” through empowerment. In support of this mission, we are offering through a competitive application process, select Mental Health First Aid and Youth Mental Health First Aid training, fully funded!
o Location: New York, NY
o Website
For more Offstage opportunities, visit OffStageJobs.com and Playbill.com.
Funding Opportunities
Steven Schwartzberg Grants for Mental Health & Wellness
Writers are the beating heart of theater, whom we rely upon to take us on journeys and inspire us to think. During these unprecedented times, DGF has created the Steven Schwartzberg Grants to provide financial support for mental health and wellness services for writers. To help connect writers to therapists, DGF has partnered with Advekit, an online therapist matching service, to expand access to mental health support that might be out of your reach.
Please complete the form to receive $1,000 toward therapy through Advekit, courtesy of DGF.
If you already have a therapist or are seeking mental wellness support other than Western talk therapy, DGF is working on ways to support you in your wellness.
NYC Department of Cultural Affairs (DCLA)
The NYC DCLA is dedicated to supporting and strengthening New York City's vibrant cultural life. Among our primary missions is to ensure adequate public funding for non-profit cultural organizations, both large and small, throughout the five boroughs.
They have many grants tailored to the needs of artists living and working in the city throughout the year.
o Deadline: Ongoing
o Application Fee: Freeexceptional plays and performances. A core pillar of the initiative is the Emerging Playwrights Fund, a program that invests in and nurtures self-identifying emerging playwrights, some of our most inventive, delightful, and provocative storytellers. Through the Fund, Audible aims to connect extraordinary performers with remarkable original work, amplifying new voices and harnessing the power and potential of audio to reach millions of listeners. The Fund specifically supports the creation of original dramatic work, written with audio in mind, but theatrical in spirit. Audible is dedicated to commissioning, developing, and producing work that reflects the diversity of our members and our world. To accomplish this, Audible is committed to granting at least 50% of emerging playwright commissions to artists of color and women.
o Deadline: None
o Application Fee: Free
o Eligibility: please submit all of the following to AudibleTheater@audible.com:
One full-length script for an original or adapted play (in English language only) that represents your voice ("Script"). The Script can be in any genre and may include one-acts and solo pieces;
A short biography; and
A brief statement about why audio plays appeal to you.
If you have an idea for an original audio play, you are welcome to include a pitch or summary along with your statement (this is encouraged, but not required)
o Contact: Audible
o Eligibility: Independent Artists and Groups
o Address: New York City Department of Cultural Affairs 31 Chambers Street New York, New York 10007
o Contact: 212.513.9300
SubletSeries@HERE Program
This creative curated rental program has allowed many upstart companies and emerging artists to realize their full artistic vision on a small budget. The program provides subsidized performance and rehearsal space, technical assistance, and administrative support, including a fully staffed box office. SubletSeries@HERE artists can also access equipment that is not typically available in venues our size such as video projectors, wireless microphones, color scrollers—all for free or at subsidized rates. We accept applications from artists all over the world for the opportunity to show work.
o Deadline: Ongoing
o Application Fee: Free
o Eligibility: Independent Artists and Groups
o Address: HERE Program 145 Sixth Ave New York, NY 10013
o Contact: 212.647.0202
Annenberg Foundation
The Annenberg Foundation does most of their funding in the arts, culture, and humanities to organizations in the counties of Los Angeles, Orange, Riverside, San Bernardino, and Ventura. The Annenberg Foundation's arts and humanities grants are available to agencies that serve the greater Los Angeles region, typically with budgets over $5 million.
o Deadline: Ongoing
o Application Fee: Free
o Eligibility: Arts, culture, and humanities in greater Los Angeles region
Residencies
Artcroft Center for Arts and Humanities
Residencies of an average of 2-8 weeks for visual artists, writers, actors, and performance artists. Residency provides housing, studio, and meals; artist responsible residency fee ($40/day), deposit (10% of residency fee), travel, materials, and local transportation.
o Deadline: Ongoing
o Application Fee: $25
o When: 2-8 weeks
o Eligibility: Residencies are available to established and emerging visual and literary artists 18 years of age and older without regard for race, gender, sexual orientation, or religion.
o Address: Artcroft Center for Arts and Humanities 2075 Johnson Rd. Carlisle, KY 40311
o Contact: artcroft@msn.com
Other Resources
NOTE: For more resources, visit our pages of Resources - Funding, Submissions, and more.
NYFA SOURCE - The New York Foundation for the Arts maintains the most comprehensive national directory of awards, services and publications for artists in the NYFA Source section of their website.
Updates to our resources and opportunities have been made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
#Screenopps
#ScreenOpps
#ScreenOppsoct25
Submission Opportunities for Women in Film & Video
(previously known as Film/Video Funding Newsletter)
For full #ScreenOpps Listings please scroll
or click links below for specific listings
Film Festivals
Onscreen
Offscreen
Funding
Residencies
Other Resources
If you are a longtime recipient of #StageOpps and #ScreenOpps,
you know that they started as the Funding Newsletters,
brought to you by WomenArts, who still support the ongoing production of these opportunities as well as our Funding Resources pages.
WomenArts' founder and president, Martha Richards,
received the 2020 Elsa Rael VintAge Award
(for Advocacy for Women in the Arts & Media as They Age) from us
on Zoom Saturday, November 14, 2020.
Check out our VintAge page for more info.
Film Festivals
WRPN Women’s International Film Festival
Welcome to the WRPN Women's International Film Festival, where distribution and feedback opportunities abound for films made by women or those that address issues affecting women. WWIFF is a sister festival to the Depth of Field International Film Festival, a FilmFreeway “Top 100 Reviewed” festival alumnus.
o When/Where: June 20
o Deadline: October 31 (Regular Deadline), November 30 (Late Deadline), December 31 (Extended Deadline), March 31 (Last Chance)
o Application Fee: $50-$130
o Eligibility: While WWIFF is a female-focused film festival, we also accept films produced and/or directed by men if one or more self-identifying top production members are female (including, but not limited to, cinematographers, producers, writers, editors, or films featuring a strong female presence on screen). We will not exclude films directed by men if the topic is significant to women and women's issues.
o Categories: Short Film, Documentary Short, Animated Short, Full-Length, Web-Series, Comedy Short
New York Independent Women Film Festival
The New York Independent Women Film Festival is a live event dedicated to discovering, supporting, and promoting independent women filmmakers or films centered around women's experiences. The festival provides a global stage for short films and feature films, celebrating the creativity and vision of female directors, writers, actors, and cinematographers. With awards in various categories, the festival recognizes exceptional achievements in directing, acting, writing, cinematography, and more. Each selected film is offered the opportunity to be showcased to a broad audience, including film critics, industry professionals, and fellow filmmakers, all while highlighting the diverse voices of women in the film industry.
o When/Where: January 22
o Deadline: October 18 (Late Deadline), December 6 (Extended Deadline)
o Application Fee: $35-$40
o Eligibility: The festival is open to women filmmakers from all countries or films made about women. Films can be in any language, but those not in English must include English subtitles to ensure accessibility for a global audience.
o Categories: Short Film, Documentary Short, Animated Short, Full-Length, Web-Series, Comedy Short
Katra LatinX Film Festival
The 5th Annual Katra Latinx Festival call for entries now open! Presented by DIGITAL OCEAN, the Katra LatinX Festival is the premier independent Latino film event in the country. After launching virtually in 2020, KLX proudly returned to NYC for in-person screenings this year to great fanfare and audience thirst for Latino content. Katra’s Latinx mission is to champion independent Latino talent in front of and behind the camera where it belongs. KLX is an offshoot of the world-renowned Katra Film Series and was formed after the release of the 2019 UCLA Diversity Report revealed the dearth of the Latinx diaspora in Hollywood. KLX aims to change that by discovering, exhibiting and promoting new works by underrepresented Latinx Filmmakers with theatrical screenings, panel discussions, workshops and distribution opportunities. All of our official selections will be offered a distribution deal with one of our major streaming partners and will compete for $10,000+ in prizes. KLX is dedicated to empowering and showcasing Latinx filmmakers from around the world including screenwriters, episodic creators, music video directors and more. To be eligible for consideration two key members of the production must be of Latinx descent (either writer, director, producer, or actor). We accept features, short films, episodics, microshorts, TV pilots, documentaries, music videos, experimental films, animation, screenplays and more.
o When/Where: August 11-14
o Deadline: October 20 (Earlybird Deadline), November 9 (Regular Deadline), November 30 (Late Deadline), December 20 (Extended Late Deadline), January 9 (Final Deadline)
o Application Fee: $20-$110
o Eligibility: All submissions must have been completed after January 1, 2019 and be subtitled in English.
There is no premiere policy.
Works-in-progress are accepted.
Exhibition Format: quicktime file or apple prores
Submitters understand that submission of their work authorizes the Katra Film Series to screen the work, and use the work for any exhibition, education and/or publicity purposes related to Katra Film Series. Katra Film Series is not responsible for any claim involving copyright, trademark, credits, or royalty infringement related to the work. Submitters may receive future correspondence from the Katra Film Series.
Submission Fee
The submission fee is non-refundable.
o Categories: Short Film, Documentary Short, Animated Short, Full-Length, Web-Series, Comedy Short
The Women’s Voices Now Online
Women’s Voices Now is a 501(c)3 non-profit organization using film to drive positive social change that advances women's and girls' rights globally. Our Film Festival promotes emerging women filmmakers using social-change films to advocate for women’s and girls’ rights around the world, by: Providing a PLATFORM for emerging filmmakers telling essential, authentic stories. Offering CASH PRIZES and VISIBILITY. Facilitating NETWORKING with other filmmakers and media industry professionals. Since 2011, our independent film festival has received 965+ impactful social-change films from more than 85+ countries, brought them to millions of viewers in 178 countries around the world, and awarded $118k in cash prizes! Our festival is a month-long event. Pre-selected & selected films are made available to event ticket holders for a limited time (through password protected links on Vimeo). Our culminating festival event provides the opportunity to recognize our amazing filmmakers, winning films, and the importance of women in film!
o When/Where: March 25-April 30
o Deadline: October 1 (Early Bird Deadline), November 1 (Regular Deadline), December 1 (Late Deadline)
o Application Fee: Free - $60
o Eligibility: To be considered for our festival, films must fall into the DOCUMENTARY genre (creative documentaries encouraged!). Our festival specifically promotes women filmmakers using SOCIAL-CHANGE films that advocate for women’s and girls’ rights around the world.
o Categories: Documentary Feature, Documentary Short
The Women’s Independent Film Festival
The Women's Independent Film Festival is a chance to share and celebrate greatness in the world of female filmmaking. Our incredible community ranges from directors, to producers, to screenwriters, to actors, to content creators! Whatever the medium: We build this festival to shed light, deliver opportunity and celebrate the achievements of women in the world of filmmaking, storytelling and beyond! We're going into our 3rd year celebrating the Women's Independent Film Festival and we're so excited for this year's work, partnerships, competitions and more. Whether a finalist or not, all officially selected filmmakers will be invited to join us at the Women's Independent Film Festival for screenings, networking, resources, collaboration, learning, partnerships and for our official premieres and awards ceremony blocks. The Women's Independent Film Festival was created to encourage female content creators with unique backgrounds to share their stories/ The festival will promote the work of women filmmakers and recognize them globally for their achievements in film. Women have to be involved in the creation of ALL submitted films! That can be either as directors, producers, writers, performers, etc. Just as long as they were involved in the creation of the submitted work.
o When/Where: October 9-12 2026
o Deadline: October 30 (October Deadline), November 30 (November Deadline), January 31 (January Deadline), March 1 (February Deadline), March 31 (March Deadline), April 30 (April Deadline), May 31 (May Deadline), June 30 (June Deadline), July 31 (Regular Deadline), September 1 (Final Deadline)
o Application Fee: $10-$60
o Eligibility: All entries should be sent via FilmFreeway with a secure online screener. Each accepted film must be submitted in the .mp4 or .mov format, preferably. By submitting to the festival you confirm that you own the rights of the film, including the rights to the music in the film. By submitting to the festival you give consent to the festival programming staff to screen your work in front of the private audience of the Women's Independent Film Festival community. There is no minimum running time. Films must have been completed on or after Jan 1st, 2019. All genres are welcome Filmmakers may submit multiple entries as long as each film is submitted with its own Entry Form, online screener and paid Entry Fee.
o Categories: Shorts, Feature Film, Documentary, Animated
Through Women’s Eyes International Film Festival
Welcome to Reel Equals International Film Festival, a production of Through Women's Eyes in beautiful Sarasota, Florida! Our signature 27th annual festival, Reel Equals, is March 5-10, 2026, and we supplement this with year-round Pop-Up film showings. We are a mission-driven festival, dedicated to supporting women filmmakers and films by anyone that address issues inadequately represented in the mainstream media. We are an international festival, and every year we host significant numbers of films from all over the world.
o When/Where: March 5-10
o Deadline: October 15 (Regular Deadline), November 10 (Late Deadline), December 1 (Entry Close Deadline)
o Application Fee: $20-$90
o Eligibility: All films must be in English OR contain English subtitles. All subtitles must be clearly within the visible frame.
All film genres are accepted.
Emerging Filmmaker category: to be eligible for the Emerging Filmmaker category, the producer or director must be either under the age of 30 OR enrolled in an accredited film school during the production of the submitted film. Documentation proving one of these criteria is required at the time of submission. For example, submission of a valid government ID or a student card/transcript. Please send documentation to team.throughwomenseyes@gmail.com. If this is your “first” film and you are NOT under 30 or enrolled in an accredited film school, please do not submit in the Emerging Filmmaker category. Your film will not be considered and your submission fee will not be refunded. You may resubmit in the general festival categories.
4. Films must have been completed AFTER December 1, 2022. All film submissions will be reviewed initially by 2 - 3 screeners; high-scoring films will then be reviewed by our advisory panel and referred to a final selection committee.
If selected, TWE has the right to use stills, posters, titles, or any information from the submission for promotional purposes.
Films that are publicly available prior to our festival, either in theatrical release or through electronic or digital media, or DVD sales, may not be selected. The only exception is showings in recognized film festivals.
EXHIBITION COPY OF ALL FILMS ACCEPTED MUST BE IN DCP FORMAT ONLY by upload to our digital partner. THERE ARE ABSOLUTELY NO EXCEPTIONS TO THIS EXHIBITION FORMAT. Details will be provided to accepted filmmakers.
Films selected for the festival will be shown in both the live and online festival.
o Categories: Shorts, Feature Film, Documentary, Animated
Seattle Black Film Festival
The annual Seattle Black Film Festival (formerly the Langston Hughes African American Film Festival - LHAAFF) is a major season program of LANGSTON, showing provocative films and works about the Black experience from independent filmmakers. For nineteen years, the festival has been bringing stories and experiences by and about Black people to the big screen in the heart of Seattle's historically Black neighborhood. Housed at the historic Langston Hughes Performing Arts Institute, the festival features film screenings, hands-on workshops, panel discussions, and in-depth chats with filmmakers, industry professionals and local community leaders. As Seattle grows as a seat of activism, progressive ideology, innovation and technology, the Seattle Black Film Festival is a hub for filmmakers and audiences to exchange ideas with Black film as a catalyst for discussion. The event is the culmination of a year’s worth of community-building through a series of smaller events and partnerships that provide audiences with unique cinematic and cultural opportunities, resulting in the community-wide film festival. The festival focuses on established names and emerging talent in Black media and connecting audiences with filmmakers and filmmaking through interactions in and outside the theater. Films are selected from entries screened by panels and curated from current and vintage offerings. The festival takes pride in showcasing independent film celebrating Black brilliance, from emerging and established filmmakers from around the world and in our own backyard, connecting filmmakers and the community.
o When/Where: April 30-May 3
o Deadline: October 17 (Regular Deadline)
o Application Fee: Free - $45
o Eligibility: To be eligible, films must be by or about Black people (people of African descent). While our goal is to celebrate and lift the work of Black filmmakers, we will consider films that features Black people as a predominant focus of the work.
o Categories: Feature, Short, Music Video
Flow Festival and Film Market
FLOW (Florida Leaders Opening Worlds) Film Festival and Film Market is an international Film Festival that focuses primarily on promoting women in the film industry in non-traditional senior and leadership roles. Our mission is to encourage the growth of opportunities for women in important and male-dominated positions in the film industry, to fight gender bias and pave the way for an aspiring new generation of female film makers, through highlighting both their significant contributions and the films and film industry stakeholders who employ them
o When/Where: February 26 - March 2
o Deadline: November 27 (Late Deadline), January 1 (Extended Deadline)
o Application Fee: $15-$130
o Eligibility: Content submitted to FLOW festival will be promoted on our website, in printed materials (such as the festival program) and in our press and marketing activity (this can include presenting films that we have selected to the press). The filmmaker gives us the right to use the name of the film and the images submitted for the uses listed.
o Categories: Feature, Short, Animated, Screenplay
Los Angeles Diversity Film Festival
Our mission is to create a true multicultural experience represented by the world’s independent film community where filmmakers showcase their voices without judgment, stereotypes, degradation or insincere reflection. We support the following topics, filmmakers and communities: LGBT, Disability Culture, Racial/Ethnic Diversity, Religious Diversity, Family structures, as well as other social diversities including the aging population and youth in cinema.
o When/Where: September 18-20
o Deadline: October 17 (Early Bird Deadline), December 18 (Regular Deadline), February 13 (Late Deadline), April 1 (Extended Deadline)
o Application Fee: $40-$95
o Eligibility: To be eligible to screen, your film does not have to be a Premiere. Films must be original works, or you must have official permission and licensure to exhibit someone else's work. If you submit a film with copyrighted or trademarked materials, and you do not have written permission to use them, you are not be eligible to screen. Films can be original or adapted works, but you must have written permission to use copyrighted or trademarked content. Your film must be in English, or subtitled in English.
o Categories: Short, Documentary, Pilot, Music Video
Brooklyn International Short Film Festival
Brooklyn International Short Festival invites filmmakers from around the world to submit their works, to be seen in the cultural heart of Brooklyn. The festival aims to gather emerging talent not only from the US but also from around the world. Filmmakers and artists have been attracted to Brooklyn and have used its potential as a setting for their films, and we hope to use these cultural networks to present you with unique festival experiences. Short films take a special place in the cinema universe. They are harder to access and have difficulties reaching larger audiences, and we hope to do our best to support them. Join our global network of Filmmakers, Actors, Directors, Producers, Writers, Photographers and everyone in between now! Be part of a vast and growing community. All filmmakers will be allowed to develop their work and have their films seen by many more! Short films of all genres are welcome. Maximum length: 40 minutes.
o When/Where: February 20
o Deadline: September 30 (Regular Deadline), October 24 (Late Deadline), November 28 (Super Late Deadline), December 20 (Final Deadline), January 14 (Extended Deadline)
o Application Fee: $40-$57
o Eligibility: Each short film must be entered for one of the competitions named in the Awards and Categories Section.
There is no restriction about the date of the production of the films.
The running time of films entered for the competitions should not exceed 40 minutes.
Nominations: These are all the films that have been nominated for an award in a category. Not all nominated films will be screened. Winner Selection: These are all the winner films selected for screening, which will be notified via email. If you received a Nomination email, but no Winner Selection email, it means your film will not be screened, and did not receive any award.
Each participant is responsible for the content of his/her work and for any possible copyright problems.
The official language of the Festival is English. Films must be subtitled in English.
o Categories: Short, Documentary Short, International Short
Los Angeles Latinx Film Festival
The LA Latinx Film Festival champions work produced by filmmakers of Latinx decent as well as stories about Latinx culture and heritage. We will be accepting submissions from LATINX DIRECTORS, WRITERS, MAJORITY LATINX CREW (at least 50%) and/or LATINX STORIES of ANY GENRE. We are an affiliate festival of the LA FILM FESTIVALS organization that has the dual emphasis of discovering great talent with the purpose of promoting their work to both the LA public and the entertainment industry, as well as showcasing the work of seasoned professionals and well known stars. LA Film Festivals began with the Biannual LA Comedy Festival in 2001, adding the biannual LA Indie Film Fest in 2007. The LA Film Festival family has since expanded to 12 independent film festivals, including LA Horror Film Fest, LA Action Film Fest, LA Sci-Fi Film Fest, LA Animation Film Fest, LA Black Film Fest, LA Asian Film Fest, LA Latinx Film Fest, LA Queer Film Fest, LA Women in Film Fest and LA Student Film Fest. Over the years, LA Film Festivals have attracted thousands of filmmakers from around the world. Each festival features live screenings in our own Let Live Theater in the heart of Los Angeles. Our 80-seat theater, in the heart of Hollywood, is outfitted with a Christie DLP projector and seven JBL speakers throughout the venue, delivering top notch quality in an intimate screening environment. Filmmakers whose work is accepted into our festival will receive free passes to screenings, invitations to networking events and are eligible for awards consideration.
o When/Where: January 15-18
o Deadline: September 12 (Late Deadline), October 3 (Fashionably Late Deadline), October 24 (Final Deadline) November 14th (11th Hour Deadline), December 5 (Last Chance)
o Application Fee: $22.50-$91
o Eligibility: All Films must feature work produced by filmmakers of of Latinx decent as well as stories about Latinx culture and heritage. We will be accepting submissions from LATINX DIRECTORS, WRITERS, MAJORITY LATINX CREW (at least 50%) and/or LATINX STORIES of ANY GENRE.
Film Entrants must submit online screeners through FilmFreeway for consideration.
Entry forms and payment will not be processed without accompanying Preview Copies in one of the accepted formats for film applicants.
All entries must be in English or - SUBTITLED, DUBBED, unless special arrangements have been made with festival.
All films selected for screening at the festival grant LA FILM FESTIVALS the right to use stills and excerpts of up to two minutes for promotional purposes.
LA Film Festivals is not responsible for any lost, stolen or damaged entries.
Exceptions to the festival regulations must be authorized by one of the Festival Directors.
Multiple entries are permissible, but each entry must be accompanied by a separate Entry and fee.
Submissions will not be returned.
All fees are nonrefundable.
Submission to the festival is not a guarantee that your film will be screened.
o Categories: Feature, Short, Documentary, Documentary Short, TV Pilot, Music Video
Silicon Valley Queer Film Festival
We are an LGBTQ+ focused film festival screening high-quality [short & feature] films, which accurately and/or positively represent the LGBTQ+ Community. We are looking for independent projects from all genres, particularly low or no-budget ones, from all countries. We are looking for Queer-Positive Films with main characters and/or supporting characters who identify as LGBTQ+. First-time filmmakers are encouraged to submit their projects.
o When/Where: October 3-19
o Deadline: September 10 (Regular Deadline), October 1 (Late Deadline)
o Application Fee: $16.50 - $28
o Categories: Feature Films, Shorts
San Francisco International Film Festival
SFFILM champions the world's finest films and filmmakers through programs anchored in and inspired by the spirit and values of the San Francisco Bay Area. Founded in 1957, the San Francisco International Film Festival (SFFILM Festival) is the longest-running film festival in the Americas. Held each spring and highly anticipated by its loyal and passionate audiences, the Festival is refreshingly intimate for a festival of its size and scope, and traditionally combines a range of marquee premieres, international competitions, compelling documentaries, live music performances, and star-studded red carpet events. SFFILM is currently moving forward with planning its Festival for April 2022 with both in-person and online events, parties, talks and more. Exact dates, venue footprint, and in-person event structure are all subject to some change based on the realities of producing a safe and accessible film festival at that time.Opportunities for Filmmakers Since 1991, SFFILM Education’s Schools at the Festival program has provided the Bay Area educational community with the opportunity to experience stories from around the world. Schools at the Festival annually introduces thousands of students ages 6–18 and their teachers to international film and the art of filmmaking while promoting media literacy, deepening insights into other cultures, enhancing foreign language aptitude, developing critical thinking skills, and inspiring a lifelong appreciation of cinema. Festival filmmakers can participate via student screenings, school visits, hands-on workshops, and more. SFFILM's year-round Artist Development programs provide significant financial and creative resources to independent narrative and documentary filmmakers from around the world through grants, fellowships, residencies and more. Since 2009, over $8 million has been awarded to more than 250 film projects in various stages of production. Festival filmmakers are invited to a series of industry talks and pitch sessions, and can meet with the SFFILM Makers team to discuss future projects and funding opportunities.
o When/Where: April 23-May 3
o Deadline: September 26 (Early-All Films), November 12 (Regular Deadline, Last Deadline Shorts), December 10 (Final Deadline–Feature, Mid Length, Youth)
o Application Fee: $30-$80
o Categories: Feature Films, Documentaries, Animated, Shorts
Big Apple Film Festival
Big Apple Film Festival is currently accepting film and screenplay submissions for our fall festival. (Spring Edition entries are now closed, and notifications will be sent April 28th) Big Apple Film Festival (Fall Edition) takes place November 14-18 in the heart of NYC. In addition to film screenings, the festival includes a Screenplay Competition, Agents and Managers Conference, Agents and Managers Networking Lab, Film Distribution Summit, Industry Networking Panels, Awards Presentation and Reception.
o When/Where: November 10-13
o Deadline: September 3 (BAFF Early Deadline), September 23 (Official Entry Deadline), October 10 (Final Entry Deadline)
o Application Fee: $60-$90
o Eligibility: Big Apple Film Festival accepts submissions for feature films, short films, feature documentaries, short documentaries, animation, web series, music videos, student films, feature length screenplays, short screenplays, scripts for television/web series pilots and virtual reality.
o Categories: (Narrative Feature, Documentary Feature, Environmental Outdoor Feature, Indigenous Feature, Narrative Short, Documentary Short, Outdoor Short, Animated Short)
Warped Witch Film Festival
Warped Witch (formerly Southern Gothic) is a dynamic film festival led by women which empowers filmmakers in our community. We value inclusivity above all else, welcoming filmmakers from diverse backgrounds with open arms. We provide a platform for their unique perspectives and embrace the weird, the strange, the unorthodox, and the unconventional. Our mission is to celebrate the beauty of diversity and encourage everyone to dare to be different! Go beyond the norm! While the roots of our festival remain in the essence of horror, we go beyond the boundaries showcasing films from all genres! All types of cinematic expressions are welcomed! Filmmakers who attend will get the opportunity to network and mingle with other filmmakers during the fest. We will also have a Q&A session after every block so you will get to speak about your films to an audience of film lovers! We want to be able to include other artists in our festival as well. There will be artists vending in the lobby and the entertainment will be provided by our amazing local drag community! Costumes are highly encouraged! Come out and have a spooky good time with us!
o When/Where: June 12-13
o Deadline: August 4 (Early Bird Deadline), December 17 (Regular Deadline), March 3 (Dead Deadline)
o Application Fee: $10-$40
o Eligibility: Film submissions must be provided on digital files.
Submissions must be English language or English subtitled.
Include title and name of contact on all media.
Southern Scream Film Festival reserves the right to change submission categories.
Eligibility and category determinations, along with prize awards, are the sole discretion of the Festival.
Submissions may be screened more than once during the Festival and at events post festival.
All films must be under 20 minutes.
o Categories: Short Film, Feature Film, Student Film
California Women’s Film Festival (Winter)
The California Women’s Film Festival is deeply honored to celebrate women filmmakers, artists and writers by providing a showcase and networking forum in the heart of Hollywood. The CWFF understands how important it is to hear and see the educated, entertaining and diverse stories of women from around the globe. We provide a platform so these voices can be heard and shared with audiences that want to be inspired. The California Women’s Film Festival accepts all projects that has at least one woman in one of the key production positions: (Producer, Director, Writer, Cinematographer, Editor, Lead Actress, Etc......). Projects that are produced and/or directed by men are accepted as long as there is a lead female protagonist and/or the story is based around women. The California Women's Film Festival operates as a biannual event. Our Winter season will be held in January and our Summer season will be held in July.
o When/Where: January 9-11
o Deadline: August 1 (Regular Deadlie), August 22nd (Regular Deadline), September 12 (Late Deadline), October 3 (Extended Deadline), October 24 (Freeway Deadline), November 14 (Final Deadline)
o Application Fee: $36-$60
o Eligibility: California Women's Film Festival General Rules
Projects must have at least one woman in one of the key production positions: (Producer, Director, Writer, Cinematographer, Lead Actress, Etc......).
Projects that are produced and/or directed by men are accepted as long as there is a lead female protagonist and/or the story is based around women.
All genres are accepted.
Works in progress should be clearly marked on the screening copy.
Submissions in languages other than English must be subtitled or dubbed.
The entry fee is per category.
Entry fee is non-refundable.
Fee waivers are not available.
DVDs must clearly be labeled with FilmFreeway tracking ID and contact info.
Our Festival will consist of Award presentations, red carpet photos, screenings and Q&A sessions.
For more information please contact us at info@calwomensfest.com
Please do not send paper press kits with your screener unless requested.
DVDs will not be returned.
o Categories: Short Film, Feature Film, Documentary, Animated, Script
Wicked Queer: Docs
Started in 2022, WQ: docs fills the need for a platform to share histories and power up the Queer nonfiction film. WQ: Docs is committed to celebrating the documentary form in both short and feature length. Our mission is to build community and to celebrate Queer storytelling and filmmaking through the uplifting of voices and stories not yet heard and to present and preserve the vibrancy of our histories.
o When/Where: November 14-16
o Deadline: August 31 (Regular Deadline), September 20 (Late Deadline), October 11 (Extended Deadline)
o Application Fee: $20-$75
o Eligibility: We prefer that preview submissions be submitted as digital online screeners. Filmmakers are required upon acceptance to have a COMPLETE press kit assembled with stills labeled with the film's name and poster images, trailer, synopsis, log line and social media handles. Moving toward our goal of becoming more accessible, all films, including English language, that are accepted must have a closed caption file with English CAPTIONS included DCP with an MP4 with Closed captions back-up. WE DO REQUIRE A DCP FILE FOR IN PERSON EXHIBITION. No other files types will be accepted.
o Categories: Documentary Feature, Documentary Short
Valkyrie International Film Festival
Valkyrie International Film Festival (VIFF) spotlights films directed by women of all backgrounds and advances the cause of women in film. Held every year in March (Women's History Month), VIFF was founded by Tamar Lamberson and her daughter, Kaelin Lamberson. VIFF seeks impactful films in all genres. If a woman directed it, we want to see it! VIFF will screen narrative, documentary, and experimental shorts and features. The only requirement is that every film selected for screening must have been directed by a woman. VIFF will be held on Thursday, March 21st - Monday, March 25th, 2024 at The Screening Room Cinema & Arts Café, a boutique digital cinema located in Amherst, New York, just outside Buffalo. The Screening Room features a large screen and surround sound, with mixed dining room and theater seating. The venue is a staple of the indie film scene in Western New York. Beer and wine are available. VIFF will only hold in-person screenings. VIFF will serve as a platform for female directors to come together, support each other’s work, and discuss the challenges and advances of women in film. The programmers will present awards, but view the event as a celebration rather than a competition. VIFF will be held during Women’s History Month each year. We are accepting all female-directed films, of all genres, completed 2019 – present.
o When/Where: May 29 - June 2
o Deadline: August 31 (Early Bird Deadline), November 30 (Regular Deadline), March 6(Late Deadline), April 6 (Extended Deadline)
o Application Fee: $18-$50
o Eligibility: NO WAIVERS.
Only films directed by females will be selected.
Any co-directors must also be female.
Films must be in English or subtitled in English.
All exhibition screeners must be MP4 digital files .
All films must have been completed 2019 – present.
Anyone submitting a film to VIFF warrants that they are authorized to do so.
o Categories: Short Film, Feature, Documentary, Animation. Experimental, Music Video
New Jersey Film Festival - Spring
The Rutgers Film Co-op/New Jersey Media Arts Center proudly announces the 44th Bi-Annual New Jersey Film Festival. The Festival will be held between January 23 - February 15, 2026 at Rutgers University, New Brunswick, New Jersey and will showcase the best in independent film by featuring premiere screenings, special guest appearances by film directors, screenwriters, cast and crew and more. For more information go to www.njfilmfest.com or e-mail NJMAC@aol.com or newjerseyfilmfestival@gmail.com
o When/Where: January 23 - February 15
o Deadline: August 8 (Regular Deadline), August 28 (Extended Deadline), September 18 (Late Deadline), October 10 (Super Late Deadline)
o Application Fee: $40-$85
o Eligibility: This competition is open to U.S. and International entries. Maximum film age is 24 months. No repeat entries. If a work is selected for public screening entrants are contractually obligated to provide an exhibition copy suitable for screening and cannot withdraw their film from the festival. Entry must be a New Jersey or Area Premiere and must not be available to view in full on the internet! Please note we do not pay screening fees. Only finalists are notified in advance that their work has been selected to be part of the Festival.
o Categories: Short Film, Feature, Documentary, Animation
Beirut International Women Film Festival
Beirut International Women Film Festival (BWFF) is an annual event organized in Beirut by Beirut Film Society, under the theme “Women for Change”; gathering filmmakers and cinema lovers from all over the world, BWFF tackles issues such gender equality, sexual identity, domestic violence among others through the power of the lens and cinema which is the window to society and particularly women in this case. BWFF, which comprises films about women and/or executed by women, aims to highlight the power of women in different life situations, the festival organizers believe in promoting a positive image of women struggling with dignity to make a change in their environment.
o When/Where: August 19-25
o Deadline: August 5 (Active Submitter Deadline), September 5 (Midway to the Festival), October 5 (End of Summer Submissions), November 5 (Regular Deadline), December 5 (Late Deadline), February 5 (Exceptional Submissions)
o Application Fee: $7-$45
o Eligibility: Filmmakers are invited to submit their original work to Beirut International Women Film Festival (BWFF) for the above listed categories and as per the assigned duration of each category.
FILMS PRODUCED AFTER JANUARY 1, 2020 ARE ELIGIBLE FOR SUBMISSION.
FOR INTERNATIONAL FEATURE FILMS SUBMISSIONS, LEBANESE PREMIERE IS A MUST – FEATURE FILMS THAT WERE SCREENED PREVIOUSLY IN LEBANON WON’T BE TAKEN INTO CONSIDERATION.
BWFF supports travel cost for directors of selected international films to Lebanon during the festival days. (Conditions apply)
Submission fees are non refundable and non reimbursable under any circumstances; BWFF does not reimburse any submission fees for films who are not selected for the festival program, or who withdrew their submissions at any time.
BWFF retains the right to accept or decline any film, for whatever reason, without any explanation.
Applicant admits that he/she is authorized to submit the film, being the rights-holder or authorized representative of the film.
BWFF receives exhibition copy in QuickTime 1080p HD 8 bit uncompressed or Apple ProRes file or equivalent via a downloadable link.
All non-English speaking films must have adequate English subtitles.
Screening fees must be declared prior to or upon submission. If a screening fee is only indicated after the official selection has been announced, the Festival retains the right to revoke the film's acceptance.
Beirut International Women Film Festival (BWFF) holds the right to:
Use the selected films for trailers and publicity usage
Screen the winning films in other related events inside Lebanon, and recommend the winning films to other international film festivals that collaborate with BWFF after the approval of the filmmakers.
o Categories: Shorts, Feature Film, Documentary, Animated
Winter Film Festival Awards International Film Festival NYC
New York City's Winter Film Awards (WFA) is a volunteer-run and operated celebration of the diversity of local and international film-making. Our Mission is to recognize excellence in cinema and to promote learning and artistic expression for people at all stages of their artistic careers with a focus on nurturing emerging filmmakers and helping them gain recognition and contacts to break into this difficult industry. We pride ourselves on our diverse collection of Festival selections, allowing our audience to enjoy films they normally wouldn’t think to seek out. Now in its eleventh year, the rapidly growing Festival showcases the work of emerging filmmakers from around the world. For the 2021 Festival, 91 films from 28 countries were screened, including an eclectic mix of Animated films, Documentaries, Feature narratives, Horror films, Music Videos, Narrative shorts and Web series. 50% of the films were created by women, 53% were created by or about people of color. Works of all genres, forms, and lengths are considered. All selected films are screened at Cinema Village, NYC's top indie cinema in the heart of Greenwich Village. The Festival includes ten days of film screenings, educational panels, professional development workshops and industry networking after-parties, which will conclude with a glittering awards ceremony . Outstanding work will be awarded for each category, along with Best Director, Best Actor/Actress, Outstanding Woman Director, Best vStudent Film and the NY PERSPECTIVES Award for best depiction of the New York multi-cultural experience. Winter Film Awards International Film Festival is an IMDB-qualifying festival. Like many of the great film Festivals across the country and the world, WFA seeks to bring our audience compelling and unique content that inspires the viewers and honors the filmmakers. There are hundreds of film festivals in New York City; what makes us different is our intense focus on a bias-free submissions review, the variety of our films and helping new filmmakers reach what may be their first real audience. WFA is a minority- and women-owned registered 501(c)3 non-profit organization. We work with all local NYC film schools, colleges, arts high schools and many cultural societies.
o When/Where: February 18-22
o Deadline: September 12 (Early Bird Deadline), October 17 (Regular Deadline), November 14 (Late Deadline)
o Application Fee: $20-$65
o Eligibility: All films must have been completed not earlier than January 1, 2020.
Films must be in English or have English subtitles Winter Film Awards is a non-profit organization and we do not pay Screening Fees Films must be submitted via online screener - we do not accept hardcopies of DVDs
Winter Film Awards does not require World Premiere, but appreciates if you notify us if you are either a World Premiere, International Premiere (your first premiere outside your country of origin), North American Premiere or New York Premiere.
Submission fees are in U.S. dollars, per film entry. All submissions for Winter Film Awards International Film Festival are to be paid by credit card. The submission fee is non-refundable.
Submitting filmmakers/individuals will be notified by e-mail on or before January 5 2023. If the Festival will be postponed due to COVID-19, we will notify all submitters as soon as possible. Winter Film Awards does not send physical mail — please make sure the email address in your entry form is accurate. Changes of email address can be sent to submissions@winterfilmawards.com. Winter Film Awards is not liable for emails delayed by spam filters, server rejections, outdated email addresses or any other technical or human error. If an accepted filmmaker is unable to submit the final screening copy of the film electronically, the filmmaker will be responsible for the mailing/shipping cost of the work for screening at the film festival. Films with incomplete materials by the deadline will forfeit their ability to screen in the festival. Winter Film Awards, its members, directors, employees, and volunteers are not responsible for lost, unplayable, misplaced, and undelivered film and media.
Submitted entry materials will not be returned.
A filmmaker with multiple entries (titles) must submit each entry and entry fee separately.
The Festival reserves the right to remove a film from the festival program for any reason or for no reason and shall not be liable for any refund or claims of any kind arising out of such removal.
The submitting filmmaker must own the copyright to the work. In the case of any legal dispute involving the film, Winter Film Awards will immediately remove the work from our schedule.
By submitting your film, Winter Film Awards is hereby granted the right to utilize an excerpt from any film submitted and accepted for exhibition at the Festival for promotional purposes. The individual or corporation submitting the film hereby warrants that it is authorized to commit the film for screening, and understands and accepts these requirements and regulations.
You agree to indemnify and hold harmless Winter Film Awards from and against any and all claims, liabilities, losses, damages, and expenses (including but not limited to attorney's fees, and costs of the court) which may be incurred by reason of any claim involving copyright, trademark, credits, publicity, screening, and loss of or damage to the screening videos entered.
o Categories: Shorts, Feature Film, Documentary, Animated
Miami Jewish Film Festival
The Miami Jewish Film Festival (MJFF) is recognized as the world's largest Jewish film festival dedicated to celebrating new film and media exploring universal themes of identity, history, and culture. Presenting its 29th edition from January 15-29, 2026, the Festival showcases the work of the world's best emerging and established filmmakers and offers awards in juried competition categories. Among the 134 films that premiered at the 2025 Festival which featured the largest Jewish film program in the world, more than 50 were selected from FilmFreeway submissions. Miami Jewish Film Festival has also made the prestigious "One of the 50 Film Festivals Worth the Entry Fee" list by MovieMaker Magazine in 2020, 2021, and 2022. In 2025, the Miami Jewish Film Festival drew more than 58,000 filmgoers and attracted more than 100 filmmakers, producers, talent, and industry professionals to its two-week event of inspiring films, events, panels, and parties that are hosted at 8 major venues throughout Miami. In all, the Festival presents more than 134 feature narratives, documentaries, and short films of all genres, from more than 25 different countries. MJFF presents dramatic and documentary features, experimental, and animated features and shorts about Jewish history, culture, and identity as well as films that reflect life through a Jewish lens. The programming staff takes a broad view of what makes a film Jewish and have been known to curate films that are Jew(ish) as well as films about issues that are relevant to Jewish communities and resonate with other cultural communities across the globe. Works in all forms and genres are considered. The Festival receives significant industry recognition; each year several films premiering at the Festival are acquired for US distribution. Recent distributors who have acquired films directly from the Festival include Kino Lorber, Greenwich Entertainment, Samuel Goldwyn Films, Netflix, Menemsha Films, Film Movement, Briarcliff Entertainment, Breaking Glass Pictures, and Go2Films, among many others.
o When/Where: January 15-29
o Deadline: July 7 (Midway Deadline), August 1 (Regular Deadline), September 5 (Fall Deadline), October 3 (Extended Deadline), November 7 (Final Deadline)
o Application Fee: $18-$40
o Eligibility: MJFF requires at least a Florida Premiere for any feature or short film. Works-in-progress are accepted.
o Categories: Feature, Documentary, Short
Everybody is Somebody
The Albuquerque Film Festival, with the mantra 'Everybody is Somebody,' stands as a beacon of digital celebration for the world's storytellers. Nestled in the heart of New Mexico's vibrant capital, Albuquerque, our festival opens its doors wide, welcoming a kaleidoscope of cinematic talent from every corner of the globe. Dive into the fray with your masterpieces, as we call for submissions across all film genres; there's a spotlight here for every creator, regardless of nationality. It's your time to shine, to vie for prestigious awards across a multitude of categories. Let's unite. Let's craft. Let's rejoice. Boasting a spectrum as broad as the imagination itself, our festival invites you to join an esteemed circle, where selected films don't just screen—they compete for a host of distinctions, bestowed both by our expert panel and the audience's voice. Rest assured, every entry is given the attentive gaze it deserves. As seasoned filmmakers, we resonate with the dedication poured into your craft. That's why we elevate Officially Selected films with a spotlight dialogue—up to 10 minutes of in-depth conversation about your creative journey, shared on our official website, YouTube channel, and across social media landscapes. Our committee is as varied as the films we celebrate, featuring a global tapestry of professionals—Architects to Entrepreneurs, Artists to Filmmakers, and VFX Producers—each bringing a unique perspective to the screen. Every submission is watched thoroughly, ensuring your vision is seen and appreciated in its entirety. Our Goals:To broadcast fresh, trailblazing narratives and cinematic discourse from across the world.To offer an exclusive glimpse into the pioneering realm of New Cinema.To foster the exchange of ideas and experiences among our event's vibrant participants. Our Creed: We are the champions of the cinematic dreamer, the believers in the power of story. The 'Everybody is Somebody' Albuquerque Film Festival is dedicated to showcasing the most diverse array of narratives. Our mission? To empower every filmmaker with a burning passion, to connect creators with audiences, and to help solidify their mark in the ever-expanding universe of film.
o When/Where: March 27-29
o Deadline: July 7 (Deadline 4), August 4 (Deadline 6), September 1 (Deadline 7), October 6 (Deadline 8), November 3 (Deadline 9), December 1 (Deadline 10), February 9 (Final Deadline)
o Application Fee: $15-25
o Eligibility: We accept all fiction and non-fiction film genres. All age groups are accepted. Projects submitted must be the original work of the participant. All submission will be received through Film Freeway only. No Exceptions.
o Categories: Feature, Short, Animated, Documentary, Music Video
GRRL HAUS CINEMA
GRRL HAUS CINEMA is a 𝗻𝗼𝗻𝗽𝗿𝗼𝗳𝗶𝘁 𝗳𝗶𝗹𝗺 𝗳𝗲𝘀𝘁𝗶𝘃𝗮𝗹, 𝘀𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝘀𝗲𝗿𝗶𝗲𝘀, 𝗮𝗻𝗱 𝗰𝗼𝗹𝗹𝗲𝗰𝘁𝗶𝘃𝗲 dedicated to showcasing the short film works by 𝘄𝗼𝗺𝗲𝗻, 𝘁𝗿𝗮𝗻𝘀, 𝗻𝗼𝗻-𝗯𝗶𝗻𝗮𝗿𝘆, 𝗮𝗻𝗱 𝗴𝗲𝗻𝗱𝗲𝗿𝗾𝘂𝗲𝗲𝗿 filmmakers in experimental, low-budget-, and underground cinema. By promoting creativity and diverse expression through film, we provide a platform for emerging filmmakers and those without easy access to funding, creating a space for underrepresented voices in cinema. GRRL HAUS is dedicated to inclusivity and celebrates 𝗗𝗜𝗬 𝗰𝘂𝗹𝘁𝘂𝗿𝗲, because we think it’s important to share works by diverse filmmakers across various audiences, from international museums to underground clubs.
o When/Where: February 18-20
o Deadline: May 31 (May), June 30 (June), July 31 (August), August 31 (August), September 30 (September), October 31 (October)
o Application Fee: $15-$50
o Categories: Short
B!tchFest Film Festival & Screenplay Contest
B!tchFest is more than just a festival — it’s a community! One that extends far beyond the event itself. We are invested in the success of your films and screenplays, offering a space for support, connection, and collaboration for all of our past and present submitters. In an industry where women hold just 26% of key film production roles and only 16% of major studio films feature LGBTQIA+ characters, we’re on a mission to build a supportive network to unite and empower minority creator. B!tchFest is an INTERNATIONAL WOMEN'S & LGBTQIA+ FILM FESTIVAL & SCREENPLAY CONTEST with a groundbreaking in-person event for both filmmakers and screenwriters in the heart of Los Angeles. At B!tchFest we’re not just breaking glass ceilings; we’re shattering them into a million pieces by unleashing the POWER of FEMALE and LGBTQIA+ VOICES in film and television! By providing a platform for RECOGNITION, AWARDS, PROMOTION, and DEVELOPING NEW CONNECTIONS we aim to break barriers and pave the way for a more inclusive entertainment industry.
o When/Where: February 28
o Deadline: May 20 (Early Deadline), July 1 (Regular Deadline), August 12 (Late Deadline), September 23 (Last Minute Deadline), November 4 (Extended Deadline), December 16 (Final Deadline)
o Application Fee: $36-$70
o Eligibility: All writers and filmmakers must be at least 18 years old for their project to be eligible. All genres of films and screenplays are accepted.
There is no limit to the number of projects you may submit and multiple entries from the same submitter are accepted. You are allowed to submit the same project to multiple categories.
The entry fee applies to each category. Submitting to Best Feature Film, Best Short Film, Best Documentary Film, Best Female Directed Film, Best Student Film, Best LGBTQIA+ Film, Best TV Pilot, Best Web Series, Best Short Social Content Video, and Best Music Video qualifies your project for festival consideration. Additionally, it makes your Cast & Crew eligible for free consideration for Secondary Award Categories like Best Actress, Best Director, Best Cinematography, etc.
For consideration, film projects must feature at least one woman or a member of the LGBTQIA+ community in a key production role, such as Director, Writer, Producer, Cinematographer, Lead Actress/Actor, etc. Or the film should address women’s or LGBTQIA+ issues and themes to be eligible.
For screenplay submissions, we prefer scripts written by women and/or members of the LGBTQIA+ community. While screenplays written by men and non-LGBTQIA+ individuals are welcome, they must either focus on female or LGBTQIA+ characters or address women’s or LGBTQIA+ issues and themes to be eligible.
Writers and filmmakers who reside in countries other than the United States are welcome to enter the contest; however, all scripts must be submitted in English, and all foreign language films must contain English subtitles or be dubbed in English.
Judges, sponsors, administrators, employees and independent contractors who currently or have previously worked with or for the B!tchFest Film Festival and Screenplay Contest are not eligible to enter the festival, nor are their spouses or immediate family members.
Entry fees are as listed on the FilmFreeway site checkout form. All entry fees are non-refundable. No coupon or discount is applicable on a previously submitted entry. Entries must be received on or before the listed deadline dates by 11:59PM Pacific Time, and submission fee payment must be paid in full at time of the submission.
Our in-person festival will feature screenings for the winners of each applicable category, trophy award presentations, red carpet photos, live-recorded Q&A panels with film and screenwriting winners, and an industry meet-and-greet event.
B!tchFest Film Festival and Screenplay Contest reserves the right to make essential changes, postponements, reschedules, or cancellations to competition dates, deadlines, announcement dates, awards, categories, and/or the festival venue at our discretion without contestant consent. The organizers may modify or opt not to award any listed prizes. B!tchFest reserves the right to amend our rules, terms, release agreements, and conditions at any time.
The decisions of the judges are final and cannot be contested in any manner. There is no score on a scorecard that guarantees advancement to the festival as advancement will be based on the total competition scores as a whole.
By submitting to B!tchFest Film Festival and Screenplay Contest you agree to our terms and conditions and to receive marketing newsletters, film festival discounts, and updates relative to this contest and any affiliated sources in the Whoever submits a project shall hold harmless B!tchFest Film Festival and Screenplay Contest and its judges and associates from and against any and all claims, liabilities, damages, losses, and expenses (including but not limited to attorney's fees, and costs of the court) which may be incurred by reason of any claim involving copyright, credits, publicity, trademark, screening, and loss of or damage to any materials submitted to our festival.
Notification of Winners and Official Selections will be sent by email and posted on our website BitchFestLA.com. It is the entrant(s) responsibility to provide us with current contact information for notification purposes and to keep the submission service updated. B!tchFest Film Festival and Screenplay Contest has no responsibility for correspondence that is misdirected as a result of the entrant(s) failure to provide us with current and correct contact information or that is sent to spam or junk mail folders.
Should an entrant win an award at B!tchFest Film Festival and Screenplay Contest, they will receive the award in-person at the Festival Awards Ceremony in Los Angeles. If not present, it is up to the recipient to arrange for a representative to receive the award on the submitters behalf. If a representative of the project is not at the festival in-person, no award will be presented. The festival is not required to ship awards to recipients who do not have a representative of the project present at the festival. However, shipping can be arranged on a case by case basis at the festival’s discretion.
B!tchFest Film Festival and Screenplay Contest and the employees and judges thereof, claims no ownership nor option on your work. All ownership and rights to screenplays and film projects submitted to this festival remains with the original rights holders.
All entrants understand and agree that there are a diverse amount of story contexts and ideas, and in no way is B!tchFest Film Festival and Screenplay Contest responsible, not now or in the future, for borrowing or stealing from an idea, copy written concept, or storyline from any film or screenplay entry.
Entrants grant B!tchFest Film Festival and Screenplay Contest permission to use their name, likeness, contact information provided, submitted work's title, logline, trailer, poster, and Grand Jury Results for publicity and promotional purposes. Contest participation signifies entrants' consent for B!tchFest Film Festival and Screenplay Contest, its agents, and contest sponsors to use their information for promotional purposes in any media, globally, without payment or consideration. All use of entrants’ information is in accordance with our Privacy Policy.
B!tchFest Film Festival & Screenplay Contest employs a panel of esteemed judges, consisting of industry professionals, to evaluate the submissions. Please understand that due to industry demands and schedules, the composition of our judging panel may evolve throughout the contest and evaluation process. B!tchFest Film Festival and Screenplay Contest reserves the right to add, change, or remove any members of the judging panel at anytime, while still ensuring the contest’s high-quality evaluation standards are consistently upheld.
By entering this contest, you authorize us to use any trusted third-party, online and cloud-based services and databases for hosting, organizing, tracking, managing, reviewing, and/or transmitting your submission file(s). B!tchFest Film Festival and Screenplay Contest cannot be held liable or financially responsible for any breaches in security with third-party, online and cloud-based services and databases used for managing this festival and its submissions, including but in no means limited to BitchfestLA.com and FilmFreeway services. By submitting to our festival, you are authorizing us to handle your film and/or screenplay using secure third party softwares.
Official Selections and Winners are responsible for their own personal travel and accommodation expenses to attend the festival. Award Winners will receive two complimentary tickets to the festival. All other cast and crew members must purchase event tickets in order to attend.
If a film or screenplay category winner does not respond to their status notification with requested materials and/or confirmation of participation by the requested response date, B!tchFest reserves the right to award a category finalist or runner-up in the winners place. We will still screen projects from submitters who are not able to attend the festival in person, but screeners must be delivered by the requested date in order to participate.
o Categories: Feature, Short, Music Video, TV Pilot Screenplay
Women’s Comedy Film Festival in Atlanta
The Women's Comedy Film Festival in Atlanta is a theatrical screening event in Atlanta for independent films featuring female filmmakers, actors, directors, writers and producers from all over the world. This is an amazing opportunity to showcase the talent of female directors, writers, actors, and everything in between right here in one of the world's fastest growing film communities. The Women's Comedy Film Festival also recognizes exceptional filmmaking and screenwriting with awards and nominations by our judging panel. Submit your film if you meet AT LEAST ONE of the following requirements:
o When/Where: March 15, 2025
o Deadline: April 30 (April Early Deadline), May 31 (Spring Early Deadline), July 31 (Summer Early Deadline), August 31 (Labor Day Deadline), September 30 (Fall Early Deadline), November 30 (Regular Deadline), December 31 (Late Deadline), January 31 (Final Deadline)
o Application Fee: $22.50-$50
o Eligibility: Script writers, in addition to submitting your script to the festival we also provide optional script coverage. Script coverage with our festival includes the price of your submission fee. Your work will be analyzed by a Cinema Life filmmaker who's produced award-winning films, has extensive writing experience, and also understands the indie way of filmmaking.
o Categories: Feature, Animated, Documentary, Comedy Short
Los Angeles Asian Film Festival
Los Angeles Asian Film Awards, originally called Las Vegas Asian Film Awards (LVAFA), was an independent festival that resides beneath the umbrella of AOF MegaFest, which is in its 19th year, is the largest film event of its kind in the world. Held in Las Vegas at the Premiere Theaters and Locations, the show regularly exceeds 20,000 guests and attendees. After a first successful annual event in Las Vegas with the legendary AOF MegaFest in summer 2021, it moved to Los Angeles, the center of the world film industry. Opportunities at Los Angeles Asian Film Awards are literally like no other in the world; Los Angeles Asian Film Awards can put more resources together and offer a wide variety of industry guests, seminar speakers, and panelists. We invite you to join festival director, Award-Winning Filmmaker and Writer Lureen Wu and honorable judge, director Roger Christiansen ("Friends," "Hannah Montana," "Tango Down") as they bring you a selection of pure Asian Cinema for Screenings and Awards. The situation surrounding COVID-19 has caused much pain in the film and entertainment industries, and no group has been affected more than Asian Filmmakers, Writers, and Creators. The Los Angeles Asian Film Awards is a hub and platform for Asian filmmakers to have their works seen and voices heard. Festival Director Lureen Wu was born and raised in Shanghai, China. She worked as a TV director in Shanghai for years, including TV documentaries, TV commercials, celebrity talk shows, and music videos. Early in her career in Shanghai, Lureen worked with the Emmy Award-winning television interviewer, Nancy Merrill, in the English talk show "Nancy Merrill: Minds of Millionaires" on the international channel of Shanghai TV Station(SMG) and CCTV NEWS. After moving to the United States, Lureen continued pursuing her career in film. She worked with filmmakers who are part of some best-known movies and TV shows such as Friends, Les Misérables（2012), The Big Bang Theory, Saw, Sex and The City, Iron Man 2, Grey's Anatomy, The Princess Diaries, Stranger Things, Game of Thrones......Our Festival is open to ALL Asian filmmakers, talents, and writers of all genres and lengths.
o When/Where: December 13
o Deadline: March 31 (Early Bird Deadline), May 31 (Regular Early Deadline), June 30 (Regular Deadline), July 31 (Regular Late Deadline), August 31 (Late Deadline), September 30 (Extended Deadline) November 15 (Final Deadline)
o Application Fee: $40-$55
o Eligibility: We are Accepting submissions for feature Narrative and Documentary, short Narrative and Documentary, Music Videos, TV Commercials, short/feature scripts. All genres are welcome. The festival programming staff will place your film in the appropriate category. To Enter for Competition your film or Project must have a writer, producer, talent or director of Asian descent in order to be eligible for awards.
o Categories: Feature, Short, Documentary, Documentary Short, Animation
Onscreen
‘Action Feature Film’
Casting for a confidential action feature film (under NDA.) Genre: Action, adventure, international crime; Languages: English, Spanish a plus; Production company: Beijing-based production studio (details under NDA); Director: A globally recognised filmmaker in the action genre (name withheld due to confidentiality). Production welcomes bold, expressive worldwide performers from around the world to audition.
o Roles: Various
o Rate: $3,200 - $160,000 (est. 4 months of work)
Offscreen
Welcome to the New York Metropolitan Screenwriting Competition & Film Awards
We love New York and we love film! We especially loves films shot, set, about, or written and produced and starring New Yorkers! And by New Yorker, we mean New Yorkers from the State, the City, and around the world. Even New Yorkers who haven’t made it here yet. We love you all. (And no, you don’t have to be here or be from here to submit your work).
We want to inspire New York’s next generation of great writers and filmmakers. We care deeply about nurturing, developing, and furthering the careers of the next generation of New York filmmakers and screenwriters from the U.S. and around the world. Our team is passionate about discovering new talent. Our greatest joy is in finding and recognizing talented artists first. We want our festival to inspire up and coming artists who are passionate about film. We are especially passionate about supporting artists in the ‘Mecca’ we call home. We love so many of the great films set in New York and made by New Yorkers. As such we love all kinds of genres of film from studio blockbusters to little indies. No two paths are ever the same and no two stories are either.
o When/Where: August 30
o Deadline: October 16 (Regular Deadline), November 13 (Ext. Regular Award), December 11 (Standard), January 15 (Ext. Standard Deadline), February 12 (Late Deadline), March 12 (Extended Late), April 16 (Final Deadline), May 14 (Extended Late)
o Application Fee: $49-65
o Eligibility: We accept projects from all over the world not just the US and from writers of all shapes and sizes, ethnicities, sexes and sexual orientations.
o Categories: Screenplay, Awards
Script Awards Los Angeles
Since 2016, we awarded 167 authors and selected an additional 563 authors. We reward ideas, talent, and narrative structure. The script is the core of any project. We want to enlighten the unique talent of writing and the original skill of storytelling, regardless of the genre and style. The Script Awards Los Angeles is an International script and authors competition. The contest was previously named the Script Showcase.
o When/Where: October 30
o Deadline: September 2 (Deadline 4), September 23 (Deadline 5), October 14 (Deadline 7)
o Application Fee: $5-80
o Eligibility: Every submission MUST come with: at least a logline or best: a 10 lines synopsis (in "overview"), an author biography, City / State. THESE ELEMENTS ARE MANDATORY Cherry on top: a writer's note or short letter of intent is greatly appreciated by the judges.
o Categories: Feature, Short
LA Independent Women in Film Awards
LA Independent Women Film Awards focuses on international and U.S. film and script projects of all genres. Every season, the IMDb qualifying fest recognizes projects with a female producer, director, lead actress, writer, cinematographer, editor, composer, etc. All topics related to women's thoughts, women's fate, life conditions, women's views and so on are welcome to participate. All the winners will be promoted through various online magazines in California and can request to receive certificates and laurels. All the winners can request for screening through our festival. Our mission is designed to help create a platform for our filmmakers to be seen, but more importantly, get them the industry exposure to help sustain their craft for many years to come.The members of our jury will be award winning artists working in media from all over the world. All the award winners can request to be a jury member of a new edition of the festival in order to vote for one of the categories. LA Independent Women Film Awards is an outstanding event for promoting female artists working in media from all over the world.
o When/Where: August 31
o Deadline: September 16 (Regular Deadline), October 16 (Final Deadline)
o Application Fee: $30-$60
New York International Screenplay Awards
New York International Screenplay Awards is an international screenplay competition for screenwriters who aspire to connect with the US industry workers and explore the US markets. NYISA winners will be connected to the US film industry by the valued Sponsors; InkTip, Script Mailer, R2W2 talent & project accelerator/ consulting, Script Reader Pro, Screenwriting Software Final Draft!, And much more!
o When/Where: May 7
o Deadline: July 7 (Early Bird Deadline), November 24 (Regular Deadline), February 9 (Late Deadline), April 13 (Extended Deadline)
o Application Fee: $18-$60
o Eligibility: All scripts must be submitted in English, formatted in 12-point courier font.
Entry fees must be paid in U.S. dollars. Entry in the competition is void where prohibited by law.
Screenplays written by up to four people may be entered in the contest. Only one entry fee is required for such entries. All writers' names should be listed on the online entry. All writers must authorize the submission of the entry. If a screenplay is written by multiple authors, prizes will be divided at the writers' discretion.
All entries must be uploaded in PDF format. (www.freepdfconcert.com)
Entrants to the NYISA retain all rights to their screenplays.
Entries must be received by the applicable Entry Deadline.
Once a script has been entered into the competition, we will not accept substitutions or revised drafts. If you wish to submit a revised draft of your script, you must enter it as a new submission.
NYISA will not share your screenplay with anyone except the official judges of the competition.
By entering the NYISA, you represent that your entry is your original work, and does not infringe on the copyright or other rights of other people.
Entry fees are non-refundable.
We do not accept hardcopy submissions by mail.
Submissions must be the original work of the applicant. Entries may be adapted from the applicant's own work.
The decisions of the judges are final.
NYISA reserves the right to make any necessary changes, postponements, or cancellations to event scheduling at our discretion.
Notification of winners and official finalists will be sent by email and posted on our website. It is the responsibility of the winners to redeem any prizes allotted to them by the NYISA or our sponsors. Applicants will be responsible for providing current contact information and mailing addresses for prize redemption purposes.
Feature screenplays must be between 41 and 150 pages in length.
Short screenplays must be between 1 and 40 pages in length. Please email us if you have a longer screenplay that you would like to submit.There is no limit to the number of screenplays you may submit.
Under absolutely no circumstances will substitutions of either corrected pages or new drafts of the entry screenplay(s) be made. Screenplays will not be returned.
Screenplay titles cannot be changed upon resubmission under any circumstances.
o Categories: Feature, Short, TV Pilot
Swordfish Productions Pictures
Swordfish Productions Pictures is interviewing for the following Crew positions for an $80,000 Live-Action Short in New York.
o Roles: DP/Lighting, Picture Editor/Color, Sound Recorder/Mixer/Editor, Script Sup/Production Designer, 1stAD, Wardrobe/Hair/Makeup, Crafty, 2 PAs.
o Submission Guidelines: Please email 1-2 page Current Resume with 2 Biz Refs all contact info to SPECIALFILM@gmail.com.
Hollywood Storytellers Script Competition
The Hollywood Storytellers Script Competition (formerly The LA International Script Competition) is an annual event where outstanding Feature, Short, and TV Pilot Scripts are evaluated and placed in our all-inclusive genre contest. One writer from each genre and medium will be awarded the genre winner of their respective category. One feature screenplay writer, one short screenplay writer, and one TV pilot script writer will advance and receive the overall "grand prize winner" title. Call for entries open in January and close in November with announcements and subsequent information to follow. If you have a produced script, we'd be delighted to invite you to submit to our sister competition: The Hollywood Storytellers Film Festival
o When/Where: March 21-22
o Application Fee: $28-80
o Deadline: May 31 (Regular Deadline), July 31 (Extended Deadline), September 30 (Last Call Deadline), November 2 (Final Deadline)
o Categories: Feature Script, Short Script
Torch Literary Arts
Torch Literary Arts welcomes submissions of original creative work by Black women writers. We are interested in work that challenges and disrupts preconceived notions of what contemporary writing by Black women should be. Your stories and poems are valuable and necessary. Write freely and submit what you are excited to share with the world. Submissions are accepted for Friday Features only. We accept submissions on a rolling basis. Simultaneous submissions to other journals are welcome as long as they are identified as such and we are notified immediately upon acceptance elsewhere.
o Deadline: Rolling Basis
o Application Fee: No Fee
o Eligibility: Include a one (1) page cover letter noting the title(s) of the work(s) submitted.
Upload your text submission as a Word (DOC, DOCX) or portable document format/PDF (PDF).
Typed, double-spaced (poetry may be single-spaced) pages.
Numbered pages.
Margins should be set at no less than 1” and no greater than 1.5”.
Poetry: submit up to five (5) poems totaling no more than eight (8) pages.
Fiction, Hybrid genre: 12-point font. No more than ten (10) pages or 2500 words (whichever is achieved first). Excerpts of longer works are welcome if self-contained.
Drama/Screenwriting: submit one act or a collection of short scenes no longer than ten (10) pages. Excerpts of longer works are welcome if self-contained. Indicate if a performance video or dramatic audio reading will be available with the text submission if selected.
Restrictions: We do not reprint previously published work for TORCH Friday Features.
o Categories: Scripts
A24
Based in NY and LA, A24 is the Academy Award-winning film and TV studio behind feature films such as Minari, Midsommar, Moonlight, Ex Machina, Uncut Gems, and this summer’s Zola and The Green Knight. A24 TV productions include the Emmy-winning series Euphoria for HBO starring Zendaya, Hulu series Ramy from Golden Globe-winner Ramy Youssef, the eponymous variety series from viral comedy sensation Ziwe for Showtime, the forthcoming Joseph Gordon-Levitt Apple series Mr. Corman, and the Netflix anthology series Beef starring Oscar nominee Steven Yeun and Ali Wong.
o Seeking: Various Roles
o Location: Los Angeles, CA & New York, NY
o Website: https://a24films.com/jobs
The Kate Spade New York Foundation
o To honor Kate Spade’s legacy of empowering and inspiring women and girls, the National Council for Behavioral Health is excited to provide complimentary Mental Health First Aid training to communities throughout the five boroughs of New York City and New Jersey and in partnership with organizations that specifically support these populations.
What is Mental Health First Aid?
Just as CPR helps you assist an individual having a heart attack, Mental Health First Aid helps you assist someone experiencing a mental health or substance use-related crisis. In the Mental Health First Aid course, you learn risk factors and warning signs for mental health and addiction concerns, strategies for how to help someone in both crisis and non-crisis situations, and where to turn for help.
The National Council for Behavioral Health shares Kate Spade New York Foundation’s belief in “the power of women to transform their communities” through empowerment. In support of this mission, we are offering through a competitive application process, select Mental Health First Aid and Youth Mental Health First Aid training, fully funded!
o Location: New York, NY
o Website
Funding
Roy W. Dean Grants
Now entering its fourth decade, the Roy W. Dean Film Grants fund independent feature films, documentaries, web series, and short films with budgets of $500,000 or less that are unique and make a contribution to society that, without its help, might otherwise never get made.
o Deadline: April 29 (Short Film Grant), June 30th (Roy W Grant - Summer), October 31 (Roy W Grant - Fall), November 30 (Carole Dorothy Joyce Grant)
o Application Fee: None
o Eligibility: We want a one page synopsis (or outline) of the film and the first 10 pages of your script. Please be sure also include the following:
Style, format and approach to the material, including any distinct visual or technical elements.
What are your plans for distribution?
Are you the producer, director, what?
How is this project unique and how does this project benefit society?
What is your relationship to the material?
List name and position of proposed key production personnel (producer, director, cinematographer, editor, etc.) List their relevant experience or credits.
o Contact: artistdevelopment@filmindependent.org
Artslink International Fellowship
The ArtsLink International Fellowship program prioritizes applicants whose social practices seek to actively engage communities on issues related to the current climate emergency and human rights. We will actively encourage artists and arts leaders whose work is making a vital contribution to furthering people’s awareness, understanding, and active participation in environmental and/or social justice issues. Additionally, we will prioritize artists recently displaced from or still working in Afghanistan and Ukraine.
o Deadline: Letter of Inquiry deadline will be announced in January 2025 Fellowships take place in 2026: online research in May and in person residencies in the US in October-November
o Application Fee: None
o Eligibility: CEC ArtsLink welcomes applications from contemporary artists, curators, and arts leaders whose work is shaped by community engagement and social practice strategies, and informed by our most urgent local and global issues. We welcome applications from artists of any generation and invite those with both traditional and non-traditional artistic backgrounds. Applicants must be citizens of one of our network countries. If you are living outside the region, please indicate where you are currently based. Please note that an ability to communicate both verbally and in written English will be essential to success in the program. Undergraduate students and research scholars are not eligible. Arts leaders/curators must be affiliated with an arts organization in the non-commercial sector or work as individual independent arts professionals. Artists seeking placement in commercial firms are ineligible. ArtsLink International Fellows from prior years are not eligible to reapply.
Sloan Distribution Grant
The Sloan Distribution Grant is a $50,000 grant awarded by Film Independent to a film that is entering its distribution phase. Eligible films must depict themes, stories and characters grounded in real science, technology or economics.
o Deadline: Rolling
o Application Fee: $65
o Eligibility: Applicants must be the producer of a narrative fiction feature film.The film should prominently feature science, mathematics and/or technology in the story and/or have a leading character that is a scientist, engineer or mathematician. Films with innovative marketing and distribution plans are encouraged to apply. All submitted films must be at least 70 minutes in length. Applicants must be legal residents of the United States. Film must be entering its distribution phase.
o Contact: artistdevelopment@filmindependent.org
Panavision New Filmmaker Program
Panavision believes in helping students and beginning filmmakers achieve their dreams. More than 25 years ago, Panavision launched the New Filmmaker Program, an ongoing grant program that loans camera packages to film schools, training programs, and independent filmmakers – at little or no charge. Panavision’s commitment to the industry's future provides student and beginning filmmakers the opportunity to work with professional grade equipment early in their careers.
o Deadline: Rolling
o Application Fee: Free
o Eligibility: Submit your proposals at least two months before you plan to shoot. Due to the high demand for Panavision cameras and equipment, it is essential that you plan ahead and contact us early.
Proposal materials will not be returned.
The New Filmmaker Program does not discriminate as to the nature of the project that can receive equipment grants. Any form, from experimental to documentary to musical to traditional narrative, is welcome.
Camera grants are available only for productions in the United States. Customs laws make transportation of cameras out of the US prohibitive. No exceptions.
The New Filmmaker Program will not allow cameras to be used on projects that perpetuate racial or sexual stereotypes and prejudices. Pornography is absolutely unacceptable.
Grant recipients must obtain insurance from an outside insurance agent. Students can generally have the school issue the necessary policies. Plan ahead! This can take several weeks to implement. The process varies from school to school, so check with your film department. Productions that are not attached to a school must obtain the necessary insurance from an independent broker. Panavision must receive proof of insurance two weeks prior to prep dates. EQUIPMENT WILL NOT LEAVE THE BUILDING WITHOUT PROPER INSURANCE. NO EXCEPTIONS!
Approved proposals are subject to a service fee for equipment.
Anamorphic lenses are not available via the New Filmmaker Program
All gear is requests are subject to availability
o Contact: nfp@panavision.com
Catapult Film Fund
Catapult Film Fund provides development funding to documentary filmmakers who have a compelling story to tell, have secured access to their story, and are ready to shoot and edit a piece for production fundraising purposes. Our mission is to enable filmmakers to develop their films to the next level at a moment where funding is hard to find.
o Deadline: Rolling
o Application Fee: Free
o Eligibility: Applicants must be 18 years of age or older. Catapult does not fund student films.
Documentaries must be 28 minutes or longer in length. We do not fund series.
Animation is okay. Documentary/narrative hybrids will be considered on a case-by-case basis.
Development funds must specifically be used for the process of completing a fundraising piece, which may include writing, shooting and editing once story and characters are in place.
Applicants must own the copyright of their production, and have artistic, budgetary and editorial control over their project.
Applicants should preferably have previous film or television production experience in a principal role (director, co-director, producer, co-producer) as demonstrated by submitting a previously completed work sample.
Applicants who have not yet produced or directed their own feature length documentary should demonstrate that they will be working with an experienced filmmaker in a principal role.
Catapult only makes grants to 501(c)(3) organizations. In most cases, this will mean getting a 501(c)(3) fiscal sponsor for the project. A film production company or individual, including applicants from outside the US, may submit an application without a fiscal sponsor in place. Please see the FAQ section for more details.
o Contact: info@catapultfilmfund.org
Residencies
18th Street Arts Center
18th Street Arts Center values art making as an essential component of a vibrant, just, and healthy society. Its mission is “to provoke public dialogue through contemporary art making.” Founded in 1988, 18th Street Arts Center has fostered and supported the work of many of Los Angeles’ most engaging artists, and has built bridges to artist communities around the globe.
o Deadline: Ongoing
o Application Fee: Yes
o When: Ongoing
o Eligibility: The Visiting Artist Residency Program accepts applications from working, professional artists who demonstrate a deep commitment to their practices. The program is open to artists of all generations, nationalities, and disciplines. Applicants are required to cover studio rental costs themselves. Although we primarily support visual artists, 18th Street Arts Center will consider applications from performing artists, writers, and filmmakers as well.
o Address: 1639 18th Street, Santa Monica, CA 90404
o Contact: 310-453-3711
Other Resources
NOTE: For more resources, visit our pages of Resources - Funding, Submissions, and more.
NYFA SOURCE - The New York Foundation for the Arts maintains the most comprehensive national directory of awards, services and publications for artists in the NYFA Source section of their website.
FILM FREEWAY - Film/Video artists can check Film Freeway at: